Suzanne Somers, of ‘Three’s Company,’ Dies at 76 

 Actress Suzanne Somers arrives at the Vanity Fair Oscar Party in Beverly Hills, California February 28, 2016. (Reuters)
Actress Suzanne Somers arrives at the Vanity Fair Oscar Party in Beverly Hills, California February 28, 2016. (Reuters)
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Suzanne Somers, of ‘Three’s Company,’ Dies at 76 

 Actress Suzanne Somers arrives at the Vanity Fair Oscar Party in Beverly Hills, California February 28, 2016. (Reuters)
Actress Suzanne Somers arrives at the Vanity Fair Oscar Party in Beverly Hills, California February 28, 2016. (Reuters)

Suzanne Somers, the effervescent blonde actor known for playing Chrissy Snow on the television show “Three’s Company” and who became an entrepreneur and New York Times best-selling author, has died. She was 76.

Somers had breast cancer for over 23 years and died Sunday morning, her family said in a statement provided by her longtime publicist, R. Couri Hay. Her husband Alan Hamel, her son Bruce and other immediate family were with her in Palm Springs, California.

“Her family was gathered to celebrate her 77th birthday on October 16th,” the statement read. “Instead, they will celebrate her extraordinary life, and want to thank her millions of fans and followers who loved her dearly.”

In July, Somers shared on Instagram that her breast cancer had returned.

“Like any cancer patient, when you get that dreaded, ‘It’s back’ you get a pit in your stomach. Then I put on my battle gear and go to war,” she told Entertainment Tonight at the time. “This is familiar battleground for me and I’m very tough.”

She was first diagnosed in 2000, and had previously battled skin cancer. Somers faced some backlash for her reliance on what she’s described as a chemical-free and organic lifestyle to combat the cancers. She argued against the use of chemotherapy, in books and on platforms like “The Oprah Winfrey Show,” which drew criticism from the American Cancer Society.

Somers was born in 1946 in San Bruno, California, to a gardener father and a medical secretary mother. Her childhood, she’d later say, was tumultuous. Her father was an alcoholic, and abusive. She married young, at 19, to Bruce Somers, after becoming pregnant with her son Bruce. The couple divorced three years later and she began modeling for “The Anniversary Game” to support herself. It was during this time that she met Hamel, who she married in 1977.

She began acting in the late 1960s, earning her first credit in the Steve McQueen film “Bullitt.” But the spotlight really hit when she was cast as the blonde driving the white Thunderbird in George Lucas’s 1973 film “American Graffiti.” Her only line was mouthing the words “I love you” to Richard Dreyfuss’s character.

At her audition, Lucas just asked her if she could drive. She later said that moment “changed her life forever.”

Somers would later stage a one-woman Broadway show entitled “The Blonde in the Thunderbird,” about her life, which drew largely scathing reviews.

She appeared in many television shows in the 1970s, including “The Rockford Files,” “Magnum Force” and “The Six Million Dollar Man,” but her most famous part came with “Three’s Company,” which aired on ABC from 1977 to 1984 — though her participation ended in 1981.

On “Three’s Company,” she was the ditzy blonde opposite John Ritter and Joyce DeWitt in the roommate comedy.

“Creating her was actually intellectual,” she told CBS News in 2020. “How do I make her likable and loveable ... dumb blondes are annoying. I gave her a moral code. I imagined it was the childhood I would’ve liked to have had.”

In 1980, after four seasons, she asked for a raise from $30,000 an episode to $150,000 an episode, which would have been comparable to what Ritter was getting paid. Hamel, a former television producer, had encouraged the ask.

“The show’s response was, ‘Who do you think you are?’” Somers told People in 2020. “They said, ‘John Ritter is the star.’”

She was promptly phased out and soon fired. Her character was replaced by two different roommates for the remaining years the show aired. It also led to a rift with her co-stars. They didn’t speak for many years. Somers did reconcile with Ritter before his death, and then with DeWitt on her online talk show.

But Somers took the break as an opportunity to pursue new avenues, including a Las Vegas act, hosting a talk show and becoming an entrepreneur. In the 1990s, she also became the spokesperson for the “ThighMaster.”

The decade also saw her return to network television in the 1990s, most famously on “Step by Step,” which aired on ABC’s youth-targeted TGIF lineup. The network also aired a biopic of her life, starring her, called “Keeping Secrets.”

Somers was also a prolific author, writing books on aging, menopause, beauty, wellness, and cancer.

She was in good spirits and surrounded by family before her death, even giving an interview to People Magazine about her birthday plans to be with her “nearest and dearest.”

Hamel, in the People story, said she’d just returned from the Midwest where she had six weeks of intensive physical therapy.

“Even after our five decades together, I still marvel at Suzanne’s amazing determination and commitment,” Hamel said.

She told the magazine that she had asked for “copious amounts of cake.”

“I really love cake,” she said.



Blake Lively, Justin Baldoni Agree to End Lengthy Legal Battle

 US actress Blake Lively arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
US actress Blake Lively arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
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Blake Lively, Justin Baldoni Agree to End Lengthy Legal Battle

 US actress Blake Lively arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
US actress Blake Lively arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)

Actor Blake Lively and "It Ends with Us" co-star Justin Baldoni on Monday settled their acrimonious years-long legal battle, avoiding a costly civil trial.

A joint statement provided to AFP said the parties had resolved their dispute -- launched after Lively accused Baldoni of inappropriate on-set behavior -- without disclosing any settlement figure.

"The end product -- the movie 'It Ends with Us' -- is a source of pride to all of us who worked to bring it to life," Baldoni and Lively's attorneys said in a joint statement.

"We acknowledge the process presented challenges and recognize concerns raised by Ms. Lively deserved to be heard... It is our sincere hope that this brings closure and allows all involved to move forward constructively and in peace."

Hours after the announcement that the case was settled, Lively was all smiles as she unexpectedly appeared at the Met Gala in New York in a full ball gown that erupted in a cloud of pink, purple and yellow tulle.

Baldoni and the studio Wayfarer had previously countersued Lively and her husband Ryan Reynolds with claims of extortion and defamation, but a judge dismissed those claims last year.

Wayfarer previously insisted that neither the studio, its executives, nor its PR team did anything to retaliate against Lively.

A judge dismissed some of Lively's claims, but upheld her allegations of retaliation, which would have proceeded to trial on May 18.

Based on a best-selling novel by the US writer Colleen Hoover, "It Ends with Us" made more than $350 million at the box office in 2024, making it one of the biggest hits of the year.


Demi Moore Joins Cannes Festival Jury

US actress Demi Moore attends the Vanity Fair Oscar Party at the Los Angeles County Museum of Art (LACMA) in Los Angeles on March 15, 2026. (AFP)
US actress Demi Moore attends the Vanity Fair Oscar Party at the Los Angeles County Museum of Art (LACMA) in Los Angeles on March 15, 2026. (AFP)
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Demi Moore Joins Cannes Festival Jury

US actress Demi Moore attends the Vanity Fair Oscar Party at the Los Angeles County Museum of Art (LACMA) in Los Angeles on March 15, 2026. (AFP)
US actress Demi Moore attends the Vanity Fair Oscar Party at the Los Angeles County Museum of Art (LACMA) in Los Angeles on March 15, 2026. (AFP)

American actress Demi Moore, still riding high from the late-career boost of her Oscar-nominated turn in "The Substance", will join the jury for the Cannes Film Festival, which kicks off next week, organizers announced on Monday.

The film extravaganza on the French Riviera, one of the world's most important annual cinema events, hands out a host of prizes, including the prestigious Palme d'Or for best film, decided by a nine-person jury.

Moore, 63, along with Chinese filmmaker Chloe Zhao, whose films from "Nomadland" to "Hamnet" have become awards-season favorites, will add some A-list sparkle to the jury, which also includes Ivorian-American actor Isaach de Bankole, who is set to play in the upcoming third installment of the "Dune" franchise.

As previously announced, the jury will be headed by arthouse South Korean director Park Chan-Wook ("Oldboy").

The other jury members are Irish-Ethiopian actor Ruth Negga, Belgian director Laura Wandel, Chilean director Diego Cespedes, Irish screenwriter Paul Laverty and Swedish actor Stellan Skarsgard.

The Cannes Festival runs from May 12 to 23.


‘The Devil Wears Prada’ Struts to 1st Place with $77 Million Debut

People walk below an electronic billboard advertising the movie "The Devil Wears Prada 2" at a shopping mall in Beijing on May 2, 2026, on the second day of a five-day national May Day holiday. (Photo by GREG BAKER / AFP)
People walk below an electronic billboard advertising the movie "The Devil Wears Prada 2" at a shopping mall in Beijing on May 2, 2026, on the second day of a five-day national May Day holiday. (Photo by GREG BAKER / AFP)
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‘The Devil Wears Prada’ Struts to 1st Place with $77 Million Debut

People walk below an electronic billboard advertising the movie "The Devil Wears Prada 2" at a shopping mall in Beijing on May 2, 2026, on the second day of a five-day national May Day holiday. (Photo by GREG BAKER / AFP)
People walk below an electronic billboard advertising the movie "The Devil Wears Prada 2" at a shopping mall in Beijing on May 2, 2026, on the second day of a five-day national May Day holiday. (Photo by GREG BAKER / AFP)

Twenty years after the original, the sequel to “The Devil Wears Prada” made a splash in its first weekend in theaters.

Driven largely by women, “The Devil Wears Prada 2” earned $77 million in the US and Canada, and $156.6 million internationally, according to studio estimates Sunday. It easily topped the box office and bumped “Michael” to second place, though the musical biopic held well in its second weekend, falling only 44%.

The Walt Disney Co.’s 20th Century Studios opened “The Devil Wears Prada 2” in 4,150 locations in North America. Women made up about 76% of the ticket buyers, according to PostTrak exit polls; 74% said they would “definitely recommend” the movie to friends.

According to The Associated Press, critics were a bit mixed on the sequel, which finds Anne Hathaway’s Andy Sachs working once more for Meryl Streep’s Miranda Priestly at the fictional “Runway” magazine in a much-depleted media landscape.

The movie cost a reported $100 million to produce — a significant boost from the first movie’s $35 million production budget. But as filmmaker David Frankel told AP recently, “As it turns out, you know, by the time you finish paying all the biggest movie stars in the world, you still end up with basically the same budget for making the movie as we did the first one.”

Stars Streep, Hathaway, Emily Blunt and Stanley Tucci have been on a fashion-forward global publicity blitz for weeks, with glamorous stops in Tokyo, London and New York. Even Anna Wintour, the inspiration for the Prada-clad devil, has been involved this time, appearing with Hathaway on the Oscars stage and with Streep on the cover of “Vogue.”

The first movie opened in June 2006 and would go on to earn over $326 million worldwide, not adjusted for inflation. And perhaps more importantly, it firmly became part of the culture thanks in part to its ever-quotable likes (“gird your loins,” “groundbreaking,” “that’s all”).

Legacy sequels are never a sure thing, but this time anticipation was high: According to Nielsen, streaming viewership for “The Devil Wears Prada” was up 428% from March 2026 to April 2026.

Second place went to Lionsgate’s Michael Jackson biopic “Michael,” which made $54 million in its second weekend in North America, where it’s playing on 3,955 screens. Its running worldwide total is already $423.9 million.

Universal Pictures is handling the international release.

This weekend marks the start of Hollywood’s summer movie season, a crucial 18-week corridor that runs through Labor Day and often accounts for around 40% of the annual box office. There are often Marvel blockbusters programmed as the season's kickoff, but the combined power of “The Devil Wears Prada 2” and “Michael” wasn't a shabby substitute.

“This is a really solid weekend,” said Paul Dergarabedian, the head of marketplace trends for Comscore. “It’s this irresistible combination that more than makes up for the fact that there’s not a Marvel movie to kick off the summer movie season.”

“Prada” alone actually did better business than last year’s summer kickoff Marvel movie, “Thunderbolts.” There were several other new films in theaters this weekend as well, including the Adam Scott-led horror movie “Hokum,” Andy Serkis’s animated adaptation of “Animal Farm” and the Aaron Eckhart- and Ben Kingsley-led survival movie “Deep Water.”

They all opened behind “The Super Mario Galaxy Movie,” which made $12.1 million in its fifth weekend, and “Project Hail Mary,” which made $8.6 million in its seventh weekend. Neon's “Hokum” led the newcomers with $6.4 million, rounding out the top five, followed by the very poorly reviewed “Animal Farm” with $3.4 million. “Deep Water” opened to $2.2 million.

In the top four movies, Dergarabedian has noticed a trend: “Over the past couple of months, moviegoers have really embraced pure, escapist entertainment,” he said.

The annual box office is currently running about 14% up from last year, with about $2.8 billion in domestic ticket sales to date.