Global Music Streams are Up in 2024

FILE - Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024. (Photo by Paul R. Giunta/Invision/AP, File)
FILE - Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024. (Photo by Paul R. Giunta/Invision/AP, File)
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Global Music Streams are Up in 2024

FILE - Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024. (Photo by Paul R. Giunta/Invision/AP, File)
FILE - Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024. (Photo by Paul R. Giunta/Invision/AP, File)

Halfway through the year, a few music trends have become apparent: Global music streams are up, Latin music has become the fastest growing streaming genre in the United States, and physical album variants — multiple releases of the same — are on the rise.

Going Global The global music industry surpassed 1 trillion streams at the fastest pace, ever, in a calendar year, Luminate’s 2024 Midyear Report has found. The number was reached 10 days faster than in 2023, according to The AP.

Global streams also increased 15.1% with 2.29 trillion on-demand audio streams, up from 1.99 trillion at this point last year.

The continued Latin music boom People everywhere are streaming more music, and in the US, Latin music has become the fastest growing streaming genre, up 15.1% from this time last year. Latin music streaming also leans the most current — 35% of all Latin streams in the US are for albums released in the last 18 months. Compare that to rock music, where 70.5% of streams in the US are from deep catalogs — releases that are 5 years old, or older.

There are no Latin artists featured in the top 10 albums or songs of the year to date, but Bad Bunny, Peso Pluma, Fuera Regida, Karol G, Rauw Alejandro, Aventura, Carín León are among the top 200 most streamed artists in the US for the first half of 2024.

Last year, Latin music was among the top three fastest growing genres in the US, says Jaime Marconette, Luminate’s vice president of music insights and industry relations. The 2024 figures illustrate a continuation in that trend.

“A huge part of that growth was driven by the continued rise of regional Mexican music, which is the largest Latin music subgenre so far this year with more than 13 billion US on-demand audio streams,” Marconette told The AP.

And while the Puerto Rican artist Bad Bunny remains “the biggest-streaming Latin music artist in the US,” he says the three other Latin artists who crossed over 100 million US. on-demand audio streams throughout the first half of 2024 are regional Mexican acts: Pluma, Fuerza Regida and Junior H.

Physical albums aren't going anywhere It's not just the streaming economy on the rise.

Physical variants of albums — multiple releases of the same album, sometimes containing different bonus tracks or featuring a different design — have steadily grown in popularity since 2020.

In 2024, physical album sales increased 3.8% in the US over this time last year, climbing to 24.7 million from 23.8 million, the data and analytics company found in its report.

But it’s not just any artist creating more physical variants of their releases. The artists who’ve had the top 10 bestselling albums so far this year have also had the highest average number of variants. That includes Taylor Swift, Billie Eilish and Beyoncé, as well as K-pop acts like Tomorrow x Together, Ateez and TWICE.

In 2024, the average number of variants for a top 10 bestselling album is 22: seven different vinyl releases, 13 CDs and two cassettes.

For albums in the top 101 - 500 rankings, there's only about five variants per release, and for 501 - 1,000, there's an average of four physical variants.

“We have seen a consistent trend in recent years where albums at the top of the charts employed more and more physical variants in their album release campaigns," says Marconette.

However, “there has also been criticism within the artist and fan communities regarding the environmental impacts of producing so many physical products,” he says, suggesting there is "a clear demand for recycled materials and other sustainability initiatives in this space.”



What Netflix’s Acquisition of Warner Bros. Means for the Movies

FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo
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What Netflix’s Acquisition of Warner Bros. Means for the Movies

FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo

Netflix’s deal to acquire Warner Bros., one of Hollywood’s oldest movie studios, poses seismic shifts to the entertainment industry and the future of moviegoing. 

As one of the remaining “big five” studios, the 102-year-old Warner Bros. is an essential part of movie theater business. 

The studio currently boasts three of the top five earning films domestically, including “A Minecraft Movie,” in first place, “Superman” and “Sinners,” as well as the Oscar frontrunner, “One Battle After Another.” 

There are more questions than answers about how ownership from a streaming giant would change things for Warner Bros. It’s not even clear if it will pass antitrust scrutiny, or, if it does, what the details will look like. 

Here are some things to know, and lingering questions, in the wake of the news. 

Will Warner Bros. continue releasing movies in theaters? Yes, but it might change as well. For starters, it’ll be at least 12 to 18 months before the deal officially goes through and moviegoers can expect essentially business as usual until then. Netflix co-CEO Ted Sarandos said Friday that they will “continue to support” a “life cycle that starts in the movie theater” for Warner Bros. movies. But he also commented that he doesn’t think that “long exclusive windows” are consumer friendly. 

With the rise of streaming, and especially in the pandemic era, studios experimented with different theatrical windows. For many years, a 90-day theatrical window was standard, but now it’s closer to 45 days and often a film-by-film decision. 

Netflix and movie theaters Netflix does release some films theatrically, but not usually more than a few weeks before they hit streaming. Sometimes that’s to qualify for awards eligibility, sometimes it’s a gesture to top filmmakers. This year those releases included Guillermo del Toro’s “Frankenstein,” Kathryn Bigelow’s “A House of Dynamite” and Noah Baumbach’s “Jay Kelly.” 

Major chains like AMC and Regal had refused to program Netflix releases until 2022, when enthusiasm for the “Knives Out” movie “Glass Onion” helped break the stalemate. 

Earlier this year, “KPop Demon Hunters” unofficially topped the box office charts, earning nearly $20 million from a one-weekend run in theaters two full months after it debuted on the streamer. 

Netflix also owns and operates several movie theaters, including the Paris Theater in New York and the Egyptian Theatre in Los Angeles. 

Upcoming Warner Bros. movies The studio has a diverse slate of films expected in 2026, with high profile titles including the Margot Robbie-led “Wuthering Heights” in February, “Supergirl” in June, “Practical Magic 2” in September, Alejandro Iñárritu’s untitled Tom Cruise movie in October and Denis Villeneuve’s “Dune: Part Three” in December. 

Movies planned for 2027 include sequels to “Superman,” “A Minecraft Movie” and “The Batman.” 

Earlier this year the company said its target was 12 to 14 releases annually across its four main labels, Warner Bros. Pictures, DC Studios, New Line Cinema and Warner Bros. animation. 

What does it mean for movie theaters? So much of this depends on the details, but Cinema United president and CEO Michael O’Leary said hours before the news broke that it posed “an unprecedented threat to the global exhibition business.” 

He added: “Regulators must look closely at the specifics of this proposed transaction and understand the negative impact it will have on consumers, exhibition and the entertainment industry.” 

Theatrical exhibition has not fully recovered since the pandemic. Before 2020, the annual domestic box office regularly surpassed $11 billion. Since then it has only surpassed $9 billion once, in 2023, driven largely by “Barbie,” a Warner Bros. release. 

How will top filmmakers react? It’s too early to tell, but Warner Bros. has always prided itself on being one of the premier homes for top filmmakers, this year releasing films from Paul Thomas Anderson, Ryan Coogler and James Gunn. Other longstanding relationships include Villeneuve, who has “Dune: Part Three” coming next year, Clint Eastwood and Todd Phillips. Much likely depends on whether robust theatrical releases will be honored — many of these filmmakers are vocal champions of the theatrical experience and may not stick around if it shifts. 

The studio’s controversial decision to release films simultaneously in theaters and on HBO Max in 2021 during the pandemic led to a rift with Christopher Nolan, who after making eight major films with the company, including the “Dark Knight” trilogy, partnered with Universal to make his next two films, “Oppenheimer” and next year’s “The Odyssey.” 

Will HBO Max and Netflix become one service? That’s also unclear. If the two platforms remain separate subscriptions, there may be “bundling” options, as with Disney and Hulu. Netflix on Friday said that the addition of HBO and HBO Max programming will give its members “even more high-quality titles from which to choose” and “optimize its plans for consumers.” 

The Warner Bros. library of films includes classics like “Casablanca” and “Citizen Kane” as well as the “Harry Potter” movies. 


‘Fallout’ Expands ‘Everything’ for Show’s Second Season 

Walton Goggins, left, and Justin Theroux pose for photographers upon arrival at the season two screening of the television series "Fallout" on Tuesday, Dec. 2, 2025, in London. (AP)
Walton Goggins, left, and Justin Theroux pose for photographers upon arrival at the season two screening of the television series "Fallout" on Tuesday, Dec. 2, 2025, in London. (AP)
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‘Fallout’ Expands ‘Everything’ for Show’s Second Season 

Walton Goggins, left, and Justin Theroux pose for photographers upon arrival at the season two screening of the television series "Fallout" on Tuesday, Dec. 2, 2025, in London. (AP)
Walton Goggins, left, and Justin Theroux pose for photographers upon arrival at the season two screening of the television series "Fallout" on Tuesday, Dec. 2, 2025, in London. (AP)

Hit television series "Fallout" ups the stakes as it returns to screens for a sophomore season, its stars and makers say.

"You can play it two ways," actor Walton Goggins said as he premiered the new season in London on Tuesday. "You can play it safe, rely on what happened in season one, or you can go for broke. And we went for broke."

Based on the popular video game franchise of the same name, the live-action series centers on three main characters; former vault dweller Lucy (Ella Purnell), Maximus, a member of the Brotherhood of Steel (Aaron Moten) and Cooper Howard/The Ghoul (Goggins), a former movie star and mutated bounty hunter.

The new season picks up where the season one left off, with Lucy looking for her father Hank (Kyle MacLachlan), and pairing up with The Ghoul on a post-apocalyptic adventure through the Mojave Desert to New Vegas.

The show's executive producer, Jonathan Nolan, said audiences could expect "more of everything." "More madness, more humor, more violence. We just try to outdo ourselves," he said.

The second season also shows a new side to Lucy as her optimistic attitude clashes with The Ghoul's nihilistic worldview on their way to Sin City, said Purnell.

"She's in the wasteland now and she has to survive. You can't always do that by being nice," Purnell said. "I don't want to spoil it, but we'll see what happens to that moral compass."

The new season introduces Justin Theroux in the role of Robert House, the ruler of the New Vegas strip, and a major character in the franchise.

"It's a bit intimidating," said Theroux. "The players of this game and the fans of the show are really sort of the shareholders, so you don't want to disappoint them. But I worked very hard to hopefully not do that."

Also joining the cast are actors Macaulay Culkin and Kumail Nanjiani, as well as a host of new creatures, brought to life by puppeteers.

The eight-episode second season of "Fallout" starts streaming on Prime Video on December 17, with a new episode released weekly.


Asterix in Germany: France’s Irrepressible Gaul to Conquer Neighbor

This photograph taken on June 2, 2021 shows a closed ride at the Asterix amusement park in Plailly, outskirts of Paris, one week before its reopening. (AFP)
This photograph taken on June 2, 2021 shows a closed ride at the Asterix amusement park in Plailly, outskirts of Paris, one week before its reopening. (AFP)
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Asterix in Germany: France’s Irrepressible Gaul to Conquer Neighbor

This photograph taken on June 2, 2021 shows a closed ride at the Asterix amusement park in Plailly, outskirts of Paris, one week before its reopening. (AFP)
This photograph taken on June 2, 2021 shows a closed ride at the Asterix amusement park in Plailly, outskirts of Paris, one week before its reopening. (AFP)

A theme park based on the beloved French comic strip series Asterix is to open in Germany, the first time the adventures of the pugnacious Gaul are to be the focus of an attraction outside France, its operator said on Tuesday.

An existing theme park called Belantis outside the east German city of Leipzig is to morph into an Asterix theme park by 2030-2031, operator Compagnie des Alpes said.

The new attraction will be a twin of the vast Parc Asterix outside Paris, one of France's premier tourist attractions which opened in 1989.

The change at the park in Germany will take place gradually, with the first area dedicated to Idefix -- the dog of Asterix's burly sidekick Obelix -- opening as early as March 2026, the French group said.

In terms of the numbers sold of Asterix comic books -- originally written and illustrated by the duo of Rene Goscinny and Albert Uderzo -- Germany is the second largest market, just behind France.

Compagnie des Alpes said that "this park has the potential to eventually welcome nearly 900,000 visitors per year".

The second most visited amusement park in France after Disneyland Paris, Parc Asterix welcomed 2.9 million visitors during the 2024-2025 season. It is currently ranked 8th most visited in Europe.

With the book franchise showing no sign of slowing after the deaths of Goscinny in 1977 and Uderzo in 2020, the latest Asterix cartoon adventure released in October was published in 19 languages and across 25 countries set in ancient Portugal.

"Asterix in Lusitania" was the 41st instalment in the legendary series, taking him to the far reaches of the Roman Empire, in an adventure now created by author Fabcaro and illustrator Didier Conrad.