'Soul of Old Baghdad': City Center Sees Timid Revival

Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP
Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP
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'Soul of Old Baghdad': City Center Sees Timid Revival

Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP
Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP

An Iraqi professor leading a group of students on a walking tour of Baghdad's historic center invites them to stop and admire a centuries-old stone wall erected to shield the city from Mongol invaders.
Such a tour would have been unthinkable in the Iraqi capital through much of recent decades due to the country's successive wars, which saw Baghdad pounded from the air, targeted by suicide bombers and hit with car bomb attacks.
"Several caliphs worked on it," tour leader and professor Muaffaq al-Tai, 83, told the group as they passed under an impressive brick dome, smart phones and cameras in hand.
Braving an autumn heatwave, one of the tour organizers, Abdullah Imad, relished being able to help offer a deeper understanding of his hometown's history.
"Before, there were security events... interest was limited, almost non-existent," said architecture student Imad, 23.
"Now interest is growing... Stability has gradually returned to Baghdad," he told AFP.
"We want to show the public what Baghdad has to offer in terms of Islamic architecture, its value and identity."
Baghdad, founded in 762 AD by Abbasid caliph Abu Jaafar al-Mansur along the Tigris River, has long been a key hub in Arab and Islamic society.
In the 20th century, it thrived as a modern Arab city with top universities, a vibrant cultural scene and excellent healthcare.
However, decades of war and oppression from the late 1970s, including sectarian violence after the 2003 US-led invasion and the rise of the ISIS group in 2014, led to significant decline.
'Sites worth visiting'
A fragile stability has emerged since the defeat of ISIS in 2017 that has allowed a greater focus on Baghdad's infrastructure and cultural scene.
Around 30 students and amateur photographers strolled through downtown, passing an 800-year-old Abbasid palace with an inner courtyard adorned with brick facades, arches and arabesque reliefs.
They also visited Bab al-Wastani, or the Central Gate, built around the 12th century, featuring battlements and flanked by thick walls.
Fatima al-Moqdad, a 28-year-old architect, said the renewed interest in Iraq's heritage is "a source of hope for a positive change in our identity, and our heritage and its preservation".
"When young people surf the internet, they see how other nations look after their heritage. They want and deserve the same," she added.
"To be a tourist, you don't necessarily have to go abroad."
In Baghdad, home to nine million people, tuk-tuks, motorcycles and yellow cabs compete for space with porters pushing carts piled high with goods.
They push their way through the fish stalls, sunglasses vendors and counterfeit sneaker stands that have taken over the pavements of the historic center.
On the eastern bank of the Tigris, brutalist buildings from the 1960s stand alongside elaborate facades from the 1920s, decorated with flowery moldings and sagging wrought-iron balconies.
Around 2,400 buildings are registered in the historic center, but around 15 percent have been destroyed or altered, according to the municipality.
Many of the properties once belonged to Jewish families or other Iraqis driven out during one of the country's many upheavals.
The waves of emigration also resulted in a brain drain, depriving Iraq of expertise particularly in architectural restoration.
Restoration drive
The municipality, in partnership with an association of private banks, has taken on two major restoration projects, including Al-Mutanabi Street, famous for its many bookshops.
They are also restoring another street that houses the old Serail, or Ottoman Empire's seat of government.
The restoration has primarily involved repaving sidewalks, updating lighting and cleaning up facades.
Mohammed al-Soufi, an architect overseeing the restoration, noted the "aesthetic value of the brick buildings", dating from the 19th century and the 1920s and 1930s.
Among the many challenges in restoring the area is the difficulty in obtaining permission from the original owners, many of whom no longer live in Iraq, as well as a lack of funding.
The Baghdad municipality's next focus will be Al-Rashid Street, inaugurated in 1916.
"It's the soul of old Baghdad, its identity," said the municipality's head of communications Mohammed al-Rubaye.
But the once-vital artery now houses mostly warehouses, industrial machinery and motor oil stores. Authorities plan to move these activities to the outskirts.
"We're not telling people to leave. We're telling them to stay, but let's turn the wholesale warehouses into stores, cafes, cinemas and cultural and heritage sites," Rubaye said.



Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."


Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.


Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.