Royal Train to End 156 Years of Service as King Charles III Seeks to Economize

Britain's Prince Charles arrives on the Royal Train, pulled by a steam locomotive, at Cardiff Central Rail Station in Cardiff, Britain, December 7, 2018. (Reuters)
Britain's Prince Charles arrives on the Royal Train, pulled by a steam locomotive, at Cardiff Central Rail Station in Cardiff, Britain, December 7, 2018. (Reuters)
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Royal Train to End 156 Years of Service as King Charles III Seeks to Economize

Britain's Prince Charles arrives on the Royal Train, pulled by a steam locomotive, at Cardiff Central Rail Station in Cardiff, Britain, December 7, 2018. (Reuters)
Britain's Prince Charles arrives on the Royal Train, pulled by a steam locomotive, at Cardiff Central Rail Station in Cardiff, Britain, December 7, 2018. (Reuters)

The Royal Train will soon leave the station for the last time.

King Charles III has accepted it's time to decommission the train, whose history dates back to Queen Victoria, because it costs too much to operate and would have needed a significant upgrade for more advanced rail systems, Buckingham Palace said Monday.

“In moving forwards we must not be bound by the past,” said James Chalmers, the palace official in charge of the king’s financial affairs. “Just as so many parts of the royal household’s work have modernized and adapted to reflect the world of today, so too the time has come to bid the fondest of farewells, as we seek to be disciplined and forward-looking in our allocation of funding.”

The train, actually a suite of nine railcars that can be hitched to commercial locomotives, will be decommissioned sometime before the current maintenance contract expires in 2027. That will bring to an end a tradition that dates back to 1869, when Queen Victoria commissioned a pair of special coaches to accommodate her travels.

The decision was announced during the palace’s annual briefing for reporters on the royal finances.

The royal family will for the fourth consecutive year receive public funding of 86.3 million pounds ($118 million), including 34.5 million pounds to fund the remodeling of Buckingham Palace, in the 12 months through March 2026.

This money comes from a mechanism known as the Sovereign Grant, which sets aside 12% of the net income from the Crown Estate to fund the official duties of the king and other members of the royal family.

The Crown Estate is a portfolio of properties that are owned by the monarch during his reign. The properties are professionally managed and the king cannot dispose of the assets.

The Crown Estate is one of the many relics of Britain’s feudal past. King George III, who ruled during the American Revolution, surrendered management of the crown lands to Parliament in 1760 in return for a fixed payment from the Treasury.

The royal finances remain a topic of public debate, with Charles pledging to slim down the monarchy and cut costs as he seeks to ensure the institution’s survival.

Buckingham Palace was quick to point out that while the Sovereign Grant has been unchanged for the past four years, inflation has eroded its value. If the grant had increased in line with inflation, it would have been about 106 million pounds this year, the palace said.

The basic grant was supplemented with 21.5 million pounds ($29.5 million) of income generated by properties outside the Crown Estate. This income increased by 1.7 million pounds, driven by a record year for visitors to Buckingham Palace and special tours of the newly renovated East Wing.

Craig Prescott, a constitutional law expert at Royal Holloway, University of London who focuses on the political role of the monarchy, said funding for the royals is relatively small when compared to the overall cost of the British state and it provides tangible benefits for the country.

“It’s something that puts Britain on the world stage in a way that few other things do,’’ he said, noting that Queen Elizabeth II’s funeral was the largest gathering of world leaders in history and the coronation was broadcast around the world. “It’s one of those things that people think about when they think about Britain.”

Over the past year, Charles traveled to Australia and attended the Commonwealth Heads of Government Meeting in Samoa — his first as the organization’s head. The royals also took center stage at the 80th anniversaries of D-Day and V-E Day, which marked the end of World War II in Europe, and welcomed the leaders of Japan and Qatar as they made state visits to the UK.

Overall, the royals made 1,900 public appearances in the UK and overseas. Some 93,000 guests attended 828 events at the royal palaces.



UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo

Britain is considering introducing entry fees for tourists visiting some of England's most renowned museums, a proposal that has drawn criticism from restitution groups and countries while disputed artefacts remain on display.

Free admission to Britain's national museums and galleries was introduced in 2001 by former Labour Prime Minister Tony Blair in a bid to make culture more accessible to all.

Last month, the UK government said it would work with the museum sector to explore the potential benefits of charging international visitors at ⁠national museums, including how ⁠this could support the arts sector. It would provide an update of the consultation before the end of the year, it said.

However, the proposal is facing backlash amid growing calls worldwide for artefacts to be sent back to their communities or countries of origin, Reuters reported.

Although some efforts have been made to confront the long-standing issue, artifacts as well as human ⁠remains taken during the colonial era are still held in various museums across Europe. Some long-standing claims for artifacts involving the British Museum include Greece's Parthenon Sculptures, known as Elgin marbles, and Nigeria's Benin Bronzes.

The British Museum has previously said that the strength of its collection lies in enabling millions of visitors to understand the world's cultures and how they are interconnected.

Ghana, which has some of its regalia and other artifacts in British institutions, said charging foreign visitors to view such objects raises issues of "fairness," particularly where restitution discussions remain ongoing, ⁠foreign minister ⁠Samuel Okudzeto Ablakwa told Reuters.

The proposal, if implemented, would be "unethica," said Eric Phillips, vice chair of the Caribbean Community's reparations commission, a bloc of 15 member states including Jamaica and Barbados.

"Why should we have to pay to see our heritage?" Phillips said.

Arley Gill, chairman of Grenada's national reparations committee, said the priority should be to return the artifacts to their "rightful owners."

Open Restitution Africa (ORA) said Africans and others already face barriers to accessing artifacts taken from their countries and held in Western museums, including visa requirements and travel costs.

"Introducing entry fees further compounds these inequalities," ORA said.

Meanwhile, the US-based non-profit Restitution Study Group said a fee exemption for such visitors would be a "meaningful gesture."

The government declined to comment on the criticism.


Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA

The Royal Commission for Riyadh City, through its “Riyadh Art” program, has unveiled 75 new artworks as part of a growing permanent collection installed across key locations in the capital.

The initiative forms part of broader efforts to expand the presence of public art in urban spaces, with additional installations planned in the coming period.

The program aims to enrich daily life in Riyadh by integrating art into the urban fabric, contributing to a dynamic cultural environment that reflects the capital's regional and international stature.

As one of the world’s largest public art initiatives, the Riyadh Art program now features 75 installations, with plans to expand the collection by adding 115 more works. The current collection includes contributions from 35 Saudi artists and 100 international artists representing 45 countries.

Among the internationally renowned artists featured are Anish Kapoor, Giuseppe Penone, and Jeff Koons, alongside prominent Saudi artists such as Zaman Jassim, Mohammed Alsaleem, and Manal AlDowayan.

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs, enabling residents and visitors to engage with them as part of their everyday environment and reinforcing the role of art in public life.

The collection comprises both commissioned and acquired works. Commissioned pieces are specifically designed to respond to their surroundings, integrating with the urban context and patterns of movement within each location.

Recent commissions were selected through an international competition that attracted 161 artists, with 72 shortlisted participants submitting 70 proposals. These contributions have helped shape a diverse and evolving collection spanning the city’s main axes and public spaces.


New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
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New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)

In a quiet space secluded from the throngs of daily visitors to Madrid's Prado art museum, a team of experts perpetuate an ancient tradition of restoring centuries-old European cultural treasures.

Creations by some of art's most illustrious names -- Goya, Velazquez, Rubens, Caravaggio, Bosch and El Greco -- are conserved in the vast, bright space at one of the world's most-visited museums.

The Prado has always put an emphasis on the conservation and restoration of art since it opened to the public in 1819.

Cutting-edge technology and modern tools to analyze and treat paintings and sculptures allow Almudena, Marta, Maria, Alvaro, Alicia, Elena, Sonia and Eva to maintain the tradition.

The team is capable of caring for the museum's most prized collections as well as works from other institutions.

In February, the Prado launched the restoration of "Pablo de Valladolid", an emblematic portrait that Spanish master Velazquez produced in the 17th century.

But the work will first undergo a deep technical analysis by new equipment, the museum said in a statement.

Scanning technology will allow the experts to identify and locate the materials used by the artist, while multispectral infrared reflectography will reveal details invisible to the naked eye.

Everything contributes to a deeper understanding of the artist's technique, the work's state of conservation and preparing its restoration.