Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
TT

Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."



British Museum Head ‘Sorry’ Over Bayeux Tapestry Complaints

The fragile 70-meter tapestry went on display in the UK for the first time in September on loan from its home in Normandy, France. (Reuters)
The fragile 70-meter tapestry went on display in the UK for the first time in September on loan from its home in Normandy, France. (Reuters)
TT

British Museum Head ‘Sorry’ Over Bayeux Tapestry Complaints

The fragile 70-meter tapestry went on display in the UK for the first time in September on loan from its home in Normandy, France. (Reuters)
The fragile 70-meter tapestry went on display in the UK for the first time in September on loan from its home in Normandy, France. (Reuters)

The British Museum director told the BBC Monday he was "really sorry" if visitors had a bad experience at the landmark Bayeux Tapestry exhibition after some complained of long waits.

The fragile 70-meter tapestry went on display in the UK for the first time in September on loan from its home in Normandy, France, with tickets quickly selling out.

Some have waited hours to get in and last week some visitors told media they were unable to get inside to see the exhibition despite having bought tickets, because the museum closed early for a private event.

"Anyone that doesn't have a good experience, we're really sorry about that and we want to put it right," museum director Nicholas Cullinan told the BBC.

Visitors are encouraged to view the tapestry within a 40-minute slot, but staff have found some "want to spend more time than anticipated", meaning the next group has less time to view it, according to the museum chief.

Next week the tapestry will reach its 100,000th visitor, said Cullinan, a figure he called "a pretty extraordinary statistic".

The museum announced Sunday it will make changes to improve visitors' experience, such as extending opening hours and offering an audio guide, more seats and clearer signs.


Cultural Development Fund Signs SAR39 Million Agreement with Rotana

The agreement covers the production of films and television series spanning social comedy, drama, and action - SPA
The agreement covers the production of films and television series spanning social comedy, drama, and action - SPA
TT

Cultural Development Fund Signs SAR39 Million Agreement with Rotana

The agreement covers the production of films and television series spanning social comedy, drama, and action - SPA
The agreement covers the production of films and television series spanning social comedy, drama, and action - SPA

The Cultural Development Fund has signed a financing agreement with Rotana Media Group to support the production of films and television series with a combined value exceeding SAR39 million. The agreement aims to provide Saudi talent with greater presence on screen and support the growth of the film industry in Saudi Arabia.

The agreement covers the production of films and television series spanning social comedy, drama, and action. A number of prominent Saudi actors will star in these productions, which are expected to contribute more than SAR72 million to gross domestic product and create 68 job opportunities to support national talent. Private-sector contributions are also expected to exceed SAR12 million, SPA reported.

The agreement was signed by the Cultural Development Fund in its capacity as a center for financial excellence and empowerment in the cultural sector, in line with the rapid growth of the Kingdom's film sector. Box-office revenues exceeded SAR920 million in 2025, marking an increase of nearly 9% compared with 2024.

Saudi films accounted for about 13% of these revenues, exceeding SAR122 million, through 11 films out of 538 released during the year, according to reports issued by the Film Commission.

These figures reflect the growing presence of local productions and promising opportunities in the sector.

The fund continues to support this growth by providing financial and enabling solutions that empower sector projects and enterprises, encourage private-sector participation, and contribute to sustaining the growth of the cultural sector and enhancing its economic impact.


Horniman Museum's New Gallery to Open in February

The Nature Gallery hopes to explore people's connection to and reliance on nature (Horniman Museum)
The Nature Gallery hopes to explore people's connection to and reliance on nature (Horniman Museum)
TT

Horniman Museum's New Gallery to Open in February

The Nature Gallery hopes to explore people's connection to and reliance on nature (Horniman Museum)
The Nature Gallery hopes to explore people's connection to and reliance on nature (Horniman Museum)

The Horniman Museum is set to open its new Nature Gallery in February 2027, marking the final phase of the museum's £12.5 million Nature + Love transformation project, supported by The National Lottery Heritage Fund.

The south-east London museum said the fully refurbished space, previously named the Natural History Gallery, had been reimagined to celebrate the variety of life on earth and explore humankind's place within, and impact on nature, according to BBC.

Michael Salter-Church MBE, chairman of the museum, said: “Opening these wonderful new spaces marks the end of the Horniman's extraordinary 125th anniversary year.”

The Nature Gallery will combine more than 2,300 objects from the Horniman's collection, including its famously overstuffed walrus, as well as artist commissions and multisensory activities.

These include a ceiling projection showcasing life on the planet, a display on plastic pollution by a Deptford school and a hands-on nature discovery zone focused on local wildlife.

The museum said the gallery explored human connection to and reliance on nature, stories of extinction and climate change, and ideas about how people can shape the planet's future.

It is one of a number of developments at the Horniman as part of its Nature + Love project, and is being supported by a £30,000 crowdfunding campaign, which has raised more than £14,000 to date.