Dubai Culture Concludes 'Emirati Creatives in Venice Program'

As part of this initiative, ten Emirati artists participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale - Photo by WAM
As part of this initiative, ten Emirati artists participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale - Photo by WAM
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Dubai Culture Concludes 'Emirati Creatives in Venice Program'

As part of this initiative, ten Emirati artists participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale - Photo by WAM
As part of this initiative, ten Emirati artists participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale - Photo by WAM

Dubai Culture has successfully concluded its ‘Emirati Creatives in Venice Program,’ aimed at showcasing Emirati talent on the global stage and promoting engagement with prominent art practices at the 60th International Art Exhibition at the Venice Biennale, themed 'Foreigners Everywhere'.

Supported by the Sikka Platform, the program reflects Dubai Culture’s commitment to creating opportunities for local talent to flourish and connect with the international arts community, state news agency WAM reported.

As part of this initiative, ten Emirati artists — Anood Al Khoori, Duha Al Hallami, Elham Karimi, Fatima Abdulrahman, Fatma Al Mheiri, Hend Al Murid, Maryam AlHemeiri, Mezna Suwaidan, Nawal Ahmad, and Sara Al Khayyal — participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale. They visited the UAE Pavilion at Arsenale’s Sale d’Armi, where they experienced Abdulla Al Saadi’s exhibit, ‘Sites of Memory, Sites of Amnesia’, a portrayal of his 40-year creative journey through his travels and explorations of the UAE’s natural heritage and landscapes.

The artists further explored Venice’s rich cultural landscape, visiting landmarks such as the Doge’s Palace, renowned for its Venetian Gothic architecture; the Rubelli Foundation, focused on textile arts; the Fondazione Giorgio Cini, dedicated to glass arts; and the ‘Vatican Chapels Pavilion of the Holy See’ within the Venice Biennale, showcasing unique glass installations. This journey offered insights into the interplay between art and environment, encouraging the artists to reflect on their creative approaches. During their time in Venice, the artists met with design experts and university representatives to discuss contemporary trends in art and design. They also met with artist Fabrizio Plessi, who highlighted the role of storytelling and the integration of technology in art. They participated in an interactive workshop by Fernando Masone on combining traditional and modern art techniques.



Thousands Greet the Winter Solstice at the Ancient Stonehenge Monument

A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)
A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)
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Thousands Greet the Winter Solstice at the Ancient Stonehenge Monument

A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)
A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)

Thousands of tourists, pagans, druids and people simply yearning for the promise of spring marked the dawn of the shortest day of the year at the ancient Stonehenge monument on Saturday.

Revelers cheered and beat drums as the sun rose at 8:09 a.m. (0809 GMT) over the giant standing stones on the winter solstice — the shortest day and the longest night in the Northern Hemisphere. No one could see the sun through the low winter cloud, but that did not deter a flurry of drumming, chanting and singing as dawn broke.

There will be less than eight hours of daylight in England on Saturday — but after that, the days get longer until the summer solstice in June.

The solstices are the only occasions when visitors can go right up to the stones at Stonehenge, and thousands are willing to rise before dawn to soak up the atmosphere.

The stone circle, whose giant pillars each took 1,000 people to move, was erected starting about 5,000 years ago by a sun-worshiping Neolithic culture, according to The AP. Its full purpose is still debated: Was it a temple, a solar calculator, a cemetery, or some combination of all three?

In a paper published in the journal Archaeology International, researchers from University College London and Aberystwyth University said the site on Salisbury Plain, about 128 kilometers (80 miles) southwest of London, may have had political as well as spiritual significance.

That follows from the recent discovery that one of Stonehenge’s stones — the unique stone lying flat at the center of the monument, dubbed the “altar stone” — originated in Scotland, hundreds of miles north of the site. Some of the other stones were brought from the Preseli Hills in southwest Wales, nearly 240 kilometers (150 miles) to the west,

Lead author Mike Parker Pearson from UCL’s Institute of Archaeology said the geographical diversity suggests Stonehenge may have served as a “monument of unification for the peoples of Britain, celebrating their eternal links with their ancestors and the cosmos.”