Suzanne Somers, of ‘Three’s Company,’ Dies at 76 

 Actress Suzanne Somers arrives at the Vanity Fair Oscar Party in Beverly Hills, California February 28, 2016. (Reuters)
Actress Suzanne Somers arrives at the Vanity Fair Oscar Party in Beverly Hills, California February 28, 2016. (Reuters)
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Suzanne Somers, of ‘Three’s Company,’ Dies at 76 

 Actress Suzanne Somers arrives at the Vanity Fair Oscar Party in Beverly Hills, California February 28, 2016. (Reuters)
Actress Suzanne Somers arrives at the Vanity Fair Oscar Party in Beverly Hills, California February 28, 2016. (Reuters)

Suzanne Somers, the effervescent blonde actor known for playing Chrissy Snow on the television show “Three’s Company” and who became an entrepreneur and New York Times best-selling author, has died. She was 76.

Somers had breast cancer for over 23 years and died Sunday morning, her family said in a statement provided by her longtime publicist, R. Couri Hay. Her husband Alan Hamel, her son Bruce and other immediate family were with her in Palm Springs, California.

“Her family was gathered to celebrate her 77th birthday on October 16th,” the statement read. “Instead, they will celebrate her extraordinary life, and want to thank her millions of fans and followers who loved her dearly.”

In July, Somers shared on Instagram that her breast cancer had returned.

“Like any cancer patient, when you get that dreaded, ‘It’s back’ you get a pit in your stomach. Then I put on my battle gear and go to war,” she told Entertainment Tonight at the time. “This is familiar battleground for me and I’m very tough.”

She was first diagnosed in 2000, and had previously battled skin cancer. Somers faced some backlash for her reliance on what she’s described as a chemical-free and organic lifestyle to combat the cancers. She argued against the use of chemotherapy, in books and on platforms like “The Oprah Winfrey Show,” which drew criticism from the American Cancer Society.

Somers was born in 1946 in San Bruno, California, to a gardener father and a medical secretary mother. Her childhood, she’d later say, was tumultuous. Her father was an alcoholic, and abusive. She married young, at 19, to Bruce Somers, after becoming pregnant with her son Bruce. The couple divorced three years later and she began modeling for “The Anniversary Game” to support herself. It was during this time that she met Hamel, who she married in 1977.

She began acting in the late 1960s, earning her first credit in the Steve McQueen film “Bullitt.” But the spotlight really hit when she was cast as the blonde driving the white Thunderbird in George Lucas’s 1973 film “American Graffiti.” Her only line was mouthing the words “I love you” to Richard Dreyfuss’s character.

At her audition, Lucas just asked her if she could drive. She later said that moment “changed her life forever.”

Somers would later stage a one-woman Broadway show entitled “The Blonde in the Thunderbird,” about her life, which drew largely scathing reviews.

She appeared in many television shows in the 1970s, including “The Rockford Files,” “Magnum Force” and “The Six Million Dollar Man,” but her most famous part came with “Three’s Company,” which aired on ABC from 1977 to 1984 — though her participation ended in 1981.

On “Three’s Company,” she was the ditzy blonde opposite John Ritter and Joyce DeWitt in the roommate comedy.

“Creating her was actually intellectual,” she told CBS News in 2020. “How do I make her likable and loveable ... dumb blondes are annoying. I gave her a moral code. I imagined it was the childhood I would’ve liked to have had.”

In 1980, after four seasons, she asked for a raise from $30,000 an episode to $150,000 an episode, which would have been comparable to what Ritter was getting paid. Hamel, a former television producer, had encouraged the ask.

“The show’s response was, ‘Who do you think you are?’” Somers told People in 2020. “They said, ‘John Ritter is the star.’”

She was promptly phased out and soon fired. Her character was replaced by two different roommates for the remaining years the show aired. It also led to a rift with her co-stars. They didn’t speak for many years. Somers did reconcile with Ritter before his death, and then with DeWitt on her online talk show.

But Somers took the break as an opportunity to pursue new avenues, including a Las Vegas act, hosting a talk show and becoming an entrepreneur. In the 1990s, she also became the spokesperson for the “ThighMaster.”

The decade also saw her return to network television in the 1990s, most famously on “Step by Step,” which aired on ABC’s youth-targeted TGIF lineup. The network also aired a biopic of her life, starring her, called “Keeping Secrets.”

Somers was also a prolific author, writing books on aging, menopause, beauty, wellness, and cancer.

She was in good spirits and surrounded by family before her death, even giving an interview to People Magazine about her birthday plans to be with her “nearest and dearest.”

Hamel, in the People story, said she’d just returned from the Midwest where she had six weeks of intensive physical therapy.

“Even after our five decades together, I still marvel at Suzanne’s amazing determination and commitment,” Hamel said.

She told the magazine that she had asked for “copious amounts of cake.”

“I really love cake,” she said.



South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
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South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)

Twelve South Korean industry groups warned on Wednesday that the country's television drama production base was at risk and called on the government to set up a 1 trillion won ($746 million) investment fund to support production of Korean dramas, known as K-dramas.

K-dramas have been hugely popular globally, ‌but the number produced ‌has fallen from 141 titles in 2022 ‌to ⁠about 115 in 2025, ⁠according to research by Korea IR Service.

Three domestic broadcast networks cut drama output from 91 titles in 2012 to 32 in 2023, and some channels have stopped airing weekday dramas altogether, the groups said.

Such an environment makes it difficult for "a new writer's second work, a supporting actor's first lead role and an assistant ⁠crew member's directing debut", said Song Byeong-joon, chairman ‌of the Korea Drama Production Association.

The ‌groups, which represent industry workers including TV drama producers, directors, writers, ‌actors, cinematographers and crew, attributed the decline in long-form drama production to ‌rising production costs, which they linked to competition with global streaming platforms such as Netflix, and broadcasters' reduced capacity to invest.

They also cited competition from short-form content and AI for audiences and production.

Pay for top-billed ‌stars was the main driver of production costs, Korea IR Service said in a 2025 report, ⁠with pay ⁠climbing as streaming services competed for audience-drawing talent.

Kim Yong-hee, a professor of business administration at Sun Moon University, said the difficulties the groups cited largely reflected the decline of terrestrial broadcasting rather than the sector as a whole.

Official data showed employment across the content industry edged up to 693,090 in 2025 from 688,122 a year earlier, according to the Korea Creative Content Agency.

Broadcasting employment, however, fell 2.3% in 2024, according to a government survey.

A Netflix Korea spokesperson was reached but did not have an immediate comment.

Netflix launched in South Korea in 2016 and in 2023 pledged to invest $2.5 billion in the market over four years.


Movie Review: ‘The Cat in the Hat’ Ridiculously Builds the Stakes So High, the Universe Could Die

This image released by Warner Bros. Pictures shows, from left, Sebastian, voiced by Tiago Martinez, Waffles, voiced by Matt Berry, and The Cat in the Hat, voiced by Bill Hader, in a scene from "The Cat in the Hat." (Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows, from left, Sebastian, voiced by Tiago Martinez, Waffles, voiced by Matt Berry, and The Cat in the Hat, voiced by Bill Hader, in a scene from "The Cat in the Hat." (Warner Bros. Pictures via AP)
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Movie Review: ‘The Cat in the Hat’ Ridiculously Builds the Stakes So High, the Universe Could Die

This image released by Warner Bros. Pictures shows, from left, Sebastian, voiced by Tiago Martinez, Waffles, voiced by Matt Berry, and The Cat in the Hat, voiced by Bill Hader, in a scene from "The Cat in the Hat." (Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows, from left, Sebastian, voiced by Tiago Martinez, Waffles, voiced by Matt Berry, and The Cat in the Hat, voiced by Bill Hader, in a scene from "The Cat in the Hat." (Warner Bros. Pictures via AP)

The folks behind the new animated “The Cat in the Hat” are pretty confident they've got the cat in the bag. It hasn't even opened yet and there are onscreen references to possible movie spinoffs for the jet-powered magical couch and The Things. As the credits roll, the titular feline even gets into the act: “Let's go sequel!”

He's probably right about that, though — an inevitable franchise born on the back of whimsical, beloved IP that now gets the Marvel Cinematic Universe treatment: Put the fate of the world in the balance, insert a horrific enemy and add lots of things — in this case dozens of Things — until we just want it to end. To quote the book's glum goldfish: “No, I do not like it/Not one little bit.”

Directed by Erica Rivinoja and Alessandro Carloni, who also wrote the screenplay, “The Cat in the Hat” is what happens when lots and lots of money gets thrown at a movie with middling returns. (We're talking Taylor Swift cash, courtesy of using her “Shake It Off.”)

At least it distances itself from the live-action approach of the underperforming and creepy 2003 film starring Mike Myers, instead using stylized and varied computer animation. Bill Hader now voices the Cat, with his trademark sarcastic, demented and oily approach. The Cat is portrayed with teeth, though, and that's unsettling.

We meet the Cat after he's bombed his latest assignment. It turns out he works for a gleaming corporate conglomerate that sends out envoys to cheer up kids at their homes. There's even a human resources department and white-collar cubicles — our anarchic Cat as office drone.

Missions here are evaluated on two measures: A hopeful uptick in clients' happiness and the level of destruction left behind. The Cat is good at thing one, but bad at thing two. He faces being fired unless he succeeds at his next task — cheering up two depressed kids whose single mom recently moved them to the city.

When he appears, he's quickly pepper-sprayed by the oldest, Gabby, a marching band nerd with huge glasses and a “creative, artistic soul.” She thinks it's a home invasion and wants to call the cops. This reaction is not canon.

The Cat has to convince Gabby and her younger brother, Sebastian, to have fun, and if there's any damage, he's stolen a device from office supplies — a clocklike “gobacker” — that can undo the past. They soon lose it. “I can't believe this and I'm a talking cat,” says our hero.

Now things click into operatic levels, with a mysterious nefarious creature with gleaming eyes — a cross between a massive bat and a toothy pterodactyl — that is also hunting the device. If it finds it, the “fabric of the universe will be distorted forever.” Yeesh. What happened to: “I know it is wet and the sun is not sunny, but we can have lots of good fun that is funny?”

The goldfish is here — Matt Berry, hijacking the movie — as an English-accented, pseudo-Shakespearean actor-y type fish named Waffles. Waffles? And there are Things galore — during the climactic battle scene — yes, there's a battle scene — there must be thousands of Things. But not one rhyme, a shame.

The animation is handled wonderfully, with three distinct styles for different worlds. (As the book would say: “My tricks are not bad.”) And the voices are perfectly cast: Giancarlo Esposito as Cat's evil boss, Bowen Yang as an intern and Paula Pell as a landlady all stand out.

The messaging is muddled. One is that you should always stand up for a friend. Another is that your parents were, shockingly, once cool. A third is that home is wherever you want it to be. And fourth is making a mess is the best part of childhood.

Making a mess of “The Cat in the Hat” didn't have to happen. It didn't have to have a possible rip in the time-space continuum. It didn't have to flood the zone with Things. And it doesn't need a sequel, please.


Martha Stewart Sorry for ‘Insensitive’ Homeless Halloween Costume

Martha Stewart. (AFP/Getty Images)
Martha Stewart. (AFP/Getty Images)
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Martha Stewart Sorry for ‘Insensitive’ Homeless Halloween Costume

Martha Stewart. (AFP/Getty Images)
Martha Stewart. (AFP/Getty Images)

American lifestyle guru Martha Stewart apologized late Sunday for an "insensitive and not funny" Halloween costume after she appeared to dress up as a homeless person.

"It's hard to admit when you've really screwed up," the billionaire, 85, wrote on Instagram after she deleted a photo of herself in ripped jeans, a torn sweater and a dirtied face.

Stewart also held a clipboard that read "I Am Hungry Help Me!!" Social media users quickly slammed her as out of touch.

"I know many people are suffering economically. Wearing a costume like I did was insensitive and not funny. I am very sorry," Stewart said in a statement.

She also acknowledged that an earlier explanation to US media, claiming she had intended to raise awareness of homelessness through her costume, "didn't go far enough."

Stewart built her success in the homemaking and lifestyle industries.

Through her cookbooks, magazines, television shows and retail housewares, Stewart became the personification of gracious living and America's most high-profile lifestyle expert.