‘Jungle’ Organized as Part of Argentinian Shows Event in Riyadh

The Theater and Performing Arts Commission logo
The Theater and Performing Arts Commission logo
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‘Jungle’ Organized as Part of Argentinian Shows Event in Riyadh

The Theater and Performing Arts Commission logo
The Theater and Performing Arts Commission logo

The Saudi Theater and Performing Arts Commission has organized the art show 'Jungle,' the sixth event of the Argentinian shows that the commission is holding to enrich the cultural content through attracting performing arts from various countries of the world.

The show, which runs until Saturday on the blue stage of the Princess Nourah bint Abdulrahman University in Riyadh, featured traditional Brazilian performing arts mixed with the sounds of South American enchanting forests, while an orchestra took part in performing musical pieces that reflect the general atmosphere of life in those forests.

The commission held an accompanying promotional exhibition, which included interactive experiences that highlighted the concept of the event coming from Argentina.

The Argentinian shows event will continue until December 9 with various performing arts and exhibitions from Argentina and South America.



Frida Kahlo Portrait Could Sell for $60 Million and Shatter Records at Sotheby’s

Visitors attend the "Frida Kahlo: Masterpieces from the Museo Dolores Olmedo, Mexico City" exhibition at the Hungarian National Gallery in Budapest, Hungary, August 2, 2018. Picture taken August 2, 2018. (Reuters)
Visitors attend the "Frida Kahlo: Masterpieces from the Museo Dolores Olmedo, Mexico City" exhibition at the Hungarian National Gallery in Budapest, Hungary, August 2, 2018. Picture taken August 2, 2018. (Reuters)
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Frida Kahlo Portrait Could Sell for $60 Million and Shatter Records at Sotheby’s

Visitors attend the "Frida Kahlo: Masterpieces from the Museo Dolores Olmedo, Mexico City" exhibition at the Hungarian National Gallery in Budapest, Hungary, August 2, 2018. Picture taken August 2, 2018. (Reuters)
Visitors attend the "Frida Kahlo: Masterpieces from the Museo Dolores Olmedo, Mexico City" exhibition at the Hungarian National Gallery in Budapest, Hungary, August 2, 2018. Picture taken August 2, 2018. (Reuters)

Frida Kahlo’s face is one of the best known in art, thanks to her bold and challenging self-portraits.

A lesser-seen self-depiction by the Mexican artist is going up for auction at Sotheby’s in what could be a record-setting sale.

With an estimated price of $40 million to $60 million, "El sueño (La cama)" – in English, "The Dream (The Bed)" — may surpass the top price for a work by any female artist when it goes under the hammer on Nov. 20. That record currently stands at $44.4 million, paid at Sotheby’s in 2014 for Georgia O’Keeffe’s "Jimson Weed/White Flower No. 1."

The highest price at auction for a Kahlo work is $34.9 million, paid in 2021 for "Diego and I," depicting the artist and her husband, muralist Diego Rivera. Her paintings are reported to have sold privately for even more.

"It's not just one of the more important works by Kahlo, but one of a few that exists outside of Mexico and not in a museum collection," said Julian Dawes, vice chairman and head of impressionist and modern art for Sotheby’s Americas. "So as both a work of art and as an opportunity in the market, it could not be more rare and special."

Kahlo vibrantly and unsparingly depicted herself and events from her life, which was upended by a bus accident at 18. She started to paint while bedridden, underwent a series of painful surgeries on her damaged spine and pelvis, then wore casts until her death in 1954 at age 47.

Painted in 1940, "El sueño (La cama)" shows the artist, wreathed in vines, lying in a four-poster bed floating in a pale blue sky. A skeleton wired with dynamite and clutching a bouquet of flowers lies atop the canopy.

The image is exploding with symbolism and feels like an allegory – but the artist really did have a papier-mâché skeleton on top of her bed.

Dawes said it's a psychological self-portrait by an artist at her peak.

"Her greatest works derive from this moment between the late 1930s and the early 1940s," he said. "She has had a variety of tribulations in her romantic life with Diego, in her own life with her health, but at the same time she’s really at the height of her powers."

Last exhibited publicly in the late 1990s, the painting is the star of a sale of more than 100 surrealist works by artists including Salvador Dalí, René Magritte, Max Ernst and Dorothea Tanning. They are from a private collection whose owner has not been disclosed.

A century after Andre Breton’s "Surrealist Manifesto" defined a revolutionary artistic movement characterized by unsettling juxtapositions and paradoxical statements, interest in – and prices for – surrealist art are booming. Surrealism’s share of the art market rose from 9.3% to 16.8% between 2018 and 2024, according to Sotheby’s. Magritte’s "L’empire des lumières" sold last year for $121.2 million, a record for a surrealist work.

Kahlo resisted being labeled a surrealist, but Dawes said her "fascination with the subconscious" and use of otherworldly imagery place her squarely in that tradition.

He said it’s no surprise the genre is undergoing a resurgence.

"There are so many interesting parallels between the 1920s and the 2020s," Dawes said. "Coming out of a crippling global pandemic, a world that has to confront war on a more graphic and intimate level that had ever been experienced before — and economic and political and social forces swirling in the background that are eerily similar."

The Kahlo painting is on show at Sotheby’s in London until Tuesday, and then tours to Abu Dhabi, Hong Kong and Paris before the sale in New York.


Saudi Cultural Development Fund Sponsors Leadership Initiatives at Biban Forum

Saudi Cultural Development Fund Sponsors Leadership Initiatives at Biban Forum
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Saudi Cultural Development Fund Sponsors Leadership Initiatives at Biban Forum

Saudi Cultural Development Fund Sponsors Leadership Initiatives at Biban Forum

The Saudi Cultural Development Fund (CDF) announced its participation in the Biban Forum 2025, organized by the Small and Medium Enterprises General Authority (Monsha'at) in Riyadh.

 

The fund is taking part as a sponsor of cultural leadership, reflecting its commitment to fostering an entrepreneurial environment that supports cultural projects and empowers the growth of businesses and entrepreneurs in the cultural sector, SPA reported on Wednesday.

Throughout the forum, the fund will hold a variety of activities across the forum’s sections, including a main pavilion within the Funding and Investment Door to showcase its financial solutions, particularly cultural financing, designed to support micro, small, and medium enterprises across all cultural fields. The CDF will also present its development solutions to promote cultural entrepreneurship.

In addition, CDF CEO Majed Al-Hogail will participate in a dialogue session to highlight the fund's innovative financing models to support the growth of cultural institutions. He will also discuss the transformation of the cultural sector under Saudi Vision 2030, positioning culture as a key driver of sustainable development and underlining its economic and social impact.

As part of its empowerment efforts, the CDF is enabling 20 cultural enterprises to participate in Startup Door, providing them with opportunities to showcase their services to visitors and investors and to strengthen their presence within the Kingdom’s entrepreneurial ecosystem.

 

This initiative underscores the fund’s dedication to helping beneficiaries expand their networks and build partnerships that enhance their local and global reach.

At the Business Support Center, the fund is offering free, specialized consultations to entrepreneurs on financial, administrative, and technical aspects of their cultural projects, helping them overcome challenges, develop their skills, and successfully establish and operate sustainable cultural ventures.


King Tut’s Collection Displayed for First Time at Egypt’s Grand Museum 

The golden funerary mask of ancient Egyptian King Tutankhamun is displayed inside the Tutankhamun Gallery at the Egyptian Grand Museum near the Giza pyramids in Cairo on November 4, 2025. (AFP)
The golden funerary mask of ancient Egyptian King Tutankhamun is displayed inside the Tutankhamun Gallery at the Egyptian Grand Museum near the Giza pyramids in Cairo on November 4, 2025. (AFP)
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King Tut’s Collection Displayed for First Time at Egypt’s Grand Museum 

The golden funerary mask of ancient Egyptian King Tutankhamun is displayed inside the Tutankhamun Gallery at the Egyptian Grand Museum near the Giza pyramids in Cairo on November 4, 2025. (AFP)
The golden funerary mask of ancient Egyptian King Tutankhamun is displayed inside the Tutankhamun Gallery at the Egyptian Grand Museum near the Giza pyramids in Cairo on November 4, 2025. (AFP)

Thousands of visitors streamed through the Grand Egyptian Museum on Tuesday as almost the entire collection of King Tutankhamun's treasures -- over 4,500 artifacts -- was displayed together for the first time since the young pharaoh's tomb was discovered in 1922.

Curated and conserved over nearly two decades, the collection was unveiled to the public two days after the museum's lavish opening ceremony on Saturday.

In a vast, dimly lit main hall spanning four levels, visitors gazed at chariots, household items, jewelled ornaments and, at the center, Tutankhamun's iconic golden mask.

The mask sits surrounded by personal belongings, gilded tools, family heirlooms and funerary statues.

An adjacent room showcases two small mummified princesses -- Tutankhamun's daughters who died before birth -- also on public display for the first time.

Tutankhamun died aged 18 or 19 between 1323 and 1324 BC, with genetic and radiological studies suggesting malaria combined with a bone disorder as his cause of death.

He was mummified and buried in Luxor's Valley of the Kings inside three nested coffins, the smallest weighing 110kg, all placed within four gilded shrines like matryoshka dolls.

While the coffins are now at the museum, the mummy remains in Luxor.

Visitors can also see the Khufu Sun Boat, described as the oldest and largest wooden artifact in human history, while a second solar boat is being restored.

These 4,600-year-old funerary boats, made of cedar and acacia, were intended to transport the king into the afterlife.

The first, measuring 43.5 meters, was discovered in 1954 at the base of the Great Pyramid; the second will soon be displayed behind glass in a live restoration lab.

The museum, a monumental structure overlooking the Giza Plateau, contrasts sharply with the colonial-era, cramped Egyptian Museum in central Cairo.

Natural light filters through vast triangular windows, illuminating both colossal statues and delicate jewellery from Egypt's ancient civilization.

President Abdel Fattah al-Sisi officially opened the $1-billion museum on Saturday in a ceremony attended by kings, queens, heads of state and other dignitaries.

Egypt hopes the museum will revive tourism and bolster its economy.

Egyptian Tourism Minister Sherif Fathy expects five million annual visitors, which would make it among the most visited museums in the world.

So far, he said, it had welcomed 5,000-6,000 visitors each day.