Cambodian Archaeologists Discover a Dozen Centuries-Old Sandstone Statues at Angkor UNESCO Site

 This handout photo provided by Apsaras National Authority shows a centuries-old sandstone statue being measured at Angkor Thom in Cambodia, Oct. 24, 2024. (Phouk Chea/Apsaras National Authority via AP)
This handout photo provided by Apsaras National Authority shows a centuries-old sandstone statue being measured at Angkor Thom in Cambodia, Oct. 24, 2024. (Phouk Chea/Apsaras National Authority via AP)
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Cambodian Archaeologists Discover a Dozen Centuries-Old Sandstone Statues at Angkor UNESCO Site

 This handout photo provided by Apsaras National Authority shows a centuries-old sandstone statue being measured at Angkor Thom in Cambodia, Oct. 24, 2024. (Phouk Chea/Apsaras National Authority via AP)
This handout photo provided by Apsaras National Authority shows a centuries-old sandstone statue being measured at Angkor Thom in Cambodia, Oct. 24, 2024. (Phouk Chea/Apsaras National Authority via AP)

Archaeologists in Cambodia have unearthed a dozen centuries-old sandstone statues in a “remarkable discovery” at the Angkor World Heritage Site near the city of Siem Reap, authorities said Wednesday.

The statues — depicting so-called “door guardians” — were discovered last week near the north gate leading to the 11th-century Royal Palace at Angkor Thom, the last capital of the Khmer Empire, said Long Kosal, spokesman for the Apsara National Authority, the government agency that oversees the archaeological park.

Teams were assessing the ancient gate's structure and searching for fallen stones around the portal on the north side of Angkor Thom, one of four entrances to the complex, when the discovery was made.

The statues depict guardians standing at attention and vary in size from about 1 meter to 110 centimeters, or about 39 to 43 inches. They were found buried at depths of up to 1.4 meters (4.5 feet) and some are in surprisingly good shape, with each featuring unique facial hair ornaments, adding to their distinctiveness, archaeologist Sorn Chanthorn said.

“Experts believe these door guardian statues exemplify the Khneang Style, aligning with the construction period of the 11th-century palace.” the Apsara National Authority said.

Angkor Thom is part of the Angkor Archaeological Park, a complex that sprawls over some 400 square kilometers (155 square miles), named a UNESCO World Heritage Site in 1992 and one of Southeast Asia's most popular tourist destinations.

It contains the ruins of Khmer Empire capitals from the 9th to 15th centuries, including the temple of Angkor Wat.

The site, near Siem Reap, about 200 miles (320 kilometers) northwest of the capital, Phnom Penh, drew more than 500,000 international visitors in the first half of 2024, according to Cambodia’s Tourism Ministry.

The archaeological dig was a collaborative project between Apsara and the China-Cambodia Government Team for Safeguarding Angkor, Apsara said.

Following the discovery of the statues, the archaeological team carefully documented their positions before removing them for cleaning and restoration. They will eventually be returned to their original locations, authorities said.

Many Khmer cultural treasures were looted during the long period of civil war and instability when Cambodia was ruled by the brutal communist Khmer Rouge regime in the 1970s.

Cambodia has benefited from a trend that in recent decades has seen the repatriation of art and archaeological treasures taken from their homelands. In August, it celebrated the return of dozens of artifacts from museums and private collections abroad.

It has also come under criticism for efforts to clean up the Angkor site, which has involved relocating thousands of families in what Amnesty International has condemned as a “gross violation of international human rights law.”

At its meeting in July, the UN's World Heritage Committee recommended that Cambodia invite a new team of experts to monitor the situation.



Picasso’s ‘Guernica’ at Heart of Battle in Spain Over Location

A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
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Picasso’s ‘Guernica’ at Heart of Battle in Spain Over Location

A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)

Pablo Picasso's anti-war masterpiece "Guernica" is swept up in a conflict in Spain, where Basque leaders want the government in Madrid to move the painting to their region, whose 1937 bombing inspired it.

The mural-sized painting has been on display since 1992 at the Reina Sofia museum in the Spanish capital, and repeated requests for it to be moved to Spain's Basque Country have been refused.

The latest demand was made by the head of the regional Basque government, Imanol Pradales, during talks with Socialist Prime Minister Pedro Sanchez.

The Basque government wants the painting to be hung in the Guggenheim Museum in Bilbao to commemorate the 90th anniversary of the April 26, 1937, bombing, in which forces from Nazi Germany and Fascist Italy razed the town of Guernica to help General Francisco Franco in the Spanish Civil War.

Bringing the painting to Bilbao from October until June would be a form of "reparation and historical memory", the Basque government said.

Sanchez -- whose minority government depends on the support of two Basque parties in parliament to pass laws -- did not reject the proposal outright, instead referring it to the culture ministry.

The ministry asked the Reina Sofia museum for a technical report on the viability of the request, which once again "strongly advised" against moving the painting.

The report said the painting is too fragile to travel, citing risks of damage from vibration or movement.

Picasso's black-and-white masterpiece is the highlight of the Reina Sofia museum, which welcomed around 1.6 million visitors last year.

The outspoken head of the regional government of Madrid, Isabel Diaz Ayuso of the conservative Popular Party (PP), weighed in on Monday, calling the request to move the painting "provincial".

"It makes no sense for everything to be returned to its origin. In that case we should send all of Picasso's works to Malaga," she said, a reference to the southern Spanish city where Picasso was born.

- Return from New York -

Asked about the controversy on Tuesday, Spain's central government spokeswoman Elma Saiz said the government relies on the advice of "professionals", referring to the museum report, and "never resorts to insults".

Painted in 1937 in the aftermath of the bombing, "Guernica" debuted in Paris at the World's Fair, then was placed in the care of the Museum of Modern Art in New York.

When Franco's forces overthrew the Spanish republic, Picasso stipulated that the painting should not return to Spain until democracy had been restored.

The work was moved to Spain in 1981, six years after Franco's death.

It was first displayed at the Prado museum, then moved to the Reina Sofia in 1992.

Picasso, who died in 1973, never lived to see the painting on exhibit in Spain.

In 1995, Spanish authorities refused to lend it to the Pompidou Center in Paris, citing the damage the work could suffer during its transport.


Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact
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Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

The Cultural Development Fund has announced its results for the first quarter of 2026, demonstrating significant growth in financial performance and developmental impact. This underscores the fund's role as a key financial enabler and center of excellence in developing a sustainable cultural sector, enhancing Saudi culture as a vital economic and social pillar, SPA reported.

Since its inception, the fund has provided over SAR770 million in financial support to 165 cultural projects across various sub-sectors and regions of the Kingdom. It has also benefited more than 1,630 creative individuals and entrepreneurs through developmental services aimed at building entrepreneurial capabilities.

The fund achieved a 30% increase in financial returns compared to the same period in 2025, contributing an estimated SAR4.1 billion to GDP and creating over 12,540 job opportunities.

Additionally, it has stimulated private sector involvement with approximately SAR1.1 billion in contributions, reflecting growing confidence in developing the cultural sector.

These figures highlight the fund's essential role in empowering the private sector and fostering innovative financial solutions that promote growth and enhance the quality of life, aligned with Saudi Vision 2030.


Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.