UK Police Hunt Suspects after 600 Items Relating to British Empire Are Stolen from Museum

This handout image of CCTV footage released by Avon and Somerset Police on December 11, 2025 shows men in the early hours of September 25 in the city of Bristol, south-west England outside a building which housed items from the Bristol Museum's British Empire and Commonwealth collection. (Photo by Handout / Avon and Somerset Police / AFP)
This handout image of CCTV footage released by Avon and Somerset Police on December 11, 2025 shows men in the early hours of September 25 in the city of Bristol, south-west England outside a building which housed items from the Bristol Museum's British Empire and Commonwealth collection. (Photo by Handout / Avon and Somerset Police / AFP)
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UK Police Hunt Suspects after 600 Items Relating to British Empire Are Stolen from Museum

This handout image of CCTV footage released by Avon and Somerset Police on December 11, 2025 shows men in the early hours of September 25 in the city of Bristol, south-west England outside a building which housed items from the Bristol Museum's British Empire and Commonwealth collection. (Photo by Handout / Avon and Somerset Police / AFP)
This handout image of CCTV footage released by Avon and Somerset Police on December 11, 2025 shows men in the early hours of September 25 in the city of Bristol, south-west England outside a building which housed items from the Bristol Museum's British Empire and Commonwealth collection. (Photo by Handout / Avon and Somerset Police / AFP)

More than 600 artifacts relating to the history of the British Empire and Commonwealth have been stolen from the collection of Bristol Museum, police said Thursday as they released images of four suspects.

The Avon and Somerset Police force said the items with “significant cultural value” were taken from a storage building in the early hours of Sept. 25.

The force said it wanted to speak to four men over the theft and appealed to the public for information.

It was unclear why the appeal was being made more than two months after the crime.

Bristol City Council said the stolen items include medals, badges and pins, necklaces, bangles and rings, decorative items such as carved ivory, silver items and bronze figurines, as well as geological specimens.

Philip Walker, the council's head of culture and creative industries at Bristol City Council, said the stolen items are part of a collection that documents two centuries of links between Britain and the countries that once formed its empire.

“The collection is of cultural significance to many countries and provides an invaluable record and insight into the lives of those involved in and affected by the British Empire,” The Associated Press quoted Walker as saying.

Det. Constable Dan Burgan, the investigating officer, said the theft “is a significant loss for the city.”

“These items, many of which were donations, form part of a collection that provides insight into a multilayered part of British history, and we are hoping that members of the public can help us to bring those responsible to justice.”

The port city of Bristol, 120 miles (195 kilometers) southwest of London, played a major role in the trans-Atlantic slave trade. Ships based in the city transported at least half a million Africans into slavery before Britain outlawed the slave trade in 1807. Many 18th-century Bristolians helped fund the trade and shared in the profits, which also built handsome Georgian houses and buildings that still dot the city.

It was the focus of international attention and debate in 2020, when anti-racism demonstrators toppled a statue of 17th-century slave trader Edward Colston from its plinth in the city and dumped it in the River Avon.

The vandalized statue was later fished out and put on display in a museum.



Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.


Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
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Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA

The Dia Aziz Dia Award for Portrait, hosted by the Saudi Arabian Society for Culture and Arts in Jeddah, is a leading platform for portraiture and the only competition of its kind in the Middle East. It fosters national identity through contemporary art, connecting veteran and emerging artists.

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives, including Saudi women, the Arabian horse, the Saudi Green Initiative, and King Abdulaziz.

These themes highlight art's role in reflecting social transformations and contributing to the cultural goals of Saudi Vision 2030, SPA reported.

The current ninth edition, with a theme focused on King Salman, invited artists to depict the leadership and humanity of the Custodian of the Two Holy Mosques. This edition attracted significant participation, with 787 submissions from 42 cities, including international entries.

Of these, 61 works were shortlisted for the final competition, with prizes totaling SAR170,000 awarded to three main winners and seven incentive recipients.