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Music Labels Sue Internet Archive over Digitized Record Collection

Sony Corp's logo is pictured at the company headquarters in Tokyo April 12, 2012. (Reuters)
Sony Corp's logo is pictured at the company headquarters in Tokyo April 12, 2012. (Reuters)
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Music Labels Sue Internet Archive over Digitized Record Collection

Sony Corp's logo is pictured at the company headquarters in Tokyo April 12, 2012. (Reuters)
Sony Corp's logo is pictured at the company headquarters in Tokyo April 12, 2012. (Reuters)

Universal Music Group, Sony Music Entertainment and other record labels on Friday sued the nonprofit Internet Archive for copyright infringement over its streaming collection of digitized music from vintage records.

The labels' lawsuit filed in a federal court in Manhattan said the Archive's "Great 78 Project" functions as an "illegal record store" for songs by musicians including Frank Sinatra, Ella Fitzgerald, Miles Davis and Billie Holiday.

They named 2,749 sound-recording copyrights that the Archive allegedly infringed. The labels said their damages in the case could be as high as $412 million.

Representatives for the Internet Archive did not immediately respond to a request for comment on the complaint.

The San Francisco-based Internet Archive digitally archives websites, books, audio recordings and other materials. It compares itself to a library and says its mission is to "provide universal access to all knowledge."

The Internet Archive is already facing another federal lawsuit in Manhattan from leading book publishers who said its digital-book lending program launched in the pandemic violates their copyrights. A judge ruled for the publishers in March, in a decision that the Archive plans to appeal.

The Great 78 Project encourages donations of 78-rpm records -- the dominant record format from the early 1900s until the 1950s -- for the group to digitize to "ensure the survival of these cultural materials for future generations to study and enjoy." Its website says the collection includes more than 400,000 recordings.

The labels' lawsuit said the project includes thousands of their copyright-protected recordings, including Bing Crosby's "White Christmas," Chuck Berry's "Roll Over Beethoven" and Duke Ellington's "It Don't Mean a Thing (If It Ain't Got That Swing)".

The lawsuit said the recordings are all available on authorized streaming services and "face no danger of being lost, forgotten, or destroyed."

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Spielberg, De Niro, Freeman Praise Francis Ford Coppola as He Accepts the AFI Life Achievement Award

Filmmaker Francis Ford Coppola, right, accepts the 50th AFI Life Achievement Award from presenters George Lucas, left, and Steven Spielberg on Saturday, April 26, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Filmmaker Francis Ford Coppola, right, accepts the 50th AFI Life Achievement Award from presenters George Lucas, left, and Steven Spielberg on Saturday, April 26, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
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Spielberg, De Niro, Freeman Praise Francis Ford Coppola as He Accepts the AFI Life Achievement Award

Filmmaker Francis Ford Coppola, right, accepts the 50th AFI Life Achievement Award from presenters George Lucas, left, and Steven Spielberg on Saturday, April 26, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Filmmaker Francis Ford Coppola, right, accepts the 50th AFI Life Achievement Award from presenters George Lucas, left, and Steven Spielberg on Saturday, April 26, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Steven Spielberg proclaimed “The Godfather” the “greatest American film ever made,” Robert De Niro teasingly bemoaned being cast in the sequel and not the original and Harrison Ford fought back tears reflecting on his role in the 1974 film, “The Conversation.”
At the center of it all was Francis Ford Coppola, who on Saturday received the AFI Life Achievement Award at a ceremony at Dolby Theatre that brought together legendary stars from a seemingly bygone era of cinema,
A founding AFI trustee, Coppola’s recognition from the organization was a kind of full circle moment for the “Apocalypse Now” director.
“When I was a kid there was the Oscars and that was it. Now they’re going to have an award show for the best award show,” the 86-year-old said on the red carpet ahead of the show. “But this is a little different because it’s a personal recognition of the people that you’ve known all your life and your colleagues over many years, so it’s like a homecoming in a way.”
“You, sir, are peerless. You have taken what came before and redefined the canon of American film,” Spielberg said.
Coppola sat between Spielberg and George Lucas, as actors and fellow filmmakers like Spike Lee, Dustin Hoffman, Al Pacino and Morgan Freeman took turns gushing over the Oscar winner.
“Dreamer of dreams on a dime, teller of tales that cost and lost millions. But tonight, (expletive) the bankers and the bank,” Freeman said to laughs and cheers.
Lucas, Coppola’s longtime friend and colleague, presented him with the award. The pair have known each other for decades and cofounded their own production company, American Zoetrope, in 1969.
“You rounded up a bunch of young film students, gathered us together. We moved to San Francisco, hoping to beat the system. And we did. Like the filmmakers from the dawn of the art form, we had no rules. We wrote them, and you were holding the pen,” Lucas said.
Coppola was mostly stoic throughout the ceremony as Hollywood sang his praises — until he accepted the award at the end of the night. He beamed as he approached the stage and thanked the room, which was filled with some of his family members as well as multigenerational A-listers.
“Now I understand here, this place that created me, my home, isn’t really a place at all, but you — friends, colleagues, teachers, playmates, family, neighbors, all the beautiful faces are welcoming me back,” he said. “I am and will always be nothing more than one of you.”
Coppola was the 50th recipient of the award first handed out to John Ford in 1973.
Guests were served wine from the Francis Ford Coppola Winery and after dinner — true to his Italian heritage — a trio of cannolis. Actors who have worked with Coppola painted a unified picture of him as a director, reminiscing on how they were invited to participate and educated about film in a way that empowered them.
“He’s very professorial. He talks about history and things and even older movies in the scene he’s inspired by,” said “The Godfather III” star Andy Garcia. “You go into working with him in a movie, and you go in seeking an associate’s degree and you would walk out with a master’s.”
Coppola last year released his long-in development “Megalopolis,” a Roman epic set in a modern New York. The film drew mixed reviews from critics and flopped with audiences. Coppola, though, has maintained he was compelled to make “Megalopolis” as an artist, not as a businessman. He self-financed the film.
“For a year in our culture when the importance of the arts is minimized, and our industry is seemingly out in the open that the only metric to judge a film’s success is by how much money it makes, I hang on to individuals like Francis for inspiration, who live through their convictions,” said Adam Driver, who starred in the film.
Last year’s AFI honoree was Nicole Kidman. Other recent recipients include John Williams, Mel Brooks, Denzel Washington and Julie Andrews.