Louvre Workers Vote to Strike in Another Blow to the Paris Museum 

This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
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Louvre Workers Vote to Strike in Another Blow to the Paris Museum 

This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)

Workers at the Louvre Museum voted Monday to strike over working conditions and other complaints, dealing another blow to the Paris landmark and home of the Mona Lisa after an embarrassing jewelry heist in October.

The CFDT union said the vote was taken at a meeting of 400 workers on Monday morning and that they decided to strike for the day.

The world’s most-visited museum didn’t open as scheduled and turned people away. A notice on the Louvre's website said, “the museum is closed for the moment.”

“It's really sad, because I was really looking forward to this,” said Lindsey Hall, a bitterly disappointed would-be visitor from Sacramento, California. She had been planning to enjoy the museum's huge collection of art and artifacts with a friend, describing it as “one of those life experiences you crave.”

“This is just an epic collection of art and something that every human should see,” she said. “I can see the other side of it, like if you are the person that works in the museum and how that can be, like day after day after day.”

The strike vote followed talks last week between labor unions and government officials, including Culture Minister Rachida Dati. Labor leaders said the talks had not alleviated all of their concerns about staffing and financing for the museum that welcomes millions of visitors each year.

“Visiting the museum has become an obstacle course,” said Alexis Fritche, general secretary of the culture wing of the CFDT union.

For employees, the daylight jewel heist crystallized long-standing concerns that crowding and thin staffing are undermining security and working conditions at the Louvre.

Thieves used a basket lift to reach the Louvre’s facade, forced a window, smashed display cases and fled with pieces of the French crown jewels. A Senate inquiry released last week said the thieves escaped with barely 30 seconds to spare and pointed fingers of blame at broken cameras, outdated equipment, understaffed control rooms and poor coordination that initially sent police to the wrong location.

In a statement, the CFDT said employees wants more staffing for security and to welcome visitors, improved working conditions, stable long-term budgets for the Louvre and leadership that “truly listens to staff.”

Yvan Navarro of the CGT union complained that staff numbers have continually decreased while visitor numbers have increased.

“People come to Paris to visit the museums. So the visitor numbers go up, the tariffs and the prices go up, because everything is becoming more expensive, but the salaries and the numbers of staffers don't go up so obviously you reach a point like today, a day of anger,” he said.



Lucian Freud Sue Tilley Portrait Could Fetch $47 Million at Auction

Sue Tilley, a model for British painter Lucian Freud, speaks in front of Freud's painting of her, titled "Sleeping by the Lion Carpet" during an interview in Sotheby's auction house in London, Thursday, May 28, 2026. (AP)
Sue Tilley, a model for British painter Lucian Freud, speaks in front of Freud's painting of her, titled "Sleeping by the Lion Carpet" during an interview in Sotheby's auction house in London, Thursday, May 28, 2026. (AP)
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Lucian Freud Sue Tilley Portrait Could Fetch $47 Million at Auction

Sue Tilley, a model for British painter Lucian Freud, speaks in front of Freud's painting of her, titled "Sleeping by the Lion Carpet" during an interview in Sotheby's auction house in London, Thursday, May 28, 2026. (AP)
Sue Tilley, a model for British painter Lucian Freud, speaks in front of Freud's painting of her, titled "Sleeping by the Lion Carpet" during an interview in Sotheby's auction house in London, Thursday, May 28, 2026. (AP)

A painting of Sue ‌Tilley, who found fame after artist Lucien Freud depicted her in the nude, will be auctioned next month with a price estimate of up to $47 million.

"Sleeping by the Lion Carpet" (1995-1996) is the last of four portraits the late British artist painted of Tilley or "Big Sue", a benefits supervisor and considered among his greatest works.

Depicting her naked and sleeping in an armchair, the painting has been part of businessman Joe Lewis's family collection since 1996. It is being offered at auction for the ‌first time at Sotheby's ‌with a price estimate of £25 million ‌to £35 ⁠million ($33.56 million to $46.99 ⁠million)

"It's made my life exciting," Tilley told Reuters on Friday at Sotheby's in London.

"I think that people can't believe that such a fat woman would take her clothes off and let someone paint her... I'm not really a vain person... everybody in the world is all different, all different shapes ⁠and sizes, so it's nice to have a ‌nice big one up there."

The ‌four canvases of Tilley, which Freud painted between 1993 and 1996, "are widely ‌regarded not only as the artist’s greatest body of ‌work, but also among the most important, most radical and most powerful paintings of the human figure in the entire history of art," Sotheby's said.

Among the four, "Benefits Supervisor Sleeping" (1995), showing Tilley sleeping on a ‌sofa, sold at auction for $33.6 million in 2008 - at the time, a record for a ⁠work by ⁠a living artist. In 2015, "Benefits Supervisor Resting" (1994), depicting Tilley sitting in the corner of a sofa with her head back, sold for $56.2 million.

"It's very rare that at auction we handle literally one of the greatest works the artist ever produced. So this is a real opportunity for a great collector and a masterpiece collector to acquire something," Oliver Barker, chairman of Sotheby's Europe, said.

"Sleeping by the Lion Carpet" will be sold as part of the "Masterpieces from the Lewis Collection" London auction on June 24.

Freud, known for his nude, fleshy portraits of family, friends and himself, died in 2011.


Festival Honoring Lithuania’s Iconic Cold Beet Soup Brings Thousands to Vilnius

"Šaltibarščiai" beetroot soup is prepared during the Pink Soup Fest 2026, an annual event celebrating the in Vilnius, Lithuania, on May 30, 2026. (AFP)
"Šaltibarščiai" beetroot soup is prepared during the Pink Soup Fest 2026, an annual event celebrating the in Vilnius, Lithuania, on May 30, 2026. (AFP)
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Festival Honoring Lithuania’s Iconic Cold Beet Soup Brings Thousands to Vilnius

"Šaltibarščiai" beetroot soup is prepared during the Pink Soup Fest 2026, an annual event celebrating the in Vilnius, Lithuania, on May 30, 2026. (AFP)
"Šaltibarščiai" beetroot soup is prepared during the Pink Soup Fest 2026, an annual event celebrating the in Vilnius, Lithuania, on May 30, 2026. (AFP)

A festival honoring Lithuania’s iconic cold beet soup brought tens of thousands of visitors Saturday to its capital city, which was fully decked out in pink.

The colorful three-day Vilnius Pink Soup Fest featured a synchronized "Pink Break" lunch of revelers from across the globe all sharing in the beet soup, known as šaltibarščiai, sitting at long tables.

Organizers estimated that more than three metric tons (6,614 lbs) of the fermented milk drink kefir, a key ingredient, would be consumed over the three days and more than 100,000 people would attend the event.

Lithuanians devour the refreshing soup during the Baltic country's short summer. Besides beets and kefir, the ingredients include boiled potatoes, eggs, cucumbers and dill.

The festival attracted an international crowd, including tourist Connor Holmes, who came from the United Kingdom after he found the event online and thought "it was completely ridiculous in the best possible way."

"Before I knew it, I was building a suit of pink knight armor, carrying a spoon instead of a sword, and decorating my shield with eggs, dill and potatoes," he said. "At that point, coming to Vilnius and seeing all this craziness myself felt like the next logical step."

The city transformed into a giant pink playground as tourists and locals alike dressed up in pink. Others celebrated in cucumber, egg and beet costumes as the city hosted a parade on land as well as along the Neris River.

Jolanta Žukienė, a teacher from Vilnius, said this year was her fourth time attending the festival. She brought her three children and her husband along on Saturday.

"I can see how the number of attractions and visitors from abroad is growing, and Vilnius is becoming a real magnet for everyone who loves good food and unique experiences," she said.

The festival is part of the city's efforts to increase tourism to the Baltic country.

"Looking at the crowds on the banks and the decorated boats, we joked that cold beet soup already dominates both land and water," said Dovilė Aleksandravičienė, director of Go Vilnius, the city's development agency. "Perhaps the air is next."


Sunken Treasures Exhibition Showcases Red Sea Maritime Heritage, Conservation Efforts

The "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition at the Red Sea Museum in Historic Jeddah documents underwater archaeological discoveries off the Saudi coast. (SPA)
The "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition at the Red Sea Museum in Historic Jeddah documents underwater archaeological discoveries off the Saudi coast. (SPA)
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Sunken Treasures Exhibition Showcases Red Sea Maritime Heritage, Conservation Efforts

The "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition at the Red Sea Museum in Historic Jeddah documents underwater archaeological discoveries off the Saudi coast. (SPA)
The "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition at the Red Sea Museum in Historic Jeddah documents underwater archaeological discoveries off the Saudi coast. (SPA)

The "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition at the Red Sea Museum in Historic Jeddah documents underwater archaeological discoveries off the Saudi coast. It highlights national and international partnerships, including collaboration with UNESCO, to explore, protect, and document underwater cultural heritage within an integrated ecological and cultural framework.

By showcasing these discoveries, the exhibition elevates public awareness around preserving marine history and underscores the Kingdom’s growing leadership in the field of maritime archaeology, the Saudi Press Agency said.

The exhibition illustrates the historical transformations of the Red Sea as a vital trade, pilgrimage, and communication route linking Asia, Africa, and the Mediterranean over thousands of years.

Visitors can explore documented evidence of historic shipwrecks discovered off the coastlines of Jeddah, Yanbu, Umluj, and the Farasan Islands. These sites have revealed the remains of ancient merchant vessels that succumbed to the sea during various historical periods, offering a rare glimpse into the intense maritime activity that defined the region over the centuries.

Among the displayed collections are diverse maritime archaeological finds, including stone and wooden anchors, Chinese and Islamic ceramics, ancient pottery, glassware, coins, and vintage navigational instruments used to transport goods across the waves. These artifacts reflect the historical prominence of Saudi ports and their strategic role in connecting global trade routes between the East and West.

Additionally, the exhibition highlights ongoing Saudi research, scientific documentation, and specialized training programs designed to cultivate national expertise in deep-sea conservation, ensuring these treasures are safeguarded for future generations.