Two New Suspects Handed Preliminary Charges in Louvre Heist Case, Paris Prosecutor Says

French soldiers from the "Sentinelle" security plan patrol past the glass Pyramid while people queue to enter the Louvre Museum as French police have arrested more suspects linked to the theft of treasures from the Louvre museum's Galerie d'Apollon (Apollo gallery), in Paris, France, October 30, 2025. (Reuters)
French soldiers from the "Sentinelle" security plan patrol past the glass Pyramid while people queue to enter the Louvre Museum as French police have arrested more suspects linked to the theft of treasures from the Louvre museum's Galerie d'Apollon (Apollo gallery), in Paris, France, October 30, 2025. (Reuters)
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Two New Suspects Handed Preliminary Charges in Louvre Heist Case, Paris Prosecutor Says

French soldiers from the "Sentinelle" security plan patrol past the glass Pyramid while people queue to enter the Louvre Museum as French police have arrested more suspects linked to the theft of treasures from the Louvre museum's Galerie d'Apollon (Apollo gallery), in Paris, France, October 30, 2025. (Reuters)
French soldiers from the "Sentinelle" security plan patrol past the glass Pyramid while people queue to enter the Louvre Museum as French police have arrested more suspects linked to the theft of treasures from the Louvre museum's Galerie d'Apollon (Apollo gallery), in Paris, France, October 30, 2025. (Reuters)

The Paris prosecutor said Saturday two new suspects were handed preliminary charges for their alleged involvement in the crown jewels heist at the Louvre museum, three days after they were arrested by police as part of the sweeping investigation.

Laure Beccuau, the prosecutor, said a 37-year-old suspect was charged with theft by an organized gang and criminal conspiracy. He was known to authorities for previous thefts, the statement said.

The other suspect, a 38-year-old woman, was accused of being an accomplice. They were both incarcerated.

They both denied involvement, the prosecutor said.

The lawyer for the woman, Adrien Sorrentino, told reporters his client is "devastated" because she disputes the accusations.

"She does not understand how she is implicated in any of the elements she is accused of," he said.

Officials said the jewels stolen in the Oct. 19 heist have not been recovered — a trove valued around $102 million that includes a diamond-and-emerald necklace Napoleon gave to Empress Marie-Louise as a wedding gift, jewels tied to 19th-century Queens Marie-Amélie and Hortense, and Empress Eugénie’s pearl-and-diamond tiara.

Five people were arrested by police on Wednesday in connection with the case, including one tied to the heist by DNA. That person is suspected of belonging to the team of four who used a freight lift truck to enter the Louvre. The prosecutor did not specify whether the person was among those charged on Saturday.

The three others have been released without charges, Beccuau said.

Two earlier suspects, men aged 34 and 39 from Aubervilliers, north of Paris, were charged this week with theft by an organized gang and criminal conspiracy.

Beccuau said both gave "minimalist" statements and "partially admitted" their involvement. The two are believed to be the men who forced their way into the Apollo Gallery. One was stopped at Charles-de-Gaulle Airport with a one-way ticket to Algeria; his DNA matched a scooter used in the getaway.

Neither names nor extensive biographical details about the suspects have been made public.

Information about investigations is meant to be secret under French law, to avoid compromising police work and to ensure victims’ right to privacy, a policy known as "secret d’instruction.″ Only the prosecutor can speak publicly about developments, and violators can be prosecuted.

Earlier this week, Beccuau praised an "exceptional mobilization" — about 100 investigators seven days a week, with roughly 150 forensic samples analyzed and 189 items sealed as evidence.

It took robbers less than 8 minutes to steal the jewels. The team of four used a freight lift, allowing two of them to force a window and cut into two display cases with disc cutters, before the four fled on two scooters toward eastern Paris.

Only the "near-simultaneous" arrival of police and museum security stopped the thieves from torching the lift and destroying crucial evidence, the prosecutor said.

Investigators said there is no sign of insider help for now, though they are not ruling out a wider network beyond the four on camera.

In a separate case, Interior Minister Laurent Nuñez said six people were arrested on Thursday soon after a robbery at a gold refining laboratory in the city of Lyon during which thieves used explosives. The loot, which was estimated to be worth 12 million euros ($13.9 million) has been recovered, Nuñez said on X.



Arab League Calls for Promoting Values of Coexistence, Inter-cultural dialogue

The League of Arab States logo
The League of Arab States logo
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Arab League Calls for Promoting Values of Coexistence, Inter-cultural dialogue

The League of Arab States logo
The League of Arab States logo

The League of Arab States affirmed the importance of consolidating the values of coexistence and mutual respect, promoting a culture of dialogue, and enhancing social cooperation, as these represent the foundation for building stable and prosperous societies amid the increasing cultural and religious diversity witnessed around the world, Emirates News Agency (WAM) reported.

In a statement issued ahead of the International Day for Tolerance, observed annually on November 16, the Cairo-based pan-Arab organization explained that respecting the right of others to differ and believing that diversity is a source of civilizational richness constitute a fundamental pillar for achieving true peace and strengthening social stability, WAM said. It stressed that tolerance is a human and ethical value that no society aspiring to progress can dispense with.

The League stressed the need to integrate the values of tolerance, dialogue, and coexistence into the vision of societies and the mission of their institutions, considering tolerance a bridge toward a safer, more just, and more humane future.

In this context, the League of Arab States is working on adopting the “Arab Declaration on Tolerance and Peace” as a guiding framework to support future efforts to anchor mutual respect and peaceful coexistence. The declaration also aims to enhance communication between different cultures and reject all forms of hatred, extremism, and discrimination, ensuring the preservation of human dignity regardless of religion, color, language, or culture.

The International Day for Tolerance is an annual observance day declared by UNESCO in 1995 to generate and raise public awareness about intolerance and promoting mutual respect, human rights, and cultural diversity.


Vatican Returns to Canada Artifacts Connected to Indigenous People

A pair of gauntlets made in the late 19th-century Cree-Metif native Canadian traditional style by indigenous activist Gregory Scofield. Gregory Scofield, AP
A pair of gauntlets made in the late 19th-century Cree-Metif native Canadian traditional style by indigenous activist Gregory Scofield. Gregory Scofield, AP
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Vatican Returns to Canada Artifacts Connected to Indigenous People

A pair of gauntlets made in the late 19th-century Cree-Metif native Canadian traditional style by indigenous activist Gregory Scofield. Gregory Scofield, AP
A pair of gauntlets made in the late 19th-century Cree-Metif native Canadian traditional style by indigenous activist Gregory Scofield. Gregory Scofield, AP

The Vatican on Saturday returned 62 artifacts connected to the Indigenous peoples of Canada to the country's Catholic bishops, offering what it called "a concrete sign of dialogue, respect and fraternity", a statement said.

Pope Leo gifted the objects to the Canadian Conference of Catholic Bishops following a meeting with their representatives including their president, Bishop Pierre Goudreault, said Reuters.

"The CCCB will proceed, as soon as possible, to transfer these artifacts to the National Indigenous Organizations (NIOs). The NIOs will then ensure that the artifacts are reunited with their communities of origin," the Canadian bishops said.

Catholic missionaries sent the artifacts to Rome on the occasion of a 1925 exhibition held by Pope Pius XI that displayed more than 100,000 objects. Nearly half of them later formed a new Missionary Ethnological Museum and were transferred to the Vatican Museums in the 1970s.

In 2022, the late Pope Francis issued a historic apology to Canada's Indigenous peoples ahead of his visit to the country for the Catholic Church's role in residential schools where many children suffered abuse and were buried in unmarked graves.

The repatriation of the native artifacts held at the Vatican Museums was also part of the talks between the Church and the Indigenous leaders.


Rebooted Harlem Museum Celebrates Rise of Black Art

To mark its reopening, the Studio Museum is mounting a retrospective on Ton Lloyd, whose works were shown in the museum's 1968 inaugural show. TIMOTHY A. CLARY / AFP
To mark its reopening, the Studio Museum is mounting a retrospective on Ton Lloyd, whose works were shown in the museum's 1968 inaugural show. TIMOTHY A. CLARY / AFP
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Rebooted Harlem Museum Celebrates Rise of Black Art

To mark its reopening, the Studio Museum is mounting a retrospective on Ton Lloyd, whose works were shown in the museum's 1968 inaugural show. TIMOTHY A. CLARY / AFP
To mark its reopening, the Studio Museum is mounting a retrospective on Ton Lloyd, whose works were shown in the museum's 1968 inaugural show. TIMOTHY A. CLARY / AFP

As the Studio Museum reopens this weekend in its gleaming new building, New York's premier institution for Black art finds itself looking back and looking forward at the same time.

Colorful signs featuring permanent works have sprouted near the museum's home in Harlem, a center point in Black life and imagination in America for more than a century, AFP said.

The museum, closed for the more than seven-year project, has commissioned new works to commemorate the reboot, which features expanded studios for the institution's artists-in-residence program.

But the 57-year-old museum is also hearkening back to its roots with a retrospective of the late Tom Lloyd, whose electronically programmed wall sculptures anticipated today's digital age.

Some of the same pieces were hung in the museum's inaugural 1968 show back when works by artists of African descent were mostly absent from New York's leading museums.

Today's art scene is very different.

Rashid Johnson, Amy Sherald and others are regularly showcased in shows at the Guggenheim, Whitney and other nameplate New York museums, which have also hosted retrospectives belatedly recognizing Black movements.

"In the time of the museum's life, we have seen this incredible trajectory and some of that is a result of the work that the museum did in its establishment and its early years," said Studio Museum director Thelma Golden, who oversaw a more than $300 million drive to finance a teardown and newbuild project that cements the museum's ties to Harlem.

"The aperture opens, but even with that, we still believe deeply in the work that continues to need to be done."

'Truly current work'

The museum's history is laid out in photos of the 1968 groundbreaking, and there are posters of jazz nights, "Uptown Friday" gatherings, high school programs and of shows such as a retrospective of James Van Der Zee, a famed photographer during the Harlem Renaissance.

The founders' ambitions included creating a place distinct from New York establishments like the Museum of Modern Art.

The Studio Museum will present "truly current work," founders wrote in 1966. The work "could turn out to be a flash in the pan or could conceivably begin an entire new school or new direction in art."

Backers also sought to redefine Harlem, "which is all too often equated with slums, violence and other evils," and to deepen the commitment of supporters -- some white -- to "make New York City a united city rather than one which is currently divided by an invisible Berlin wall."

Key turning points included 1981, when the Studio Museum broke ground at its current address at 144 West 125th Street.

Another shift came after Golden joined in 2000, when the mission statement was expanded beyond US-born creators to artists of African descent "locally, nationally and internationally."

Signature works

That broadened scope is boldly expressed on the building's exterior with a red, black and green flag by David Hammons inspired by the Pan-African flag of the 1920s associated with activist Marcus Garvey.

Another signature work is Houston Conwill's "The Joyful Mysteries," containing statements by seven prominent Black Americans written for future generations. The time capsules will be opened in September 2034, 50 years after their creation.

The new edifice itself nods to Harlem's architectural vernacular, with a mass of geometries in gray concrete and glass. The building has received rapturous reviews, and this weekend offers the public a first look.

Golden described the site as aiming to "redefine what a museum can be in its space and content."

She credited her predecessors, not all of whom lived to see Black art achieve mainstream acceptance.

"I am well aware that they did not get to see the fruits of the labor," Golden told AFP. "The inheritance I have from them is that they believed so deeply that that belief carries from '68 to this moment."