Global Music Streams are Up in 2024

FILE - Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024. (Photo by Paul R. Giunta/Invision/AP, File)
FILE - Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024. (Photo by Paul R. Giunta/Invision/AP, File)
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Global Music Streams are Up in 2024

FILE - Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024. (Photo by Paul R. Giunta/Invision/AP, File)
FILE - Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024. (Photo by Paul R. Giunta/Invision/AP, File)

Halfway through the year, a few music trends have become apparent: Global music streams are up, Latin music has become the fastest growing streaming genre in the United States, and physical album variants — multiple releases of the same — are on the rise.

Going Global The global music industry surpassed 1 trillion streams at the fastest pace, ever, in a calendar year, Luminate’s 2024 Midyear Report has found. The number was reached 10 days faster than in 2023, according to The AP.

Global streams also increased 15.1% with 2.29 trillion on-demand audio streams, up from 1.99 trillion at this point last year.

The continued Latin music boom People everywhere are streaming more music, and in the US, Latin music has become the fastest growing streaming genre, up 15.1% from this time last year. Latin music streaming also leans the most current — 35% of all Latin streams in the US are for albums released in the last 18 months. Compare that to rock music, where 70.5% of streams in the US are from deep catalogs — releases that are 5 years old, or older.

There are no Latin artists featured in the top 10 albums or songs of the year to date, but Bad Bunny, Peso Pluma, Fuera Regida, Karol G, Rauw Alejandro, Aventura, Carín León are among the top 200 most streamed artists in the US for the first half of 2024.

Last year, Latin music was among the top three fastest growing genres in the US, says Jaime Marconette, Luminate’s vice president of music insights and industry relations. The 2024 figures illustrate a continuation in that trend.

“A huge part of that growth was driven by the continued rise of regional Mexican music, which is the largest Latin music subgenre so far this year with more than 13 billion US on-demand audio streams,” Marconette told The AP.

And while the Puerto Rican artist Bad Bunny remains “the biggest-streaming Latin music artist in the US,” he says the three other Latin artists who crossed over 100 million US. on-demand audio streams throughout the first half of 2024 are regional Mexican acts: Pluma, Fuerza Regida and Junior H.

Physical albums aren't going anywhere It's not just the streaming economy on the rise.

Physical variants of albums — multiple releases of the same album, sometimes containing different bonus tracks or featuring a different design — have steadily grown in popularity since 2020.

In 2024, physical album sales increased 3.8% in the US over this time last year, climbing to 24.7 million from 23.8 million, the data and analytics company found in its report.

But it’s not just any artist creating more physical variants of their releases. The artists who’ve had the top 10 bestselling albums so far this year have also had the highest average number of variants. That includes Taylor Swift, Billie Eilish and Beyoncé, as well as K-pop acts like Tomorrow x Together, Ateez and TWICE.

In 2024, the average number of variants for a top 10 bestselling album is 22: seven different vinyl releases, 13 CDs and two cassettes.

For albums in the top 101 - 500 rankings, there's only about five variants per release, and for 501 - 1,000, there's an average of four physical variants.

“We have seen a consistent trend in recent years where albums at the top of the charts employed more and more physical variants in their album release campaigns," says Marconette.

However, “there has also been criticism within the artist and fan communities regarding the environmental impacts of producing so many physical products,” he says, suggesting there is "a clear demand for recycled materials and other sustainability initiatives in this space.”



‘Malcolm in the Middle’ Returns After 20 Years with Questions of Legacy and Its Trademark Craziness

Christopher Masterson, Justin Berfield, Jane Kaczmarek, Bryan Cranston and Frankie Muniz attend Hulu's "Malcolm in The Middle: Life's Still Unfair" New York Premiere at DGA Theater on April 07, 2026 in New York City. (Getty Images/AFP)
Christopher Masterson, Justin Berfield, Jane Kaczmarek, Bryan Cranston and Frankie Muniz attend Hulu's "Malcolm in The Middle: Life's Still Unfair" New York Premiere at DGA Theater on April 07, 2026 in New York City. (Getty Images/AFP)
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‘Malcolm in the Middle’ Returns After 20 Years with Questions of Legacy and Its Trademark Craziness

Christopher Masterson, Justin Berfield, Jane Kaczmarek, Bryan Cranston and Frankie Muniz attend Hulu's "Malcolm in The Middle: Life's Still Unfair" New York Premiere at DGA Theater on April 07, 2026 in New York City. (Getty Images/AFP)
Christopher Masterson, Justin Berfield, Jane Kaczmarek, Bryan Cranston and Frankie Muniz attend Hulu's "Malcolm in The Middle: Life's Still Unfair" New York Premiere at DGA Theater on April 07, 2026 in New York City. (Getty Images/AFP)

A very grown-up Malcolm turns to the camera at the beginning of the new “Malcolm in the Middle” revival and, weirdly, has nothing to complain about.

“Yeah, I look different, but, hey, everything about me is different. I’m happy. I’m successful,” he says. “My life is fantastic now. You want to know how I did it? All I had to do is stay completely away from my family.”

That's going to be very hard to do in Hulu's four-part return to “Malcolm in the Middle: Life’s Still Unfair,” which reunites one of the zaniest and chaotic families ever on prime time. The episodes premiere Friday.

Twenty years after the last episode aired, we learn that Malcolm — a nervous, sputtering Frankie Muniz — is now a father of a teen and desperate to shield her from his dysfunctional parents and siblings.

“I cannot go back to the way I was before and I’m not going to risk you,” Malcolm tells her. “You have to think of it like they’re the full moon and we’re werewolves.”

How the revival came about

Original series creator Linwood Boomer and his co-producer-wife, Tracy Katsky Boomer, batted ideas on how to get the gang back together for years. Both weren't willing to make just anything for a “shameless cash grab.”

Linwood Boomer recalls a light bulb went on when his wife wondered what would it be like if Malcolm had a daughter who was exactly like him. “I was just like, ‘Oh my God, that kid would be miserable,’” he says.

In addition to Muniz, Bryan Cranston and Jane Kaczmarek are back as the barely-holding-it-together parents and Christopher Kennedy Masterson and Justin Berfield return as brothers Francis and Reese, respectively.

Newcomers include Keeley Karsten as Leah, Malcolm’s deeply empathic daughter, and Vaughan Murrae, Malcolm’s whip-smart youngest sibling, who we last saw as a baby. Caleb Ellsworth-Clark takes over the role of Dewey.

Director Ken Kwapis, one of the original directors of the show, was tapped to return and was impressed with how the old and new cast members handled the physical and emotional tasks.

“The original cast slipped back into their roles effortlessly. But equally important is they embraced the new members of the cast very quickly,” he says.

“There’s a performance level that some people have described as high octane. And so for the new members of the ensemble, they had to like, ‘OK, I’m going to step up and do it.’ And they all hit it out of the park.”

A comically accurate view of child-rearing

Malcolm may desperately want to keep his distance from his family, but the 40th wedding anniversary of his parents has a gravitational pull, putting everyone on a collision course, albeit a hysterical one.

“It’s hard to do a straight comedy right now because everything’s very serious in the world,” says Katsky Boomer. “It feels nice to just unleash good vibes so people can just take a breather.”

“Malcolm in the Middle: Life’s Still Unfair” joins a list of new and upcoming reboots and revivals from the late 1990s and early 2000s, including “Scrubs,” “King of the Hill,” “Prison Break,” “Baywatch” and “Phineas and Ferb.”

The Boomers credit Cranston for keeping the flame of a revival alive, staying in touch with the actors and crew. And he’s jumped back in boldly, despite becoming a huge star in the intervening years.

“Malcolm in the Middle” originally aired on Fox and ended its seven-season run in 2006. It won seven Emmy Awards — including one for best writing for a comedy series — and currently streams on Hulu and on Hulu on Disney+, where the revival will also live.

Linwood Boomer based “Malcolm” on his own nutty family, and it struck a chord, depicting childhood as a constant power struggle — with bigger kids, teachers, parents and siblings. There were squabbles with a ferocity rare on TV, and it was funny because it was so grounded in truth. It was TV’s most comically accurate view of child-rearing since “Roseanne.”

“There was a line in the pilot I would say to myself all the time — ‘I want a better family!’ — and it turns out most families aren’t any better,” says Boomer.

Parental legacy

For the revival, the tables are turned. This time it's about being a parent and the legacy that we extend to our children. Malcolm's daughter is struggling in life and school, but her father's genetic toolkit only has belligerence, impulsiveness and thickheadedness, passed on by his on-screen parents.

“So much trauma, unfortunately, is the result of good people literally trying their best,” says Katsky Boomer. “You can understand it as you grow old enough to appreciate that your parents are human beings.”

Kwapis says the revival is painfully — and also hilariously — looking at how sometimes years go by and we're often in the same groove when it comes to family dynamics.

“You get to explore new things, but you also get to the explore the idea that some things — for better or for worse — just can’t change,” he says.

As for any future revisiting of this family, the husband-and-wife “Malcolm” team are noncommittal. “There are no plans. It was a really lovely experience,” says Linwood Boomer. Might there be more? “I can’t say no, but I also can’t say yeah,” he says.


Source: Sony Pictures to Trim Workforce by a Few Hundreds in Strategic Reset

FILE - A Sony PlayStation 5 video game console is for sale in Fairfield, Connecticut, on December 5, 2023. (AP Photo/Ted Shaffrey, File)
FILE - A Sony PlayStation 5 video game console is for sale in Fairfield, Connecticut, on December 5, 2023. (AP Photo/Ted Shaffrey, File)
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Source: Sony Pictures to Trim Workforce by a Few Hundreds in Strategic Reset

FILE - A Sony PlayStation 5 video game console is for sale in Fairfield, Connecticut, on December 5, 2023. (AP Photo/Ted Shaffrey, File)
FILE - A Sony PlayStation 5 video game console is for sale in Fairfield, Connecticut, on December 5, 2023. (AP Photo/Ted Shaffrey, File)

Sony Pictures Entertainment is laying off a few hundred employees, a source familiar with the matter said on Tuesday, as the company restructures parts of its business to align with its long-term growth strategy.

The layoffs are not a cost-cutting exercise but are targeted and strategic, the source added, according to Reuters.

The job reductions come as Hollywood studios contend with shifting audience habits, mounting pressure on traditional television businesses and a reassessment ⁠of spending after ⁠years of heavy investment in streaming.

Unlike many rivals, Sony Pictures primarily licenses content to third-party streaming platforms, giving it flexibility to partner widely rather than rely on a single in-house service.

In a letter sent internally earlier on ⁠Tuesday, Sony Pictures Chief Executive Ravi Ahuja told employees the company was reducing roles in some areas while increasing focus and investment in others, describing the changes as necessary to operate with greater speed and alignment.

"These are difficult decisions," Ahuja said in the message, adding that affected employees would be supported through the transition.

Ahuja said Sony Pictures remains well positioned despite ⁠broader ⁠industry disruption, citing the strength of its independent film and television studios, which allow it to partner widely across platforms rather than rely on a single in-house streaming service.

Media companies have increasingly streamlined operations while prioritizing franchises, global intellectual property and more flexible distribution models.

Sony Pictures is a major Hollywood studio known for franchises such as Spider-Man, Jumanji and Ghostbusters, and television shows including The Boys and Jeopardy!


‘Outcome’ Film Captures Keanu Reeves’ Character at Center of Image Crisis

 (From L) Canadian actor Keanu Reeves, US actor Matt Bomer, US actress Cameron Diaz and US actor Jonah Hill attends the premiere of Apple TV's "Outcome" in New York, on April 6, 2026. (AFP)
(From L) Canadian actor Keanu Reeves, US actor Matt Bomer, US actress Cameron Diaz and US actor Jonah Hill attends the premiere of Apple TV's "Outcome" in New York, on April 6, 2026. (AFP)
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‘Outcome’ Film Captures Keanu Reeves’ Character at Center of Image Crisis

 (From L) Canadian actor Keanu Reeves, US actor Matt Bomer, US actress Cameron Diaz and US actor Jonah Hill attends the premiere of Apple TV's "Outcome" in New York, on April 6, 2026. (AFP)
(From L) Canadian actor Keanu Reeves, US actor Matt Bomer, US actress Cameron Diaz and US actor Jonah Hill attends the premiere of Apple TV's "Outcome" in New York, on April 6, 2026. (AFP)

In the dark comedy film “Outcome,” Keanu Reeves plays a Hollywood movie star whose carefully crafted public image begins to unravel when he is blackmailed with a mysterious video that threatens his career.

Reeves portrays Reef Hawk, a beloved film icon who turns to his closest circle - including lifelong friends Kyle and Xander, played by Cameron Diaz and Matt Bomer, and ‌his crisis ‌lawyer Ira, portrayed by Jonah Hill - ‌to ⁠contain the fallout. ⁠Hill also directed the film and co-wrote it with Ezra Woods.

As pressure mounts, Reef launches an unconventional apology tour, revisiting people he believes he may have wronged in hopes of uncovering the identity of the extorter.

Hill balances heightened ⁠comedy with moments of emotional reflection, using ‌the premise to ‌explore accountability and authenticity in an era defined by ‌public scrutiny. Reeves said working with Hill on ‌the Apple TV movie brought a distinctive energy to the set.

“Energy, vibrancy, creative yummy,” he described.

Diaz said the film probes what makes an apology ‌meaningful.

“It’s really about the person receiving it,” she said. “Whether it matters is ⁠relative ⁠to their experience."

For Bomer, the story’s focus on friendship resonated during production.

“It made me realize the value of deep friendships that transcend public perception,” he said, adding that the set encouraged creative freedom.

Laverne Cox, who appears as part of Reef’s crisis-management team, said the film poses pointed questions about accountability, highlighting a line delivered by Martin Scorsese in the trailer: “What are you sorry for?”

“Outcome” premieres globally on Apple TV on April 10.