‘Shoot Me up with a Big One’: A Timeline of the Last Days of Matthew Perry

 Actor Matthew Perry arrives at the 64th Primetime Emmy Awards in Los Angeles on Sept. 23, 2012. (Photo by Jordan Strauss/Invision/AP, File)
Actor Matthew Perry arrives at the 64th Primetime Emmy Awards in Los Angeles on Sept. 23, 2012. (Photo by Jordan Strauss/Invision/AP, File)
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‘Shoot Me up with a Big One’: A Timeline of the Last Days of Matthew Perry

 Actor Matthew Perry arrives at the 64th Primetime Emmy Awards in Los Angeles on Sept. 23, 2012. (Photo by Jordan Strauss/Invision/AP, File)
Actor Matthew Perry arrives at the 64th Primetime Emmy Awards in Los Angeles on Sept. 23, 2012. (Photo by Jordan Strauss/Invision/AP, File)

The arrest of five people in the overdose death of Matthew Perry has revealed key details about the final days of the “Friends” star, most of them spent in the throes of an addiction to the surgical anesthetic ketamine.

Perry would die at age 54 on Oct. 28 after telling his assistant to shoot him up “with a big one.” Drawn from unsealed federal court documents and a medical examiner’s investigation, here’s a chronological look at the end of Perry’s life.

The final month

September 30 — Perry and his live-in personal assistant, Kenneth Iwamasa, met at their home in the Pacific Palisades neighborhood of Los Angeles with Dr. Salvador Plasencia. Perry had been receiving ketamine treatments for depression — an increasingly common off-label use — from his regular doctor, but wasn’t able to get as much as he wanted. Plasencia texted a doctor friend in San Diego, Mark Chavez, who agreed to obtain ketamine for him.

“I wonder how much this moron will pay,” Plasencia texted Chavez. The two met up the same day in Costa Mesa, halfway between Los Angeles and San Diego and exchanged at least four vials of ketamine.

Plasencia returned to Perry’s house, where Iwamasa paid him $4,500 in cash for the vials. Plasencia gave Perry two injections of ketamine, and instructed Iwamasa on how to give the injections to the actor. Plasencia texted Chavez that the experience “felt like a bad movie.”

October 2 — Iwamasa texted Plasencia saying he wanted to buy not just injection sessions, but to be left with more vials of ketamine, referring to it in agreed-upon code as “dr pepper.” Plasencia appeared, gave Perry the injections, and left behind the vials of the anesthetic.

October 4 — Iwamasa injected Perry himself for the first time. He texted the doctor that he had found “the sweet spot” to put the needle into his boss, but that trying different spots on Perry had led to them running out, and they needed more. Plasencia texted Chavez asking if he could keep supplying the drug so they could become Perry’s “go-to.”

October 6 — Iwamasa told Plasencia they were running low, and needed more. Plasencia went to Perry’s house and sold him one or more vials.

October 8 — In a late night meetup at a Santa Monica shopping plaza, Plasencia sold Iwamasa four vials of ketamine for $6,000 in cash.

October 10 — Iwamasa drove Perry to a public parking lot in Long Beach, where they met up with the doctor. He sold them more ketamine, and gave an injection to Perry while the actor sat in a car. On the same day, Iwamasa sought even more of the drug from an additional source of ketamine, reaching out to Erik Fleming, an acquaintance of Perry.

October 11 — Fleming messaged Iwamasa that he can get ketamine from a woman he knows. “It’s unmarked but it’s amazing – he take one and try it and I have more if he likes,” Fleming wrote. The woman, Jasveen Sangha, was known to her customers as the “Ketamine Queen.” Fleming texted Iwamasa that she only deals “with high end and celebs. If it were not great stuff she’d lose her business.”

October 12 — Plasencia went to Perry’s house, where he was paid $21,000 in cash, some of it owed to him for previous ketamine buys. While there he injected Perry. The actor immediately froze up and his blood pressure spiked. The assistant said the doctor told him, “let’s not do that again.”

October 13 — Perry got a sample of Sangha’s ketamine and tried it. He and Iwamasa would ask for 25 vials of it, for which he would pay $5,500. Fleming dropped it off at Perry’s house a day later.

On or around Oct. 20 — Perry received his last legal ketamine treatment from his regular physician, according to what a woman close to him whose name was redacted in official documents told medical examiner’s investigators. The woman said his previous doctor had given him treatments every other day, but his new doctor said Perry was doing well, his depression was managed, and he no longer needed so many treatments. The woman would tell investigators that she had believed Perry had been sober for 19 months and there had been no relapse.

The final week

Around October 24 — Perry talked to the unidentified woman for the last time. She told investigators he had been in good spirits.

October 25 — Iwamasa asked Fleming for another 25 vials of ketamine. After picking up $6,000 from Perry, Fleming picked up the ketamine from Sangha, who told him her own source is known as “Master Chef.” Meanwhile, Iwamasa gave Perry at least six shots of ketamine.

October 26 — Iwamasa again gave Perry at least six shots of ketamine.

October 27 — The assistant again gave the actor at least six shots of ketamine. With the supply coming from Fleming and Sangha, Perry and Iwamasa had been out of touch with Plasencia for about two weeks. Plasencia would text Iwamasa saying he had more to offer: “I know you mentioned taking a break. I have been stocking up.”

The final day

About 8:30 a.m. — Acting at Perry’s direction, using syringes from Plasencia and ketamine from Sangha, Iwamasa gave Perry an injection.

About 11 a.m. — Perry played pickleball, according to what Iwamasa told medical examiner’s investigators later in the day, though many elements of that initial story changed in his later talks to prosecutors.

About 12:45 p.m. — Iwamasa gave Perry his second shot of the day, and the actor began watching a movie.

Shortly before 1:30 p.m. — Iwamasa gave Perry his third and final injection of the day while Perry sat at his backyard jacuzzi. “Shoot me up with a big one,” Iwamasa remembered Perry telling him. The assistant then left to run errands.

About 4 p.m. — Iwamasa returned home to find Perry face down in the jacuzzi. He jumped in, pulled Perry to the steps and called 911. Paramedics arrived minutes later and declared Perry dead. Coroner’s investigators would say ketamine was the primary cause of his death, with drowning a secondary cause.

The defendants now

Iwamasa has pleaded guilty to conspiracy to distribute Ketamine. Fleming has pleaded guilty to distributing ketamine resulting in death. Both are cooperating with prosecutors.

Chavez has agreed to plead guilty to conspiracy to distribute the drug. Plasencia and Sangha, the two main targets of the investigation, have pleaded not guilty to multiple felony counts.

Plasencia’s lawyer Stefan Sacks said Thursday that everything his client did was in Perry’s best medical interest. Sangha’s attorney declined comment.

Attorneys for the other three men did not respond to multiple messages seeking comment from The Associated Press.



Steven Spielberg on His Faith in Alien Life, the Future of the Movies and the Power of Empathy

 From left, Josh O'Connor, Colman Domingo, Steven Spielberg, Emily Blunt and Wyatt Russel pose upon arrival for the premiere of the film "Disclosure Day" at the Grand Rex in Paris, Tuesday, June 2, 2026. (AP)
From left, Josh O'Connor, Colman Domingo, Steven Spielberg, Emily Blunt and Wyatt Russel pose upon arrival for the premiere of the film "Disclosure Day" at the Grand Rex in Paris, Tuesday, June 2, 2026. (AP)
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Steven Spielberg on His Faith in Alien Life, the Future of the Movies and the Power of Empathy

 From left, Josh O'Connor, Colman Domingo, Steven Spielberg, Emily Blunt and Wyatt Russel pose upon arrival for the premiere of the film "Disclosure Day" at the Grand Rex in Paris, Tuesday, June 2, 2026. (AP)
From left, Josh O'Connor, Colman Domingo, Steven Spielberg, Emily Blunt and Wyatt Russel pose upon arrival for the premiere of the film "Disclosure Day" at the Grand Rex in Paris, Tuesday, June 2, 2026. (AP)

A moment early on in "Disclosure Day" will instinctively feel familiar to anyone who grew up with Steven Spielberg films. A TV weather report predicts hail. The camera pans downward, from television set to kitchen table. Plinking sounds begin. Cereal falls into a bowl.

"Those were Froot Loops," Spielberg says, smiling. "My favorite."

Spielberg’s latest, like some of his earliest and most beloved films, again concerns what might fall from above. "Disclosure Day," which Universal Pictures releases June 11, returns Hollywood’s preeminent big-screen craftsman to one of his most abiding questions: Are we alone?

Coming nearly half a century after "Close Encounters of the Third Kind,Disclosure Day" is a grand bookend for one of the most cosmically-minded moviemakers of our time, whose dreams of extraterrestrial life have shaped all of ours. It’s a distant answer to the final notes of "Close Encounters." But while Spielberg grants his 1977 film was "speculative,Disclosure Day," he insists, is the real deal.

"It’s my first film that will be considered science fiction that I do not consider to be science fiction," Spielberg said in a recent interview. "It’s much more reflective of the world as it is evolving and discoveries that are being made as we speak."

Spielberg, at 79, is trying to revive and reconsider the alien wonder that’s long lingered in his mind, from "E.T." to "War of the Worlds.Disclosure Day," Spielberg’s first summer movie in a decade, is already being hailed as one of his best in years. But this time, Spielberg is testing whether he can conjure some of his trademark movie magic less with imagination than with conviction.

"I’ve been a believer since I made ‘Close Encounters’ 50 years ago," Spielberg says. "But I would always say: Until I’ve seen a UAP or a UFO with my own eyes, I’m not going to categorically state that life from out there has come here.

"But I’ve changed that," he adds. "I’m now willing to change my mind because of the circumstantial evidence which is overwhelming."

Aliens again, but different

"Disclosure Day" stars Josh O’Connor as a cybersecurity whistleblower with government evidence, long suppressed, chronicling a history of alien encounters. Guiding him in his escape from a corporate executive (Colin Firth) trying to keep it all under wraps is the disclosure movement’s leader (Colman Domingo). Meanwhile, a meteorologist named Margaret Fairchild (Emily Blunt) begins having a mysterious epiphany.

When he first began thinking about the movie, Spielberg called up the screenwriter David Koepp, a longtime collaborator who wrote "Jurassic Park" and "War of the Worlds."

"I said, ‘Sure, what’s it about?’" recalls Koepp. "And he said, ‘Oh, you know, aliens again. But different this time.’"

Spielberg was coming off an unusually long break by his breakneck standards. His 2022 film "The Fabelmans" pulled from his own childhood, dramatizing his parents’ painful divorce and his own origins as a filmmaker. Spielberg’s first gut-wrenchingly autobiographical movie left him unsure of what was next.

"It was the hardest question I ever had to ask myself because there was such completion in resolving so many personal issues that I had never aired in public before ‘The Fabelmans,’" Spielberg says.

"I didn’t care whether people thought ‘The Fabelmans’ was just a tale, a yarn, or if they cared that it was all true. I didn’t care about that. It was something I did for myself. I always used to say it was $40 million of therapy that I didn’t have to pay for. Universal did," he says, laughing.

But Spielberg, having long followed reports of alleged alien encounters, was inspired by the 2023 House Subcommittee on National Security hearing on UAPs: Unidentified Anomalous Phenomena. Among the witnesses was whistleblower and former Air Force intelligence officer David Grusch, who testified that the government concealed a program investigating UAPs.

The Pentagon then denied it. Yet in April, President Donald Trump said the Pentagon is preparing to release some "very interesting" UFO files.

Those 2023 testimonies and others so fueled Spielberg that he produced a 50-page treatment on what would become "Disclosure Day." During the writing process with Koepp, he texted him more notes, he says, "than I’ve ever sent to anyone in my life."

"There was a period in there where I believe he re-read the script every single day for a year," Koepp says. "We’d be in different time zones and I would wake up to 30 or 35 texts from his most current reading of the script. When the leader of the project has that level of commitment, it tends to bring along everyone. You up your game."

Extraterrestrial empathy

Spielberg has long considered his filmography split in two, between the filmmaker who made "Jaws" and "E.T." and "Raiders of the Lost Ark," and the one who, after 1985’s "The Color Purple," was increasingly drawn to darker and more serious material with films like "Schindler’s List,Saving Private Ryan" and "Munich."

"Disclosure Day" is a kind of bridge between both modes of Spielberg — a thrilling chase movie filled with wonderment that’s nevertheless grounded in reality and recent history. And its most ardent message is quite earthbound. Blunt’s character’s clarity comes from looking people in the eye. As much as it’s about aliens, "Disclosure Day" is about empathy.

"I think every movie should have a great emphasis on empathy because empathy sometimes feels like it’s in short supply," Spielberg says. "We have it, sometimes we can’t use it. Sometimes it’s not allowed to be used if you want to stay aligned with your friends and your belief systems. But I think empathy is there for all of us."

"Disclosure Day" opens in a much different movie world than Spielberg's earlier alien adventures. It's one of a few big, original studio movies this summer — a moviegoing season that the "Jaws" filmmaker pioneered. But neither franchise domination, AI nor streaming make Spielberg fret for the future of movies.

"The audience gives me faith in the movies," says Spielberg. "Even though the numbers are still not pre-COVID level numbers for any films being released now, it’s more robust than it has been for many years. The audience gives me belief that people still want to congregate in a dark space in the company of strangers to share an experience of a film made by storytellers. And that gives me faith to continue making films."

Spielberg will turn 80 this December. Around the same age, Martin Scorsese began to frankly ponder how many movies he had left. Spielberg doesn’t think the same way.

"I never think about how many more I have," he says. "I’m just hopeful that I will be inspired when something comes along, as I was with ‘Disclosure Day,’ as I was with ‘Fabelmans,’ as I was with ‘West Side Story.’"

More inspiration is already on the way. Spielberg hopes that his next movie will be a Western. Despite his deep fondness for the genre and an indelible encounter with John Ford, it’s one genre that’s eluded him.

"I always feel like parts of the ‘Raiders’ adventure movies are like Westerns," he says. "Whenever Harrison (Ford) was on a horse, it made me wistful for wanting to direct a full Western, a real Western."

Margaret Fairchild in "Disclosure Day" has some echoes with another Spielberg protagonist: Richard Dreyfuss’ Roy Neary in "Close Encounters." Both are compelled by a strange force beyond their control. It’s a character type that Spielberg, a compulsive movie maker, grants he connects with. "Disclosure Day" is his 35th feature film.

"I identify with characters who aren’t afraid of mysterious things happening to them," Spielberg says, "and who are fighting for their survival by trying to discover what they don’t know."


Indie Horror Flicks ‘Obsession’ and ‘Backrooms’ Draw Gen Z to Cinema

 This image released by A24 shows Chiwetel Ejiofor in a scene from "Backrooms." (A24 via AP)
This image released by A24 shows Chiwetel Ejiofor in a scene from "Backrooms." (A24 via AP)
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Indie Horror Flicks ‘Obsession’ and ‘Backrooms’ Draw Gen Z to Cinema

 This image released by A24 shows Chiwetel Ejiofor in a scene from "Backrooms." (A24 via AP)
This image released by A24 shows Chiwetel Ejiofor in a scene from "Backrooms." (A24 via AP)

The multi-million-dollar openings of indie horror flicks "Obsession" and "Backrooms" have Hollywood buzzing about the 20-something YouTuber directors who are driving Generation Z audiences to the theater in droves.

The endless yellow hallways of A24's "Backrooms," directed by 20-year-old Kane Parsons, terrified tens of thousands of people in its opening weekend to rack up $118 million at the box office.

And Focus Features film "Obsession," directed by 26-year-old Curry Barker, has taken in $148 million worldwide in two weeks -- a smash hit for a production that cost $750,000.

"It's a huge, huge success and a real turning point for the industry, potentially," said associate editor Matthew Frank of The Ankler, a digital media company that covers Hollywood.

"They're breaking out with these films that are appealing to a younger demographic," Frank said, adding that the vast majority of ticket buyers the past couple weekends "have been under 35 and even, you know, under 25. So it's appealing to this demographic (that) normally doesn't really get spoken to."

In recent years multiplexes have faced a multi-fold decline, fueled by the rise of streaming, a lag in recovery in ticket sales since Covid, and the strikes that halted production in Hollywood in 2023.

But this year's numbers are drumming up optimism for the best year since the pandemic.

This is thanks in part to Generation Z, which boosted the box office by 25 percent last year, according to a report from the National Research Group.

Theater owners are "ecstatic about these weekends," said Ronnie Yount, owner of the Phoenix Theaters chain in the midwest.

Yount compared both films to "Lilo & Stitch" for driving box office -- which seemed unthinkable.

- Franchise fails -

The trick to tapping into the younger market is to "deliver the right films," Frank said.

"Hollywood's problem, for a while, was saying, 'oh, it's young people,' when in fact it was because they were making the 10th (installment in) pre-existing franchises that were popular for their parents."

The safe bets from studios that hoped to cash in on an endless slate of summer action hero movies turned off younger audiences.

"When you make something that's for that audience, that's when they'll come out," Frank said.

Parsons, who is known to his 3.2 million subscribers as Kane Pixels on YouTube, has racked up more than 300 million views.

The inspiration for "Backrooms" came from a photo posted to an internet forum in 2019 showing, without context, a yellow space.

Parsons, then a teenager, told AFP that he saw the image as a "vaguely nostalgic and vaguely dreamlike but also very tangible science-fiction concept."

His YouTube video of a young man lost in terrifying corridors amassed millions of views in a matter of days, and led to a contract with A24.

His endless nightmare is now on the big screen, starring Oscar-nominated actors Chiwetel Ejiofor and Renate Reinsve.

Barker went from an audience of 1.1 million subscribers on his channel "That's a Bad Idea" to premiering "Obsession" at the Toronto International Film Festival in 2025.

The movie follows the horrifying consequences after a young man's wish comes true, and the target of his romantic attention begins to love him more than anything else in the world.

Frank said very production company and studio in Hollywood right now is asking: "How can we replicate this?"

"Not just because they're huge successes, but they're also made for these limited budgets."

But he warned it's not just about finding successful YouTubers.

"It still requires just finding the great filmmakers, which can come anywhere."


Jason Momoa Says Having Best Year of His Career

Jason Momoa. (Getty Images)
Jason Momoa. (Getty Images)
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Jason Momoa Says Having Best Year of His Career

Jason Momoa. (Getty Images)
Jason Momoa. (Getty Images)

With several films yet to be released, and riding his success from the global hit "A Minecraft Movie," Hawaiian actor Jason Momoa says he is living a unique moment.

"It's probably my biggest year of my career," Momoa, 46, told AFP in an interview.

The actor said he's enjoying playing a range of roles, including Lobo, the intergalactic bounty hunter in the upcoming "Supergirl" film, which he described as "a childhood dream."

The star also appears in the film adaptation of "Street Fighter" and in the "Dune" trilogy, whose final installment hits theaters in December.

Momoa, who rose to fame thanks to "Game of Thrones," had the opportunity to work with Julian Schnabel, whom he described as his favorite director, in "In the Hand of Dante," which premieres this month on Netflix.

The actor is feeling like he's on a roll after playing a comedic role in last year's box office hit, "A Minecraft Movie," which he starred in with Jack Black.

"Minecraft really was huge, you know?" he said. "We didn't see that coming."

"I always wanted to do comedy. I mean, I've always done action my whole life," where playing superheroes felt "inevitable." But he enjoyed the opportunity to "make people laugh."

The actor said that comedic roles like those in "The LEGO Movie 2: The Second Part," in which he voices a parody of Aquaman, a character he has portrayed in several productions, also allowed him to connect with a very special audience: his family.

"It was an epic moment because my kids got to see me do the looping (voiceover)," he said. While they don't seem to care much about his other roles, "when I'm involved with Lego, I'm an all-star."

The actor reconnected with the famous brick brand by debuting this Monday as "the Playmaster," the central figure in Lego's "Never Stop Playing" campaign to encourage families to dedicate more time to playing with their children, as social media and screens gain ground.

"I grew up with Lego. My children grew up with Lego," said Momoa, who sees the colorful pieces and their infinite possibilities as a tool for developing creativity and imagination.

"It's something that makes my heart smile," he said.

The unique role came with a bonus: "Being chosen by Lego to have your own little action figures... for them to make that was pretty special."