Awash in Pink, Everyone Wants a Piece of the ‘Barbie’ Movie Marketing Mania 

A woman holds a Barbie doll after watching the "Barbie" film at the SM North Edsa in Quezon City on July 19, 2023. (AFP)
A woman holds a Barbie doll after watching the "Barbie" film at the SM North Edsa in Quezon City on July 19, 2023. (AFP)
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Awash in Pink, Everyone Wants a Piece of the ‘Barbie’ Movie Marketing Mania 

A woman holds a Barbie doll after watching the "Barbie" film at the SM North Edsa in Quezon City on July 19, 2023. (AFP)
A woman holds a Barbie doll after watching the "Barbie" film at the SM North Edsa in Quezon City on July 19, 2023. (AFP)

Pink sauce on that Burger King burger? What about "Barbie-fying" your pet with sweaters and beds with Barbie motifs? If that's too low-brow, perhaps you'd be interested in hot pink Barbie monogrammed knit leggings by luxury designer Balmain instead, selling at Neiman Marcus for a cool $2,150.

Welcome to the wonderful and weird world of "Barbie" movie marketing.

Ahead of Friday's US release of the "Barbie" movie, parent company Mattel has created a product marketing blitz with more than 100 brands plastering pink everywhere.

There are pink benches at bus stops and pink clothing displayed in store windows. Microsoft's XBox has come up with a Barbie console series and HGTV is hosting a four-part Barbie Dreamhouse Challenge.

And then there are all the unofficial collaborators trying to grab a piece of Barbie craze. Restaurants across the country are offering special pink cocktails, while interior decorators are showing options like vibrant pink backsplashes to "Barbiefy" your kitchen.

Even the organization I Support the Girls — a nonprofit that has provided 22 million bras and menstrual hygiene products to homeless people, refugees and immigrants — is creating a social media campaign around menstrual periods using Barbie and having volunteers create miniature packages of Barbie-sized menstrual pads and tampons as teaching tools.

"The capability to share stories and knowledge through playing with Barbie is what made us realize we need to jump on this pop culture Barbie bandwagon," said Dana Marlowe, founder and executive of I Support the Girls. "If you can see yourself in a toy or in a doll, we want to also make sure that we’re raising awareness about bras and and clean underwear and the like."

Some experts say all the marketing beyond the movie is only good for the 64-year-old brand, helping to attract multi-generations of fans.

"When a brand owns something as iconic as the color pink, it's good news and bad news," said Marc Rosenberg, a Chicago-based toy consultant who led the global marketing teams for Hasbro's brands like Furby, GigaPets, and Hit Clips. "In this case, I think it’s all good news. Everyone in the world wants a piece of pink now."

But pundits also say it's going to be hard for many of the products to stand out when the world is awash in pink.

"There is such a stampede toward this that most people are going to get stepped on and will not be noticed," said Allen Adamson, co-founder of marketing consultancy Metaforce, noting he believes there will be more losers than winners.

For some shoppers like Hollie Krause of Mahwah, New Jersey, Barbie pink blitz that ramped up since June is already getting too much.

Krause, 31, said that she loved her Barbie dolls growing up and had about 20 of them along with a Barbie Dreamhouse. So when some of the merchandise started to roll in earlier this year, she bought Barbie-themed pajamas, a Barbie T-shirt, Barbie-trademarked pink lemonade, along with some other pink outfits.

Now she's feeling overwhelmed.

"Barbie is supposed to be for everyone, but these nostalgic collaborations should feel a little bit more unique or a little bit more creative," said Krause, who plans to focus on limited edition items.

Barbie's first live action movie, an homage to the doll with some biting satire, comes at a time when Barbie sales have been up and down after slumping from 2012 to 2015, when it faced stiff competition from other dolls and was under attack for pushing unrealistic beauty standards to girls and lost some relevance. It enjoyed a big bump in sales during the depths of the pandemic when parents were looking to entertain their children.

Barbie now accounts for one-third of Mattel's revenue and it has been diversifying the dolls with more skin tones and versions with prosthetic legs, wheelchairs and hearing aids. This year, it unveiled its first Down Syndrome doll.

As a result, according to market research firm Circana, Barbie has remained the top fashion doll for the past four years starting in 2019 and through June of this year in the US as well in the combined 12 countries that Circana tracks.

So far, product marketing around the movie has done well.

Mattel's Barbie that was specifically made for the movie and is dressed in a pink gingham dress, is No. 1 in sales for dolls and for the pre-school dolls and dollhouse category sold on Amazon, according to the retailer's website.

Neiman Marcus noted that it launched its exclusive Barbie collaboration with Balmain last year and sold out of many items in the first few days. Based on the success of last year’s collaboration and the current Barbiecore cultural phenomenon, it has reissued the collection starting July 10, the retailer said.

Then there's the mixed social media reviews for the "Pink Burger" offered by Burger King’s franchisee in Brazil. It's offering a slice of melted cheese, bacon and a smoky-flavored hot pink sauce. The Pink Burger comes in a Barbie Combo, which also features French fries (dubbed "Ken’s Potatoes"), a pink shake and a pink-frosted donut.

"Has BK completely lost its creativity or is just too lazy to think of something better?" said one comment on Burger King Brazil's Instagram account.

Restaurant Brands noted it is a limited-time partnership sold exclusively in the Brazil market and will not be available in the United States nor elsewhere.



‘Dune: Part Three’ Trailer Lands, a Day After Sneak Peek with Zendaya, Director Villeneuve

US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)
US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)
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‘Dune: Part Three’ Trailer Lands, a Day After Sneak Peek with Zendaya, Director Villeneuve

US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)
US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)

Canadian filmmaker Denis ‌Villeneuve revealed he nearly took a break before completing "Dune: Part Three," the conclusion to his epic science-fiction trilogy, but changed his mind after he saw how audiences embraced the first two films.

“I felt an appetite for the third movie that I was not expecting,” said Villeneuve on Monday in Los Angeles at a preview event for the movie's trailer, which was released to the public on Tuesday.

The film, distributed by Warner Bros, arrives in theaters on December 18. It is based on "Dune Messiah," the second book in the "Dune" series of ‌novels written ‌by Frank Herbert, about the battle for control ‌of ⁠the fictional planet ⁠of Arrakis, a harsh desert locale that contains a valuable spice that can extend life.

The new trailer shows the main character, Paul Atreides, played by Timothée Chalamet, and Chani, played by Zendaya, years after the first two films as they ponder their future as parents. The first two films, released in 2021 and 2024, grossed a combined $1.1 billion ⁠worldwide and received numerous accolades, including several Academy ‌Awards.

Villeneuve describes the third film as ‌a departure from the first two, as Paul Atreides must also reckon ‌with the consequences of the power and influence that he holds.

The ‌director recalled how he kept waking up at night with visions of the final chapter. “I was supposed to do another movie in the meantime but the image kept coming back. And I said, ‘All right, let’s do ‌it.’”

In a surprise, Villeneuve brought out several cast members at the event, including Zendaya, Robert Pattinson, Anya Taylor-Joy ⁠and Javier ⁠Bardem.

Zendaya reflected on how she spent her entire 20s working on the "Dune" films. "They have such a special place in my heart," the Euphoria actor said.

Pattinson, known for his appearances in "The Batman" and the "Twilight" series of films, joins the cast as the antagonist, Scytale. “I absolutely adored these movies - I saw them multiple times in theaters,” he said.

“He’s a very unusual character in the book,” the actor added. “You can’t really tell whose side he’s on. He’s not a conventional bad guy - he might even be a good guy. Who knows?”

Villeneuve noted the final movie will take fans to new planets on sets that they have yet to see.


In Hollywood, AI's No Match for Creativity, Say Top Executives

US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP
US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP
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In Hollywood, AI's No Match for Creativity, Say Top Executives

US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP
US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP

Artificial intelligence is transforming Hollywood at a pace that has sent shockwaves through creative industries, but human creativity will always prevail, a leading executive at the cutting edge of that change told AFP.

The disruption was a dominant theme at this week's South by Southwest conference in Austin, Texas where veteran director Steven Spielberg made clear he was drawing a line in the sand.

"I've never used AI on any of my films yet. We have a writer's room. All the seats are occupied," Spielberg said. "I am not for AI if it replaces a creative individual."

Joshua Davies, chief innovation officer of Artlist -- an AI video platform that has most recently been positioning itself as a supplier of creative tools to filmmakers -- told AFP the technology would never eclipse the human creative.

If given the choice between something made using an AI told by a techie and a creative, "I know which one I would rather watch at the end," said Davies, who founded video editing software company FXhome before it was acquired by Artlist in 2021.

Davies acknowledged the industry's anxiety was not unfounded, with new video models having "struck fear in the hearts of everybody" -- not just over copyright and personality infringement, but over the fundamental question of how film and television production will look in a matter of years.

"If I was bringing out an Iron Man movie in 2027, 2028 -- would I be going to multiple visual effects houses, would I expect them to be utilizing AI? We're all kind of working out our way through that," he said.

Davies described the platform's AI video tools as a way to "fill in the bits that you can't shoot, or didn't shoot, or you don't have the budget to shoot," rather than a wholesale substitution for going out on location.

- 'Holy grail' -

Yet the timing is charged. Editors, visual effects artists and other Hollywood professions have watched the rapid advance of generative AI with alarm, fearing that tools capable of producing broadcast-quality footage at a fraction of traditional costs could hollow out entire job categories.

Major studios are actively evaluating how AI can be integrated into production pipelines, foreshadowing significant workforce changes across an industry that has already endured a bruising period following the covid pandemic and writers' and actors' strikes of 2023.

Artlist made headlines in February when it produced a Super Bowl LX spot in under five days using its own products, at a fraction of the multi-million-dollar cost typical of Big Game advertising.

Davies was keen to push back on the narrative that the ad represented the future of production without human involvement.

That wasn't what it was, he said. It was creatives "using the tool to get the very best out of it."

A self-described "techie guy," Davies said the platform's current obsession is on giving creators nuanced control over creating or editing footage -- something he described as the company's "holy grail."

Existing models, he said, handle simple static shots reasonably well but struggle with complex camera movements and consistent performance across multiple takes.

You can prompt an elaborate shot, but for now "you'll get something random" that you can't work with.

On cost, Davies cautioned against unrealistic expectations, suggesting AI would reduce production expenses significantly but not eliminate them.

Davies said his long-term hope was that AI would serve as a leveling force for independent filmmakers and content creators who currently lack the budgets to realize their ambitions.

"There are definitely YouTubers who make some of the best action work out there on no budget," he said.

"AI will level that playing field completely -- the story will be what matters."

He struck a cautiously optimistic note on the creative industry's direction, dismissing the most dystopian predictions.

"The idea that no one works at the end of it is the bit that doesn't hold any water with me," he said.

"There's been more and more of everything, not less and less -- and the cream rises to the top anyway, because the human element is what we crave."


BTS Say They’re ‘Just Country Kids’ Ahead of Comeback Mega-Gig

People walk past a billboard promoting a comeback concert of K-pop boy group BTS at Gwanghwamun Square in Seoul on March 17, 2026. (AFP)
People walk past a billboard promoting a comeback concert of K-pop boy group BTS at Gwanghwamun Square in Seoul on March 17, 2026. (AFP)
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BTS Say They’re ‘Just Country Kids’ Ahead of Comeback Mega-Gig

People walk past a billboard promoting a comeback concert of K-pop boy group BTS at Gwanghwamun Square in Seoul on March 17, 2026. (AFP)
People walk past a billboard promoting a comeback concert of K-pop boy group BTS at Gwanghwamun Square in Seoul on March 17, 2026. (AFP)

K-pop megastars BTS still see themselves as "country kids from South Korea", according to a trailer for a new documentary released Tuesday ahead of their huge comeback concert this weekend.

More than a quarter of a million fans are expected to throng central Seoul on Saturday for BTS's open-air gig, the first performance in almost four years by the boy band seen as the biggest in the world.

A day before, the group's fifth studio album, "ARIRANG" -- named after a beloved folk song about longing and separation, something of an unofficial national anthem of South Korea -- will be released.

The documentary, "BTS: The RETURN", will be released on Netflix on March 27, chronicling the seven-member group's comeback after completing their military service, widely seen as a grueling experience for young conscripts.

"We are still just country kids from South Korea," the group's leader RM says in the trailer.

"We are trying to find out what makes us BTS," the 31-year-old added.

At the height of their fame prior to their hiatus, BTS frequently ranked among the most popular artists on music streaming platform Spotify, mixing with the likes of Taylor Swift and Justin Bieber.

After visiting the White House, releasing hugely successful English-language albums and performing at famous venues around the world, the group has chosen a historic stage at home for the grand comeback this weekend.

The concert will be staged at Seoul's sweeping Gwanghwamun Square, near the historic Gyeongbokgung Palace.

The area is also where many of South Korea's political protests have taken place, including those following former president Yoon Suk Yeol's declaration of martial law in December 2024.

The trailer featured the melody from "Arirang" the folk song, which is associated by many with themes of resilience and enduring longing.

"Arirang is a song imbued with han," an unidentified BTS member says in the trailer, referring to the Korean term for an unresolved grief rooted in the country's history, including war, division and family separation.