Summer Movies: 11 Breakout Actors to Watch

 This image released by Disney shows the character Stitch, left, and Maia Kealoha, as Lilo, in a scene from "Lilo & Stitch." (Disney via AP)
This image released by Disney shows the character Stitch, left, and Maia Kealoha, as Lilo, in a scene from "Lilo & Stitch." (Disney via AP)
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Summer Movies: 11 Breakout Actors to Watch

 This image released by Disney shows the character Stitch, left, and Maia Kealoha, as Lilo, in a scene from "Lilo & Stitch." (Disney via AP)
This image released by Disney shows the character Stitch, left, and Maia Kealoha, as Lilo, in a scene from "Lilo & Stitch." (Disney via AP)

Many of the big movies this summer might come from familiar places - whether they're franchises, sequels or hybrid adaptations of beloved animated classics. But look closer and there are quite a few fresh faces making a splash with memorable characters new and old.

The Associated Press spoke to 10 of the actors about the roles.

Maia Kealoha was 6 years old when she saw an advertisement for an open casting call for the new hybrid "Lilo & Stich" movie and promptly told her parents that's what she wanted to do. Now, 8, Kealoha, who was born on Hawaii's Big Island, is making her film debut as the spirited Lilo in Disney's new live-action adaptation, hitting theaters on May 23.

"It was so amazing," Kealoha said. "I was really proud of myself."

Sydney Elizebeth Agudong, who plays Lilo's older sister and caregiver Nani praised her young co-star.

"It was amazing building a world with her," Agudong, 24, said. "It's a lot of CGI and we're working with aliens and such and she was full of imagination and creativity."

A Kaua'I native, Agudong also came to the role from an open casting call. Being part of the film has been a special experience as a lifelong fan of the animated version and a proud Hawaii resident.

"Hawaii's very much like tough love and soft heart," Agudong said. "We truly created a family and hopefully people can see that."

Happy Gilmore is a dad in the sequel coming to Netflix July 25. The Gilmore boys, played by Ethan Cutkosky ("Shameless"), Conor Sherry ("Shake Shack"), Maxwell Jacob Friedman (a pro-wrestler) and newcomer Philip Schneider, "are just goons," Schneider said.

All came to the project strangers, though intimately familiar with a film they'd all grown up with. And everyone but Friedman, 29, had to prove they had a little skill on the ice.

"I looked like a goon so they just assumed I'd be fine on the rink," Friedman laughed.

The four actors quickly found their rhythm together on set in Jersey City playing the rambunctious, troublemaking Gilmore spawn during the four-month shoot.

"The fast pace of stupidity that we got to and what made us family was such an amazing thing," Cutkosky, 25, said. "It's really hard to come by."

Friedman added: "In between scenes, we could like look at each other and know what we were thinking and make each other laugh without talking."

Schneider, 24, attributed the atmosphere to their on-screen dad Adam Sandler, who made the whole set feel like a family. His genius, Schneider said, "is that he gets people he wants to work with and just sees what happens. He trusts the chemistry."

For Sherry, it was helpful so early in his career to get to see how Sandler could be both a giant in the industry and so humble.

"That's the dream, right? To balance both," Sherry, 24, said.

One of the breakout films from Sundance was "Sorry, Baby," a poignant drama that's both funny and shattering about the aftermath of a traumatic event. It's the feature debut of triple threat Eva Victor who wrote, directed and stars as Agnes, a graduate student at a New England school.

"I wanted to make a film that was about feeling stuck when everyone around you keeps moving that really didn't center any violence," said Victor, 31.

Victor, who had a recurring role on "Billions," was making short comedy videos online and writing for the satirical website Reductress when Oscar-winning "Moonlight" filmmaker Barry Jenkins messaged them and asked if they had any scripts. Now, that script is going to be in theaters on June 27, through A24.

"I hope the film finds people when they need it," Victor said.

Ben Wang didn't know he was up against some 10,000 people vying to play the new Karate Kid.

The 25-year-old actor, best known for his role on the Disney+ series "American Born Chinese," learned that after the fact. But it was a stressful month of not sleeping very well while waiting to hear if he got it, he said.

"Karate Kid: Legends" (out May 30) brings together Jackie Chan's Mr. Han and Ralph Macchio's Daniel LaRusso for this new entry, about teenager at a new school, Wang's Li, who has to learn from both.

"It's a fun one to play," Wang said. "And I get to try to kick Jackie Chan which is new and exciting for me."

Nico Parker grew up with both the "How to Train Your Dragon" books and movies, so it was a dream come true when she got the chance to play Astrid in the new live-action adaptation (June 13).

"It's a difficult thing when there's already such a brilliant version of Astrid out there," Parker, 20, said. "The main thing that I really wanted to be prevalent in everything was how driven she is and how it doesn't come easy. It takes effort and skill and determination."

Parker, the daughter of actor Thandiwe Newton and director Ol Parker, has been on sets her whole life. She was only 11 when she filmed Tim Burton's "Dumbo." But this feels different, she said, because she really understands the scale and scope of being in a major franchise.

"To be older I feel as if I'm acknowledging way more what it means and doesn't mean," she said. "And I get much more stressed about it."

You can't blame filmmaker Mike Flanagan for assuming Benjamin Pajak was a skilled dancer. Pajak made his Broadway debut as Winthrop in "The Music Man" with Hugh Jackman and Sutton Foster. But ask Pakaj, now 14, and he demurs that dancing is not exactly his strong suit.

But you would never guess to see him waltzing and sambaing across the floor (thanks to Mandy Moore's choreography) in "The Life of Chuck" (out June 6).

"Film is so different from theater," Pajak said. "But there were just so many people kind of lifting me up and helping me throughout the process."

One of those was Mark Hamill, who plays his grandfather. Perhaps even more exciting than being in the movies? Sharing scenes with Luke Skywalker.

Superman's very good boy Krypto might be a computer-generated creation, but the inspiration was a very real dog: Filmmaker James Gunn's rescue Ozu. It was difficult transition to life in a home -- Ozu destroyed shoes, furniture and even his laptop. Gunn, who was at work writing "Superman," thought, "How difficult would it be if Ozu had superpowers?"

That was how Krypto came to be part of the newest "Superman" (out July 11) changing the story and the script. The white pup features prominently in the film's trailer. At the Puppy Bowl earlier this year Gunn said that Krypto is lovable and mischievous and has all of the powers of Superman - and, yes, he can fly too.



'Train Dreams,' 'The Secret Agent' Nab Spirit Wins to Boost Oscars Campaigns

'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP
'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP
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'Train Dreams,' 'The Secret Agent' Nab Spirit Wins to Boost Oscars Campaigns

'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP
'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP

Period drama "Train Dreams" took home the Spirit Awards win for best feature Sunday, as both it and "The Secret Agent" gathered momentum ahead of the Academy Awards.

"The Secret Agent" notched best international film as its team hopes to win in the same category at the Oscars next month.

The annual Film Independent Spirit Awards ceremony only celebrates movies made for less than $30 million.

"Train Dreams," director Clint Bentley's adaptation of the Denis Johnson novella, follows a railroad worker and the transformation of the American northwest across the 20th century.

The film won three of its four categories, also grabbing wins for best director and best cinematography. The movie's lead, Joel Edgerton, however, did not take home best actor, which went to Rose Byrne for "If I Had Legs I'd Kick You."

"Train Dreams" producer Teddy Schwarzman told AFP the film "is a singular journey, but it hopefully helps bring people together to understand all that life entails: love, friendship, loss, grief, healing and hope."

"Train Dreams" will compete for best picture at the Oscars, among other honors.

Big win for Brazil

After "The Secret Agent" nabbed best international film, director Kleber Mendonca Filho hailed the win as one that hopefully "gives more visibility to Brazilian cinema."

The film follows a former academic pursued by hitmen amid the political turmoil of Brazil under military rule.

It prevailed Sunday over contenders including rave-themed road trip movie "Sirat," which will compete alongside "The Secret Agent" for best international feature film at the Oscars, capping Hollywood's awards season.

"The Secret Agent" will also be up for best picture, best actor and best casting.

Brazil's "I'm Still Here" won best international feature at the Oscars last year.

Other Spirit winners on Sunday included "Lurker," for best first screenplay and best first feature film.

"Sorry, Honey" nabbed best screenplay and "The Perfect Neighbor" scored best documentary.

The Academy Awards will be presented on March 15.


Hiam Abbass Says ‘Cinema Is a Political Act’ After Berlin Row

13 February 2026, Berlin: Palestinian actress and film director actress Hiam Abbass attends the photocall for the film “In a Whisper” at the 76th Berlin International Film Festival, taking place from February 12 to 22, 2026. (dpa)
13 February 2026, Berlin: Palestinian actress and film director actress Hiam Abbass attends the photocall for the film “In a Whisper” at the 76th Berlin International Film Festival, taking place from February 12 to 22, 2026. (dpa)
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Hiam Abbass Says ‘Cinema Is a Political Act’ After Berlin Row

13 February 2026, Berlin: Palestinian actress and film director actress Hiam Abbass attends the photocall for the film “In a Whisper” at the 76th Berlin International Film Festival, taking place from February 12 to 22, 2026. (dpa)
13 February 2026, Berlin: Palestinian actress and film director actress Hiam Abbass attends the photocall for the film “In a Whisper” at the 76th Berlin International Film Festival, taking place from February 12 to 22, 2026. (dpa)

The start of this year's Berlin Film Festival was marked by a row over how far film should venture into politics but for prominent French-Palestinian actor Hiam Abbass, "everything we do is a political act".

Abbass is starring in two films being presented at this year's Berlinale festival and in an AFP interview she emphasized the importance of a politically engaged approach to cinema.

At Thursday's opening press conference jury president Wim Wenders sparked controversy by saying "we cannot really enter the field of politics", in response to a question about Germany's support for Gaza.

"I don't agree," Abbass told AFP.

"There's a lack of courage among people in the film world -- among some, not all," said Abbass, who gained global attention for her role as Marcia Roy in the hit HBO series Succession.

She recognized that Wenders's remarks were "taken out of context", as he did talk about cinema's capacity to "change the world", albeit in a different way from party politics.

Nevertheless, Abbass said she was glad to see filmmakers at this year's festival "commit to amplifying stories and voices of minorities, oppressed people, people experiencing bombardment, genocides".

"Today more than ever, if we don't tackle these subjects, we're making art for art's sake, and that's something that doesn't interest me."

- 'Act of resistance' -

Abbass, who was born in Nazareth in northern Israel but has been living in France for 37 years, stars in two films at the festival with striking political messages.

In "Only Rebels Win" by Lebanese filmmaker Danielle Arbid, Abbass plays a Christian Palestinian living in Beirut who faces a backlash from those around her because of her relationship with a South Sudanese Muslim migrant 40 years her junior.

Israeli bombardments between September and November 2024 forced the production to relocate from Beirut to a studio near Paris, where the team deployed creative solutions to recreate the Lebanese capital.

Abbass said the circumstances turned the film into "an act of resistance".

When the bombardment of Beirut began, "I told Danielle: 'Whatever you do, wherever you go, I'll follow you, because this film has to get made'."

- Academy's 'open-mindedness' -

Before starting on "Only Rebels Win", Abbass had just finished working on "Palestine 36" by Annemarie Jacir, a depiction of the Palestinian uprising against the British Mandate in 1936.

That film almost did not happen because of the war in Gaza, sparked by Hamas's October 7, 2023 attack on Israel, which resulted in the deaths of 1,221 people, according to an AFP tally based on official Israeli figures.

Israel's retaliation has left at least 71,000 people dead in Gaza, according to the health ministry in the Hamas-run territory, whose figures the United Nations considers reliable.

Abbass said that the "the film waited eight months so that it could be shot," with production forced to move to Jordan instead of the Israeli-occupied West Bank.

Abbass said that the team decided that "at a certain point, we couldn't keep being subject to" the decisions of the Israeli government.

She also welcomed the Academy's decision to include three films highlighting the Palestinian experience in its shortlist for best international feature film: "Palestine 36", Kaouther Ben Hania's "The Voice of Hind Rajab" and Cherien Dabis's "All That's Left of You".

Only Kaouther Ben Hania's film ultimately made the final list of five nominees.

But Abbass praised the "open-mindedness" of the Academy to bring these films "almost to the final stages of the Oscars" after what she termed Israel's "genocide" in Gaza.


Independent Spirit Awards Celebrate Indie Movies and TV in Los Angeles

 Rose Byrne, Hasty Pudding 2026 Woman of the Year, takes questions from reporters during a news conference at Farkas Hall theater, on the campus of Harvard University, Friday, Feb. 13, 2026, in Cambridge, Mass. (AP)
Rose Byrne, Hasty Pudding 2026 Woman of the Year, takes questions from reporters during a news conference at Farkas Hall theater, on the campus of Harvard University, Friday, Feb. 13, 2026, in Cambridge, Mass. (AP)
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Independent Spirit Awards Celebrate Indie Movies and TV in Los Angeles

 Rose Byrne, Hasty Pudding 2026 Woman of the Year, takes questions from reporters during a news conference at Farkas Hall theater, on the campus of Harvard University, Friday, Feb. 13, 2026, in Cambridge, Mass. (AP)
Rose Byrne, Hasty Pudding 2026 Woman of the Year, takes questions from reporters during a news conference at Farkas Hall theater, on the campus of Harvard University, Friday, Feb. 13, 2026, in Cambridge, Mass. (AP)

Ethan Hawke, Rose Byrne and Keke Palmer are just a few of the actors up for prizes at the Film Independent Spirit Awards on Sunday in Los Angeles. Comedian and “Saturday Night Live” veteran Ego Nwodim is hosting the celebration of independent film and television, which will be livestreamed on YouTube starting at 5 p.m. ET.

Top nominees going into the 41st edition of the show include Ira Sachs’ “Peter Hujar’s Day,” which recreates an interview with the 1970s photographer, played by Ben Whishaw; Clint Bentley’s lyrical Denis Johnson adaptation “Train Dreams,” with Joel Edgerton; and Eva Victor’s “Sorry, Baby,” about life after an assault.

The show, which serves as a fundraiser for Film Independent’s year-round programs, is being held at the Hollywood Palladium for the first time, as its longtime beachside perch in Santa Monica undergoes renovations.

The awards sometimes overlap significantly with major Oscar contenders and winners, as it did with “Anora,” and “Everything Everywhere All At Once,” and sometimes not. Organizers limit eligibility to productions with budgets less than $30 million, meaning more expensive films like “One Battle After Another” are not in the running.

Byrne is one of the few actors nominated for both a Spirit Award and an Oscar, for her performance as a mother on the edge in Mary Bronstein’s “If I Had Legs I’d Kick You.” In the lead performance category, she’s up against the likes of Edgerton (“Train Dreams”), Dylan O’Brien (“Twinless”), Palmer (“One of Them Days”), Tessa Thompson (“Hedda”) and Whishaw.

Supporting performance nominees include Naomi Ackie (“Sorry, Baby”), Zoey Deutch (“Nouvelle Vague”), Kirsten Dunst (“Roofman”), Nina Hoss (“Hedda”) and Archie Madekwe (“Lurker”).

Films nominated in the international category include “Sirāt,” “The Secret Agent” and “On Becoming a Guinea Fowl.” “Come See Me in the Good Light,” “My Undesirable Friends: Part I — Last Air in Moscow” and “The Perfect Neighbor” are also up for the documentary prize.

Hawke, who is nominated for an Oscar for “Blue Moon,” is up for a Spirit Award for his leading performance in the television series “The Lowdown,” where other nominees include Seth Rogen for “The Studio,” Stephen Graham for “Adolescence” and Noah Wyle for “The Pitt.”