Grabbing the Bull by the Tail: Venezuela’s Cowboy Sport

A cowboy gestures during a bull-tailing competition held as part of the "Fiestas del Alma Llanera" celebration in San Fernando de Apure, Apure State, Venezuela, on February 27, 2026. (AFP)
A cowboy gestures during a bull-tailing competition held as part of the "Fiestas del Alma Llanera" celebration in San Fernando de Apure, Apure State, Venezuela, on February 27, 2026. (AFP)
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Grabbing the Bull by the Tail: Venezuela’s Cowboy Sport

A cowboy gestures during a bull-tailing competition held as part of the "Fiestas del Alma Llanera" celebration in San Fernando de Apure, Apure State, Venezuela, on February 27, 2026. (AFP)
A cowboy gestures during a bull-tailing competition held as part of the "Fiestas del Alma Llanera" celebration in San Fernando de Apure, Apure State, Venezuela, on February 27, 2026. (AFP)

Four mounted cowboys jostle for position near the bull pen gate.

When the bull bolts out into the ring, a mad scramble begins as the riders vie to grab its tail and knock it to the ground.

Bull tailing, or "coleo" is to Venezuela's "llanos" (tropical grasslands) what rodeo is to Texas -- an integral part of popular culture that has survived opposition from animal welfare groups.

Unlike their Texan counterparts, "coleadores" don't try to ride the bull or grab it by the horns but rather chase its tail.

The coleo is one of the high points of the annual "llanera" fair in the central city of San Fernando de Apure, a three-day extravaganza of cowboy culture, including fast-paced, swirling "joropo" partner dancing listed on the UN's Intangible Cultural Heritage list.

Experts trace coleo to Spanish colonial times and link it to cattle herding work.

It is also practiced across the border in Colombia's "llanos," as well as in Brazil and Mexico, countries with strong cattle breeding traditions.

Most of the "coleadores" or bull tumblers learn the sport from their fathers or grandfathers. Women and children have also been known to compete.

For Neomar Sanoja, one of the judges, it's Venezuela's "national sport" -- a bold claim in a baseball mad nation.

- 'Feel the adrenaline' -

Rafael Delgado, 35, started competing at around 10, encouraged by his father, a ranch hand.

"It's part of our 'llanero' culture, part of being Venezuelan," he told AFP before entering the ring.

To reach the bull's tail, riders spur on their horses and when they draw alongside the animal's flanks, perform acrobatic maneuvers to try flip the beast.

The bull writhes, struggles back on its feet and tries to escape along the "manga de coleo," a 200-meter-long sand corridor, with the riders in hot pursuit.

Points vary depending on how the bull tumbles, with extra marks for those who manage to get all four legs in the air.

About 200 competitors took part in the four-minute bouts in San Fernando de Apure, wearing hockey helmets and padding on their arms and legs as armor.

Llanera music blared while a judge narrated the action with rapid-fire delivery.

Florelbis Linares told AFP she wanted to take up coleo despite the misgivings of her coleatero boyfriend, who she watched perform from the stands.

"You really feel the adrenaline watching from here," the 23-year-old said, her legs hanging over the guardrail around the ring.

- 'Defenseless animals' -

The bull's suffering is little cause for concern among aficionados of coleo.

Most of the animals who enter the ring are headed for the slaughterhouse.

Luis Garcia, a 32-year-old rider, accused critics of the sport of hypocrisy, noting that most show no outrage in the face of intensive cattle rearing and meat consumption.

The AnimaNaturalis animal rights NGO, which is active in Spain and Latin America, has called for the practice to be abolished.

"It is cruelty and an abuse of power by llaneros against defenseless animals," it argued on its website.

"Is this what you call culture?" the Napda Foundation, a Venezuelan animal rights foundation, asked, posting a video of coleo spectators kicking and throwing objects at a bull to force it to get back on its feet.

"The alleged 'humans' behave like beasts. This must stop now."



Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.


Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
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Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA

The Dia Aziz Dia Award for Portrait, hosted by the Saudi Arabian Society for Culture and Arts in Jeddah, is a leading platform for portraiture and the only competition of its kind in the Middle East. It fosters national identity through contemporary art, connecting veteran and emerging artists.

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives, including Saudi women, the Arabian horse, the Saudi Green Initiative, and King Abdulaziz.

These themes highlight art's role in reflecting social transformations and contributing to the cultural goals of Saudi Vision 2030, SPA reported.

The current ninth edition, with a theme focused on King Salman, invited artists to depict the leadership and humanity of the Custodian of the Two Holy Mosques. This edition attracted significant participation, with 787 submissions from 42 cities, including international entries.

Of these, 61 works were shortlisted for the final competition, with prizes totaling SAR170,000 awarded to three main winners and seven incentive recipients.