Hollywood Lands a Much-Needed Box Office Hit with ‘A Minecraft Movie’

 Jack Black poses for photographers with a model wolf character from the film, upon arrival at the World premiere of "A Minecraft Movie" on Sunday, March 30, 2025, in London. (AP)
Jack Black poses for photographers with a model wolf character from the film, upon arrival at the World premiere of "A Minecraft Movie" on Sunday, March 30, 2025, in London. (AP)
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Hollywood Lands a Much-Needed Box Office Hit with ‘A Minecraft Movie’

 Jack Black poses for photographers with a model wolf character from the film, upon arrival at the World premiere of "A Minecraft Movie" on Sunday, March 30, 2025, in London. (AP)
Jack Black poses for photographers with a model wolf character from the film, upon arrival at the World premiere of "A Minecraft Movie" on Sunday, March 30, 2025, in London. (AP)

Hollywood needed “A Minecraft Movie” to be a hit, and it delivered in its opening weekend, significantly narrowing this year's box office deficit.

No one guessed just how big it would be. In its first few days in theaters, the movie earned a staggering $157 million in ticket sales from theaters in the US and Canada, according to studio estimates Sunday. Internationally, it’s looking at an additional $144 million for a global debut of $301 million. And with school spring breaks ongoing, “A Minecraft Movie” is just getting started.

“We're just thrilled that audiences are responding and that everyone's going to the theater,” said Pamela Abdy, the co-chair and CEO of the Warner Bros. Motion Picture Group.

Not only is it the biggest opening of 2025, “A Minecraft Movie” also broke the record for a video game adaptation, a distinction previously held by “The Super Mario Bros. Movie” ($146 million). Going into the weekend, analysts projected “Minecraft” might hit $80 million. Instead, it nearly doubled that figure.

“You can’t underestimate the value of earnest, entertaining, joyous cinema,” said Michael DeLuca, also co-chair and CEO. “People really want an escape, especially when it involves the whole family.”

Nothing is guaranteed in the movie business, but an offering based on the best-selling video game of all time makes for a good start. It hardly mattered that the block-based game doesn’t exactly have a narrative. Many of its 200 million active monthly players turned out in droves anyway.

DeLuca said it’s one of the “broadest playing movies” they’ve ever seen, meaning it’s working in all sizes of cinemas all over the world.

The PG-rated movie, directed by Jared Hess (“Napoleon Dynamite”), was a co-production of Legendary Entertainment and Warner Bros. It cost a reported $150 million to make, not including marketing and promotion expenses. Jack Black and Jason Momoa lead the ensemble cast (Danielle Brooks, Emma Myers and Sebastian Eugene Hansen). Their characters are transported into an imaginative dimension called the Overworld and need to go on a dangerous, and immensely silly, adventure to get home.

“We made the movie for the fans and the fans exceeded our expectations,” DeLuca said.

Critics were largely mixed on “A Minecraft Movie,” but audiences gave it a more promising B+ CinemaScore and 4/5 stars in PostTrak exit polls. Men made up around 62% of the audience, and 64% were under the age of 25. Warner Bros. went big on its release, opening the film in 4,263 locations domestically and 36,000 screens internationally.

“Younger audiences love going to the movie theater, believe it or not,” said Paul Dergarabedian, the senior media analyst for Comscore. “This is the perfect small screen to big screen alliance. It became a must-see theatrical event. Awareness was off the charts.”

Video game adaptations have had some pivotal successes in recent years, including “The Super Mario Bros. Movie,” the “Sonic” series and “Five Nights at Freddy’s.”

“Video games were once a genre that had very mixed results at the box office, but the code has finally been cracked,” Dergarabedian said.

Second place at this week's box office went to the Jason Statham action pic “A Working Man," which added $7.3 million in its second weekend. Third place was occupied by the second installment in the episodic “The Chosen: Last Supper” series. Part two (made up of episodes three through five) earned $7 million over the weekend. The third and final batch of episodes arrive in theaters on April 11.

“Snow White” slid to fourth place in its third weekend, bringing in $6.1 million. It's now made over $168 million globally.

It’s been a difficult start to 2025 for Hollywood and movie theaters, with disappointments including “Snow White” and “Mickey 17.” But one hit can change the tides significantly, especially with in-theater marketing pushes in full swing for the pivotal summer movie season, which kicks off the first weekend in May.

Before this weekend, the box office was running at a 13% deficit compared with last year. Now the gap is down to 5%.



China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
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China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP

China's first fully AI-generated feature film opens in cinemas on Friday in what promises to be a tough box-office test for the country's booming tech industry as advance ticket sales lag.

More than 10,000 screenings of the sci-fi thriller "Sanxingdui: Future Past" are scheduled for Friday, according to ticketing platform Maoyan.

Public reception, however, has been less than enthusiastic, said AFP.

Presale revenue as of Friday morning stood at 80,000 yuan ($11,980), while total box-office takings were forecast to remain below 150,000 yuan, only a fraction of the reported production cost, according to Maoyan.

Ticket prices range from 20 to 90 yuan, bringing the number sold to a few thousand at most.

Jiang Defu, CEO of the production company Bona Film Group, acknowledged the lukewarm reception in a recent interview but said the film was pushing boundaries.

"We are the first to try it, the first to get a theatrical release permit, and the first to be tested by the audience," he told Chinese film industry outlet Yuli.

"I think that is not easy at all."

Nearly 100 people took more than two years to make the film, which cost more than 10 million yuan ($1.5 million), Bona said, although all the actors, their voices and the backdrops are AI-generated.

The film touches on the theme of humanity in a future shaped by AI.

But that was not enough to convince Iris Yang, who attended a free preview screening of the film on Thursday for acquaintances of the production team and industry workers.

Yang said she would not have paid for a ticket, given the movie's quality.

"If AI generation can match the theatrical experience of 'Avatar', I think I would be willing to pay for it," she said, referring to the US franchise known for the quality of its animation.

AI-generated video has gained popularity in the world's second-largest economy. On Douyin, the Chinese equivalent of TikTok, AI-generated short dramas garnered more than 200 billion views in September alone.

But "the audience won't automatically pay for the tickets just because it's an AI-generated film", independent AI director Zhang Jun told AFP.

Online, Chinese social media users also seemed unconvinced by the launch of AI movies in cinemas.

"If it's free to watch on streaming platforms, it could become legendary. But paying to watch? People are not going to accept it at this stage," one user on Weibo commented.

In Hollywood, the rise of AI has sparked concern among film workers about the prospect of job losses.

An AI-generated sci-fi feature called "Gods Don't Give Gifts" is scheduled for US release on December 4.

And a virtual Hollywood actor called Tilly Norwood, whose interviews have gone viral while fueling job fears, is also set to star in an upcoming movie called "Misaligned".


Spotify Adds 11 Mn Active Users in 3rd Quarter to Reach 788 Mn

FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
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Spotify Adds 11 Mn Active Users in 3rd Quarter to Reach 788 Mn

FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo

Music streaming giant Spotify on Thursday said it had added 11 million monthly active users in the third quarter and had reached 788 million active users by the end of September, in line with the company's forecast.

The uptick represented an 11-percent growth in users compared to a year earlier, Spotify said in a statement, adding that paying subscribers had grown by nine percent compared to a year earlier, reaching 306 million, just above the company's forecasted 305 million.

"This was a quarter where we did what we said. We've built a strong business that keeps compounding," AFP quoted co-chief executive Alex Norstrom as saying in a statement.

Revenue for the third quarter came in at 4.97 billion euros ($5.6 billion), up 16 percent from a year earlier.

Operating income meanwhile rose 15 percent to 672 million euros.

Looking forward, the company said it expected to add 30 million additional active users to the platform by the end of the year to reach 818 million.

Spotify also said it expects to reach 316 paying subscribers.

In recent years, the company has started expanding from music, first investing heavily into podcasts and now offering audiobooks.

In early October, the streaming giant announced that it was expanding access to its audiobook service to more than 180 markets, up from the previous 22.

Amid growing concern across the music industry over AI-generated content overwhelming streaming catalogues, the company has recently taken steps to identify and label AI content.

Earlier this week it reported that it had taken "more than 50 million slop and spam tracks" out of recommendations -- meaning the songs would not be suggested to listeners -- this year.

In August it announced that it was launching a new "AI Persona" badge to identify content producers that are AI-generated and not real people.

In April, the company launched its "Verified by Spotify" badge, signaling that a profile has been reviewed and meets its authenticity standard.


UK Actor Noel Clarke Pleads Not Guilty to Six Offence Charges

Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
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UK Actor Noel Clarke Pleads Not Guilty to Six Offence Charges

Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall

British actor and filmmaker Noel Clarke appeared in a London court on Wednesday and pleaded not guilty to six charges, including two counts of sexual assault.

Clarke also denied three ‌counts of ‌voyeurism and ‌one ⁠count of exposing himself, ⁠with the allegations spanning 2007 to 2016, Reuters said.

The 50-year-old stood in the dock at Westminster Magistrates' Court ⁠and spoke only to ‌confirm ‌his name, date of birth ‌and address and ‌enter his not guilty pleas.

He was granted bail ahead of his next ‌appearance at Southwark Crown Court on November ⁠18.

Clarke ⁠is best known for writing and starring in "Kidulthood" (2006), which explored bullying, drug abuse and extreme violence among young people in London, and for a recurring role in sci-fi show "Doctor Who".