Hollywood Lands a Much-Needed Box Office Hit with ‘A Minecraft Movie’

 Jack Black poses for photographers with a model wolf character from the film, upon arrival at the World premiere of "A Minecraft Movie" on Sunday, March 30, 2025, in London. (AP)
Jack Black poses for photographers with a model wolf character from the film, upon arrival at the World premiere of "A Minecraft Movie" on Sunday, March 30, 2025, in London. (AP)
TT

Hollywood Lands a Much-Needed Box Office Hit with ‘A Minecraft Movie’

 Jack Black poses for photographers with a model wolf character from the film, upon arrival at the World premiere of "A Minecraft Movie" on Sunday, March 30, 2025, in London. (AP)
Jack Black poses for photographers with a model wolf character from the film, upon arrival at the World premiere of "A Minecraft Movie" on Sunday, March 30, 2025, in London. (AP)

Hollywood needed “A Minecraft Movie” to be a hit, and it delivered in its opening weekend, significantly narrowing this year's box office deficit.

No one guessed just how big it would be. In its first few days in theaters, the movie earned a staggering $157 million in ticket sales from theaters in the US and Canada, according to studio estimates Sunday. Internationally, it’s looking at an additional $144 million for a global debut of $301 million. And with school spring breaks ongoing, “A Minecraft Movie” is just getting started.

“We're just thrilled that audiences are responding and that everyone's going to the theater,” said Pamela Abdy, the co-chair and CEO of the Warner Bros. Motion Picture Group.

Not only is it the biggest opening of 2025, “A Minecraft Movie” also broke the record for a video game adaptation, a distinction previously held by “The Super Mario Bros. Movie” ($146 million). Going into the weekend, analysts projected “Minecraft” might hit $80 million. Instead, it nearly doubled that figure.

“You can’t underestimate the value of earnest, entertaining, joyous cinema,” said Michael DeLuca, also co-chair and CEO. “People really want an escape, especially when it involves the whole family.”

Nothing is guaranteed in the movie business, but an offering based on the best-selling video game of all time makes for a good start. It hardly mattered that the block-based game doesn’t exactly have a narrative. Many of its 200 million active monthly players turned out in droves anyway.

DeLuca said it’s one of the “broadest playing movies” they’ve ever seen, meaning it’s working in all sizes of cinemas all over the world.

The PG-rated movie, directed by Jared Hess (“Napoleon Dynamite”), was a co-production of Legendary Entertainment and Warner Bros. It cost a reported $150 million to make, not including marketing and promotion expenses. Jack Black and Jason Momoa lead the ensemble cast (Danielle Brooks, Emma Myers and Sebastian Eugene Hansen). Their characters are transported into an imaginative dimension called the Overworld and need to go on a dangerous, and immensely silly, adventure to get home.

“We made the movie for the fans and the fans exceeded our expectations,” DeLuca said.

Critics were largely mixed on “A Minecraft Movie,” but audiences gave it a more promising B+ CinemaScore and 4/5 stars in PostTrak exit polls. Men made up around 62% of the audience, and 64% were under the age of 25. Warner Bros. went big on its release, opening the film in 4,263 locations domestically and 36,000 screens internationally.

“Younger audiences love going to the movie theater, believe it or not,” said Paul Dergarabedian, the senior media analyst for Comscore. “This is the perfect small screen to big screen alliance. It became a must-see theatrical event. Awareness was off the charts.”

Video game adaptations have had some pivotal successes in recent years, including “The Super Mario Bros. Movie,” the “Sonic” series and “Five Nights at Freddy’s.”

“Video games were once a genre that had very mixed results at the box office, but the code has finally been cracked,” Dergarabedian said.

Second place at this week's box office went to the Jason Statham action pic “A Working Man," which added $7.3 million in its second weekend. Third place was occupied by the second installment in the episodic “The Chosen: Last Supper” series. Part two (made up of episodes three through five) earned $7 million over the weekend. The third and final batch of episodes arrive in theaters on April 11.

“Snow White” slid to fourth place in its third weekend, bringing in $6.1 million. It's now made over $168 million globally.

It’s been a difficult start to 2025 for Hollywood and movie theaters, with disappointments including “Snow White” and “Mickey 17.” But one hit can change the tides significantly, especially with in-theater marketing pushes in full swing for the pivotal summer movie season, which kicks off the first weekend in May.

Before this weekend, the box office was running at a 13% deficit compared with last year. Now the gap is down to 5%.



‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
TT

‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
TT

Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.


Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)
TT

Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)

There are giants, and then there is Donna Summer. The Queen of Disco and then some, known for such timeless tunes as “Love to Love You Baby,” “I Feel Love,” “Bad Girls,” “Dim All the Lights,” “On the Radio” and “She Works Hard for the Money,” has been posthumously inducted into the Songwriters Hall of Fame, the hall said.

Summer, who died in 2012 at age 63, was welcomed into the Songwriters Hall on Monday at a ceremony at The Butterfly Room at Cecconi’s in Los Angeles. It was led by Academy Award-winning songwriter Paul Williams. Summer's husband, Bruce Sudano and their daughters Brooklyn Sudano and Amanda Sudano Ramirez were in attendance.

“Donna Summer is not only one of the defining voices and performers of the 20th century; she is one of the great songwriters of all time who changed the course of music,” said Williams in a statement. “She wrote timeless and transcendent songs that continue to captivate our souls and imaginations, inspiring the world to dance and, above all, feel love.”

Summer's smooth blend of R&B, soul, pop, funk, rock, disco and electronica launched numerous chart-topping hits in the ‘70s and ’80s as well as three multiplatinum albums. She won five Grammys. She was unstoppable — both as a performer and a writer.

“It’s important to me because I know how important it was for Donna,” said Sudano in a press release. “The backstory is, with all the accolades that she received over her career, being respected as a songwriter was always the thing that she felt was overlooked. So, for her to be accepted into the Songwriters Hall of Fame I know that she’s very happy ... somewhere.”

The Songwriters Hall of Fame was established in 1969. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

The annual Songwriters Hall of Fame gala does not usually include posthumous inductions; those are reserved for separate events.

Songwriter Pete Bellotte — known for his work with Summer on “Hot Stuff,” “I Feel Love” and “Love To Love You Baby” — is a current nominee for the 2026 Songwriters Hall of Fame class. “Love To Love You Baby” was co-written with Summer and producer Giorgio Moroder. One of Summer's best-known hits, the song has been sampled many times, including in tracks by Beyoncé, LL Cool J and Timbaland.

The 2026 inductees will be announced in early 2026.