Richard Linklater’s Movie ‘Hit Man,’ with Glen Powell, Sells to Netflix for $20M 

Director Richard Linklater is photographed on the red carpet for the film "Hit Man" during the Toronto International Film Festival, in Toronto, Monday, Sept. 11, 2023. (The Canadian Press via AP)
Director Richard Linklater is photographed on the red carpet for the film "Hit Man" during the Toronto International Film Festival, in Toronto, Monday, Sept. 11, 2023. (The Canadian Press via AP)
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Richard Linklater’s Movie ‘Hit Man,’ with Glen Powell, Sells to Netflix for $20M 

Director Richard Linklater is photographed on the red carpet for the film "Hit Man" during the Toronto International Film Festival, in Toronto, Monday, Sept. 11, 2023. (The Canadian Press via AP)
Director Richard Linklater is photographed on the red carpet for the film "Hit Man" during the Toronto International Film Festival, in Toronto, Monday, Sept. 11, 2023. (The Canadian Press via AP)

The Toronto International Film Festival may be over but it’s biggest sale has just gone through. Netflix has acquired Richard Linklater’s “Hit Man,” starring Glen Powell, for $20 million.

“Hit Man,” which Linklater and Powell co-wrote, stars the “Top Gun: Maverick” actor as a New Orleans psychology professor who also works undercover posing as a hit man for the police in sting operations to catch would-be murders. The film, a comic, existential riff on the hit-man genre, was one of the breakout hits of TIFF, which concluded Sunday.

Netflix didn’t announce release plans yet for “Hit Man,” which also played at the Venice Film Festival. The film, which co-stars Adria Arjona as a wife who wants her husband dead, is loosely based on a true story detailed in a Skip Hollandsworth-written Texas Monthly article from 2001 about faux-hit-man Gary Johnson.

In an interview in Toronto, Linklater, the veteran independent filmmaker of “Boyhood” said he and Powell elected to make the film before selling it to a distributor to avoid some of the pitfalls of modern Hollywood.

“It used to be the head of a studio would sit down with you, talk, maybe say, ‘I think you’ve got the movie in you. Let’s do it.’ Now, they don’t even want to hear from you. You’re up against algorithms and marketing in advance,” said Linklater. “So it was kind of great to go: ‘Let’s just make the movie and bet on ourselves.’”

That bet has paid off in a fall-festival movie market that’s been disrupted by the ongoing SAG-AFTRA and WGA strikes. It’s been speculated that, with pipelines potentially drying up, studios and streamers might be more eager to pick up finished films.

But the “Hit Man” sale is the largest yet of the season. Netflix, which also distributed Linklater’s previous movie, “Apollo 10 1/2,” earlier acquired Anna Kendrick’s directorial debut, “Woman of the Hour,” following its premiere in Toronto.



Ariana Grande to White House: Don't Use My Music for 'Heinous Nonsense'

US singer-songwriter Ariana Grande (R) and US music video director Christian Breslauer accept the award for Video of the Year for "Brighter Days Ahead" on stage during the MTV Video Music Awards at UBS Arena in Elmont, New York, on September 7, 2025. (Photo by ANGELA WEISS / AFP)
US singer-songwriter Ariana Grande (R) and US music video director Christian Breslauer accept the award for Video of the Year for "Brighter Days Ahead" on stage during the MTV Video Music Awards at UBS Arena in Elmont, New York, on September 7, 2025. (Photo by ANGELA WEISS / AFP)
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Ariana Grande to White House: Don't Use My Music for 'Heinous Nonsense'

US singer-songwriter Ariana Grande (R) and US music video director Christian Breslauer accept the award for Video of the Year for "Brighter Days Ahead" on stage during the MTV Video Music Awards at UBS Arena in Elmont, New York, on September 7, 2025. (Photo by ANGELA WEISS / AFP)
US singer-songwriter Ariana Grande (R) and US music video director Christian Breslauer accept the award for Video of the Year for "Brighter Days Ahead" on stage during the MTV Video Music Awards at UBS Arena in Elmont, New York, on September 7, 2025. (Photo by ANGELA WEISS / AFP)

American pop star Ariana Grande told President Donald Trump's administration on Thursday to stop using her music to promote its policies.

The comment came after the White House shared a video on TikTok earlier this week highlighting its immigration policy. The video, which depicts federal agents arresting and handcuffing people, features the Grammy Award-winning singer's 2024 song "Bye."

"Please ‌do not ‌ever use my music in ‌relation ⁠to this barbaric, inhumane, ⁠heinous nonsense," Grande wrote in a comment posted on the White House video on TikTok on Thursday.

A source close to the singer said her team is looking into how to remove the music from the video ⁠as soon as possible. Responding to Grande, ‌White House spokesperson ‌Abigail Jackson said: "We’ll say this one last time: what’s ‌actually barbaric, inhumane, and heinous are the criminal ‌illegal aliens who have injured and murdered innocent American citizens."

Grande, a singer and Academy Award-nominated actress, was critical of the Trump administration last year after ‌sharing a post on Instagram asking people who voted for Trump if ⁠their lives ⁠had gotten better since he returned to office.

Trump, now in his second non-consecutive term, has an active social media presence. Members of his communications team often post short videos that feature popular songs to illustrate the president's efforts to deliver on his campaign promises. Some of the videos have featured hit songs while depicting images showing Trump's immigration crackdown, US military operations against Iran and the arrest of former Venezuelan President Nicolas Maduro.


Taylor Swift Becomes Youngest Woman Inducted into the Songwriters Hall of Fame

 Honoree US singer-songwriter Taylor Swift attends the 55th Annual Songwriters Hall of Fame Induction and Awards Gala in New York on June 11, 2026. (AFP)
Honoree US singer-songwriter Taylor Swift attends the 55th Annual Songwriters Hall of Fame Induction and Awards Gala in New York on June 11, 2026. (AFP)
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Taylor Swift Becomes Youngest Woman Inducted into the Songwriters Hall of Fame

 Honoree US singer-songwriter Taylor Swift attends the 55th Annual Songwriters Hall of Fame Induction and Awards Gala in New York on June 11, 2026. (AFP)
Honoree US singer-songwriter Taylor Swift attends the 55th Annual Songwriters Hall of Fame Induction and Awards Gala in New York on June 11, 2026. (AFP)

Taylor Swift became the youngest woman ever inducted into the Songwriters Hall of Fame Thursday night.

"It was instinctual. No one taught me how to do it," she said of songwriting through a raspy voice she attributed to screaming along to the night's performances and Wednesday night's historic NBA game between the New York Knicks and the San Antonio Spurs.

She told the room about her family uprooting their lives to move her to Nashville as a tween. “I will never be able to express my gratitude,” she said while holding back tears — crediting their sacrifice for her career.

She offered young songwriters advice: “You really have to prioritize what you love, down to your very core. Because you'll need that."

Steven Spielberg introduced Swift with a surprise speech about the power of songwriting. “There is something undeniable about how songs imprint on our souls,” he said, before changing his focus to Swift. “Somehow Taylor knows us all too well.”

Swift started her speech by acknowledging Spielberg. “Because of examples like Steven's, I trusted my imagination," she said.

The Gen Z singer Sombr launched Swift's segment by performing “Cardigan” and “Dear John" in front of her.

Swift has brought new eyes to this year’s ceremony and undeniably shaped contemporary pop music trends with her songwriting. Swift is the youngest woman inducted, but Stevie Wonder, who started his recording career at 13, was the youngest ever inducted, it was announced on stage.

It was a notable moment in an evening full of them, where Swift, Kiss’ Gene Simmons and Paul Stanley, Christopher “Tricky” Stewart, Alanis Morissette, Kenny Loggins and more were honored.

Tamar Braxton opened the gala at the Marriott Marquis Hotel in New York City with a spirted tribute to a new inductee — the game-changing R&B songwriter, producer and rapper Christopher “Tricky” Stewart — with one of the biggest songs he's known for: Beyoncé's “Single Ladies.”

He's also responsible for Rihanna’s “Umbrella,” Mariah Carey's “Touch My Body” and Justin Bieber's “Baby.”

Dallas Austin, a songwriter and producer known for work with Boyz ll Men and Madonna, introduced Stewart. “Think about that catalog,” he said, listing off those zeitgeist-shifting records. “Those are cultural moments."

Stewart thanked God, his family, artists he's worked with and mentors — giving a special shout out to Grammy award-winning music producer Antonio “L.A.” Reid and the iconic singer-songwriter Babyface. “I wanted to be like L.A. and Baby,” he reflected.

Kiss founders Simmons and Stanley — two and a half years after the band’s farewell — were also recognized for their glam rock classics “Rock and Roll All Nite” and “I Love It Loud.” The Smashing Pumpkins’ Billy Corgan covered the former, a fittingly fiery introduction for the band. He was joined by Goo Goo Dolls’ frontman John Rzeznik for the latter.

Simmons was not present; Stanley said he had a family emergency.

“Songs are the messenger,” he said — the foundation of “every show.”

Soft rock legend Kenny Loggins (“Footloose,” “Danny’s Song”) and the alt-rock icon Morissette were also inducted.

For the latter, Brandi Carlile performed “Uninvited” alongside SistaStrings, before introducing Morissette.

“Writing to me is not a hobby,” Morissette said, it’s critical. “It’s write or die.” Then she performed “Mary Jane” and "You Oughta Know" from her 1995 album “Jagged Little Pill.”

For Loggins, Gavin DeGraw performed “Danny’s Song,” before Loggins told the story behind the tune in his acceptance speech.

Acknowledging writers and their hits Taylor Dayne and Madison Cunningham performed Tina Turner classics written by Terry Britten and Graham Lyle in honor of their induction; John Fogerty was honored with the Johnny Mercer Award.

“I got my songs back!” Fogerty said, ending a nearly 30-minute speech, referencing the fact that he won the rights back to his catalog at age 80. Then he ran through a medley of his hits: “Proud Mary,” “Fortunate Son,” and “Have You Ever Seen the Rain” among them.


Deezer Launches Free AI Music Detector for Users of Major Streaming Platforms

FILE PHOTO: The logo of French music streaming platform Deezer is seen at La Defense business and financial district in Courbevoie near Paris, France, July 5, 2022. REUTERS/Benoit Tessier/File Photo
FILE PHOTO: The logo of French music streaming platform Deezer is seen at La Defense business and financial district in Courbevoie near Paris, France, July 5, 2022. REUTERS/Benoit Tessier/File Photo
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Deezer Launches Free AI Music Detector for Users of Major Streaming Platforms

FILE PHOTO: The logo of French music streaming platform Deezer is seen at La Defense business and financial district in Courbevoie near Paris, France, July 5, 2022. REUTERS/Benoit Tessier/File Photo
FILE PHOTO: The logo of French music streaming platform Deezer is seen at La Defense business and financial district in Courbevoie near Paris, France, July 5, 2022. REUTERS/Benoit Tessier/File Photo

French music platform Deezer has launched a free online tool to detect AI-generated tracks in playlists, available to users of all major streaming platforms, it said on Thursday.

The company is also licensing its AI-detection technology to the wider music industry, building on earlier deals like the one it signed with France’s royalty agency Sacem in January, Reuters reported.

The free detector allows users of ⁠around 20 of the ⁠most common streaming platforms to scan their playlists for synthetic music.

Company data shows that 43% of users joining Deezer from rival services already have AI-generated music in their playlists.

On its own platform, ⁠Deezer tags AI-generated songs and automatically removes them from algorithmic recommendations and editorial playlists.

"This is a first step in making sure that these tracks don't dilute the royalty pool in any significant way," Deezer said.

It cited a 2024 Cisac study that showed 25% of artists’ revenue, or €4 billion ($4.6 billion) per year, could be at risk of ⁠being siphoned ⁠off by AI-generated songs by 2028.

Deezer receives nearly 75,000 AI-generated tracks daily, making up more than 44% of its new music delivery, up from 60,000 tracks reported in early 2025.

A recent Deezer and Ipsos survey found that 80% of respondents wanted AI-generated music to be clearly labelled on streaming platforms.