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Crown Prince Launches Saudi Architecture Characters Map

The Saudi Architecture Characters Map features 19 distinct architectural styles inspired by the Kingdom’s diverse geographical and cultural characteristics. SPA
The Saudi Architecture Characters Map features 19 distinct architectural styles inspired by the Kingdom’s diverse geographical and cultural characteristics. SPA
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Crown Prince Launches Saudi Architecture Characters Map

The Saudi Architecture Characters Map features 19 distinct architectural styles inspired by the Kingdom’s diverse geographical and cultural characteristics. SPA
The Saudi Architecture Characters Map features 19 distinct architectural styles inspired by the Kingdom’s diverse geographical and cultural characteristics. SPA

Prince Mohammed bin Salman bin Abdulaziz Al Saud, Saudi Crown Prince and Prime Minister, has officially launched the Saudi Architecture Characters Map, featuring 19 distinct architectural styles inspired by the Kingdom’s diverse geographical and cultural characteristics.

It highlights Saudi Arabia’s commitment to celebrating the country’s architectural heritage, enhancing quality of life and modernizing the urban landscape in Saudi cities as part of Vision 2030.

As Chairman of the Supreme Committee for Saudi Architectural Design Guidelines, the Crown Prince emphasized that Saudi Architecture reflects the cultural and geographical diversity of the Kingdom. He further highlighted the importance of sustainable urban planning that harmonizes with the local environment while integrating traditional architectural elements into modern designs.
"Saudi Architecture blends our rich heritage with contemporary design thinking. We are enhancing urban landscapes and quality of life as well as building an architectural framework that balances the past and the present. This model will serve as a global source of inspiration for innovation in architectural design,” the Crown Prince said.
"Saudi Architecture will indirectly contribute to economic growth by making our cities more attractive to visitors and tourists, which will stimulate sectors such as tourism, hospitality and construction. It also envisions a future where our cities and communities thrive."
Saudi Architecture aims to enrich the urban architectural diversity of the Kingdom, elevate urban landscape in cities and empower local talent. By 2030, it is expected to contribute over SAR8 billion to Saudi Arabia’s cumulative GDP and create over 34,000 direct and indirect job opportunities across the engineering, construction and urban development sectors.
Designed with flexibility in mind, Saudi Architecture provides developers with guidelines that allow for modern building materials without imposing additional financial burdens. Each of the 19 architectural styles offers three design typographies: traditional, transitional and contemporary – encouraging creative expression while preserving the authenticity of local architecture.
The implementation of Saudi Architecture will unfold in a phased manner. The first phase will focus on Al-Ahsa, Taif, Makkah and Abha, where initial applications will target major projects, government buildings and commercial structures.
The Saudi Architecture Characters Map highlights 19 architectural styles inspired by geographical, natural and cultural characteristics, derived from urban and historical studies of building traditions passed down through generations. These styles include Central Najdi, Northern Najdi, Tabuk Coast, Madinah Rural, Inner Madinah, Hejazi Coast, Taif Highlands, Sarawat Mountains, Aseer Escarpment, Tuhama Foothills, Tuhama Coast, Farasan Islands, Abha Highlands, Bisha Desert, Najran, Al Ahsa Oasis, Al Qatif Oasis, East Coast and Eastern Najdi.
Efforts to implement Saudi Architecture are driven by partnerships across government agencies, engineering firms and real estate developers. Architectural design studios will support engineers and designers through engineering guidelines, training workshops and skill development programs to ensure the highest standards of sustainability and quality.

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150 Artists of African Descent Celebrated in ‘Black Paris’ Exhibition at Pompidou Center 

A man photographs the 1965 painting "Marian Anderson" by Beauford Delaney at the Black Paris exhibition which explores the presence and influence of about 150 Black artists in France from the 1950s to 2000 at the Pompidou Center, Monday, March 17, 2025 in Paris. (AP)
A man photographs the 1965 painting "Marian Anderson" by Beauford Delaney at the Black Paris exhibition which explores the presence and influence of about 150 Black artists in France from the 1950s to 2000 at the Pompidou Center, Monday, March 17, 2025 in Paris. (AP)
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150 Artists of African Descent Celebrated in ‘Black Paris’ Exhibition at Pompidou Center 

A man photographs the 1965 painting "Marian Anderson" by Beauford Delaney at the Black Paris exhibition which explores the presence and influence of about 150 Black artists in France from the 1950s to 2000 at the Pompidou Center, Monday, March 17, 2025 in Paris. (AP)
A man photographs the 1965 painting "Marian Anderson" by Beauford Delaney at the Black Paris exhibition which explores the presence and influence of about 150 Black artists in France from the 1950s to 2000 at the Pompidou Center, Monday, March 17, 2025 in Paris. (AP)

An unprecedented exhibition at the Pompidou Center in Paris explores the presence and influence of Black artists in the city from the 1950s to 2000, offering a vibrant immersion in France's cosmopolitan capital and a history of anti-colonial, civil rights struggles.

The “Black Paris” exhibition features the works of about 150 major artists of African descent, many of whom have never or rarely been displayed in France before. Running from March 19 to June 30, it's one of the final shows before the museum closes for a five-year renovation later this year.

Éva Barois De Caevel, associate curator, said that the exhibition is “unprecedented,” with more than 300 paintings and sculptures by artists of various backgrounds.

“Some are African Americans, some are Caribbeans, some are Africans, and some are Afro-descendants,” said Barois De Caevel, adding that the focus of the exhibit is not geography or race, but rather “Black consciousness,” shaped by the history of slavery and experience of racism shared by Black artists.

After World War II, many African American painters, musicians, and intellectuals flocked to Paris, seeking a sense of freedom that they couldn't find in the United States at the time. Barois De Caevel pointed out that for many, Paris represented a break from the racial segregation that they faced back home.

“Many enjoyed being free in the streets of Paris — being able to go out with white women, enter cafes, bars and restaurants, and be treated like white people,” she said.

“But they were not fooled," she added, noting that African American writer James Baldwin "wrote about this early on, that in France, racism is especially targeting Black Africans and Algerians, who were really extremely mistreated. So it’s an ambivalent relationship with Paris.”

The exhibition also shows how many African artists from French colonies — and later former colonies — came to Paris to join a political and intellectual movement fighting for civil rights and racial justice, while others from the Caribbean were supporting independentist movements, which were gaining strength there.

Alicia Knock, curator of the exhibition, praised the ambitious scope of the show, which she described as “an incredible epic of decolonization,” highlighting how Paris city served as both a “lab for Pan-Africanism,” the movement that encouraged solidarity between peoples of African descent, and an “anti-colonial workshop.”

Visitors “will see how these artists contributed to rewriting the history of modernism and postmodernism,” Knock said, and how they “reframed abstraction and surrealism, and at the same time you will also see the Black solidarities that happened at the time.”

“Many of these artists were not only creators, but also cultural ambassadors, teachers, poets, and philosophers,” she added.

For some coming from the US, Paris was also “a gateway to Africa,” Knock said, based on discussions she had with some of the artists' families: “They told us that, in fact, they had come to Paris to go to Africa, and in the end they found Africa in Paris.”

The exhibition also includes installations from four artists chosen to provide contemporary insights, including Shuck One, a Black graffiti and visual artist native of the Caribbean island of Guadeloupe.

In addition, the Pompidou Center has acquired around 40 of the show's artworks, which will remain part of the museum’s collection.

“This is just the beginning,” Knock said. “It’s a baby step for many French institutions, French museums and French universities to start working on these artists, start collecting them, writing about them, preserving their works in their archives and hopefully dedicating a lot of solo shows to many of these artists, because they really deserve it.”