Actors and Fans Celebrate the ‘Miami Vice’ Television Series’ 40th Anniversary in Miami Beach

Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
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Actors and Fans Celebrate the ‘Miami Vice’ Television Series’ 40th Anniversary in Miami Beach

Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)

Miami Beach residents and visitors can feel it coming in the air tonight — and the rest of the weekend — as “Miami Vice” cast and crew gather to celebrate the iconic television series’ 40th anniversary.

The show premiered on NBC on Sept. 16, 1984, and ran for five seasons. The “cocaine cowboy”-era crime drama, featuring Don Johnson and Philip Michael Thomas as undercover cops, was revolutionary in its use of pop culture, style and music and spawned a film reboot in 2006. And by filming the show primarily in South Florida, the series helped transform the image of Miami and Miami Beach in a way that would reverberate for decades.

Former cast members, including Edward James Olmos and Michael Madsen, met with fans Friday at the Royal Palm South Beach and were set to return Saturday. Also attending were Saundra Santiago, Olivia Brown, Bruce McGill, Joaquim De Almeida, Bill Smitrovich, Pepe Serna and Ismael East Carlo.

“It was not ‘Hill Street Blues.’ It was not ‘Police Story,’” Olmos said on Friday. “It was way different in artistic endeavor on all levels. The creativity, as far as music, writing, production value. The production value was so overwhelming. We spared nothing. I mean, these people were serious, and they spent a lot of time and money for each episode, and it shows.”

Olmos said that the show had a profound effect on introducing Miami to the world and creating an idealized version of South Beach that would later become a reality.

“When we were here, when we started the show in 1984, there was no South Beach,” Olmos said. “There was a South Beach, but it was dilapidated. The buildings were all literally falling into disrepair.”

Years before serious restoration efforts would transform South Beach into a center of fashion, music and tourism, Olmos said productions crews were painting the exteriors of the neighborhood’s historic Art Deco buildings themselves to make them look good on camera.

“We would paint the facades and put out tables, and we did what now became the reality of South Beach,” Olmos said.

While most television production was still being done in Los Angeles or New York in the 1980s, Olmos doubts the show would have been as successful if they had tried to fake South Florida in California.

“They could have never shot this anywhere else in the world,” Olmos said. “Look at the show from the very first episode, and as it went on, the beauty of Miami is unprecedented.”

Premiering just a few years after the launch of MTV, “Miami Vice” embraced contemporary style and music. Besides Jan Hammer’s original scoring, the producers regularly included songs from popular artists like Glenn Frey, Don Henley, Dire Straits and Foreigner.

Fred Lyle, an associate producer and music coordinator for “Miami Vice,” said the importance of music was evident from the first episode, as “In the Air Tonight” by Phil Collins plays while Johnson and Thomas cruise the streets of Miami in their Ferrari convertible.

“And that’s when ‘Miami Vice’ became different musically than anything else,” Lyle said. “Music was going over this scene, that scene. One song was helping to stitch the fabric of the narrative together.”

Aside from the show’s style, the stories and characters also had substance. Veteran television actor Bruce McGill has played countless cops, coaches and other authority figures over several decades, but he said his guest role as a burnt-out former detective in the second season of “Miami Vice” stands out compared to the straight-laced characters that comprise most of his career.

“It was a very good part that they allowed me to make better, to enhance, to ham it up a little,” McGill said. “And it was very satisfying.”

“Miami Vice” fan Matt Lechliter, 39, traveled all the way to Miami Beach from Oxnard, California, to celebrate the show’s anniversary.

“I wasn’t alive when it premiered, but it’s a part of me,” Lechliter said.

Lechliter said he remembers watching the later seasons and reruns with his parents as a child but really became a fan when he rediscovered the show about five years ago.

“I binge-watched it,” Lechliter said. “I was like, ‘Wow, this really is amazing.’ When I heard about this event, I said, ‘I’ve gotta go.’”

The anniversary celebration will continue through the weekend with career discussions, as well as bus and walking tours of filming locations.

The Miami Vice Museum is open to the public from Friday to Sunday, featuring a wide range of items never before displayed together since the show’s conclusion in 1989. The exhibit is being hosted at the Wilzig Erotic Art Museum.

And to kick off the celebration on Thursday, Miami Beach Mayor Steven Meiner met with cast and crew at the Avalon Hotel in South Beach to present a proclamation declaring Sept. 16, 2024, as “Miami Vice Day.”



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”