Research Discovers Ancient Egyptian Remains Smell Nice

 In this undated photo provided by Emma Paolin, a view of a selection of the mummified bodies in the exhibition area of the Egyptian museum in Cairo. (Emma Paolin via AP)
In this undated photo provided by Emma Paolin, a view of a selection of the mummified bodies in the exhibition area of the Egyptian museum in Cairo. (Emma Paolin via AP)
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Research Discovers Ancient Egyptian Remains Smell Nice

 In this undated photo provided by Emma Paolin, a view of a selection of the mummified bodies in the exhibition area of the Egyptian museum in Cairo. (Emma Paolin via AP)
In this undated photo provided by Emma Paolin, a view of a selection of the mummified bodies in the exhibition area of the Egyptian museum in Cairo. (Emma Paolin via AP)

At first whiff, it sounds repulsive: sniff the essence of an ancient corpse.

But researchers who indulged their curiosity in the name of science found that well-preserved Egyptian mummies actually smell pretty good.

"In films and books, terrible things happen to those who smell mummified bodies," said Cecilia Bembibre, director of research at University College London's Institute for Sustainable Heritage. "We were surprised at the pleasantness of them."

"Woody,spicy" and "sweet" were the leading descriptions from a mummy sniffing exercise. Floral notes were also detected, which could be from pine and juniper resins used in embalming.

The study published Thursday in the Journal of the American Chemical Society used both chemical analysis and a panel of human sniffers to evaluate the odors from nine mummies as old as 5,000 years that had been either in storage or on display at the Egyptian Museum in Cairo.

The researchers wanted to systematically study the smell of mummies because it has long been a subject of fascination for the public and researchers alike, said Bembibre, one of the report’s authors. Archeologists, historians, conservators and even fiction writers have devoted pages of their work to the subject — for good reason.

Scent was an important consideration in the mummification process that used oils, waxes and balms to preserve the body and its spirit for the afterlife. The practice was largely reserved for pharaohs and nobility and pleasant smells were associated with purity and deities while bad odors were signs of corruption and decay.

Without sampling the mummies themselves, which would be invasive, researchers from UCL and the University of Ljubljana in Slovenia were able to measure whether aromas were coming from the archaeological item, pesticides or other products used to conserve the remains, or from deterioration due to mold, bacteria or microorganisms.

"We were quite worried that we might find notes or hints of decaying bodies, which wasn’t the case," said Matija Strlič, a chemistry professor at the University of Ljubljana. "We were specifically worried that there might be indications of microbial degradation, but that was not the case, which means that the environment in this museum, is actually quite good in terms of preservation."

Using technical instruments to measure and quantify air molecules emitted from sarcophagi to determine the state of preservation without touching the mummies was like the Holy Grail, Strlič said.

"It tells us potentially what social class a mummy was from and therefore reveals a lot of information about the mummified body that is relevant not just to conservators, but to curators and archeologists as well," he said. "We believe that this approach is potentially of huge interest to other types of museum collections."

Barbara Huber, a postdoctoral researcher at Max Planck Institute of Geoanthropology in Germany who was not involved in the study, said the findings provide crucial data on compounds that could preserve or degrade mummified remains. The information could be used to better protect the ancient bodies for future generations.

"However, the research also underscores a key challenge: the smells detected today are not necessarily those from the time of mummification," Huber said. "Over thousands of years, evaporation, oxidation, and even storage conditions have significantly altered the original scent profile."

Huber authored a study two years ago that analyzed residue from a jar that had contained mummified organs of a noblewoman to identify embalming ingredients, their origins and what they revealed about trade routes. She then worked with a perfumer to create an interpretation of the embalming scent, known as "Scent of Eternity," for an exhibition at the Moesgaard Museum in Denmark.

Researchers of the current study hope to do something similar, using their findings to develop "smellscapes" to artificially recreate the scents they detected and enhance the experience for future museumgoers.

"Museums have been called white cubes, where you are prompted to read, to see, to approach everything from a distance with your eyes," Bembibre said. "Observing the mummified bodies through a glass case reduces the experience because we don’t get to smell them. We don’t get to know about the mummification process in an experiential way, which is one of the ways that we understand and engage with the world."



Mayor: Two Renoir Paintings Stolen in France Recovered

FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo
FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo
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Mayor: Two Renoir Paintings Stolen in France Recovered

FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo
FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo

Two paintings by French master Pierre-Auguste Renoir have been recovered a month after they were stolen from a museum in southern France, the town's mayor said Friday.

In September, thieves broke into the museum in Cagnes-sur-Mer and managed to escape with two works by the French impressionist painter, abandoning two others as they fled.

"These two paintings are not simply works of art. They are part of our city's history," said Bryan Masson, the mayor of Cagnes-sur-Mer.

"Knowing they have been recovered is an immense relief."

There has not yet been any statement from the police and Masson did not give any details regarding where the works were found or their condition.

The suspects cut through a fence to enter the museum's tree-lined grounds, smashed a window to get inside, and used an electric saw to cut through the frame mountings, Masson said at the time of the robbery in early September.

The theft took place in just a matter of minutes, shortly before 6:00 am (0400 GMT).
A source close to the probe told AFP earlier this week that police had arrested five people as part of the investigation.

According to Masson the museum alarm and police sirens forced the burglars -- which he described as "well equipped and well informed" about the museum -- to hurry.

They made off with a portrait titled "Madame Colonna Romano" and the depiction of a woman at a well called "Jeune femme au puits", his office said.

The paintings dropped during their escape include "Madame Pichon" and "Coco lisant", a portrait of Renoir's young son Claude reading.

The police said at the time of the robbery that it was clear that they were not first-time offenders, and that they had scoped out the premises before the crime.

The Renoir Museum lies a half-hour drive from the southern city of Nice, in Renoir's last home before he died aged 78 in 1919.

Its collection comprises nine paintings by Renoir, according to the museum.

It also includes several sculptures by him, as well as objects and furniture that belonged to the painter, such as his easel and wheelchair.

A spate of heists at French museums -- including at the Louvre -- has highlighted inadequate security in some cases and led to questions about whether criminal gangs see them as soft targets.

Crown jewelry valued at around $100 million was stolen in broad daylight from the Louvre in Paris last year.

The four suspected Louvre robbers have been arrested, but the jewels they are accused of grabbing in the seven-minute heist have still not been found.

Italian police in August said they had recovered paintings by Renoir, Cezanne and Matisse worth over $10.4 million that were stolen in a three-minute heist from a museum in March.
And earlier this week, a book featuring a cover made of bronze and designed by Spanish surrealist painter Salvador Dali was stolen from an art museum in central France.


PM: Anne Carson's Nobel Literature Prize 'a Proud Moment for Canada'

Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)
Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)
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PM: Anne Carson's Nobel Literature Prize 'a Proud Moment for Canada'

Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)
Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)

Canadian poet Anne Carson winning the Nobel prize for literature is a "proud moment" for the country, Prime Minister Mark Carney said Thursday.

The 76-year-old's works feature "wit, imagination, and a style entirely her own," Carney said on X.

"She has brought ancient stories to new audiences and transformed the way we think about literature," he said, calling the award "an extraordinary achievement and a proud moment for Canada."

In a statement to AFP, Canadian novelist Margaret Atwood said Carson's work "has long been admired among poets of many countries."

"For new readers I would recommend 'The Beauty of the Husband' -- direct and visceral, funny and angry and sad - or 'Men in the Off Hours.' Delights await!" added Atwood, a longtime Nobel contender who was passed over in 2013 in favor of fellow Canadian Alice Munro.

A renowned classicist, Carson has taught at several prestigious Canadian and American universities, including McGill in Montreal. She joined McGill's Department of Classics in 1988 and left the university in 2002.

"This is a wonderfully deserved honor for Anne Carson, whose work has captivated readers around the world by bringing ancient voices into conversation with the present," Lisa Shapiro, McGill's dean of arts, was quoted as saying by The McGill Reporter.

"Her extraordinary talent, originality and intellectual depth have had a profound influence on contemporary literature. We are proud that McGill was her academic home for many years and delighted to see her remarkable contributions recognized on the world stage."

Outside the university in Montreal, Vicky Huang, a 24-year-old political science student, expressed pride.

"My friends and I love 'Eros the Bittersweet,' so this is such exciting news," she told AFP.

"Yeah, I mean, the fact that she's a Canadian woman working in high literature makes all of us really proud."


Red Sea Museum Opens 'Photographing Distance' Exhibition in Historic Jeddah

The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA
The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA
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Red Sea Museum Opens 'Photographing Distance' Exhibition in Historic Jeddah

The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA
The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA

The Red Sea Museum, operating under Saudi Arabia’s Museums Commission, inaugurated the "Photographing Distance" exhibition by Argentine artist Matilde Marín at its premises in Historic Jeddah, marking its Kingdom debut and running through December 31.

The exhibition showcases photography and video installations documenting lighthouses across diverse global locations, including Jeddah and Yanbu, exploring their role in maritime navigation, human memory, and the connection between people and place.

Based on the artist's "Pharus" project initiated in 2005, the artworks frame lighthouses beyond their navigational utility as enduring symbols of guidance and hope.

The opening ceremony featured a guided tour by the artist, as well as a discussion session and a musical performance.

Linking contemporary art with Red Sea maritime heritage, the event is accompanied by an ongoing public program offering film screenings, poetry evenings, creative photography workshops, and family activities such as lighthouse model-making.

The event forms part of the Museums Commission's initiatives to enrich the Kingdom's cultural landscape and foster creative dialogue by hosting international artistic experiences.