Titanic Expedition Yields Lost Bronze Statue, High-Resolution Photos and Other Discoveries

 This image released on Monday, Sept. 2, 2024, shows the bow of the Titanic with a large section of the deck railing now missing photographed this summer by a company with salvage rights to the wreck site on its first expedition there in many years. (RMS Titanic Inc. via AP)
This image released on Monday, Sept. 2, 2024, shows the bow of the Titanic with a large section of the deck railing now missing photographed this summer by a company with salvage rights to the wreck site on its first expedition there in many years. (RMS Titanic Inc. via AP)
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Titanic Expedition Yields Lost Bronze Statue, High-Resolution Photos and Other Discoveries

 This image released on Monday, Sept. 2, 2024, shows the bow of the Titanic with a large section of the deck railing now missing photographed this summer by a company with salvage rights to the wreck site on its first expedition there in many years. (RMS Titanic Inc. via AP)
This image released on Monday, Sept. 2, 2024, shows the bow of the Titanic with a large section of the deck railing now missing photographed this summer by a company with salvage rights to the wreck site on its first expedition there in many years. (RMS Titanic Inc. via AP)

A bronze statue from the Titanic — not seen in decades and feared to be lost for good — is among the discoveries made by the company with salvage rights to the wreck site on its first expedition there in many years.

RMS Titanic Inc., a Georgia-based company that holds the legal rights to the 112-year-old wreck, has completed its first trip since 2010 and released images from the expedition on Monday. The pictures show a site that continues to change more than a century later.

The trip to the remote corner of the North Atlantic Ocean where the Titanic sank happened as the US Coast Guard investigates the June 2023 implosion of the Titan, an experimental submersible owned by a different company. The Titan submersible disaster killed all five people on board, including Paul-Henri Nargeolet, who was director of underwater research for RMS Titanic.

The findings from this summer's trip “showcase a bittersweet mix of preservation and loss,” RMS Titanic said in a statement. A highlight was the rediscovery of the statue “Diana of Versaille,” last seen in 1986, and the statue now has a clear and updated image, the company said.

On a sadder note, a significant section of the railing that surrounds the ship bow's forecastle deck has fallen, RMS Titanic said. The railing still stood as recently as 2022, the company said.

“The discovery of the statue of Diana was an exciting moment. But we are saddened by the loss of the iconic Bow railing and other evidence of decay which has only strengthened our commitment to preserving Titanic’s legacy," said Tomasina Ray, director of collections for RMS Titanic.

The crew spent 20 days at the site and returned to Providence, Rhode Island, on Aug. 9. They captured more than 2 million of the highest resolution pictures of the site ever to exist, the company said.

The team also fully mapped the wreck and its debris field with equipment that should improve understanding of the site, RMS Titanic said. The next step is to process the data so it can be shared with the scientific community, and so “historically significant and at-risk artifacts can be identified for safe recovery in future expeditions,” the company said in a statement.

The company said prior to the expedition that it had an especially important mission in the wake of Nargeolet's death.

The Coast Guard's investigation will be the subject of a public hearing later in September.

Nargeolet's family filed a wrongful death lawsuit against the Titan sub's operator OceanGate, which suspended operations after the implosion. OceanGate has not commented publicly on the lawsuit, which was filed in a Washington state court.



Diriyah Art Futures, Schiattarella Associati Inaugurate 'The Light Footprint' Exhibition in Venice

The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation. (SPA)
The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation. (SPA)
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Diriyah Art Futures, Schiattarella Associati Inaugurate 'The Light Footprint' Exhibition in Venice

The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation. (SPA)
The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation. (SPA)

The Saudi Arabia’s Diriyah Art Futures (DAF), the MENA region's first New Media Arts hub, inaugurated on Thursday "The Light Footprint," an exhibition in collaboration with Italian architecture studio Schiattarella Associati.

The exhibition's launch, which runs until June 15, coincides with the opening of the Venice Biennale of Architecture 2025 and explores the architectural development of DAF's groundbreaking headquarters in Riyadh, said DAF in a statement.

The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation and presents architectural models, sketches, videos, drawings, photographs, and archival objects to highlight the development process of DAF's remarkable headquarters.

The opening event brought together Advisor to Saudi Arabia's Ministry of Culture Mona Khazindar, Director of DAF Haytham Nawar, and Principal Architects of Schiattarella Associati Amedeo and Andrea Schiattarella for a guided curator-led tour of the exhibition, highlighting the building's architectural and conceptual vision.

Designed by Schiattarella Associati, the DAF hub sets a new benchmark for developing technologically advanced cultural landmarks that integrate historical context with forward-thinking architectural design. Carved into the escarpment of Diriyah, the design draws on Najdi traditions, local materials, and a philosophy that prioritizes sustainability, cultural resonance, and human connection.

Khazindar stated: "We are pleased to present our vision for Diriyah Art Futures alongside the launch of the Venice Biennale of Architecture 2025. This project embodies our efforts to develop forward-looking cultural institutions that foster bold experimentation and new forms of creative expression rooted in our distinct heritage."

"Through projects like Diriyah Art Futures, we are establishing new benchmarks for contemporary cultural institutions while transforming the Kingdom into a leading global capital for cultural exchange," she added.

Amedeo and Andrea Schiattarella said: "Our work begins with the belief that architecture must resist the global flattening of cultural identity by embracing the uniqueness of place. With Diriyah Art Futures, we sought to create something deeply rooted in the local context, which draws on natural materials, historical continuity, and the values of the Najdi tradition to build a contemporary language tied to its environment."

Developed by the Museums Commission, one of the 11 sector-specific commissions of the Saudi Ministry of Culture, DAF is an arts, research, and education hub driven by a belief in the power of interdisciplinary creative practice at the intersection of science and technology.

DAF's 6,550-square-meter hub is equipped with state-of-the-art facilities, symbolizing Saudi Arabia's efforts to develop forward-looking institutions, with strong roots in the nation's unique cultural heritage.