At Sundance, the Hottest Ticket in Town Was a Rose Byrne and Conan O’Brien Psychological Thriller 

Rose Byrne attends the premiere of "If I Had Legs I'd Kick You" during the Sundance Film Festival on Friday, Jan. 24, 2025, at Library Theatre in Park City, Utah. (AP)
Rose Byrne attends the premiere of "If I Had Legs I'd Kick You" during the Sundance Film Festival on Friday, Jan. 24, 2025, at Library Theatre in Park City, Utah. (AP)
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At Sundance, the Hottest Ticket in Town Was a Rose Byrne and Conan O’Brien Psychological Thriller 

Rose Byrne attends the premiere of "If I Had Legs I'd Kick You" during the Sundance Film Festival on Friday, Jan. 24, 2025, at Library Theatre in Park City, Utah. (AP)
Rose Byrne attends the premiere of "If I Had Legs I'd Kick You" during the Sundance Film Festival on Friday, Jan. 24, 2025, at Library Theatre in Park City, Utah. (AP)

Rose Byrne plays a mother in the midst of a breakdown in the experiential psychological thriller “If I Had Legs I’d Kick You.”

Anticipation was high for the A24 film, which will be released sometime this year. Its premiere Friday at the Sundance Film Festival was easily the hottest ticket in town, with even ticketholders unable to get in. Those who did make it into the Library theater were treated to an intense, visceral, inventive story from filmmaker Mary Bronstein that has quickly become one of the festival’s must-sees.

Byrne plays Linda, who is barely hanging on while managing her daughter’s mysterious illness. She’s faced with crisis after crisis, big and small — from the massive, gaping hole in their apartment ceiling that forces them to move to a dingy motel, to an escalating showdown with a parking attendant at a care center. The cracks in her psychological, emotional and physical wellbeing have become too much to bear.

“I’d never seen a movie before where a mother is going through a crisis with a child but our energy is not with the child’s struggle, it’s with the mother’s,” Bronstein said at the premiere. “If you’re a caretaker, you shouldn’t be bothering with yourself at all. It should all be about the person you’re taking care of, right? And that is a particular kind of emotional burnout state that I was really interested in exploring.”

Byrne and Bronstein went deep in the preparation phase, having long discussions about Linda with the goal of making her as real as possible before the quick, 27-day shoot. Byrne said she was obsessed with figuring out who Linda was before the crisis. The film was in part inspired by Bronstein’s experience with her own daughter, but she didn’t want to elaborate on the specifics.

“That’s her story to tell,” Bronstein said.

Part of Linda’s story involves her therapist, played by Conan O’Brien, who joked that he didn’t realize he was in a movie.

“I’m not looking out for movie scripts or anything. But when I got a call from A24 that they wanted me to read something, I’m not stupid,” O’Brien said. “I showed it to my wife, who is one of the smartest people I know, and she read through it and she said, ‘I didn’t know they made movies like this anymore.’”

He was particularly in awe of his director and co-star, saying he felt like a fraud standing beside them.

“It was an amazing experience, one of the best experiences of my life, just to be with them and watch them work,” O’Brien said. “I don’t know how (Byrne) did that and not check into a hospital afterwards, because I haven’t seen any actor, man or woman, sustain that level for an entire movie.”

“I feel like I have to go to a hospital now, because this was the first time I watched it,” he added. “I’m a mess.”

A$AP Rocky also co-stars, as a man Linda meets at the motel, but was not in Park City for the premiere. He is currently on trial, charged with firing a gun at a former friend.

The film is full of ambiguity, metaphor and just plain artistic expression that Bronstein hesitated to explain, from the name itself to the hole in the ceiling, which takes on a somewhat supernatural quality.

“When we have nothing left to give, we have an emptiness inside of us,” Bronstein said. “And that emptiness is actually not empty: It’s filled with all the darkness and self-hate and doubt and fear and dread and regret and everything. ... That to me is what the hole is.”

Some of it, she said, she doesn’t even fully understand. The point is the experience, and critics and Sundance audiences are already fully on board.

Bronstein, a bit of a cult figure in the film world, made her directorial debut in 2008 at the SXSW festival with “Yeast,” which featured a pre-fame Greta Gerwig and was hailed by New Yorker critic Richard Brody as a “mumblecore classic.”

“If I Had Legs I’d Kick You” is only her second feature.

“This is the first time that anybody else has paid for me to make art,” Bronstein said. “I’m proud to say that this is the film that came directly from my head to the screen.”



Death of South Korean Actor at 24 Sparks Discussion About Social Media and Internet Culture 

South Korean actor Kim Sae-ron arrives at the Seoul Central District Court in Seoul, South Korea, Wednesday, April 5, 2023. (Yonhap via AP)
South Korean actor Kim Sae-ron arrives at the Seoul Central District Court in Seoul, South Korea, Wednesday, April 5, 2023. (Yonhap via AP)
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Death of South Korean Actor at 24 Sparks Discussion About Social Media and Internet Culture 

South Korean actor Kim Sae-ron arrives at the Seoul Central District Court in Seoul, South Korea, Wednesday, April 5, 2023. (Yonhap via AP)
South Korean actor Kim Sae-ron arrives at the Seoul Central District Court in Seoul, South Korea, Wednesday, April 5, 2023. (Yonhap via AP)

South Korean actor Kim Sae-ron’s death this week has triggered an outpouring of grief and calls for changes to the way the country’s celebrities are treated in the public arena and on social media, which critics say can foster a culture of harassment.

The 24-year-old, who began her career as a child actor and earned acclaim for her roles in several domestic films, including the 2010 crime noir “The Man from Nowhere,” was found dead by a friend at her home in the country’s capital, Seoul, on Sunday. The National Police Agency has said that officers are not suspecting foul play and that Kim left no note.

Once among the brightest stars on South Korea’s vibrant movie and television scene, Kim struggled to find work after a 2022 drunk driving incident, for which she was later fined in court.

Online posts in South Korea are notoriously harsh toward celebrities who make missteps, especially women, and Kim faced constant negative coverage from news organizations that capitalized on public sentiment.

Newspapers and websites criticized her whenever she was seen partying with friends, or when she complained about her lack of work and nasty comments on social media. She was even criticized for smiling while filming an independent movie last year.

Following Kim’s death, several of the country’s major newspapers on Tuesday published editorials and opinion pieces lambasting the toxic online comments about the actor. Some invoked the 2019 deaths of K-Pop singers Seol-li and Goo Hara and the 2023 death of “Squid Games” actor Lee Sun-kyun while calling for a change in the “harsh, zero-tolerance” culture toward celebrities.

The Hankook Ilbo newspaper said the country's media outlets were part of the problem, lamenting that some outlets continued to exploit Kim for clicks even after her death, using provocative headlines that highlighted her past struggles.

The watchdog Citizens’ Coalition for Democratic Media on Tuesday criticized news organizations for blaming social media without considering their own “sensational and provocative reporting.”

Born in 2000, Kim began her acting career at age 9, with the 2009 film “A Brand New Life,” portraying a girl’s struggles to adjust to a new life after being left at an orphanage by her father. She rose to stardom with “The Man from Nowhere,” which was one of the biggest hits in the South Korean movie scene that year and won her a domestic acting award.

She starred in various movies and TV shows before the 2022 drunk driving incident.

Gold Medalist, Kim's former management agency, did not immediately answer calls for comment.