‘Furiosa,’ ‘Garfield’ Lead Slowest Memorial Day Box Office in Decades

Movie theaters are looking more and more like a wasteland this summer. Neither “Furiosa: A Mad Max Saga” nor “The Garfield Movie” could save Memorial Day weekend, which is cruising towards a two-decade low.

“Furiosa,” the Mad Max prequel starring Anya Taylor-Joy and Chris Hemsworth, claimed the first place spot for the Friday-Saturday-Sunday weekend with $25.6 million, according to studio estimates on Sunday. Warner Bros. is waiting until Monday to release its four-day estimates.

“The Garfield Movie,” animated and family-friendly, was the other big new offering this weekend from Sony’s Columbia Pictures and Alcon Entertainment. It is claiming No. 1 for the four-day holiday weekend with an estimated $31.9 million in ticket sales through Memorial Day. Sony estimates its three-day earnings to be $24.8 million.

Aside from Memorial Day in 2020 when theaters were closed due to COVID-19, these are the lowest earning No. 1 movies in 29 years, since “Casper” earned $22.5 million (not adjusted for inflation) in its first four days in 1995. Big earners are more typical for the holiday weekend, which has had ten movies crack $100 million, led by “Top Gun: Maverick’s” record-setting $160 million launch in 2022.

Last year, the live-action “The Little Mermaid” joined the group with a $118 million debut. Audiences even turned out in greater numbers over the pandemic-addled weekend in 2021 for “A Quiet Place Part II,” which made over $57 million.

“Furiosa” was never expected to join the $100 million opener club, which Warner Bros. released on 3,804 screens in the US and Canada. But it was supposed to have a slightly stronger showing in the $40 million range over its first four days. That would have been more in line with its predecessor, “Mad Max: Fury Road,” which opened to $45.4 million in May 2015. “Fury Road,” starring Charlize Theron and Tom Hardy, went on to gross nearly $380 million worldwide.

This new origin story in which Taylor-Joy plays a younger version of Theron’s character had a lot of things going for it, too, including strong reviews out of the just-wrapped Cannes Film Festival (it has an 89% on Rotten Tomatoes) and a splashy international press tour with many buzzy premiere looks from Taylor-Joy. With a reported $168 million production budget, not accounting for marketing and promotion, “Furiosa” has a long road to profitability.

“The Garfield Movie,” meanwhile, was more modestly budgeted, at a reported $60 million. Chris Pratt voices the lasagna-loving, Monday-hating orange cat in the movie that got scathing reviews from critics (it has a 37% on Rotten Tomatoes). Audiences meanwhile gave both “Furiosa” and “The Garfield Movie” a B+ CinemaScore and 4.5 stars out of 5 on PostTrak.

In its second weekend, John Krasinski’s “IF” fell 53%, adding $16 million through Sunday and $20.7 million through Monday, bringing its domestic total to $63.3 million. Worldwide, it has surpassed $100 million. “Kingdom of the Planet of the Apes,” now in its third weekend, added $13.4 million through Sunday, bringing its global total to $294.8 million, making it the fourth-highest grossing film of the year.

Earlier this week, the industry trade The Hollywood Reporter asked “what happened to the $100 million opener?” Notably, 2023 has had none yet. The biggest of the year was “Dune: Part Two,” which opened to $82.5 million and went on to earn over $711 million worldwide.

The lack of a recent runaway hit just puts more pressure on the upcoming films to make up the slack. Still on the way are a slew of potential blockbusters like Paramount’s “A Quiet Place: Day One” (June 27), Universal’s “Despicable Me 4” (July 3) and “Twisters” (July 19) and two heavy-hitters from Disney: “Inside Out 2” (June 14) and “Deadpool & Wolverine” (July 26).

Disney takes London audiences back to Ancient Greece with its new musical "Hercules", bringing alive its 1997 animation on the West End stage.

Showing at composer Andrew Lloyd Webber's Theatre Royal Drury Lane, the show is inspired by the much-loved Disney film, itself based on the ancient myth.

It follows the titular character and son of Zeus who, upon losing his immortality as a baby due to the plotting Hades, god of the underworld, goes from zero to hero to stop his uncle from taking over.

“It's a myth that reflects contemporary culture and still honors the DNA of (the) animated movie," Robert Horn, who wrote the show's book with Kwame Kwei-Armah, told Reuters late on Tuesday at the musical's press night.

"It's its own new thing and yet fans of the movie will absolutely come and recognize it and love it.”

Central to the show are the five Muses, who sing their way through the story with energetic gospel-like tunes and plenty of costume changes, Reuters reported.

"I think I speak for all of us ... we have idolized these women. We have looked at these women and seen ourselves in times when we weren't really represented," actor Malinda Parris, who plays Calliope, said. "So being able to be that representation for other young girls ... who ... want to be The Muses ... it's living the dream."

The show differs from the movie in several ways, including Hercules' mentor, Phil, no longer being a satyr but a taverna owner.

“The main thing is that he still is there ... to love and support Hercules on his journey," actor Trevor Dion Nicholas said.

"It really is about building this bond between the two of them that kind of builds this paternal relationship that I think we were able to deepen more so than the animated film was."

"Hercules" is the latest Disney stage adaptation in London, showing in the same theatre where the hit show "Frozen" ran up until last year.

It features songs written by Oscar-winning composer Alan Menken and lyricist David Zippel from the animation, including "Go the Distance" and "Zero to Hero", as well as new tunes.

‘Furiosa,’ ‘Garfield’ Lead Slowest Memorial Day Box Office in Decades