High-tech Spin for Samurai-era Ukiyo-e Artist Hokusai at Tokyo Exhibit

A visitor attends an exhibition that uses cutting-edge technology to bring to life the work of iconic samurai-era ukiyo-e artist Katsushika Hokusai at 'HOKUSAI: ANOTHER STORY in TOKYO' - Reuters
A visitor attends an exhibition that uses cutting-edge technology to bring to life the work of iconic samurai-era ukiyo-e artist Katsushika Hokusai at 'HOKUSAI: ANOTHER STORY in TOKYO' - Reuters
TT

High-tech Spin for Samurai-era Ukiyo-e Artist Hokusai at Tokyo Exhibit

A visitor attends an exhibition that uses cutting-edge technology to bring to life the work of iconic samurai-era ukiyo-e artist Katsushika Hokusai at 'HOKUSAI: ANOTHER STORY in TOKYO' - Reuters
A visitor attends an exhibition that uses cutting-edge technology to bring to life the work of iconic samurai-era ukiyo-e artist Katsushika Hokusai at 'HOKUSAI: ANOTHER STORY in TOKYO' - Reuters

Visitors can step back in time to Japan's samurai era in an new Tokyo exhibition that uses cutting-edge technology to bring to life the work of iconic artist Hokusai.

"Hokusai: Another Story in Tokyo" marks the latest in a series of immersive attractions that have sprung up in the capital, as well as growing interest in Japan's cultural past as record numbers of tourists flood into the country.

The exhibition, tucked into a downtown shopping mall, invites patrons to step into scenes of nature and village life depicted by the master of Edo Period woodblock art. Technical wizardry from digital imagery firm Ars Techne reproduces the washi paper texture of his prints. Haptic plates in the floor, developed by Sony PCL, give the feel that one is walking on a beach, ice or across a rickety bridge, Reuters reported.

"The concept is not just to see something, but to have an experience that goes beyond the real thing, to let you feel the scenery that Hokusai saw," said Hiroki Inokuchi, a visual artist with Red Geek Pictures, which helped develop the exhibition.

Born in 1760, Katsushika Hokusai took the medium known as ukiyo-e to new artistic heights and popularity through his unique use of colour and dynamic composition. Hokusai's depictions of Mount Fuji have become emblematic of Japan, with his masterpiece "The Great Wave off Kanagawa" now gracing the back of the nation's 1,000 yen note.

His prints became a hit in Europe after his death in 1849, kindling the Japonisme movement in art and inspiring painters such as Claude Monet and Vincent van Gogh.

The Hokusai exhibition, which runs from Saturday to June 1 at Tokyu Plaza Shibuya, follows other tech-driven, immersive art showcases in Tokyo that have proven to be draws among residents and overseas visitors. The digital art collective teamLab has two interactive museums in the capital that have set Guinness World Records for attendance.

Mariko Fukumizu, 42, said her 4-year-old daughter loved stepping on and cracking make-believe ice in a rendering of one of Hokusai's winter scenes.

"I like looking at art, but it's difficult with kids, so it's good to be able to go and experience things together," said Fukumizu.

Japan is experiencing a tourism boom fuelled by the weak yen, while cultural exports from manga to movies are seeing unprecedented popularity. Last year's period epic "Shogun" swept major awards at both the Emmys and Golden Globes.

Ethem Sonmez, a 22-year-old visitor from Turkey, said Japanese animation and comics are rising in popularity in his country. He said an exhibit room that simulates wind rushing through a Hokusai landscape nearly brought him to tears.

"It was like the moment I first saw Fuji in the Shinkansen" bullet train, Sonmez said. "It was mesmerizing and I felt it again here."



Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
TT

Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)

Italian officials on Monday hailed the discovery of a more than 2,000-year-old public building attributed to Vitruvius, the ancient Roman architect and engineer known as the "father of architecture."

"It is a sensational finding ... something that our grandchildren will be talking about," Italian Culture Minister Alessandro Giuli told a press conference.

Vitruvius, who lived in the ‌1st century BC, ‌is celebrated for having written "De architectura," ‌or ⁠The Ten ‌Books on Architecture, the oldest surviving treatise on the subject.

His teachings on the classical proportions of buildings have inspired artists over centuries, including Leonardo da Vinci, whose famous drawing of the human body is known as the "Vitruvian Man."

Archaeologists believe they have found ⁠the remains of an ancient basilica, or public building, in the central ‌Italian city of Fano northeast of ‍Rome, that was created ‍by Vitruvius.

"I feel like this is the discovery ‍of the century, because scientists and researchers have been searching for this basilica for over 500 years," said the Mayor of Fano Luca Serfilippi.

"We have absolute match" between what was discovered and the descriptions given by Vitruvius in his books, regional archaeological superintendent Andrea Pessina told reporters.

The basilica had a rectangular layout, with 10 columns on the long side, and four on the short ones, Pessina said.

During excavation, when traces of four columns emerged, archaeologists used Vitruvius' descriptions to calculate where the top right column should be. When they started digging, they found it immediately, Pessina said.

"The are few certainties in archaeology ... but we were impressed by the precision" of the match, he added.

Further digging will determine whether more of the ‌basilica lies underground and if the site can be shown to the public, the superintendent said.


French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
TT

French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.


Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo
TT

Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo

The Cultural Development Fund (CDF) is participating in the Saudi House pavilion initiative, led by the Ministry of Economy and Planning, during the Annual Meeting of the World Economic Forum 2026, held in Davos, Switzerland, from January 19 to 23.

Through this participation, CDF aims to showcase the economic value of Saudi culture, highlight its role in diversifying the national economy and enhancing quality of life, attract international investment in the cultural sector, and spotlight Saudi cultural entrepreneurship.

According to a statement from the fund, the CDF’s participation includes a networking breakfast bringing together global economic leaders and investors from various countries, with the aim of raising awareness of Saudi culture as an economic force and a key pillar of Saudi Vision 2030.

The event will also provide a platform for exchanging perspectives and opportunities with international investors and financial institutions, while offering a closer look at the enablers of the Saudi cultural sector and its investment opportunities.

As part of the event, the CDF will host a panel discussion titled “Investing in Culture as an Economic Engine” that will feature CEO of the Cultural Development Fund Majed bin Abdulmohsen Al-Hugail, alongside Deputy Minister of Cultural Strategies and Policies at the Ministry of Culture Albara Al-Auhali.

The discussion will address the economic value of culture globally and locally, highlighting the CDF’s role in providing financial solutions that support cultural enterprises and enable their contribution to GDP growth and quality of life. The session will also explore cultural policies and their impact on strengthening the sector’s economic and investment potential.

Within the NextOn dialogue series organized by the Saudi House in Davos, the Cultural Development Fund will enable supported cultural projects to share their success stories and highlight their role in enhancing cultural production and increasing its economic value.

Participating entrepreneurs include Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, and CEO of Arabian Housing and Building company (AHB) Khalid Henaidy, who will speak about the role of entrepreneurship in shaping the future of the Kingdom’s cultural economy.

‏This participation underscores the CDF’s role as a center of excellence and financial enabler for the cultural sector in the Kingdom, and forms part of its efforts to strengthen the presence of Saudi cultural dynamism on the global stage. It aligns with the CDF’s objectives to maximize the cultural sector’s economic and social impact, increase its contribution to GDP, quality of life, and advance the goals of Saudi Vision 2030.