Royal Train to End 156 Years of Service as King Charles III Seeks to Economize

Britain's Prince Charles arrives on the Royal Train, pulled by a steam locomotive, at Cardiff Central Rail Station in Cardiff, Britain, December 7, 2018. (Reuters)
Britain's Prince Charles arrives on the Royal Train, pulled by a steam locomotive, at Cardiff Central Rail Station in Cardiff, Britain, December 7, 2018. (Reuters)
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Royal Train to End 156 Years of Service as King Charles III Seeks to Economize

Britain's Prince Charles arrives on the Royal Train, pulled by a steam locomotive, at Cardiff Central Rail Station in Cardiff, Britain, December 7, 2018. (Reuters)
Britain's Prince Charles arrives on the Royal Train, pulled by a steam locomotive, at Cardiff Central Rail Station in Cardiff, Britain, December 7, 2018. (Reuters)

The Royal Train will soon leave the station for the last time.

King Charles III has accepted it's time to decommission the train, whose history dates back to Queen Victoria, because it costs too much to operate and would have needed a significant upgrade for more advanced rail systems, Buckingham Palace said Monday.

“In moving forwards we must not be bound by the past,” said James Chalmers, the palace official in charge of the king’s financial affairs. “Just as so many parts of the royal household’s work have modernized and adapted to reflect the world of today, so too the time has come to bid the fondest of farewells, as we seek to be disciplined and forward-looking in our allocation of funding.”

The train, actually a suite of nine railcars that can be hitched to commercial locomotives, will be decommissioned sometime before the current maintenance contract expires in 2027. That will bring to an end a tradition that dates back to 1869, when Queen Victoria commissioned a pair of special coaches to accommodate her travels.

The decision was announced during the palace’s annual briefing for reporters on the royal finances.

The royal family will for the fourth consecutive year receive public funding of 86.3 million pounds ($118 million), including 34.5 million pounds to fund the remodeling of Buckingham Palace, in the 12 months through March 2026.

This money comes from a mechanism known as the Sovereign Grant, which sets aside 12% of the net income from the Crown Estate to fund the official duties of the king and other members of the royal family.

The Crown Estate is a portfolio of properties that are owned by the monarch during his reign. The properties are professionally managed and the king cannot dispose of the assets.

The Crown Estate is one of the many relics of Britain’s feudal past. King George III, who ruled during the American Revolution, surrendered management of the crown lands to Parliament in 1760 in return for a fixed payment from the Treasury.

The royal finances remain a topic of public debate, with Charles pledging to slim down the monarchy and cut costs as he seeks to ensure the institution’s survival.

Buckingham Palace was quick to point out that while the Sovereign Grant has been unchanged for the past four years, inflation has eroded its value. If the grant had increased in line with inflation, it would have been about 106 million pounds this year, the palace said.

The basic grant was supplemented with 21.5 million pounds ($29.5 million) of income generated by properties outside the Crown Estate. This income increased by 1.7 million pounds, driven by a record year for visitors to Buckingham Palace and special tours of the newly renovated East Wing.

Craig Prescott, a constitutional law expert at Royal Holloway, University of London who focuses on the political role of the monarchy, said funding for the royals is relatively small when compared to the overall cost of the British state and it provides tangible benefits for the country.

“It’s something that puts Britain on the world stage in a way that few other things do,’’ he said, noting that Queen Elizabeth II’s funeral was the largest gathering of world leaders in history and the coronation was broadcast around the world. “It’s one of those things that people think about when they think about Britain.”

Over the past year, Charles traveled to Australia and attended the Commonwealth Heads of Government Meeting in Samoa — his first as the organization’s head. The royals also took center stage at the 80th anniversaries of D-Day and V-E Day, which marked the end of World War II in Europe, and welcomed the leaders of Japan and Qatar as they made state visits to the UK.

Overall, the royals made 1,900 public appearances in the UK and overseas. Some 93,000 guests attended 828 events at the royal palaces.



65 Artists from 37 Countries to Participate in Diriyah Contemporary Art Biennale 2026

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
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65 Artists from 37 Countries to Participate in Diriyah Contemporary Art Biennale 2026

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA

The Diriyah Biennale Foundation has announced the list of artists participating in the Diriyah Contemporary Art Biennale 2026, scheduled to open on January 30 in the Jax District of Diriyah.

Titled “In Interludes and Transitions,” this edition draws inspiration from themes of movement, migration, and transformation—forces that have historically shaped pathways of communication and cultural exchange between the Arab region and societies around the world, SPA reported.

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation. These original pieces, created by artists, musicians, filmmakers, architects, and writers, explore ideas of continuity, resilience, and collective imagination amid periods of profound change.

Chief Executive Officer of the Diriyah Biennale Foundation Aya Al-Bakree explained that the event brings together artists from multiple generations, regions, and disciplines, offering audiences a rich and diverse artistic experience that reflects Diriyah’s growing role as a global cultural hub.

The artistic directors noted that this edition of the Diriyah Contemporary Art Biennale emphasizes the vital role of art in interpreting contemporary transformations. Over the past year, participating artists and the curatorial team have engaged in in-depth research into the historical contexts of the Arab region, examined the rapid changes reshaping its cultural landscape, and addressed broader intellectual questions with global relevance.


Louvre Workers Vote to Strike in Another Blow to the Paris Museum 

This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
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Louvre Workers Vote to Strike in Another Blow to the Paris Museum 

This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)

Workers at the Louvre Museum voted Monday to strike over working conditions and other complaints, dealing another blow to the Paris landmark and home of the Mona Lisa after an embarrassing jewelry heist in October.

The CFDT union said the vote was taken at a meeting of 400 workers on Monday morning and that they decided to strike for the day.

The world’s most-visited museum didn’t open as scheduled and turned people away. A notice on the Louvre's website said, “the museum is closed for the moment.”

“It's really sad, because I was really looking forward to this,” said Lindsey Hall, a bitterly disappointed would-be visitor from Sacramento, California. She had been planning to enjoy the museum's huge collection of art and artifacts with a friend, describing it as “one of those life experiences you crave.”

“This is just an epic collection of art and something that every human should see,” she said. “I can see the other side of it, like if you are the person that works in the museum and how that can be, like day after day after day.”

The strike vote followed talks last week between labor unions and government officials, including Culture Minister Rachida Dati. Labor leaders said the talks had not alleviated all of their concerns about staffing and financing for the museum that welcomes millions of visitors each year.

“Visiting the museum has become an obstacle course,” said Alexis Fritche, general secretary of the culture wing of the CFDT union.

For employees, the daylight jewel heist crystallized long-standing concerns that crowding and thin staffing are undermining security and working conditions at the Louvre.

Thieves used a basket lift to reach the Louvre’s facade, forced a window, smashed display cases and fled with pieces of the French crown jewels. A Senate inquiry released last week said the thieves escaped with barely 30 seconds to spare and pointed fingers of blame at broken cameras, outdated equipment, understaffed control rooms and poor coordination that initially sent police to the wrong location.

In a statement, the CFDT said employees wants more staffing for security and to welcome visitors, improved working conditions, stable long-term budgets for the Louvre and leadership that “truly listens to staff.”

Yvan Navarro of the CGT union complained that staff numbers have continually decreased while visitor numbers have increased.

“People come to Paris to visit the museums. So the visitor numbers go up, the tariffs and the prices go up, because everything is becoming more expensive, but the salaries and the numbers of staffers don't go up so obviously you reach a point like today, a day of anger,” he said.


Saudi Media Ministry Launches Sudanese Culture Week as Part of 'Global Harmony 2' Initiative 

The event is part of a series of cultural activities showcasing 14 global cultures, held at Al-Suwaidi Park, one of the Riyadh Season venues. (SPA)
The event is part of a series of cultural activities showcasing 14 global cultures, held at Al-Suwaidi Park, one of the Riyadh Season venues. (SPA)
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Saudi Media Ministry Launches Sudanese Culture Week as Part of 'Global Harmony 2' Initiative 

The event is part of a series of cultural activities showcasing 14 global cultures, held at Al-Suwaidi Park, one of the Riyadh Season venues. (SPA)
The event is part of a series of cultural activities showcasing 14 global cultures, held at Al-Suwaidi Park, one of the Riyadh Season venues. (SPA)

Saudi Arabia’s Ministry of Media launched on Sunday the Sudanese Culture Week as part of the "Global Harmony 2" initiative, organized in cooperation with the General Entertainment Authority (GEA) and the Quality of Life Program.

The event is part of a series of cultural activities showcasing 14 global cultures, held at Al-Suwaidi Park, one of the Riyadh Season venues.

The events began with a celebratory parade showcasing elements of Sudanese culture, featuring performances of traditional music, including the rhythms of the Dalooka and melodies of the Rababa, alongside scenes from a Sudanese bridal procession.

Sudanese Culture Week includes a diverse program of musical concerts, entertainment segments, and cultural pavilions, with participation from a selection of Sudanese singers and influencers presenting activities that reflect the cultural diversity of Sudan’s regions and communities.

The event stage hosted the first musical concerts, attended by thousands of visitors, who engaged with Rababa performances by traditional artists and popular social occasion songs from Sudan.

Sudanese Culture Week marks the final week of events under the Global Harmony 2 initiative, building on the program's success in promoting cultural exchange in the Kingdom, reflecting the values of coexistence and cultural openness embraced by the Kingdom.

The events will continue on Monday with a program featuring a variety of cultural and musical performances.