European Fake Art Network Involving Banksys, Warhols, Modiglianis Uncovered in Italy

Modern and contemporary fake artworks, including Banksy, Pablo Picasso and Andy Warhol, are displayed following an Italian Carabinieri operation against a large-scale pan-European forgery network, in Pisa, Italy, November 9, 2024. (Carabinieri/Handout via Reuters)
Modern and contemporary fake artworks, including Banksy, Pablo Picasso and Andy Warhol, are displayed following an Italian Carabinieri operation against a large-scale pan-European forgery network, in Pisa, Italy, November 9, 2024. (Carabinieri/Handout via Reuters)
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European Fake Art Network Involving Banksys, Warhols, Modiglianis Uncovered in Italy

Modern and contemporary fake artworks, including Banksy, Pablo Picasso and Andy Warhol, are displayed following an Italian Carabinieri operation against a large-scale pan-European forgery network, in Pisa, Italy, November 9, 2024. (Carabinieri/Handout via Reuters)
Modern and contemporary fake artworks, including Banksy, Pablo Picasso and Andy Warhol, are displayed following an Italian Carabinieri operation against a large-scale pan-European forgery network, in Pisa, Italy, November 9, 2024. (Carabinieri/Handout via Reuters)

Italian authorities say a network of European art forgers who painted fake Warhols, Banksys and Picassos and then tried to sell them to unsuspecting buyers with the help of complicit auction houses has been dismantled.

Thirty-eight people have been placed under investigation, including six in Spain, France and Belgium. Italian authorities say the network could have done 200 million euros ($212 million) in economic damage by flooding the art market with fake works.

Italy’s culture ministry said Monday the seizures in Italy, France, Spain and Belgium netted 2,100 fake works attributed to more than 30 famed artists, including Andy Warhol, Amedeo Modigliani, Banksy, Pablo Picasso, Joan Mirò, Francis Bacon, Wassily Kandinsky, Henry Moore and Gustav Klimt.

The operation uncovered a network of forgers in Spain, France and Belgium who produced the works, said Eurojust, the European Union agency for judicial cooperation. Fake Warhols and Banksys were the most commonly forged and the fakes were exhibited at shows in Mestre and Cortona, Italy, with a catalogue published, the authorities said.

Eurojust said the network was able to use complicit auction houses in Italy that issued forged certificates and stamps of authenticity, some 500 of which were also seized.

The investigation began in March 2023 when Italian authorities discovered 200 fakes during the search of the home of a Pisa businessman that prompted them to monitor e-commerce sites of auction houses to see if others were involved in the network.

Those arrested are accused of conspiracy to forge and deal in contemporary art, Eurojust said.



Cultural Activities of King Abdulaziz Camel Festival Conclude with Over 320 Competitive Rounds

The ninth edition of the King Abdulaziz Camel Festival - SPA/File Photo
The ninth edition of the King Abdulaziz Camel Festival - SPA/File Photo
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Cultural Activities of King Abdulaziz Camel Festival Conclude with Over 320 Competitive Rounds

The ninth edition of the King Abdulaziz Camel Festival - SPA/File Photo
The ninth edition of the King Abdulaziz Camel Festival - SPA/File Photo

The ninth edition of the King Abdulaziz Camel Festival concluded on Thursday with the Al-Fahl Al-Muntij competitions for the “Shaal,” “Safar,” and “Wadah” categories, marking the end of an exceptional event held under the theme “Pride of Its People.”

The festival aimed to elevate camels as a cornerstone of Saudi Arabia’s rich heritage and as a source of both local and global pride and interest.
Spanning more than 30 days, the festival featured over 320 competitive rounds, including Mazayen, Hajij, Tabaa, and camel races.

The event showcased a variety of camel types, such as Majahim, Wadah, Shaqah, Hamr, Safar, Shaal, Asayel, Sawahel, and hybrid camels, according to SPA.
Dedicated categories were organized for both individual and group competitions, drawing extensive participation from camel owners across the Gulf region, the Arab world, and beyond. Notably, the festival featured the Princess Nourah’s Round, exclusively for women, highlighting their contributions to camel heritage.
The final day was a cultural celebration, with diverse activities for attendees. The cultural tent hosted various programs, including Hanna Lahaa performances, camel owners’ celebrations, and vibrant camel processions entering the Rimat gates to be showcased before judging panels. Presentations on algorithm-based judging stages captivated audiences, culminating in the announcement of results, which drew enthusiastic reactions from the crowd.