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Lauryn Hill, Red Hot Chili Peppers Draw Fans to Rainy Central Park Aid Fest

Lauryn Hill performs with Pras Michel and Wyclef Jean of the Fugees at the Global Citizen Concert in New York, US, September 23, 2023. REUTERS/Caitlin Ochs
Lauryn Hill performs with Pras Michel and Wyclef Jean of the Fugees at the Global Citizen Concert in New York, US, September 23, 2023. REUTERS/Caitlin Ochs
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Lauryn Hill, Red Hot Chili Peppers Draw Fans to Rainy Central Park Aid Fest

Lauryn Hill performs with Pras Michel and Wyclef Jean of the Fugees at the Global Citizen Concert in New York, US, September 23, 2023. REUTERS/Caitlin Ochs
Lauryn Hill performs with Pras Michel and Wyclef Jean of the Fugees at the Global Citizen Concert in New York, US, September 23, 2023. REUTERS/Caitlin Ochs

Lauryn Hill, the Red Hot Chili Peppers and Jungkook drew tens of thousands of fans to Central Park on Saturday despite torrential rains, as part of a marathon concert urging global development aid.

Majestic rap icon Lauryn Hill graced the stage as her seminal album "The Miseducation of Lauryn Hill" turns 25, performing her smash single "Doo Wop (That Thing)" and reuniting The Fugees during the Global Citizen festival in New York.

The legendary hip-hop trio performed tracks including "Killing Me Softly" and "Ready Or Not."

"Africa needs to control their own natural resources. Haiti needs to control their own natural resources. The world, we need to stop famine," said member Wyclef Jean to cheers, as fans waved their lit phones.

The message was in line with the aims of the day, which marries musical performance with calls to increase funding against global ills including poverty and climate change.

The Red Hot Chili Peppers closed out the night with a set throwing back to their classics including "Can't Stop," "Scar Tissue," "Dani California," "Snow (Hey Oh)" and "Californication."

And Jungkook had the poncho-clad crowd screaming and swaying along as he serenaded them with hits including "Still With You."

Wearing acid-wash jeans and a brown shirt, the megastar told fans it was necessary to "make an impact together to make sure everyone, everywhere has access to their basic rights like food and education."

He wasn't billed as a headliner but Jungkook was a major draw of the night: many drenched concertgoers streamed out of the park just after his set ended, even though the evening at that point was scheduled to continue for another three hours.

Earlier Anitta brought her impressive twerks and dance party of a show to the stage, performing hits including her recent "Funk Rave."

Brazil's biggest pop star called attention to the importance of protecting the Amazon rainforest, reminding fans it's "the lungs of our planet."

Just prior to kicking off her booty-shaking set, she said that governments must do more to "protect the people there, the indigenous people, the communities there... whose only reality is the Amazon."

Rappers including Busta Rhymes and Common put on a tribute to the 50th anniversary of hip-hop, one of many the city has hosted in recent months.

Taking place since 2012 as world leaders gather in New York for the UN General Assembly, Global Citizen distributes free tickets to supporters who pledge to take actions such as sending letters to their governments in support of development aid.

Pledges came from leaders including French President Emmanuel Macron, who announced via video message a $150 million commitment to the International Fund for Agricultural Development (IFAD), AFP reported.

"We have to fight together against poverty, climate change and for biodiversity," Macron said. "This is why we want to take our part as well."

The Rome-headquartered IFAD is an arm of the United Nations aimed at addressing poverty and hunger in rural areas of developing countries.

Along with Macron, the organization said Norway had pledged $90 million to IFAD.

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Movie Review: In ‘Deadpool & Wolverine,’ the Superhero Movie Finally Accepts Itself for What It Is 

Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
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Movie Review: In ‘Deadpool & Wolverine,’ the Superhero Movie Finally Accepts Itself for What It Is 

Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)

If one thing is certain about “Deadpool,” it’s that its titular hero, for reasons never explained, understands his place in the world — well, in our world.

Indeed, the irreverent and raunchy mutant is sure to belabor his awareness of the context in which he lives — namely an over-saturated, increasingly labyrinthine multibillion-dollar Marvel multiverse which spans decades, studios and too many films for most viewers to count.

From its inception, the “Deadpool” franchise has prided itself on a subversive, self-aware anti-superhero superhero movie, making fun of everything from comic books to Hollywood to its biggest champion, co-writer and star, Ryan Reynolds.

It’s no surprise then, as fans have come to expect, that the long-anticipated “Deadpool & Wolverine” further embraces its fourth wall-breaking self-awareness — even as it looks increasingly and more earnestly like the superhero movie blueprint it loves to exploit. That tension — the fact that “Deadpool” has called out comic book movie tropes despite being, in fact, a comic book movie — is somehow remedied in “Deadpool & Wolverine,” which leans into its genre more than the franchise’s first two movies.

Perhaps this gives viewers more clarity on its intended audience. After all, someone who hates superhero films — I’m looking at you, Scorsese — isn’t going to be won over because of a few self-deprecating jokes about lazy writing, budgets for A-list cameos and the overused “superhero landing” Reynolds’ Deadpool regularly refers to.

But this time around, director Shawn Levy — his first Marvel movie — seems to have found a sweet spot. Levy is surely helped by the fact that the third film in the franchise has a bigger budget, more hype and, of course, a brooding Hugh Jackman as Wolverine.

That anticipation makes their relationship, packed with hatred and fandom, all the more enticing. Their fight scenes against each other are just as compelling as their moments of self-sacrificial partnership in the spirit of, you guessed it, saving the world(s).

Speaking of worlds, there is one important development in our own to be aware of ahead of time. The first two “Deadpool” films were distributed by 20th Century Fox, whose $71.3 billion acquisition by the Walt Disney Co. in 2019 opened the door for the franchise to join the Marvel Cinematic Universe.

Perhaps unsurprisingly, “Deadpool & Wolverine” takes full advantage of that vast playground, which began in 2008 with Robert Downey Jr.’s “Iron Man” and now includes more than 30 films and a host of television shows. The acquisition is also a recurring target of Deadpool’s sarcasm throughout the movie.

Although steeped in references and cameos that can feel a bit like inside baseball for the less devoted, “Deadpool & Wolverine” is easy enough to follow for the casual Marvel viewer, though it wouldn’t hurt to have seen the first “Deadpool” and Jackman’s 2017 “Logan,” a harbinger of the increasing appetite for R-rated superhero violence. The Disney+ series “Loki” also gives helpful context, though is by no means a must watch, on the Time Variance Authority, which polices multiverse timelines to avoid “incursions,” or the catastrophic colliding of universes.

A defining feature of “Deadpool” has been its R rating and hyper violent action scenes. Whether thanks to more money, Levy’s direction or some combination of the two, these scenes are much more visually appealing.

But “Deadpool & Wolverine” does succumb to some of the deus ex machina writing that so often plagues superhero movies. Wade Wilson’s (the real identity of Deadpool) relationship with his ex (?) Vanessa is particularly underdeveloped — though it’s possible that ambiguity is a metaphor for Deadpool’s future within the MCU.

The plot feels aimless at points toward the end. One cameo-saturated battle scene in particular is resolved in a way that leaves its audience wanting after spending quite a bit of time building tension around it. While there are a few impressive stars who make an appearance, audiences may be disappointed by the amount of MCU characters referenced who don’t make it in.

The bloody but comedic final fight scene, however, is enough to perk viewers back up for the last act, solidifying the film’s identity as a fun, generally well-made summer movie.

The sole MCU release of 2024, “Deadpool & Wolverine” proves it’s not necessarily the source material that’s causing so-called superhero fatigue. It also suggests, in light of Marvel’s move to scale back production following a pandemic and historic Hollywood strikes, that increased attention given to making a movie will ultimately help the final product.