Bollywood’s ‘King Khan’ Steals Show at Indian Film Awards

Shah Rukh Khan at the International Indian Film Academy Awards 2024. (IIFA/Instagram)
Shah Rukh Khan at the International Indian Film Academy Awards 2024. (IIFA/Instagram)
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Bollywood’s ‘King Khan’ Steals Show at Indian Film Awards

Shah Rukh Khan at the International Indian Film Academy Awards 2024. (IIFA/Instagram)
Shah Rukh Khan at the International Indian Film Academy Awards 2024. (IIFA/Instagram)

Bollywood icon Shah Rukh Khan declared "it's good to be back" as he won best actor at the International Indian Film Academy Awards on Saturday after a long absence from the limelight.

The 58-year-old stole the show as event co-host before walking off with the coveted prize for his role in the action thriller "Jawan", capping a five-hour show in Abu Dhabi.

"I just want to tell you it's good to be back," he told a packed crowd in the capital of the United Arab Emirates, which has a large Indian population.

"I love awards, I'm greedy about awards... I think I have a little happiness from the audience this year because I worked (again) after a long time," he added.

Sandeep Reddy Vanga's "Animal" won best picture among six awards including best supporting actor for Anil Kapoor, another stalwart of the Hindi film industry.

Rani Mukerji was named best actress for the child-custody drama "Mrs. Chatterjee vs Norway" and Vidhu Vinod Chopra won best director for "12th Fail".

In a rambling event that finished at 2:30 am, Khan's comedy skits with fellow actor Vicky Kaushal were interspersed with hip-thrusting dance numbers and frequent commercial endorsements.

Shahid Kapoor rode up to the stage on a motorbike and after "King Khan" appeared, to blasts of fireworks and with a huge crown superimposed above his head, there were constant ad-lib tributes to the star.

Before releasing "Jawan" and "Pathaan" last year, Khan had not played any starring roles for five years.

His return comes as Mumbai-based Bollywood, for decades India's dominant film business and a major cultural export, faces challenges including competition from elsewhere in the vast, culturally diverse country.

As non-Hindi productions grow in popularity, Bollywood has also been outshone by independent films such as director Payal Kapadia's "All We Imagine as Light", which won the coveted Grand Prix award at Cannes in May.

Bollywood's cinema-based business model is also grappling with the rise in streaming services such as Netflix, whose Indian content includes eight films and 14 series.

Elara Capital, an Indian investment and advisory firm, estimates that box office takings were down up to 35 percent in the first half of 2024 compared to the same period last year.

However, 2023 was particularly strong as Bollywood bounced back after Covid with a strong slate of films, compared to a much weaker content pipeline this year.

Abu Dhabi was playing host for the third straight edition of the globe-trotting event, which started in 2000 and has only taken place once in India.



Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
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Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)

Meghann Fahy and Eve Hewson, two of the stars of Netflix's whodunit “The Perfect Couple,” have news for you if you want to call them breakouts: They've been working in this business for more than a decade.
Fahy made her TV debut in 2009 in an episode of “Gossip Girl.” Hewson's first big film role was in 2011's “This Must Be the Place.” They do concede, however, that it's recent TV roles — “The White Lotus” for Fahy and “Bad Sisters” for Hewson — that have led to new frontiers of opportunity, The Associated Press said.
Susanne Bier, who directed “The Perfect Couple,” says both Fahy and Hewson are “going to be big stars.”
“They certainly have proper, profound star quality, Both of them in very different ways,” Bier says. “Both are incredibly creative, incredibly smart, and also have a impressive insight as to who they are. You can be a great actor or actress and not necessarily really know who you are yourself. And they do.”
Hewson, 33, whose dad is U2 front man Bono, may have grown up in a famous family but she's now in demand in her own right. She will next be seen in a second season of “Bad Sisters, ” out in November. She's in Noah Baumbach's next film, alongside Adam Sandler, George Clooney and Riley Keough. She's also been cast in Steven Spielberg's next production and is set to star opposite Murray Bartlett in a racing series for Hulu.
Fahy, 34, is in production on a limited series with Julianne Moore and Milly Alcock called “Sirens,” written by Molly Smith Metzler (“Maid”) for Netflix. She also has two films in the can with Josh O'Connor (“The Crown,” “Challengers”) and Brandon Sklenar (“It Ends With Us”).
The two actors spoke candidly with The Associated Press about this phase of their careers. This interview has been condensed for clarity and brevity.
AP: You've both had popular, zeitgeisty TV shows in recent years. TV fans are particularly passionate. Have you experienced any interesting interactions with fans? HEWSON: It’s actually really fun to experience because even when we were in Cape Cod shooting “The Perfect Couple,” I would go to the local shop to get my groceries and little old ladies would follow me down the aisle and be like, “Excuse me. Are you that girl from that ‘Sisters’ show?” Who knew that they were watching it? It doesn’t change my life, so it doesn’t bother me, but when someone comes up to me and says that they love the show, especially when it’s someone unexpected, I’m like, “Oh, cool.”
FAHY: It’s not happening so much to me that it feels like a huge imposition or anything. I feel like I’ve been really lucky. A lot of the people that I’ve met who have been a fan of “The White Lotus,” or whatever, they’re really sweet people. And, I think, part of why we do this is because we want to tell stories that people can connect to and play out scenarios for themselves. So I think it’s always really nice.
AP: What's it like to now be a part of conversations about whom to watch? FAHY: Part of it feels really nice because you work really, really, really hard for a really long time — maybe that’s not how it happens for a lot of people — but I feel like we’ve both been doing this for a minute. So, of course, it feels really good. but I try not to like dwell on any of it. I try to acknowledge it and be like, “Oh, that’s so nice.” And then just kind of keep going.
HEWSON: You hear so many stories of people who were like, “I walked into my first audition and I just became a star.” Or, there’s this element of being an actor where people don’t want to tell you how hard they work. They want it to look like it’s really easy. But we've been doing this for a long time. People just don’t really tell those stories. It's usually about the one that was found on the street.
FAHY: Yeah. You took 15 years to become an overnight success.
AP: Do you notice you're now treated differently by people in the industry? FAHY: Yeah, but I always think that nobody ever knows who I am. It’s always very embarrassing. I embarrass myself in those moments. I don’t always feel like I fit in those rooms.
HEWSON: What’s nice is, I’ve spent so long going into a room and people just being like, “OK,” and act like they’re just not getting it. I know at least like I have work that people understand, what I’m doing a little bit more so they get me as an actor.
FAHY: It’s like a different level of respect.