'Soul of Old Baghdad': City Center Sees Timid Revival

Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP
Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP
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'Soul of Old Baghdad': City Center Sees Timid Revival

Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP
Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP

An Iraqi professor leading a group of students on a walking tour of Baghdad's historic center invites them to stop and admire a centuries-old stone wall erected to shield the city from Mongol invaders.
Such a tour would have been unthinkable in the Iraqi capital through much of recent decades due to the country's successive wars, which saw Baghdad pounded from the air, targeted by suicide bombers and hit with car bomb attacks.
"Several caliphs worked on it," tour leader and professor Muaffaq al-Tai, 83, told the group as they passed under an impressive brick dome, smart phones and cameras in hand.
Braving an autumn heatwave, one of the tour organizers, Abdullah Imad, relished being able to help offer a deeper understanding of his hometown's history.
"Before, there were security events... interest was limited, almost non-existent," said architecture student Imad, 23.
"Now interest is growing... Stability has gradually returned to Baghdad," he told AFP.
"We want to show the public what Baghdad has to offer in terms of Islamic architecture, its value and identity."
Baghdad, founded in 762 AD by Abbasid caliph Abu Jaafar al-Mansur along the Tigris River, has long been a key hub in Arab and Islamic society.
In the 20th century, it thrived as a modern Arab city with top universities, a vibrant cultural scene and excellent healthcare.
However, decades of war and oppression from the late 1970s, including sectarian violence after the 2003 US-led invasion and the rise of the ISIS group in 2014, led to significant decline.
'Sites worth visiting'
A fragile stability has emerged since the defeat of ISIS in 2017 that has allowed a greater focus on Baghdad's infrastructure and cultural scene.
Around 30 students and amateur photographers strolled through downtown, passing an 800-year-old Abbasid palace with an inner courtyard adorned with brick facades, arches and arabesque reliefs.
They also visited Bab al-Wastani, or the Central Gate, built around the 12th century, featuring battlements and flanked by thick walls.
Fatima al-Moqdad, a 28-year-old architect, said the renewed interest in Iraq's heritage is "a source of hope for a positive change in our identity, and our heritage and its preservation".
"When young people surf the internet, they see how other nations look after their heritage. They want and deserve the same," she added.
"To be a tourist, you don't necessarily have to go abroad."
In Baghdad, home to nine million people, tuk-tuks, motorcycles and yellow cabs compete for space with porters pushing carts piled high with goods.
They push their way through the fish stalls, sunglasses vendors and counterfeit sneaker stands that have taken over the pavements of the historic center.
On the eastern bank of the Tigris, brutalist buildings from the 1960s stand alongside elaborate facades from the 1920s, decorated with flowery moldings and sagging wrought-iron balconies.
Around 2,400 buildings are registered in the historic center, but around 15 percent have been destroyed or altered, according to the municipality.
Many of the properties once belonged to Jewish families or other Iraqis driven out during one of the country's many upheavals.
The waves of emigration also resulted in a brain drain, depriving Iraq of expertise particularly in architectural restoration.
Restoration drive
The municipality, in partnership with an association of private banks, has taken on two major restoration projects, including Al-Mutanabi Street, famous for its many bookshops.
They are also restoring another street that houses the old Serail, or Ottoman Empire's seat of government.
The restoration has primarily involved repaving sidewalks, updating lighting and cleaning up facades.
Mohammed al-Soufi, an architect overseeing the restoration, noted the "aesthetic value of the brick buildings", dating from the 19th century and the 1920s and 1930s.
Among the many challenges in restoring the area is the difficulty in obtaining permission from the original owners, many of whom no longer live in Iraq, as well as a lack of funding.
The Baghdad municipality's next focus will be Al-Rashid Street, inaugurated in 1916.
"It's the soul of old Baghdad, its identity," said the municipality's head of communications Mohammed al-Rubaye.
But the once-vital artery now houses mostly warehouses, industrial machinery and motor oil stores. Authorities plan to move these activities to the outskirts.
"We're not telling people to leave. We're telling them to stay, but let's turn the wholesale warehouses into stores, cafes, cinemas and cultural and heritage sites," Rubaye said.



Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy
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Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Arabia’s Museums Commission organized a virtual session as part of its monthly open-meeting series, during which it explored the historical and social legacy of the Trans-Arabian Pipeline (Tapline) and its role in shaping the identity of Northern Borders Region, reported the Saudi Press Agency on Tuesday.

The meeting highlighted Tapline’s story as one of the largest construction projects of the 20th century. Construction began in 1947, and operations commenced in 1950, linking the oil fields of eastern Saudi Arabia to the port of Sidon on Lebanon’s Mediterranean coast.

Pumping operations ceased permanently in 1990.

Speakers focused on transforming this industrial legacy into a contemporary museum narrative that highlights Tapline's impact on the emergence of modern cities in the Northern Borders Region.

The meeting concluded with an open dialogue on the role of museums and exhibitions in preserving industrial memory while transforming it into cultural platforms that strengthen connections to national identity.


Archaeologists at Pompeii Use AI to Reveal the Face of One of the Victims

A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
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Archaeologists at Pompeii Use AI to Reveal the Face of One of the Victims

A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)

Archaeologists at the ancient Roman site of Pompeii have used artificial intelligence for the first time to digitally reconstruct the face of a victim of the AD 79 eruption of Mount Vesuvius that smothered the city, offering a new way to understand one of history’s most famous natural disasters.

The digital portrait represents an older man who was among two victims discovered as they attempted to flee the city toward the coast of what is now Italy during the volcanic eruption. Researchers believe the man died earlier in the disaster, during a heavy fall of volcanic debris.

The reconstruction was developed by the Pompeii Archaeological Park in collaboration with the University of Padua and is based on archaeological survey data from excavations near the Porta Stabia necropolis, just outside the walls of the ancient city.

Pompeii, a UNESCO World Heritage site near Naples, was buried under ash and pumice when Mount Vesuvius erupted nearly 2,000 years ago, preserving the city and thousands of its inhabitants in remarkable detail.

Archaeologists found the victim holding a terracotta mortar, which they interpret as an improvised attempt to shield his head from falling lapilli, the small volcanic stones rained down during the eruption.

Ancient accounts, including those of Roman writer Pliny the Younger, describe residents using objects to protect themselves as ash and debris blanketed the city.

The man was also carrying an oil lamp, a small iron ring and 10 bronze coins, personal objects that offer insight into his final moments, as well as daily life in Pompeii before the catastrophe.

The digital portrait was created using artificial intelligence and photo-editing techniques designed to translate skeletal and archaeological data into a realistic human likeness.

“The vastness of archaeological data is now such that only with the help of artificial intelligence will we be able to adequately protect and enhance them. If used well, AI can contribute to a renewal of classical studies,” Pompeii park director Gabriel Zuchtriegel said in a statement.

The project aims to make archaeological research more accessible and emotionally engaging for the public while maintaining a scientific foundation, researchers said.


Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors
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Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

The “Bedayat: Beginnings of the Saudi Art Movement” exhibition highlighted the early development of the art movement in Saudi Arabia, showcasing the experiences of pioneering artists and their contributions to shaping the local visual arts scene.

Organized by the Visual Arts Commission and held at the National Museum of Saudi Arabia in Riyadh, the exhibition attracted more than 13,000 visitors throughout its run, SPA reported.

The exhibition was accompanied by a diverse cultural program comprising around 17 events, including workshops, panel discussions, and specialized courses, led by a select group of experts.

This exhibition is part of the commission’s efforts to document Saudi Arabia’s artistic heritage and strengthen its presence both locally and internationally, contributing to the development of the cultural sector and enhancing its sustainability.