Royal Train to End 156 Years of Service as King Charles III Seeks to Economize

Britain's Prince Charles arrives on the Royal Train, pulled by a steam locomotive, at Cardiff Central Rail Station in Cardiff, Britain, December 7, 2018. (Reuters)
Britain's Prince Charles arrives on the Royal Train, pulled by a steam locomotive, at Cardiff Central Rail Station in Cardiff, Britain, December 7, 2018. (Reuters)
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Royal Train to End 156 Years of Service as King Charles III Seeks to Economize

Britain's Prince Charles arrives on the Royal Train, pulled by a steam locomotive, at Cardiff Central Rail Station in Cardiff, Britain, December 7, 2018. (Reuters)
Britain's Prince Charles arrives on the Royal Train, pulled by a steam locomotive, at Cardiff Central Rail Station in Cardiff, Britain, December 7, 2018. (Reuters)

The Royal Train will soon leave the station for the last time.

King Charles III has accepted it's time to decommission the train, whose history dates back to Queen Victoria, because it costs too much to operate and would have needed a significant upgrade for more advanced rail systems, Buckingham Palace said Monday.

“In moving forwards we must not be bound by the past,” said James Chalmers, the palace official in charge of the king’s financial affairs. “Just as so many parts of the royal household’s work have modernized and adapted to reflect the world of today, so too the time has come to bid the fondest of farewells, as we seek to be disciplined and forward-looking in our allocation of funding.”

The train, actually a suite of nine railcars that can be hitched to commercial locomotives, will be decommissioned sometime before the current maintenance contract expires in 2027. That will bring to an end a tradition that dates back to 1869, when Queen Victoria commissioned a pair of special coaches to accommodate her travels.

The decision was announced during the palace’s annual briefing for reporters on the royal finances.

The royal family will for the fourth consecutive year receive public funding of 86.3 million pounds ($118 million), including 34.5 million pounds to fund the remodeling of Buckingham Palace, in the 12 months through March 2026.

This money comes from a mechanism known as the Sovereign Grant, which sets aside 12% of the net income from the Crown Estate to fund the official duties of the king and other members of the royal family.

The Crown Estate is a portfolio of properties that are owned by the monarch during his reign. The properties are professionally managed and the king cannot dispose of the assets.

The Crown Estate is one of the many relics of Britain’s feudal past. King George III, who ruled during the American Revolution, surrendered management of the crown lands to Parliament in 1760 in return for a fixed payment from the Treasury.

The royal finances remain a topic of public debate, with Charles pledging to slim down the monarchy and cut costs as he seeks to ensure the institution’s survival.

Buckingham Palace was quick to point out that while the Sovereign Grant has been unchanged for the past four years, inflation has eroded its value. If the grant had increased in line with inflation, it would have been about 106 million pounds this year, the palace said.

The basic grant was supplemented with 21.5 million pounds ($29.5 million) of income generated by properties outside the Crown Estate. This income increased by 1.7 million pounds, driven by a record year for visitors to Buckingham Palace and special tours of the newly renovated East Wing.

Craig Prescott, a constitutional law expert at Royal Holloway, University of London who focuses on the political role of the monarchy, said funding for the royals is relatively small when compared to the overall cost of the British state and it provides tangible benefits for the country.

“It’s something that puts Britain on the world stage in a way that few other things do,’’ he said, noting that Queen Elizabeth II’s funeral was the largest gathering of world leaders in history and the coronation was broadcast around the world. “It’s one of those things that people think about when they think about Britain.”

Over the past year, Charles traveled to Australia and attended the Commonwealth Heads of Government Meeting in Samoa — his first as the organization’s head. The royals also took center stage at the 80th anniversaries of D-Day and V-E Day, which marked the end of World War II in Europe, and welcomed the leaders of Japan and Qatar as they made state visits to the UK.

Overall, the royals made 1,900 public appearances in the UK and overseas. Some 93,000 guests attended 828 events at the royal palaces.



AlUla Consolidates Its Position as a Premier Global Cultural and Arts Destination

AlUla boasts a rich, diverse cultural and artistic landscape - SPA
AlUla boasts a rich, diverse cultural and artistic landscape - SPA
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AlUla Consolidates Its Position as a Premier Global Cultural and Arts Destination

AlUla boasts a rich, diverse cultural and artistic landscape - SPA
AlUla boasts a rich, diverse cultural and artistic landscape - SPA

AlUla Governorate continues to strengthen its standing as one of the world’s prominent cultural and arts destinations, drawing on a deep-rooted civilizational heritage, exceptional natural and historical assets, and an integrated cultural vision that has transformed it into a vibrant platform for artistic creativity, knowledge production, and contemporary cultural dialogue.

AlUla boasts a rich, diverse cultural and artistic landscape, including specialized exhibitions, open-air museums, and archaeological sites that host inscriptions and historical writings documenting successive human civilizations, reinforcing its status as a cultural hub that combines the authenticity of history with the vitality of contemporary artistic expression.

Throughout the year, AlUla hosts a wide range of cultural and artistic exhibitions and experiences highlighting visual arts, design, crafts, photography, and cinema, alongside distinctive artistic commissions, specialized research and publications, and artist residency programs that contribute to the production and exchange of artistic knowledge and provide platforms for creative dialogue among artists, researchers, and the public.

Open-air museums are a prominent feature of AlUla’s cultural experience, where rock inscriptions and ancient writings are found across multiple sites, serving as living testimony to a heritage spanning thousands of years. They offer visitors an immersive, educational experience in the heart of nature that brings together history, environment, and human heritage.

This cultural momentum stems from extensive international partnerships with leading cultural and arts institutions, which have supported knowledge exchange, program development, and the attraction of artists and researchers worldwide, further reinforcing AlUla’s status as a global platform for cultural and artistic production.

Today, AlUla stands as a global cultural and arts destination that unites the authenticity of the past with the vitality of the present, helping shape a contemporary cultural future that reflects the depth of human identity and enhances the Kingdom’s presence on the international cultural and arts scene.


UNESCO Recognition Inspires Hope in Afghan Artist’s City

This picture taken on January 8, 2026 shows miniature art carved on the wall of Jami Masjid, also known as the Great Mosque of Herat in Herat. (AFP)
This picture taken on January 8, 2026 shows miniature art carved on the wall of Jami Masjid, also known as the Great Mosque of Herat in Herat. (AFP)
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UNESCO Recognition Inspires Hope in Afghan Artist’s City

This picture taken on January 8, 2026 shows miniature art carved on the wall of Jami Masjid, also known as the Great Mosque of Herat in Herat. (AFP)
This picture taken on January 8, 2026 shows miniature art carved on the wall of Jami Masjid, also known as the Great Mosque of Herat in Herat. (AFP)

Hundreds of years after the celebrated painter Kamal ud-Din Behzad roamed the streets of Herat, artists in the Afghan city are finding joy and hope in his recognition by UNESCO.

Sitting cross-legged on a red carpet, artist Mohammad Younes Qane uses an ultra-fine paintbrush to trace details such as a horse's mane or the beads of a necklace.

"When I paint, I'm taken back 500 years, to the streets of Herat back then," when the rulers of the Timurid empire were patrons of artists such as Behzad, Qane said with a smile.

Since he was a teenager, the 45-year-old has been practicing Behzad's celebrated miniature art style, which inspired French artist Henri Matisse.

A contemporary of Italian masters Leonardo da Vinci and Sandro Botticelli, Behzad brought a new style to Herat before settling in Tabriz, in modern-day Iran.

Celebrating his "vibrant cultural expression", the UN's cultural agency inscribed Behzad's style of miniature art on its list of Intangible Cultural Heritage of Humanity in December.

Such recognition was "truly joyful news", coming "at a time when we are in darkness and facing very difficult conditions", Qane said.

Since the Taliban authorities returned to power in 2021 and imposed their strict interpretation of religious law, many artists have left Afghanistan.

Qane has closed his gallery and works at home, with clients now rare and exhibitions non-existent.

He sometimes climbs the hill to a white tomb believed to be Behzad's, where he finds peace.

Taliban officials have banned music in public places, as well as the representation of living things.

- 'Proud of Behzad' -

Numerous residents pointed to the increasing enforcement of the ban on showing human faces, which are a common feature of Behzad-style artworks.

"It's very sad, because we are proud of Behzad in Herat," said one resident, speaking on condition of anonymity for security reasons.

Ahmad Jawid Zargham, the former head of the provincial arts and culture department, said paintings were "simple and without soul" before Behzad.

"He introduced scenes from people's everyday life. For example, ordinary people, passersby, dervishes, mullahs, scenes of teaching girls and boys, or groups of workers busy with architecture," Zargham told AFP.

At Herat's central mosque, which is covered in blue ceramic tiles, there are delicate floral and geometric motifs created by Behzad.

But his decorated manuscripts are kept abroad, at world-renowned institutions such as New York's Metropolitan Museum of Art, the British Library in London and the Topkapi Palace Museum in Istanbul.

Michael Barry, a leading specialist in miniature art, said that people being deprived of their cultural patrimony was "the height of injustice".

At the same time, he remained "very aware of the care that is required to maintain these delicate works", which can easily be damaged by light exposure.

Conscious of the difficulties of repatriating Behzad's artworks, Barry instead enlarged and reproduced them in 2017 for an exhibition at Herat's citadel.

But residents can no longer view the bright autumn colors of the tree of life, a symbol often painted by Behzad, as the wooden door has been padlocked shut.

Despite welcoming the UNESCO recognition, the provincial arts and culture department did not give an explanation for its closure.

Recalling Herat's importance, Barry said the city was the "world capital of painting, poetry, music, philosophy, mathematics. The Florence of the Islamic world".

"The most important center of Islamic civilization in the 15th century endorsed figurative art," he added.

But nowadays, at the citadel, faces shown on panels about the city's history have been painted black.

Despite such measures enforced by the Taliban government's morality police, Behzad is still inspiring young Afghans.

Around a dozen women gathered in a workshop to paint miniature art scenes on glass or paper, which they sell through social media or to acquaintances.

The UNESCO recognition is motivating, said Parisa Narwan, 24, who has been unable to participate in scholarships and exhibitions abroad because it has become practically impossible to get visas.

Artists need opportunities "including international exhibitions and financial support", she said.

One of the other artists contemplated how she would address Behzad today: "I wish he could have lived now -- I would ask him to improve the women's life in Afghanistan because it is really difficult."


Saudi Arabia: Hira Cultural District's Museum Displays World's Largest Quran Copy

The manuscript measures 312 by 220 centimeters and comprises 700 pages. SPA
The manuscript measures 312 by 220 centimeters and comprises 700 pages. SPA
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Saudi Arabia: Hira Cultural District's Museum Displays World's Largest Quran Copy

The manuscript measures 312 by 220 centimeters and comprises 700 pages. SPA
The manuscript measures 312 by 220 centimeters and comprises 700 pages. SPA

The Holy Quran Museum at the Hira Cultural District is showcasing a monumental handwritten copy of the Holy Quran, recognized as the largest Quran of its kind in the world, the Saudi Press Agency reported.

The manuscript measures 312 by 220 centimeters and comprises 700 pages, earning the museum recognition from Guinness World Records for displaying the world's largest Quran, SPA said.

The manuscript is a magnified reproduction of a historic Quran dating back to the 10th century AH (16th century CE). The original copy measures 45 by 30 centimeters with the chapters written primarily in Thuluth script, while Surah Al-Fatiha was penned in Naskh, reflecting the refined artistic choices and calligraphic diversity of that era.

The Quran is a unique example of Arabic calligraphy, gilding, and bookbinding, showcasing features of Islamic art through intricate decorations, sun-shaped motifs on the opening folio, and frontispiece and title pages, reflecting the high level of artistic mastery of that era.

The manuscript was endowed as a waqf in 1300 AH (1883 CE). Its original version is currently preserved at the King Abdulaziz Complex for Endowment Libraries, remaining a lasting testament to Muslims' enduring reverence for the Quran and the richness of the Islamic arts associated with it across the centuries.