Japan TV Network Will Acquire Totoro Creator Studio Ghibli as Animation Studio Prepares for Future 

Hayao Miyazaki of Japan, director of the animated film "Ponyo," poses at a special screening of the film in Los Angeles on July 27, 2009. (AP)
Hayao Miyazaki of Japan, director of the animated film "Ponyo," poses at a special screening of the film in Los Angeles on July 27, 2009. (AP)
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Japan TV Network Will Acquire Totoro Creator Studio Ghibli as Animation Studio Prepares for Future 

Hayao Miyazaki of Japan, director of the animated film "Ponyo," poses at a special screening of the film in Los Angeles on July 27, 2009. (AP)
Hayao Miyazaki of Japan, director of the animated film "Ponyo," poses at a special screening of the film in Los Angeles on July 27, 2009. (AP)

Studio Ghibli, the famed Japanese animation studio of Hayao Miyazaki, will become a subsidiary of Nippon Television Network Corp., both sides said Thursday.

Succession worries had been a priority at Ghibli, as Miyazaki has turned 82, and producer Toshio Suzuki is 75, the companies said in a joint statement.

The boards of both companies agreed at meetings Thursday that the major commercial broadcast network will become Studio Ghibli’s top shareholder, with a 42.3% stake. Financial details were not given.

Nippon TV said it will send executives to support Ghibli’s management, while honoring its creative independence so it can focus on animation and other artistic projects.

The deal was first discussed last year at an “onsen” hot springs, the companies said, when Suzuki asked Nippon TV executive Yoshikuni Sugiyama for help in managing Ghibli. Sugiyama promised to give support.

Miyazaki’s son Goro is also an animation director and has been mentioned as a possible successor. But he had expressed doubts, saying the responsibility was too great.

Ghibli and Nippon TV have collaborated in the past, since “Nausicaä of the Valley of the Wind” aired on TV in 1985. Nippon TV has also helped produce various Ghibli works, starting with Miyazaki’s 1989 “Kiki’s Delivery Service.” It also helped set up the museum devoted to Ghibli works in Tokyo.

Earlier this year, Miyazaki finished “The Boy and the Heron,” completed after seven years. It is based on a book but is also loosely based on Miyazaki’s wartime childhood. The Japanese title, which better expresses its theme, translates to: “How Will You Live?”

Miyazaki won an Oscar for his 2001 “Spirited Away.” He has occasionally declared he was retiring but has always returned to his craft.

He has produced an extensive range of animation works enjoyed by adults as well as children, including “My Neighbor Totoro” and “Ponyo.”



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."