'Soul of Old Baghdad': City Center Sees Timid Revival

Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP
Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP
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'Soul of Old Baghdad': City Center Sees Timid Revival

Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP
Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP

An Iraqi professor leading a group of students on a walking tour of Baghdad's historic center invites them to stop and admire a centuries-old stone wall erected to shield the city from Mongol invaders.
Such a tour would have been unthinkable in the Iraqi capital through much of recent decades due to the country's successive wars, which saw Baghdad pounded from the air, targeted by suicide bombers and hit with car bomb attacks.
"Several caliphs worked on it," tour leader and professor Muaffaq al-Tai, 83, told the group as they passed under an impressive brick dome, smart phones and cameras in hand.
Braving an autumn heatwave, one of the tour organizers, Abdullah Imad, relished being able to help offer a deeper understanding of his hometown's history.
"Before, there were security events... interest was limited, almost non-existent," said architecture student Imad, 23.
"Now interest is growing... Stability has gradually returned to Baghdad," he told AFP.
"We want to show the public what Baghdad has to offer in terms of Islamic architecture, its value and identity."
Baghdad, founded in 762 AD by Abbasid caliph Abu Jaafar al-Mansur along the Tigris River, has long been a key hub in Arab and Islamic society.
In the 20th century, it thrived as a modern Arab city with top universities, a vibrant cultural scene and excellent healthcare.
However, decades of war and oppression from the late 1970s, including sectarian violence after the 2003 US-led invasion and the rise of the ISIS group in 2014, led to significant decline.
'Sites worth visiting'
A fragile stability has emerged since the defeat of ISIS in 2017 that has allowed a greater focus on Baghdad's infrastructure and cultural scene.
Around 30 students and amateur photographers strolled through downtown, passing an 800-year-old Abbasid palace with an inner courtyard adorned with brick facades, arches and arabesque reliefs.
They also visited Bab al-Wastani, or the Central Gate, built around the 12th century, featuring battlements and flanked by thick walls.
Fatima al-Moqdad, a 28-year-old architect, said the renewed interest in Iraq's heritage is "a source of hope for a positive change in our identity, and our heritage and its preservation".
"When young people surf the internet, they see how other nations look after their heritage. They want and deserve the same," she added.
"To be a tourist, you don't necessarily have to go abroad."
In Baghdad, home to nine million people, tuk-tuks, motorcycles and yellow cabs compete for space with porters pushing carts piled high with goods.
They push their way through the fish stalls, sunglasses vendors and counterfeit sneaker stands that have taken over the pavements of the historic center.
On the eastern bank of the Tigris, brutalist buildings from the 1960s stand alongside elaborate facades from the 1920s, decorated with flowery moldings and sagging wrought-iron balconies.
Around 2,400 buildings are registered in the historic center, but around 15 percent have been destroyed or altered, according to the municipality.
Many of the properties once belonged to Jewish families or other Iraqis driven out during one of the country's many upheavals.
The waves of emigration also resulted in a brain drain, depriving Iraq of expertise particularly in architectural restoration.
Restoration drive
The municipality, in partnership with an association of private banks, has taken on two major restoration projects, including Al-Mutanabi Street, famous for its many bookshops.
They are also restoring another street that houses the old Serail, or Ottoman Empire's seat of government.
The restoration has primarily involved repaving sidewalks, updating lighting and cleaning up facades.
Mohammed al-Soufi, an architect overseeing the restoration, noted the "aesthetic value of the brick buildings", dating from the 19th century and the 1920s and 1930s.
Among the many challenges in restoring the area is the difficulty in obtaining permission from the original owners, many of whom no longer live in Iraq, as well as a lack of funding.
The Baghdad municipality's next focus will be Al-Rashid Street, inaugurated in 1916.
"It's the soul of old Baghdad, its identity," said the municipality's head of communications Mohammed al-Rubaye.
But the once-vital artery now houses mostly warehouses, industrial machinery and motor oil stores. Authorities plan to move these activities to the outskirts.
"We're not telling people to leave. We're telling them to stay, but let's turn the wholesale warehouses into stores, cafes, cinemas and cultural and heritage sites," Rubaye said.



Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
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Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA

The Jazan Festival 2026 will launch on Thursday in a carnival anticipated by thousands of visitors from within the region and beyond.

The festival will open with a grand celebratory parade starting at 3:45 p.m. along the Jazan city waterfront, signaling the start of an entertainment and cultural season that will extend for several months, according to SPA.

This year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity, from its towering green mountains and golden beaches to its picturesque islands, alongside the authenticity of its rich heritage, complemented by modern touches in entertainment programs designed to meet the aspirations of all age groups.

Performing arts inspired by local folklore will add an authentic dimension, while moving installations will flow in harmonious rhythm.

Completing the visual spectacle, integrated light and sound shows will create an enchanting atmosphere before the festivities conclude with a dazzling fireworks display lighting up the Jazan sky in vibrant colors.


UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
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UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA

The United Nations Educational, Scientific and Cultural Organization (UNESCO) Chair in Translating Cultures at the King Faisal Center for Research and Islamic Studies (KFCRIS), with support from the Literature, Publishing, and Translation Commission, organized a training course and a series of specialized lectures on the translation and safeguarding of intangible cultural heritage, SPA reported.

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application, opening space for in-depth discussion of the challenges of translating intangible heritage as a living, evolving form of culture closely tied to its cultural, social, and performative contexts.

The course and lectures adopted a comprehensive approach that views translation as a cultural tool for preserving oral memory and building bridges between local specificity and the global sphere.

This approach was reflected through applied models, field experiences, and contemporary conceptual frameworks.


Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
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Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.

A boat belonging to an Egyptian pharaoh is being assembled in full view at the Grand Egyptian Museum’s exhibition hall.

Staff began piecing together the cedarwood boat, one of two that were found that belong to King Khufu, Tuesday morning as dozens of visitors watched.

The assembly of the 42-meter (137-foot) -long vessel, which sits next to its already-assembled twin that has been on display, is expected to take around four years, according to Issa Zeidan, head of restoration at the Grand Egyptian Museum. It contains 1,650 wooden pieces.

King Khufu ruled ancient Egypt more than 4,500 years ago and built the Great Pyramid of Giza.

“You’re witnessing today one of the most important restoration projects in the 21st century,” said Tourism and Antiquities Minister Sherif Fathy, who attended the event.

The $1 billion museum, also known as GEM, was touted as the world’s largest when it was lavishly inaugurated last month. It's home to nearly 50,000 artifacts, including the collection of treasures from the tomb of the famed King Tutankhamun, which was discovered in 1922. The museum, located near the pyramids at the edge of Cairo, is expected to boost Egypt’s tourism revenues and help bolster its economy.

The boat was one of two discovered in 1954, opposite the southern side of the Great Pyramid. The excavation of its wooden parts began in 2014, according to the museum’s website.

The exact purpose of the boats remains unclear, but experts believe they were either used to transport King Khufu’s body during his funeral or were meant to be used for his afterlife journey with the sun god Ra, according to the museum.