Kermit Aims to Ease French Nerves at Art Basel Paris 

This photograph shows installing of the artwork of Venezuelan-US artist Alex Da Corte titled "Kermit the Frog, Even" at Place Vendome in Paris, on October 19, 2025, ahead of the official opening of the Art Basel contemporary and modern art market. (AFP)
This photograph shows installing of the artwork of Venezuelan-US artist Alex Da Corte titled "Kermit the Frog, Even" at Place Vendome in Paris, on October 19, 2025, ahead of the official opening of the Art Basel contemporary and modern art market. (AFP)
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Kermit Aims to Ease French Nerves at Art Basel Paris 

This photograph shows installing of the artwork of Venezuelan-US artist Alex Da Corte titled "Kermit the Frog, Even" at Place Vendome in Paris, on October 19, 2025, ahead of the official opening of the Art Basel contemporary and modern art market. (AFP)
This photograph shows installing of the artwork of Venezuelan-US artist Alex Da Corte titled "Kermit the Frog, Even" at Place Vendome in Paris, on October 19, 2025, ahead of the official opening of the Art Basel contemporary and modern art market. (AFP)

A huge inflatable Kermit the frog will be the star of the Art Basel Paris contemporary art fair this week in the French capital, unnerved by a daring heist at the Louvre.

"Kermit the Frog, Even" is a 20-meter (66-foot) blow-up figure by Venezuelan-US artist Alex Da Corte -- with its head deflated at the artist's request.

The beloved Muppet Show puppet has already been on display for several days in the Place Vendome, where the world's top jewellers showcase their most valuable and extravagant pieces.

Kermit succeeds last year's giant mushroom by German artist Carsten Hoeller and the Wave by Switzerland's Urs Fischer in 2023.

Its head is deflated as "a way of paying tribute to US public broadcaster PBS", which aired the Muppet Show in the 1970s and is now "facing drastic budget cuts", explained Art Basel Paris director Clement Delepine.

This is the fourth fair in Paris organized by Switzerland's Art Basel, which organizes a series of contemporary art fairs around the world.

More than 200 galleries from around 40 countries are expected to take part in the main event from Friday to Sunday under the huge glass dome roof of the Grand Palais in Paris.

Coming just days after thieves made off in broad daylight with eight pieces of priceless royal jewellery from the Louvre museum, organizers are at pains to reassure participants.

"The safety and protection of our exhibitors, visitors and teams is an absolute priority," Art Basel Paris told AFP, pointing to "comprehensive security measures".

In addition to the central event in the Grand Palais, monumental works have been installed across central Paris as part of a free public program.

These include huge sculptures by contemporary artists Wang Keping (China), Stefan Rinck (Germany), Leiko Ikemura (Japan) and Thomas Houseago (UK).

Visitors can also explore a jungle wall of wild grasses made of nylon, plastic and polyester by Madagascan artist Joel Andrianomearisoa.

The Petit Palais, meanwhile, is currently home to Julius von Bismarck's mesmerizing "The Elephant in the Room".

This features a life-sized giraffe and a replica of an equestrian statue of Otto von Bismarck, the first chancellor of the German Empire, both constantly change shape in slow motion.

According to the UBS 2025 annual survey, published by Art Basel, global sales of modern and contemporary art fell by 12 percent in 2024 to $57.5 billion -- the second straight annual fall.



Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy
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Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Arabia’s Museums Commission organized a virtual session as part of its monthly open-meeting series, during which it explored the historical and social legacy of the Trans-Arabian Pipeline (Tapline) and its role in shaping the identity of Northern Borders Region, reported the Saudi Press Agency on Tuesday.

The meeting highlighted Tapline’s story as one of the largest construction projects of the 20th century. Construction began in 1947, and operations commenced in 1950, linking the oil fields of eastern Saudi Arabia to the port of Sidon on Lebanon’s Mediterranean coast.

Pumping operations ceased permanently in 1990.

Speakers focused on transforming this industrial legacy into a contemporary museum narrative that highlights Tapline's impact on the emergence of modern cities in the Northern Borders Region.

The meeting concluded with an open dialogue on the role of museums and exhibitions in preserving industrial memory while transforming it into cultural platforms that strengthen connections to national identity.


Archaeologists at Pompeii Use AI to Reveal the Face of One of the Victims

A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
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Archaeologists at Pompeii Use AI to Reveal the Face of One of the Victims

A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)

Archaeologists at the ancient Roman site of Pompeii have used artificial intelligence for the first time to digitally reconstruct the face of a victim of the AD 79 eruption of Mount Vesuvius that smothered the city, offering a new way to understand one of history’s most famous natural disasters.

The digital portrait represents an older man who was among two victims discovered as they attempted to flee the city toward the coast of what is now Italy during the volcanic eruption. Researchers believe the man died earlier in the disaster, during a heavy fall of volcanic debris.

The reconstruction was developed by the Pompeii Archaeological Park in collaboration with the University of Padua and is based on archaeological survey data from excavations near the Porta Stabia necropolis, just outside the walls of the ancient city.

Pompeii, a UNESCO World Heritage site near Naples, was buried under ash and pumice when Mount Vesuvius erupted nearly 2,000 years ago, preserving the city and thousands of its inhabitants in remarkable detail.

Archaeologists found the victim holding a terracotta mortar, which they interpret as an improvised attempt to shield his head from falling lapilli, the small volcanic stones rained down during the eruption.

Ancient accounts, including those of Roman writer Pliny the Younger, describe residents using objects to protect themselves as ash and debris blanketed the city.

The man was also carrying an oil lamp, a small iron ring and 10 bronze coins, personal objects that offer insight into his final moments, as well as daily life in Pompeii before the catastrophe.

The digital portrait was created using artificial intelligence and photo-editing techniques designed to translate skeletal and archaeological data into a realistic human likeness.

“The vastness of archaeological data is now such that only with the help of artificial intelligence will we be able to adequately protect and enhance them. If used well, AI can contribute to a renewal of classical studies,” Pompeii park director Gabriel Zuchtriegel said in a statement.

The project aims to make archaeological research more accessible and emotionally engaging for the public while maintaining a scientific foundation, researchers said.


Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors
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Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

Visual Arts Commission's Bedayat Exhibition Attracts Over 13,000 Visitors

The “Bedayat: Beginnings of the Saudi Art Movement” exhibition highlighted the early development of the art movement in Saudi Arabia, showcasing the experiences of pioneering artists and their contributions to shaping the local visual arts scene.

Organized by the Visual Arts Commission and held at the National Museum of Saudi Arabia in Riyadh, the exhibition attracted more than 13,000 visitors throughout its run, SPA reported.

The exhibition was accompanied by a diverse cultural program comprising around 17 events, including workshops, panel discussions, and specialized courses, led by a select group of experts.

This exhibition is part of the commission’s efforts to document Saudi Arabia’s artistic heritage and strengthen its presence both locally and internationally, contributing to the development of the cultural sector and enhancing its sustainability.