New Rome Metro Stations Showcase Ancient Treasures After Years of Delays

People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)
People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)
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New Rome Metro Stations Showcase Ancient Treasures After Years of Delays

People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)
People examine artifacts on display during the inauguration of the Colosseo Fori Imperiali stop on Metro Line C in Rome, Italy, 16 December 2025. (EPA)

After years of delays and spiraling costs, Rome inaugurated two new metro stations on Tuesday, including one by the Colosseum, showcasing archaeological discoveries that might become tourist attractions in their own right.

The driverless Metro C line now stretches from the Italian capital's eastern suburbs to Porta Metronia and the Colosseum, extending its reach into the historic city center.

Future plans will take it even deeper under Rome's baroque heart, beneath the river Tiber and onto the Vatican, though the next stop at Piazza Venezia is not expected to open before 2032.

Excavations for the new stations revealed remarkable finds, which slowed work as archaeologists painstakingly preserved layers of ancient Rome they hadn't known were there.

At Porta Metronia, drilling rigs uncovered a military barracks dating back 2,000 years, as well as a residential house, complete with frescoed rooms and mosaics, which are preserved in a museum within the station.

During the Colosseum excavations, workers discovered 28 ancient wells and hundreds of everyday artifacts, including hairpins, oil lamps, irrigation pipes, knives, and statues, many of which are on show.

"These two stations will travel around the world," Transport Minister Matteo Salvini said on Tuesday, predicting they would soon flood social media.

"Beyond serving commuters and Romans, anyone who comes here from Italy or from abroad will stop in these stations. They might take the metro even if they don't need it, just to enjoy the ride," he added.

LONG DELAYS, COST HIKES

Rome's Metro C was meant to link the city's two main Basilicas by the year 2000. Instead, the line only reached the imposing San Giovanni Basilica in 2018, and the Vatican station near St. Peter's Basilica won't be ready for at least another decade.

The initial plan to build 24 stations to the Colosseum was priced at 2.23 billion euros ($2.63 billion), but costs have surged past 3 billion euros, and the entire line could exceed 6 billion by the time the final seven stations are completed.

Engineers say Rome is among the most challenging cities in the world for metro construction, due to buried archaeological sites that require safeguarding and concerns that vibrations could damage the heritage above ground.

At the next stop, at Piazza Venezia, a construction team is digging an 85-meter deep (280 feet) ring around the site which will be filled with reinforced concrete to protect the six underground floors of the station that are being dug out.

Rome Mayor Roberto Gualtieri said it was worth the effort.

"Without these major works, we would never have discovered the barracks at Porta Metronia, we would never have found these wells, and today we would have known far less about our extraordinary past," he said.

Metro C is intended to carry 600,000 passengers a day, easing Rome's notorious traffic and speeding tourists between major landmarks. At present it carries 41,000 daily, but the new openings should see numbers climb.



AlUla’s Cultural Legacy Takes Center Stage at the Marvels of Saudi Orchestra

The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)
The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)
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AlUla’s Cultural Legacy Takes Center Stage at the Marvels of Saudi Orchestra

The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)
The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)

The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall showcased the region's rich cultural heritage by seamlessly blending traditional folk arts into a professional, contemporary symphonic performance.

The event featured renowned local folk arts integrated into an artistic tableau, demonstrating Saudi heritage's ability to thrive in modern contexts while maintaining its historical depth, the Saudi Press Agency reported.

This successful convergence of global musical standards and local tradition further establishes AlUla as a premier international hub for creative and cultural expression.


Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine

Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine
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Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine

Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine

The Cultural Development Fund (CDF) successfully concluded its participation at the 2026 Annual Meeting of the World Economic Forum, held from January 19 to 23 in Davos, Switzerland, marking a historic and groundbreaking presence for Saudi culture at the world’s premier economic event.

Hosted at the Saudi House, the CDF engaged over 200 international experts, including leading economists and investors, through a series of dynamic activities such as a networking breakfast, panel discussion, and beneficiary talks on the NextOn platform. The CDF emphasized culture not only as a form of artistic and creative expression, but also as a vital economic driver and a strategic pillar for national development, SPA reported.

Reinforcing this vision, CDF CEO Majed Al-Hugail highlighted in a Davos panel Saudi Arabia's belief in culture as a pivotal force for economic diversification and quality of life. By 2030, he stated, the cultural sector is set to contribute $48 billion to GDP, create more than 346,000 jobs, and attract 22 million visitors.

The CDF also underscored the critical role of financing in empowering entrepreneurship and amplifying the economic potential of the cultural sector. Notable participants in the NextOn talk series included Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, who addressed “Culture as Economic Infrastructure: Unlocking Human Capital Through the Creative Industries.” Additionally, CEO of the Arabian Housing & Building (AHB) Company Eng. Khalid Alhenaidy contributed insights during a session titled “The Value in Cultural Assets.”

Looking ahead, the CDF organized six strategic side meetings aimed at exploring new opportunities and fostering collaborations to accelerate the development of the Saudi cultural sector and attract global investment. It also distributed 150 copies of the comprehensive investment report, Saudi Cultural Market Outlook 2025: Vision, Impact, and Opportunities, developed in partnership with the Ministry of Culture, the Ministry of Investment, and the Invest Saudi initiative.

Furthermore, the CDF showcased Saudi creativity by exporting 60 cultural products from Samuda, a fashion-sector beneficiary brand, highlighting the growing economic significance of the Saudi fashion market.

This milestone reflects the CDF’s commitment to serving as a center of excellence and financial enabler for the Kingdom’s cultural sector. It underscores ongoing efforts to elevate Saudi culture on the global stage, maximizing its economic and social impact in alignment with the ambitious objectives of Saudi Vision 2030.


Five Artists Shortlisted for the Seventh Edition of Ithra Art Prize

The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA
The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA
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Five Artists Shortlisted for the Seventh Edition of Ithra Art Prize

The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA
The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA

The King Abdulaziz Center for World Culture (Ithra) announced the five shortlisted artists for the seventh edition of the Ithra Art Prize, which celebrates artists from or based in the 22 Arab countries.

Recognized as one of the most distinguished honors in the Middle East, the Prize is dedicated to empowering artists, fostering innovation, and deepening cultural dialogue across the Arab world.

The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine), SPA reported.

Head of Ithra’s Museum Farah Abushullaih said: “The development and expansion of the Ithra Art Prize since its launch have established it as an important platform for artistic expression.

This year’s shortlist reflects the incredible diversity, creativity, and critical thought shaping contemporary art in the Arab world. The open call received more than 500 artistic submissions, which underwent an initial review process before a selected group of works was evaluated by the jury.”

She added that the award, in its current edition, is witnessing an expansion in scope compared to previous years, as the judging panel is providing production grants to the five finalists, with their works to be showcased in a dedicated exhibition at the King Abdulaziz Center for World Culture (Ithra) during the spring of 2026.