‘Largest Princess Diana Auction’ Features Frocks, Hats and Bags  

Miniatures of Princess Diana's Royal wedding gown and bridesmaid dresses designed by David and Elizabeth Emanuel are seen on display next to sketches and sewing machine in the "Princess Diana's Style & A Royal Collection", the largest collection of the Princess of Wales' fashion ever to appear at auction in history, at a public exhibition in The Museum of Style Icons, in Newbridge, Ireland, June 9, 2025. (Reuters) 
Miniatures of Princess Diana's Royal wedding gown and bridesmaid dresses designed by David and Elizabeth Emanuel are seen on display next to sketches and sewing machine in the "Princess Diana's Style & A Royal Collection", the largest collection of the Princess of Wales' fashion ever to appear at auction in history, at a public exhibition in The Museum of Style Icons, in Newbridge, Ireland, June 9, 2025. (Reuters) 
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‘Largest Princess Diana Auction’ Features Frocks, Hats and Bags  

Miniatures of Princess Diana's Royal wedding gown and bridesmaid dresses designed by David and Elizabeth Emanuel are seen on display next to sketches and sewing machine in the "Princess Diana's Style & A Royal Collection", the largest collection of the Princess of Wales' fashion ever to appear at auction in history, at a public exhibition in The Museum of Style Icons, in Newbridge, Ireland, June 9, 2025. (Reuters) 
Miniatures of Princess Diana's Royal wedding gown and bridesmaid dresses designed by David and Elizabeth Emanuel are seen on display next to sketches and sewing machine in the "Princess Diana's Style & A Royal Collection", the largest collection of the Princess of Wales' fashion ever to appear at auction in history, at a public exhibition in The Museum of Style Icons, in Newbridge, Ireland, June 9, 2025. (Reuters) 

From colorful frocks and hats to handbags and shoes, items belonging to the late Princess Diana go under the hammer this month in what Julien's Auctions says is the largest collection of her fashion to go to auction.

The live and online "Princess Diana's Style & A Royal Collection" sale will take place on June 26 at The Peninsula Beverly Hills, offering an array of fashion items Diana wore, according to Reuters.

“This is the largest Princess Diana auction because we have over 100 items from her amazing life and career keeping in mind Diana herself sold over 70 of her dresses back in 1997 to raise money for her charity,” Martin Nolan, executive director and co-founder of Julien’s Auctions, told Reuters on Monday. He was speaking at the Museum of Style Icons in Newbridge in Ireland during a pre-sale exhibition.

Among the highlights is a 1988 silk floral dress by Bellville Sassoon, dubbed the "caring dress" because Diana wore it several times on hospital visits, with a price estimate of $200,000-$300,000.

A cream silk embroidered evening gown Catherine Walker designed for Diana's 1986 Gulf tour has a similar price tag, while a Bruce Oldfield two-piece yellow floral ensemble she wore for Royal Ascot in 1987 is estimated at $100,000-$200,000.

Other sale items include a Dior handbag gifted to her by former French first lady Bernadette Chirac in 1995, a sketch of Diana's 1981 wedding dress with tulle fabric cut-offs from when she married then Prince Charles in 1981 and a peach hat she wore for her honeymoon send-off.

The auction also includes pieces belonging to other British royals including the late Queen Elizabeth II and the queen mother.

Nolan said Julien’s Auctions had previously sold a dress belonging to Diana for $1.14 million.

"People do consider these items as an asset class now, because if people own these items today, chances are in years to come they will sell them for more than what they pay for (at) auction," he said.



Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact
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Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

The Cultural Development Fund has announced its results for the first quarter of 2026, demonstrating significant growth in financial performance and developmental impact. This underscores the fund's role as a key financial enabler and center of excellence in developing a sustainable cultural sector, enhancing Saudi culture as a vital economic and social pillar, SPA reported.

Since its inception, the fund has provided over SAR770 million in financial support to 165 cultural projects across various sub-sectors and regions of the Kingdom. It has also benefited more than 1,630 creative individuals and entrepreneurs through developmental services aimed at building entrepreneurial capabilities.

The fund achieved a 30% increase in financial returns compared to the same period in 2025, contributing an estimated SAR4.1 billion to GDP and creating over 12,540 job opportunities.

Additionally, it has stimulated private sector involvement with approximately SAR1.1 billion in contributions, reflecting growing confidence in developing the cultural sector.

These figures highlight the fund's essential role in empowering the private sector and fostering innovative financial solutions that promote growth and enhance the quality of life, aligned with Saudi Vision 2030.


Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.


Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
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Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)

Against a backdrop of blooming cherry blossoms, a group of geishas elegantly shuffle onto a stage in Japan's Kyoto city to begin a centuries-old performance celebrating the arrival of spring.

Dressed in sky blue kimonos emblazoned with flowers, the dancers twist and twirl in unison in front of hundreds of spectators eager to see the annual "Miyako Odori" in the nation's spectacular ancient capital.

Geishas, known as geikos in Kyoto, and apprentices called maikos have been donning elaborate costumes and fluttering fans since the Miyako Odori -- or "capital city dance" -- first started in 1872.

"Just as cherry blossoms bloom when spring approaches, the Miyako Odori is a spring tradition in Kyoto," Kyoko Sugiura, head of the Yasaka Nyokoba Gakuen, a school for geishas in Kyoto's Gion district, told AFP.

In Japanese, the word geisha means "person of the arts", and can refer to a woman or man trained in traditional Japanese performing arts.

In the popular imagination geishas are often confused with courtesans but their work as trained masters of refined old artforms does not involve selling sex.

Their performances are usually small and private, and take place at high-class establishments which operate a no first-time customer policy.

"That's why it is often thought of as a very exclusive world," Sugiura said.

"But the Miyako Odori is a one-hour show in which geisha and maiko have the opportunity to showcase the arts they practise daily," she said.

"Anyone and everyone with a ticket can enjoy the show."

The Miyako Odori began soon after Kyoto hosted Japan's first national expo -- an effort to revitalize the western city following the relocation of the capital to Tokyo in 1869.

The format of the performance has not changed much, Sugiura explained, although the music and dance moves are sometimes switched up.

Maria Superata, a geisha expert who has worked with them as an interpreter, explained that the show "combines all of the traditional performing arts that you can see in Japan".

"For example, elements from kabuki (classical Japanese theatre), elements from traditional dance. So they have to act, they have to sing, they have to play the instruments, everything all in one," she said.

"That's why it's so special."

But the number of geishas, who once made a living through performing for Japan's wealthy elite, is in decline.

Superata said that fewer young Japanese want a life that demands huge discipline and comes with a strict practice schedule.

"Nowadays, young Japanese people... are not very interested that much in traditional art and in kimono."