Visual Arts Commission Announces 'Bedayat: Beginnings of Saudi Art Movement' Exhibition

Visual Arts Commission Announces 'Bedayat: Beginnings of Saudi Art Movement' Exhibition
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Visual Arts Commission Announces 'Bedayat: Beginnings of Saudi Art Movement' Exhibition

Visual Arts Commission Announces 'Bedayat: Beginnings of Saudi Art Movement' Exhibition

The Visual Arts Commission has announced "Bedayat: Beginnings of Saudi Art Movement"—a seminal exhibition that celebrates and documents the formative years of Saudi Arabia's art scene and the emergence of a pioneering generation of artists between the 1960s and 1980s, SPA reported.

The exhibition will be on view from January 27 through April 11, 2026, at the National Museum of Saudi Arabia in Riyadh.
The exhibition traces the evolution of artistic practices in the Kingdom, as shaped by the cultural, social, and economic transformations that began in the mid-twentieth century.

Extensive research initiated by the Visual Arts Commission—encompassing more than 80 site visits as well as 120 comprehensive artist reports and recordings from 50 interviews—informs the exhibition. Developed with an advisory team that includes artist Abdulrahman Alsuliman, Dr. Mohammed Alrusais, and Dr. Charbel Dagher, the research draws on academic expertise alongside firsthand accounts from artists and key figures of the period to capture early exhibition history, educational activity, and the locally-rooted language of expression that emerged during these decades.

Curated by Qaswra Hafez, the exhibition spans painting, sculpture, works on paper, and diverse archival materials—many exhibited publicly for the first time. Focusing on the pivotal decades of the 1960s through 1980s, it charts how practitioners of this generation engaged Saudi Arabia’s deep-rooted heritage while participating in international artistic exchange. Developing distinctive visual languages that brought modernist currents into dialogue with local contexts, they established cultural institutions and artist networks via grassroots initiatives alongside public and private patronage and support for the visual arts.

Presented at the National Museum of Saudi Arabia in the historic Al Murabba’a district, the exhibition brings together the work of key figures across three decades, highlighting a pivotal period in which modern and abstract artistic practices emerged within the Kingdom.

Bedayat: Beginnings of Saudi Art Movement is structured in three parts: the Foundation of the Modern Art Movement in Saudi Arabia, which studies the emergence of the visual arts scene in the interplay between individual initiative and state support; Currents of Modernity, which explores the artistic concerns that shaped Saudi artistic production; and Modernist Pioneers, which spotlights four artists—Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly, and Abdulhalim Radwi.

Reflecting on the significance of the exhibition, CEO of the Visual Arts Commission Dina Amin stated: “We celebrate here the history of modern art in Saudi Arabia, and we are proud to foreground its rich legacy by honoring the pioneering figures as well as the public and private initiatives whose collective efforts shaped the art scene of this era. We hope this exhibition contributes to an enduring continuum, offering meaningful access to the depth and diversity of our visual arts history.”

Curator of the exhibition Qaswra Hafez said: “Through Bedayat, we are presenting a comprehensive and research-driven account of Saudi modern art. Through archival study, pioneering artworks, and firsthand narratives, we are preserving the foundations of our modern art movement for future generations. This project is both a tribute to our early artists and a lasting cultural legacy that will continue to inform and inspire audiences across the Kingdom and beyond.”

Bedayat: Beginnings of Saudi Art Movement forms part of the Visual Arts Commission’s broader efforts to archive and document Saudi visual culture, advancing the historical record and supporting ongoing research in the field.

The exhibition will be followed by a comprehensive publication and an original documentary film, offering an in-depth perspective on the foundations of Saudi modern art and a long-lasting resource for the public and researchers. An extensive public program of talks, workshops, and masterclasses will further explore key themes, including early art education, the role of pioneering teachers and institutions, and archival preservation practices.



Najran Sees Growing Interest in Heritage and Archaeological Artifact Collection

These collections also include artifacts illustrating stages of the modern Saudi state, serving as educational platforms that bridge the past and present - SPA
These collections also include artifacts illustrating stages of the modern Saudi state, serving as educational platforms that bridge the past and present - SPA
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Najran Sees Growing Interest in Heritage and Archaeological Artifact Collection

These collections also include artifacts illustrating stages of the modern Saudi state, serving as educational platforms that bridge the past and present - SPA
These collections also include artifacts illustrating stages of the modern Saudi state, serving as educational platforms that bridge the past and present - SPA

Najran Region has witnessed growing enthusiasm among community members and heritage enthusiasts for collecting traditional and archaeological artifacts that document historical eras linked to the region’s civilization and the lives of previous generations, contributing to reconnecting society with its roots and raising awareness of the importance of preserving tangible heritage as an essential part of cultural identity.

Heritage enthusiasts play a significant role in preserving Najran’s cultural legacy by establishing private museums that display archaeological items, traditional tools, clothing, photographs, and historical collections reflecting daily life and customs, SPA reported.

These collections also include artifacts illustrating stages of the modern Saudi state, serving as educational platforms that bridge the past and present.

The hobby of collecting heritage items in Najran ranges from gathering everyday tools such as pottery and agricultural equipment to traditional clothing, jewelry, weapons, books, and manuscripts. Motivations vary between personal documentation, preserving family memory, and academic research aimed at understanding historical social and economic practices.

Local markets and seasonal exhibitions, along with digital platforms, have contributed to expanding this hobby, enabling knowledge exchange and increasing awareness of preservation methods and historical value. Community initiatives and workshops further support proper documentation and conservation, ensuring that this passion complements heritage preservation while adhering to scientific and legal standards.


Why is Fadak Known as the 'City of Walls and Fortresses'?

Located 250 kilometers southwest of Hail, this historic village boasts a legacy as rich as its soil - SPA
Located 250 kilometers southwest of Hail, this historic village boasts a legacy as rich as its soil - SPA
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Why is Fadak Known as the 'City of Walls and Fortresses'?

Located 250 kilometers southwest of Hail, this historic village boasts a legacy as rich as its soil - SPA
Located 250 kilometers southwest of Hail, this historic village boasts a legacy as rich as its soil - SPA

Encircled by a massive, seven-kilometer wall of rugged black lava stone, the ancient village of Fadak, known today as Al-Hait, earned its title as the "City of Walls and Fortresses." Guarded by north and south gates, the village is flanked by ancient castles and robust fortifications that still dominate the landscape, SPA reported.

Located 250 kilometers southwest of Hail, this historic village boasts a legacy as rich as its soil. While known in antiquity as Fadak, its modern name, "Hait Al-Nakhl" (The Palm Wall), captures its lush topography—defined by sprawling palm groves, fertile land, and abundant water.

According to the Encyclopedia of the Kingdom of Saudi Arabia, published by the King Abdulaziz Public Library, Al-Hait is one of the oldest urban centers in Hail Region.

According to SPA, the name Fadak echoes through antiquity, recorded among the cities conquered by Babylonian King Nabonidus in the sixth century BC, and frequently cited in classical chronicles and early geographical dictionaries.

Bridging the pre-Islamic and Islamic eras, the site remains an archaeological treasure. From early rock inscriptions and crumbling fortresses to ancient stone wells and traditional farms, these enduring artifacts stand as a living testament to Fadak’s rich cultural heritage and continuous human settlement.


Dragon Boat Festival Links Modern China to Traditions More Than 2,000 Years Old

Competitors take part in the Aberdeen Dragon Boat Race to celebrate the Dragon Boat Festival in Hong Kong, Friday, June 19, 2026. (AP Photo/Chan Long Hei)
Competitors take part in the Aberdeen Dragon Boat Race to celebrate the Dragon Boat Festival in Hong Kong, Friday, June 19, 2026. (AP Photo/Chan Long Hei)
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Dragon Boat Festival Links Modern China to Traditions More Than 2,000 Years Old

Competitors take part in the Aberdeen Dragon Boat Race to celebrate the Dragon Boat Festival in Hong Kong, Friday, June 19, 2026. (AP Photo/Chan Long Hei)
Competitors take part in the Aberdeen Dragon Boat Race to celebrate the Dragon Boat Festival in Hong Kong, Friday, June 19, 2026. (AP Photo/Chan Long Hei)

The Dragon Boat Festival was celebrated Friday across mainland China, Hong Kong and Taiwan with colorful boat races, lion dances and other festivities.

The more than 2,000-year-old holiday is best known for its sporting events, but its origins are rooted in Chinese history and ancient beliefs about health, protection and harmony with nature.

“The Dragon Boat Festival is probably the richest and most diverse of all traditional Chinese festivals,” said Tsinghua University’s history professor Liu Xiaofeng. “Across different regions, people developed a wide variety of traditions based on ideas connected to the summer solstice and the balance of yin and yang.”

The festival is widely associated with the ancient poet Qu Yuan, who according to legend drowned himself more than 2,000 years ago. The tradition of dragon boat races was born from the story that people raced out in boats to search for the poet and threw rice into the river so fish would not eat his body.

A three-day race in Beijing features men’s, women’s and mixed dragon boat races over distances of 100, 200 and 500 meters. Teams from Beijing, Tianjin, Hebei, Shanxi and Guangdong will compete throughout the holiday weekend.

Guided by the thunderous beat of their drummers, crews pulled their paddles through the water in unison, each boat surging toward the finish line as spectators cheered them on.

Others watched the races at home as they enjoyed a traditional sticky rice treat known as “zongzi” with their families.

Beijing’s 2026 celebrations will continue through June 21 at the capital’s Grand Canal.

“The competition helped strengthen our team spirit,” said Li Maoshan, a participant in Friday’s races. “It also gave us an opportunity to demonstrate the spirit of perseverance and hard work.”

Participants in Hong Kong’s dragon boat races on Friday wore costumes including a cartoon version of Chinese Taoist deity Ne Zha.