Jeddah Historic District Program Unveils 'Culture Square' Landmark Project

Culture Square aims to enrich the visitor journey while positioning the district as a global tourist destination, in alignment with Saudi Vision 2030. SPA
Culture Square aims to enrich the visitor journey while positioning the district as a global tourist destination, in alignment with Saudi Vision 2030. SPA
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Jeddah Historic District Program Unveils 'Culture Square' Landmark Project

Culture Square aims to enrich the visitor journey while positioning the district as a global tourist destination, in alignment with Saudi Vision 2030. SPA
Culture Square aims to enrich the visitor journey while positioning the district as a global tourist destination, in alignment with Saudi Vision 2030. SPA

The Jeddah Historic District Program, under the Ministry of Culture, unveiled “Culture Square,” a landmark project designed to restore Historic Jeddah by establishing specialized centers dedicated to various artistic and cultural disciplines.

By offering immersive experiences, Culture Square aims to enrich the visitor journey while positioning the district as a global tourist destination, in alignment with Saudi Vision 2030.

Located on the shores of Al-Arbaeen Lagoon, overlooking the historic Jeddah area, Culture Square is home to the Performing Arts Center and the Digital Arts Museum "teamLab Borderless," a recipient of the Makkah Excellence Award for Cultural Excellence. The square bridges the past and present, a concept reflected in its design and purpose.

The Performing Arts Center will host a variety of cultural events, including theatrical performances, international festivals, film screenings, and sessions inspired by the spirit of "Al-Markaz." The center also features restaurants and cafes, fostering spaces for gathering and dialogue. Meanwhile, the teamLab Borderless museum embodies the contemporary essence of culture by merging art, science, and technology.

At the heart of Culture Square is the restored historic Bait Amir Al Bahar, located between the Performing Arts Center and the teamLab Borderless museum.

Overlooking Hamza Shehata Street, named after the renowned late Saudi poet, the house stands as a testament to the area's cultural richness. Known for its distinctive architectural design, the single-floor structure is surrounded by large arched windows and historically served as a lighthouse guiding ships. Its unique design reflects its historical function. The program has meticulously restored this iconic landmark, demonstrating its commitment to preserving the region's architectural and cultural heritage.

The Culture Square project showcases an architectural vision that harmoniously blends the rich traditions of historic Jeddah with forward-looking renewal. The design integrates the architectural heritage of the region with the interconnected Hijazi urban fabric, preserving its identity and cultural essence. Simultaneously, it aligns with the philosophy of the teamLab Borderless museum, which emphasizes harmony between visitors and artwork. The concept is reflected in the building’s sloping roof, which seamlessly merges with the surrounding landscapes, reinforcing the themes of integration and unity with the environment.

Spanning a total area of approximately 26,000 square meters, Culture Square comprises two main buildings. The Center for Performing Arts and Cinema, covering 16,000 square meters, serves as the headquarters of the Red Sea Film Festival. It features a grand entrance lobby, a main theater with 868 seats, five cinema halls with 564 seats, a versatile internal lobby, nine dialogue halls, a cinematheque, a restaurant, and three cafes. The teamLab Borderless museum, covering 10,000 square meters, displays around 80 interconnected works, symbolizing a world without boundaries. The innovative space blends art, technology, and nature, offering a transformative cultural experience and enriching the Kingdom's cultural landscape.

The Historic Jeddah Program prioritized public health and environmental sustainability in designing and implementing Culture Square. The project incorporates advanced air conditioning systems with 100% air purification technology, touchless elevators and escalators with ultraviolet sterilization, and a water conservation system that recycles condensate water from cooling units for irrigation purposes. These measures enhance resource efficiency and demonstrate the program's commitment to environmental preservation.

The launch of Culture Square is a significant milestone in the Historic Jeddah Program’s efforts to restore the area, preserve its tangible and intangible heritage, and enhance the visitor experience. With its careful preservation of the urban fabric and a design that seamlessly blends contemporary architecture with heritage-inspired elements, the square serves as a distinctive cultural and visual landmark in Jeddah. The project reflects a broader vision to invest in the area's history and cultural assets, transforming them into economic tributaries and establishing the region as a prominent destination on the global tourism map.



Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
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Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)

Italian officials on Monday hailed the discovery of a more than 2,000-year-old public building attributed to Vitruvius, the ancient Roman architect and engineer known as the "father of architecture."

"It is a sensational finding ... something that our grandchildren will be talking about," Italian Culture Minister Alessandro Giuli told a press conference.

Vitruvius, who lived in the ‌1st century BC, ‌is celebrated for having written "De architectura," ‌or ⁠The Ten ‌Books on Architecture, the oldest surviving treatise on the subject.

His teachings on the classical proportions of buildings have inspired artists over centuries, including Leonardo da Vinci, whose famous drawing of the human body is known as the "Vitruvian Man."

Archaeologists believe they have found ⁠the remains of an ancient basilica, or public building, in the central ‌Italian city of Fano northeast of ‍Rome, that was created ‍by Vitruvius.

"I feel like this is the discovery ‍of the century, because scientists and researchers have been searching for this basilica for over 500 years," said the Mayor of Fano Luca Serfilippi.

"We have absolute match" between what was discovered and the descriptions given by Vitruvius in his books, regional archaeological superintendent Andrea Pessina told reporters.

The basilica had a rectangular layout, with 10 columns on the long side, and four on the short ones, Pessina said.

During excavation, when traces of four columns emerged, archaeologists used Vitruvius' descriptions to calculate where the top right column should be. When they started digging, they found it immediately, Pessina said.

"The are few certainties in archaeology ... but we were impressed by the precision" of the match, he added.

Further digging will determine whether more of the ‌basilica lies underground and if the site can be shown to the public, the superintendent said.


French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.


Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo
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Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo

The Cultural Development Fund (CDF) is participating in the Saudi House pavilion initiative, led by the Ministry of Economy and Planning, during the Annual Meeting of the World Economic Forum 2026, held in Davos, Switzerland, from January 19 to 23.

Through this participation, CDF aims to showcase the economic value of Saudi culture, highlight its role in diversifying the national economy and enhancing quality of life, attract international investment in the cultural sector, and spotlight Saudi cultural entrepreneurship.

According to a statement from the fund, the CDF’s participation includes a networking breakfast bringing together global economic leaders and investors from various countries, with the aim of raising awareness of Saudi culture as an economic force and a key pillar of Saudi Vision 2030.

The event will also provide a platform for exchanging perspectives and opportunities with international investors and financial institutions, while offering a closer look at the enablers of the Saudi cultural sector and its investment opportunities.

As part of the event, the CDF will host a panel discussion titled “Investing in Culture as an Economic Engine” that will feature CEO of the Cultural Development Fund Majed bin Abdulmohsen Al-Hugail, alongside Deputy Minister of Cultural Strategies and Policies at the Ministry of Culture Albara Al-Auhali.

The discussion will address the economic value of culture globally and locally, highlighting the CDF’s role in providing financial solutions that support cultural enterprises and enable their contribution to GDP growth and quality of life. The session will also explore cultural policies and their impact on strengthening the sector’s economic and investment potential.

Within the NextOn dialogue series organized by the Saudi House in Davos, the Cultural Development Fund will enable supported cultural projects to share their success stories and highlight their role in enhancing cultural production and increasing its economic value.

Participating entrepreneurs include Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, and CEO of Arabian Housing and Building company (AHB) Khalid Henaidy, who will speak about the role of entrepreneurship in shaping the future of the Kingdom’s cultural economy.

‏This participation underscores the CDF’s role as a center of excellence and financial enabler for the cultural sector in the Kingdom, and forms part of its efforts to strengthen the presence of Saudi cultural dynamism on the global stage. It aligns with the CDF’s objectives to maximize the cultural sector’s economic and social impact, increase its contribution to GDP, quality of life, and advance the goals of Saudi Vision 2030.