New Rome Metro Stations Showcase Ancient Treasures After Years of Delays

People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)
People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)
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New Rome Metro Stations Showcase Ancient Treasures After Years of Delays

People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)
People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)

After years of delays and spiraling costs, Rome inaugurated two new metro stations on Tuesday, including one by the Colosseum, showcasing archaeological discoveries that might become tourist attractions in their own right.

The driverless Metro C line now stretches from the Italian capital's eastern suburbs to Porta Metronia and the Colosseum, extending its reach into the historic city center.

Future plans will take it even deeper under Rome's baroque heart, beneath the river Tiber and onto the Vatican, though the next stop at Piazza Venezia is not expected to open before 2032.

Excavations for the new stations revealed remarkable finds, which slowed work as archaeologists painstakingly preserved layers of ancient Rome they hadn't known were there.

At Porta Metronia, drilling rigs uncovered a military barracks dating back 2,000 years, as well as a residential house, complete with frescoed rooms and mosaics, which are preserved in a museum within the station.

During the Colosseum excavations, workers discovered 28 ancient wells and hundreds of everyday artifacts, including hairpins, oil lamps, irrigation pipes, knives, and statues, many of which are on show.

"These two stations will travel around the world," Transport Minister Matteo Salvini said on Tuesday, predicting they would soon flood social media.

"Beyond serving commuters and Romans, anyone who comes here from Italy or from abroad will stop in these stations. They might take the metro even if they don't need it, just to enjoy the ride," he added.

LONG DELAYS, COST HIKES

Rome's Metro C was meant to link the city's two main Basilicas by the year 2000. Instead, the line only reached the imposing San Giovanni Basilica in 2018, and the Vatican station near St. Peter's Basilica won't be ready for at least another decade.

The initial plan to build 24 stations to the Colosseum was priced at 2.23 billion euros ($2.63 billion), but costs have surged past 3 billion euros, and the entire line could exceed 6 billion by the time the final seven stations are completed.

Engineers say Rome is among the most challenging cities in the world for metro construction, due to buried archaeological sites that require safeguarding and concerns that vibrations could damage the heritage above ground.

At the next stop, at Piazza Venezia, a construction team is digging an 85-meter deep (280 feet) ring around the site which will be filled with reinforced concrete to protect the six underground floors of the station that are being dug out.

Rome Mayor Roberto Gualtieri said it was worth the effort.

"Without these major works, we would never have discovered the barracks at Porta Metronia, we would never have found these wells, and today we would have known far less about our extraordinary past," he said.

Metro C is intended to carry 600,000 passengers a day, easing Rome's notorious traffic and speeding tourists between major landmarks. At present it carries 41,000 daily, but the new openings should see numbers climb.



Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
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Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA

The Dia Aziz Dia Award for Portrait, hosted by the Saudi Arabian Society for Culture and Arts in Jeddah, is a leading platform for portraiture and the only competition of its kind in the Middle East. It fosters national identity through contemporary art, connecting veteran and emerging artists.

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives, including Saudi women, the Arabian horse, the Saudi Green Initiative, and King Abdulaziz.

These themes highlight art's role in reflecting social transformations and contributing to the cultural goals of Saudi Vision 2030, SPA reported.

The current ninth edition, with a theme focused on King Salman, invited artists to depict the leadership and humanity of the Custodian of the Two Holy Mosques. This edition attracted significant participation, with 787 submissions from 42 cities, including international entries.

Of these, 61 works were shortlisted for the final competition, with prizes totaling SAR170,000 awarded to three main winners and seven incentive recipients.


Jazan Cultural House Explores Symbolism of Saudi Flag

The evening featured a critical reading on the symbolism of the Saudi flag and its ties to national identity and core values
The evening featured a critical reading on the symbolism of the Saudi flag and its ties to national identity and core values
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Jazan Cultural House Explores Symbolism of Saudi Flag

The evening featured a critical reading on the symbolism of the Saudi flag and its ties to national identity and core values
The evening featured a critical reading on the symbolism of the Saudi flag and its ties to national identity and core values

The Jazan Cultural House hosted a cultural evening on the Saudi flag, in collaboration with the Cultural Café, a literary partner of the Literature, Publishing, and Translation Commission.

The evening featured a critical reading on the symbolism of the Saudi flag and its ties to national identity and core values. Speakers discussed its historical and cultural significance as a symbol of unity and sovereignty, reflecting themes of faith, strength, and national cohesion.

The reading also explored the flag's role in fostering a sense of belonging and national pride, as well as various interpretations of its significance in cultural and intellectual discourse.


Prince Mohammed bin Salman Project Restores Historic Al-Qalaah Mosque in Riyadh Region

The mosque is a prime example of traditional Najdi architecture - SPA
The mosque is a prime example of traditional Najdi architecture - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Qalaah Mosque in Riyadh Region

The mosque is a prime example of traditional Najdi architecture - SPA
The mosque is a prime example of traditional Najdi architecture - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques continues its mission to preserve the Kingdom’s architectural heritage by restoring Al-Qalaah Mosque in Hawtat Bani Tamim, Riyadh Region. Built in 1250 AH (1834 CE), this historic landmark is situated within the fortress of Second Saudi State founder Imam Turki bin Abdullah.

The mosque is a prime example of traditional Najdi architecture, featuring stone foundations, mud walls constructed using molded brick techniques, and a roof of tamarisk trunks and palm fronds supported by stone-bead cylindrical columns, SPA reported.

Through the current renovation, the mosque’s area has expanded from 608.68 to 625.78 square meters while maintaining a capacity for 180 worshippers. Executed by specialized Saudi firms under expert engineering supervision, the project balances traditional standards with modern sustainability to ensure the mosque remains a living testament to Islamic and national history.

This initiative aligns with Vision 2030 objectives to rehabilitate historical sites for worship, highlight cultural heritage, and preserve the Kingdom’s authentic architectural identity for future generations.