Japanese Artist Takashi Murakami Opens Exhibit in Ohio Museum with More than 100 Works

Artist Takashi Murakami is pictured during an interview in front of a true-to-scale recreation of the Yumedono from the Horyuji Temple complex in Nara, at the Cleveland Museum of Art in Cleveland, Thursday, May 15, 2025. (AP)
Artist Takashi Murakami is pictured during an interview in front of a true-to-scale recreation of the Yumedono from the Horyuji Temple complex in Nara, at the Cleveland Museum of Art in Cleveland, Thursday, May 15, 2025. (AP)
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Japanese Artist Takashi Murakami Opens Exhibit in Ohio Museum with More than 100 Works

Artist Takashi Murakami is pictured during an interview in front of a true-to-scale recreation of the Yumedono from the Horyuji Temple complex in Nara, at the Cleveland Museum of Art in Cleveland, Thursday, May 15, 2025. (AP)
Artist Takashi Murakami is pictured during an interview in front of a true-to-scale recreation of the Yumedono from the Horyuji Temple complex in Nara, at the Cleveland Museum of Art in Cleveland, Thursday, May 15, 2025. (AP)

Japanese contemporary artist Takashi Murakami has never been limited to one medium, creating paintings, sculptures, luxury goods with fashion houses like Louis Vuitton, album covers and an exclusive merchandising collection with Major League Baseball.

Now, he has filled a US museum hall with portraits in every color as part of an exhibit opening Sunday at the Cleveland Museum of Art. "Takashi Murakami: Stepping on the Tail of a Rainbow," an update of an exhibit first shown in Los Angeles, features more than 100 ranging works.

Murakami, known for his smiling rainbow-colored flower icon, intentionally layered light-hearted themes with historical events linked to trauma, he told The Associated Press.

The art explores the impact of trauma on people and culture, said Ed Schad, curator and publications manager at contemporary art museum The Broad in Los Angeles.

The portraits "have historical roots and that they could actually tell you a lot about what a society is doing, how healthy a society is, what a society is responding to," Schad said. "What society is responding to most often in this exhibition is the idea of trauma."

One sculpture depicts Murakami and his dog with half of their bodies in anatomical form, showing their bones and organs, while the other half is their outward appearances. The sculpture, Pom and Me, is described as Murakami’s interpretation of his experience in the West through the lens of his Japanese identity.

Square portraits featuring cartoonish flowers with facial expressions cover one wall of the exhibit, organized by background color to create a rainbow effect. One flower is wiping a tear from its eye, while another appears to be a zombie. One has blood dripping from its mouth. One appears to be in awe watching fireworks.

Though there are no obviously direct visual references to historical events, the museum said the art can be seen through the lens of three events in Japanese history: the atomic bombings of Hiroshima and Nagasaki by the United States during World War II, the 2011 Tōhoku earthquake and tsunami, leading to the Fukushima Daiichi nuclear accident, and the COVID-19 pandemic.

Murakami said it's a bit of a misunderstanding that his work "is very easy and very popular."

"But this is okay because this is one of my tricks," he said.

What someone might admire about his art as a child, Murakami said, would likely not be what is admired by an adult.

Before entering the exhibit on the lower floor of the museum, visitors can walk through a version of the Yumedono, the octagonal-shaped building at Horyuji Temple in Nara, Japan. Murakami said he was inspired to create the structure after viewing the 2024 television series "Shōgun."

Inside the structure are four new paintings, "Blue Dragon Kyoto,Vermillion Bird Kyoto,White Tiger Kyoto" and "Black Tortoise Kyoto", created between 2023 and 2025.

The ticketed exhibit runs until early September.



Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
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Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA

The Jazan Festival 2026 will launch on Thursday in a carnival anticipated by thousands of visitors from within the region and beyond.

The festival will open with a grand celebratory parade starting at 3:45 p.m. along the Jazan city waterfront, signaling the start of an entertainment and cultural season that will extend for several months, according to SPA.

This year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity, from its towering green mountains and golden beaches to its picturesque islands, alongside the authenticity of its rich heritage, complemented by modern touches in entertainment programs designed to meet the aspirations of all age groups.

Performing arts inspired by local folklore will add an authentic dimension, while moving installations will flow in harmonious rhythm.

Completing the visual spectacle, integrated light and sound shows will create an enchanting atmosphere before the festivities conclude with a dazzling fireworks display lighting up the Jazan sky in vibrant colors.


UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
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UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA

The United Nations Educational, Scientific and Cultural Organization (UNESCO) Chair in Translating Cultures at the King Faisal Center for Research and Islamic Studies (KFCRIS), with support from the Literature, Publishing, and Translation Commission, organized a training course and a series of specialized lectures on the translation and safeguarding of intangible cultural heritage, SPA reported.

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application, opening space for in-depth discussion of the challenges of translating intangible heritage as a living, evolving form of culture closely tied to its cultural, social, and performative contexts.

The course and lectures adopted a comprehensive approach that views translation as a cultural tool for preserving oral memory and building bridges between local specificity and the global sphere.

This approach was reflected through applied models, field experiences, and contemporary conceptual frameworks.


Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
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Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.

A boat belonging to an Egyptian pharaoh is being assembled in full view at the Grand Egyptian Museum’s exhibition hall.

Staff began piecing together the cedarwood boat, one of two that were found that belong to King Khufu, Tuesday morning as dozens of visitors watched.

The assembly of the 42-meter (137-foot) -long vessel, which sits next to its already-assembled twin that has been on display, is expected to take around four years, according to Issa Zeidan, head of restoration at the Grand Egyptian Museum. It contains 1,650 wooden pieces.

King Khufu ruled ancient Egypt more than 4,500 years ago and built the Great Pyramid of Giza.

“You’re witnessing today one of the most important restoration projects in the 21st century,” said Tourism and Antiquities Minister Sherif Fathy, who attended the event.

The $1 billion museum, also known as GEM, was touted as the world’s largest when it was lavishly inaugurated last month. It's home to nearly 50,000 artifacts, including the collection of treasures from the tomb of the famed King Tutankhamun, which was discovered in 1922. The museum, located near the pyramids at the edge of Cairo, is expected to boost Egypt’s tourism revenues and help bolster its economy.

The boat was one of two discovered in 1954, opposite the southern side of the Great Pyramid. The excavation of its wooden parts began in 2014, according to the museum’s website.

The exact purpose of the boats remains unclear, but experts believe they were either used to transport King Khufu’s body during his funeral or were meant to be used for his afterlife journey with the sun god Ra, according to the museum.