Research Discovers Ancient Egyptian Remains Smell Nice

 In this undated photo provided by Emma Paolin, a view of a selection of the mummified bodies in the exhibition area of the Egyptian museum in Cairo. (Emma Paolin via AP)
In this undated photo provided by Emma Paolin, a view of a selection of the mummified bodies in the exhibition area of the Egyptian museum in Cairo. (Emma Paolin via AP)
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Research Discovers Ancient Egyptian Remains Smell Nice

 In this undated photo provided by Emma Paolin, a view of a selection of the mummified bodies in the exhibition area of the Egyptian museum in Cairo. (Emma Paolin via AP)
In this undated photo provided by Emma Paolin, a view of a selection of the mummified bodies in the exhibition area of the Egyptian museum in Cairo. (Emma Paolin via AP)

At first whiff, it sounds repulsive: sniff the essence of an ancient corpse.

But researchers who indulged their curiosity in the name of science found that well-preserved Egyptian mummies actually smell pretty good.

"In films and books, terrible things happen to those who smell mummified bodies," said Cecilia Bembibre, director of research at University College London's Institute for Sustainable Heritage. "We were surprised at the pleasantness of them."

"Woody,spicy" and "sweet" were the leading descriptions from a mummy sniffing exercise. Floral notes were also detected, which could be from pine and juniper resins used in embalming.

The study published Thursday in the Journal of the American Chemical Society used both chemical analysis and a panel of human sniffers to evaluate the odors from nine mummies as old as 5,000 years that had been either in storage or on display at the Egyptian Museum in Cairo.

The researchers wanted to systematically study the smell of mummies because it has long been a subject of fascination for the public and researchers alike, said Bembibre, one of the report’s authors. Archeologists, historians, conservators and even fiction writers have devoted pages of their work to the subject — for good reason.

Scent was an important consideration in the mummification process that used oils, waxes and balms to preserve the body and its spirit for the afterlife. The practice was largely reserved for pharaohs and nobility and pleasant smells were associated with purity and deities while bad odors were signs of corruption and decay.

Without sampling the mummies themselves, which would be invasive, researchers from UCL and the University of Ljubljana in Slovenia were able to measure whether aromas were coming from the archaeological item, pesticides or other products used to conserve the remains, or from deterioration due to mold, bacteria or microorganisms.

"We were quite worried that we might find notes or hints of decaying bodies, which wasn’t the case," said Matija Strlič, a chemistry professor at the University of Ljubljana. "We were specifically worried that there might be indications of microbial degradation, but that was not the case, which means that the environment in this museum, is actually quite good in terms of preservation."

Using technical instruments to measure and quantify air molecules emitted from sarcophagi to determine the state of preservation without touching the mummies was like the Holy Grail, Strlič said.

"It tells us potentially what social class a mummy was from and therefore reveals a lot of information about the mummified body that is relevant not just to conservators, but to curators and archeologists as well," he said. "We believe that this approach is potentially of huge interest to other types of museum collections."

Barbara Huber, a postdoctoral researcher at Max Planck Institute of Geoanthropology in Germany who was not involved in the study, said the findings provide crucial data on compounds that could preserve or degrade mummified remains. The information could be used to better protect the ancient bodies for future generations.

"However, the research also underscores a key challenge: the smells detected today are not necessarily those from the time of mummification," Huber said. "Over thousands of years, evaporation, oxidation, and even storage conditions have significantly altered the original scent profile."

Huber authored a study two years ago that analyzed residue from a jar that had contained mummified organs of a noblewoman to identify embalming ingredients, their origins and what they revealed about trade routes. She then worked with a perfumer to create an interpretation of the embalming scent, known as "Scent of Eternity," for an exhibition at the Moesgaard Museum in Denmark.

Researchers of the current study hope to do something similar, using their findings to develop "smellscapes" to artificially recreate the scents they detected and enhance the experience for future museumgoers.

"Museums have been called white cubes, where you are prompted to read, to see, to approach everything from a distance with your eyes," Bembibre said. "Observing the mummified bodies through a glass case reduces the experience because we don’t get to smell them. We don’t get to know about the mummification process in an experiential way, which is one of the ways that we understand and engage with the world."



Misk Art Institute to Launch Creative Forum 2026 in September

This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change - SPA
This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change - SPA
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Misk Art Institute to Launch Creative Forum 2026 in September

This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change - SPA
This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change - SPA

Misk Art Institute, a subsidiary of Mohammed bin Salman Foundation (Misk), announced the launch of the Creative Forum 2026, to be held on September 3 and 4 at the King Abdullah Petroleum Studies and Research Center (KAPSARC) in Riyadh.

Over two days, the forum will bring together more than 48 cultural experts, curators, academics, artists, and policymakers from around the world across 16 specialized panel discussions, eight artistic and cultural mentorship sessions covering various topics, and six sessions of the "Coffee with a Cultural Expert" program to examine the rapid transformations taking place in cultural practices amid technological developments, SPA reported.

This year's forum will explore the human imprint in contemporary cultural practices and the relationship between people and creativity as patterns of cultural and creative production and reception continue to change.

It will also examine aspects of storytelling and identity, creative collaboration networks, and the impact of digital transformation and artificial intelligence on today's cultural landscape.

The forum reflects Misk Art Institute's commitment to fostering cultural dialogue at both the regional and international levels and creating spaces for discussion on issues shaping the future of the cultural sector.

It also underscores the importance of preserving the human dimension of creative practice and promoting the exchange of expertise and knowledge, contributing to a thriving creative ecosystem and reinforcing Saudi Arabia's position as a leading regional and international destination for cultural and artistic dialogue.

Since its launch in 2020, the Creative Forum has hosted more than 280 speakers from over 20 countries, attracted more than 14,000 participants, and generated more than three million digital impressions worldwide, reflecting its established position as one of the region's leading cultural events.


Palestinian Artist Sliman Mansour Dies at 79

Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
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Palestinian Artist Sliman Mansour Dies at 79

Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)

Painter and sculptor Sliman Mansour, one of the most prominent names in Palestinian art, has died at the age of 79, his family announced.

Mansour, whose vivid artwork depicted both Palestinian traditions and his people's struggles under Israeli occupation, died on Monday at his home in east Jerusalem, his family said.

"The final chapter has been written. With hearts gripped by sorrow beyond description, we announce that our dear father has left this world," the family said in a statement.

"For the world, he leaves behind a life filled with beauty and memories, and a legacy that will continue through everyone whose lives he touched. As for us, we have lost a father who was the source of our love, our strength and our refuge."

Mansour was born in Birzeit, north of Ramallah, in 1947 and studied art and design in Jerusalem, graduating in 1970.

The Palestinian Culture Ministry mourned Mansour, calling him "one of the most important pillars of contemporary Palestinian visual art, whose career over decades formed part of the Palestinian visual and national memory".

The ministry hailed his landmark 1973 painting, "Camel of Hardships", depicting an elderly Palestinian porter carrying the city of Jerusalem on his back, as "an artistic and national icon", adding that his work served "as witness to Palestinian history and guardian of identity".

Mansour was the recipient of numerous awards, among them the UNESCO-Sharjah Prize for Arab Culture in 2019.


Saudi Arabia Establishes Cultural Center in Paris

Saudi Arabia Establishes Cultural Center in Paris
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Saudi Arabia Establishes Cultural Center in Paris

Saudi Arabia Establishes Cultural Center in Paris

The Saudi Ministry of Culture announced on Monday the establishment of a Saudi cultural center in Paris on the sidelines of the visit of Prince Mohammed bin Salman bin Abdulaziz Al Saud, Crown Prince and Prime Minister, to France.

The center will serve as a platform for promoting Saudi culture and highlighting its historical depth and creative diversity through high-quality cultural programs and initiatives involving French practitioners, institutions and the public.

It will support the international presence of Saudi cultural practitioners, strengthen communication between intellectuals and creative professionals in the two countries, and build strategic partnerships between Saudi and French cultural institutions, facilitating the exchange of expertise and implementation of joint cultural initiatives.

The establishment of the center reflects the continued development of Saudi-French relations and underscores the Kingdom's commitment to strengthening its international cultural presence and presenting an authentic cultural image that introduces the world to its rich heritage and contemporary creative output.