Movie Review: Taika Waititi’s ‘Next Goal Wins’ Is a Sweet, Frothy Diversion but No Knee Slide

 This image released by Searchlight Pictures shows David Fane, left, and Michael Fassbender in a scene from "Next Goal Wins." (Searchlight Pictures via AP)
This image released by Searchlight Pictures shows David Fane, left, and Michael Fassbender in a scene from "Next Goal Wins." (Searchlight Pictures via AP)
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Movie Review: Taika Waititi’s ‘Next Goal Wins’ Is a Sweet, Frothy Diversion but No Knee Slide

 This image released by Searchlight Pictures shows David Fane, left, and Michael Fassbender in a scene from "Next Goal Wins." (Searchlight Pictures via AP)
This image released by Searchlight Pictures shows David Fane, left, and Michael Fassbender in a scene from "Next Goal Wins." (Searchlight Pictures via AP)

In "Next Goal Wins," a soccer coach comes from far away to lead a hapless group of athletes. He's a fish-out-of-water type, ill-suited for the job, but rises to the occasion and everyone feels good at the end. Wait, you're thinking, that's the plot of "Ted Lasso." Well, only kind of.

Writer-director Taika Waititi — the manic, slightly unhinged mind behind "Thor: Love and Thunder" and "Jojo Rabbit" — offers a sports movie that's not, of course, a sports movie and the opposite of whatever Jason Sudeikis was doing on his TV series.

"Next Goal Wins" — "inspired by true events" — stars Michael Fassbender as a bitter Dutch-American soccer coach assigned to help the struggling American Samoa national team qualify for the 2014 FIFA World Cup. The team is an international laughing stock and still stinging from having been on the wrong side of the worst loss in international soccer history — a 31-0 thrashing by Australia in 2001.

Waititi and co-writer Iain Morris based their movie on a 2014 British documentary of the same name and you can instantly tell why Waititi gravitated toward the story. It has a clash of civilizations, explores overcoming loss and it has a beautiful lesson about embracing those who are different.

In Waititi's hands, it becomes a sloppy, quirky, pop culture-studded frothy comedy that gently apes other underdog sports movies but doesn't offer much but a mildly funny respite from reality. It makes "Bend it like Beckham" seem really deep.

Waititi himself — he couldn't resist stepping into his own film — frames the movie in the first minutes by playing a priest on American Samoa who promises this will not be a tale of woe but "a tale of woah!" (Shakespeare isn't laughing).

Fassbender here is the opposite of Lasso — he's broken inside, angry outside, egotistical and unyielding, a coach fired from his last three teams and given a career lifeline no one else wants. He has no home-spun wisdom to offer, just routine high school bullying. "Something’s not right about that guy," says one islander. "Well," comes the response. "He is white."

The coach will eventually be redeemed by American Samoa itself, by the nobility of its people and the goodness of their souls, with the movie getting dangerously close to worn out movie cliche territory.

The script had an opportunity to really examine the demand of winning at all costs versus the rewards of merely having fun and having a passion for sports but abandons any lessons in a flurry of team-building montages.

This being a Waititi movie, there's a scattershot of pop culture references — "Karate Kid," "Taken," "The Matrix," "Any Given Sunday" and even Frank Sinatra ("You’re riding high in April, shot down in May"). At times, these seem more like the director's idiosyncrasies than plot advancers.

The script also takes a weird sort of glee mocking the islanders, who are portrayed sometimes as playing dress-up. One sits at a desk with a keyboard and a monitor but no computer and another makes siren noises with his mouth in a police car because of faulty equipment.

There are really nice turns by Oscar Kightley, Will Arnett and Elisabeth Moss, but it's Fassbender who must do the bulk of the lifting here. His accent is spotty and he may initially not have been on the top of everyone's list for the part but he sticks the landing, to mix sports metaphors. "Next Goal Wins" isn't a tale of "woe" or "woah!" but "meh."



Oscar Presenters Will Include Selena Gomez, Oprah Winfrey

An Oscar statue appears at the 91st Academy Awards Nominees Luncheon, Feb. 4, 2019, in Beverly Hills, Calif. (Photo by Danny Moloshok/Invision/AP, File)
An Oscar statue appears at the 91st Academy Awards Nominees Luncheon, Feb. 4, 2019, in Beverly Hills, Calif. (Photo by Danny Moloshok/Invision/AP, File)
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Oscar Presenters Will Include Selena Gomez, Oprah Winfrey

An Oscar statue appears at the 91st Academy Awards Nominees Luncheon, Feb. 4, 2019, in Beverly Hills, Calif. (Photo by Danny Moloshok/Invision/AP, File)
An Oscar statue appears at the 91st Academy Awards Nominees Luncheon, Feb. 4, 2019, in Beverly Hills, Calif. (Photo by Danny Moloshok/Invision/AP, File)

After devastating wildfires tore through Los Angeles, the 97th Academy Awards are going forward.

Like the Grammys and other awards shows this year, the ceremony will be transformed by the fires and the Academy of Motion Picture Arts and Sciences has pledged to help its members and the broader film community recover.

Here’s everything you need to know about this year’s show:

When are the Oscars? The Academy Awards will be held on Sunday, March 2, at the Dolby Theatre in Los Angeles. The show, to be broadcast live by ABC, is scheduled to begin at 7 p.m. Eastern/4 p.m. Pacific, The AP reported.

Are the Oscars streaming? For the first time, the Oscars will be streamed live on Hulu. You can also watch via Hulu Live TV, YouTubeTV, AT&T TV and FuboTV. With authentication from your provider, you can watch on ABC.com and the ABC app.

Who's hosting the Oscars? For the first time, Conan O’Brien is hosting the Academy Awards. O’Brien, the late-night host turned podcaster and occasional movie star, said upon the announcement: “America demanded it and now it’s happening: Taco Bell’s new Cheesy Chalupa Supreme. In other news, I’m hosting the Oscars.”

How have the wildfires altered the show? The wildfires that consumed large parts of Los Angeles in early January led some to call for the cancellation of the Academy Awards. The academy twice postponed the announcement of nominations but never pushed the March 2 date of the ceremony. Academy leaders have argued the show must go ahead, for their economic impact on Los Angeles and as a symbol of resilience.

Organizers have vowed this year’s awards will “celebrate the work that unites us as a global film community and acknowledge those who fought so bravely against the wildfires.”

Still, the fires have curtailed much of the usual frothiness of Hollywood's awards season. The film academy canceled its annual nominees luncheon.

For many involved in the Oscars, the fires have been felt acutely. O'Brien's Pacific Palisades home survived but his family has been unable to go back to it. O'Brien's assistant and podcast co-host Sona Movsesian lost her home.

“I know so many people who lost their homes and I’m just, was ridiculously lucky,” O’Brien told The Associated Press. “So we want to make sure that that show reflects what’s happening and that we put a light on the right people in the right way.”

Who's presenting at the Oscars? More stars were added to the presenter lineup Wednesday, including Selena Gomez, Oprah Winfrey, Joe Alwyn, Goldie Hawn, Ben Stiller, Ana de Armas, Sterling K. Brown, Willem Dafoe, Lily-Rose Depp and Connie Nielsen. They'll join the likes of Halle Berry, Penélope Cruz, Elle Fanning, Whoopi Goldberg, Scarlett Johansson, John Lithgow, Amy Poehler, June Squibb and Bowen Yang, as well as last year's acting winners — Emma Stone, Robert Downey Jr., Cillian Murphy, Da’Vine Joy Randolph — on the Oscar stage. Though the academy initially said it would bring back the “fab five” style of presenting the acting awards, with five previous winners per category, organizers have reportedly abandoned those plans for this year’s ceremony. Nick Offerman will also be participating as the Oscars announcer.

Will there be any performances? The academy has announced that, unlike previous years, the original song nominees will not be performed this time. That doesn't mean there won't be music, though. “Wicked,” one of the biggest box-office hits of 2024, could feasibly figure into the Oscar plans. (Its songs weren't eligible for best song since, hailing from the Broadway musical, they aren't original to the movie.)

What's nominated for best picture? The 10 nominees for best picture are: “Anora”; “The Brutalist”; “A Complete Unknown”; “Conclave”; “Dune: Part 2”; “Emilia Pérez”; “I’m Still Here”; “Nickel Boys”; “The Substance”; “Wicked”

How can I watch the Oscar-nominated films? Some of the nominees are still in theaters, but many of this year’s Oscar nominees are streaming on various platforms. The AP has this handy guide to help with Oscar cramming.

Who are the favorites? More than most years, that’s a tricky question, but a front-runner has emerged after “Anora” took the top awards at the Producers Guild and the Directors Guild over the weekend. The best picture race had been seen as unusually wide open, with “Anora,” “Conclave,” “The Brutalist,” “A Complete Unknown” and “Emilia Pérez” all having legitimate hopes of winning. In the acting categories, Demi Moore (“The Substance”) is favored for best actress, although Mikey Madison's BAFTA win for “Anora” makes it more of a race. Adrien Brody (“The Brutalist”) is most likely in best actor, Zoe Saldaña (“Emilia Pérez”) is the supporting actress front-runner and Kieran Culkin (“A Real Pain”) is the favorite for best supporting actor. None of those awards, however, is considered definite locks.

What's the deal with ‘Emilia Pérez’? Jacques Audiard’s “Emilia Pérez,” a narco-musical about a Mexican drug lord who undergoes gender affirming surgery, comes in with a leading 13 nominations. The film, at one point, seemed like Netflix’s best chance yet to land the streamer its first best picture win. Its star, Karla Sofía Gascón, made history by becoming the first openly trans actor nominated for an Oscar.

But no nominee has had a rockier post-nominations Oscar campaign. After old offensive tweets by Gascón were uncovered, the actress issued an apology. The fallout, though, has badly damaged a movie that was already a divisive contender, and led Netflix to radically refocus its flagging campaign.