Dubai Culture Concludes 'Emirati Creatives in Venice Program'

As part of this initiative, ten Emirati artists participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale - Photo by WAM
As part of this initiative, ten Emirati artists participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale - Photo by WAM
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Dubai Culture Concludes 'Emirati Creatives in Venice Program'

As part of this initiative, ten Emirati artists participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale - Photo by WAM
As part of this initiative, ten Emirati artists participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale - Photo by WAM

Dubai Culture has successfully concluded its ‘Emirati Creatives in Venice Program,’ aimed at showcasing Emirati talent on the global stage and promoting engagement with prominent art practices at the 60th International Art Exhibition at the Venice Biennale, themed 'Foreigners Everywhere'.

Supported by the Sikka Platform, the program reflects Dubai Culture’s commitment to creating opportunities for local talent to flourish and connect with the international arts community, state news agency WAM reported.

As part of this initiative, ten Emirati artists — Anood Al Khoori, Duha Al Hallami, Elham Karimi, Fatima Abdulrahman, Fatma Al Mheiri, Hend Al Murid, Maryam AlHemeiri, Mezna Suwaidan, Nawal Ahmad, and Sara Al Khayyal — participated in a cultural journey exploring the diverse artistic practices displayed at the Venice Biennale. They visited the UAE Pavilion at Arsenale’s Sale d’Armi, where they experienced Abdulla Al Saadi’s exhibit, ‘Sites of Memory, Sites of Amnesia’, a portrayal of his 40-year creative journey through his travels and explorations of the UAE’s natural heritage and landscapes.

The artists further explored Venice’s rich cultural landscape, visiting landmarks such as the Doge’s Palace, renowned for its Venetian Gothic architecture; the Rubelli Foundation, focused on textile arts; the Fondazione Giorgio Cini, dedicated to glass arts; and the ‘Vatican Chapels Pavilion of the Holy See’ within the Venice Biennale, showcasing unique glass installations. This journey offered insights into the interplay between art and environment, encouraging the artists to reflect on their creative approaches. During their time in Venice, the artists met with design experts and university representatives to discuss contemporary trends in art and design. They also met with artist Fabrizio Plessi, who highlighted the role of storytelling and the integration of technology in art. They participated in an interactive workshop by Fernando Masone on combining traditional and modern art techniques.



Britain Funding Sudanese Activists to Hide Sudan’s National Treasures

Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)
Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)
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Britain Funding Sudanese Activists to Hide Sudan’s National Treasures

Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)
Smoke billows during air strikes in central Khartoum as the Sudanese army attacks positions held by the paramilitary Rapid Support Forces (RSF) throughout the Sudanese capital on October 12, 2024. (Photo by AFP)

The British Council is using a £1.8 million ($2.3 million) grant to help prevent the pillaging of Sudan’s national museums during its ongoing civil war, Britain’s The Telegraph reported.

The grant from the tax-payer-funded body had been dedicated to conserving several heritage sites in Sudan before the war broke out, but has since been diverted to help civilian efforts to prevent the pillaging of national museums and historic sites, it said.

Museums across Sudan have been raided since the start of the civil war in 2023, and artifacts looted from significant sites have been sold on the illegal art market.

Museums linked to ancient cities and pyramids have had their artifacts relocated and hidden during the war, which has cost at least 20,000 lives, the newspaper said.

The move follows the looting and damaging of major museums in the country, including sites linked to British colonial expeditions in Sudan, which had received funding from the UK prior to the conflict.

“Our priority is the safety of our project teams and participants and we carefully monitor this, but we’re flexible where we can be to allow projects to continue their heritage protection activities where it’s feasible and safe to do so,” The Telegraph quoted Stephanie Grant, the director of the British Council in Sudan, as saying.

“Cultural heritage faces serious threats in times of conflict and it’s vital that there are global efforts to defend culture in crisis,” she said.

The British Council had been funding projects in Sudan prior to conflict breaking out in April 2023, with £997,000 provided to sites including the Khalifa Museum in the capital, Khartoum, which had ties to British imperial history.

This had been the home of the Khalifa, who succeeded the Islamic leader Muhammad Ahmad, known as the Mahdi, who defeated British forces at the Battle of Shaykan and in the Siege of Khartoum, an action which cost General Charles George Gordon his life in 1885.

A project titled Safeguarding Sudan’s Living Heritage was allocated £1.8 million to help preserve and document Sudanese customs. It used the Ethnographic Museum in Khartoum, which was also to be upgraded as part of the project, as its base.

The Khalifa House was looted along with the Sudan National Museum, the Natural History Museum was burnt out, and the Darfur Museum was destroyed, with experts on the ground estimating that tens of thousands of artefacts had been stolen.

A report by Sudan’s National Corporation of Antiquities and Museums has revealed that artifacts linked to the ancient kingdom of Kush, and displays linked to British general Gordon, have been ransacked during the war.

British Council staff are no longer on the ground in Sudan, but funding from its Living Heritage fund is being provided to Sudanese experts and local communities who have relocated and hidden remaining museum artefacts in order to preserve their cultural heritage, The Telegraph said.

The work has so far helped safeguard stores from museums linked to the ancient sites of Kerma and Jebel Barkal, the Port Sudan Museum on the coast, and the UNESCO site at Meroe, home to 2,300-year-old pyramids.

Despite the ongoing war, there are also ongoing projects to build and protect community museums including at El Obeid, another site linked to a battle in the Mahdist War that drew Britain into Sudan in the 19th century.

Amani Bashir, the director of the Sheikan Museum in El Obeid, said that “tangible and intangible cultural heritage in Sudan” remains of “the utmost importance to communities” amid the ongoing conflict.

She added: “All societies are proud of their heritage and it serves as the identity and brand or sign that distinguishes each group from others.

“The other is therefore working hard to preserve it, continue it, and own it for current and future generations.”