Summer Movies: 11 Breakout Actors to Watch

 This image released by Disney shows the character Stitch, left, and Maia Kealoha, as Lilo, in a scene from "Lilo & Stitch." (Disney via AP)
This image released by Disney shows the character Stitch, left, and Maia Kealoha, as Lilo, in a scene from "Lilo & Stitch." (Disney via AP)
TT

Summer Movies: 11 Breakout Actors to Watch

 This image released by Disney shows the character Stitch, left, and Maia Kealoha, as Lilo, in a scene from "Lilo & Stitch." (Disney via AP)
This image released by Disney shows the character Stitch, left, and Maia Kealoha, as Lilo, in a scene from "Lilo & Stitch." (Disney via AP)

Many of the big movies this summer might come from familiar places - whether they're franchises, sequels or hybrid adaptations of beloved animated classics. But look closer and there are quite a few fresh faces making a splash with memorable characters new and old.

The Associated Press spoke to 10 of the actors about the roles.

Maia Kealoha was 6 years old when she saw an advertisement for an open casting call for the new hybrid "Lilo & Stich" movie and promptly told her parents that's what she wanted to do. Now, 8, Kealoha, who was born on Hawaii's Big Island, is making her film debut as the spirited Lilo in Disney's new live-action adaptation, hitting theaters on May 23.

"It was so amazing," Kealoha said. "I was really proud of myself."

Sydney Elizebeth Agudong, who plays Lilo's older sister and caregiver Nani praised her young co-star.

"It was amazing building a world with her," Agudong, 24, said. "It's a lot of CGI and we're working with aliens and such and she was full of imagination and creativity."

A Kaua'I native, Agudong also came to the role from an open casting call. Being part of the film has been a special experience as a lifelong fan of the animated version and a proud Hawaii resident.

"Hawaii's very much like tough love and soft heart," Agudong said. "We truly created a family and hopefully people can see that."

Happy Gilmore is a dad in the sequel coming to Netflix July 25. The Gilmore boys, played by Ethan Cutkosky ("Shameless"), Conor Sherry ("Shake Shack"), Maxwell Jacob Friedman (a pro-wrestler) and newcomer Philip Schneider, "are just goons," Schneider said.

All came to the project strangers, though intimately familiar with a film they'd all grown up with. And everyone but Friedman, 29, had to prove they had a little skill on the ice.

"I looked like a goon so they just assumed I'd be fine on the rink," Friedman laughed.

The four actors quickly found their rhythm together on set in Jersey City playing the rambunctious, troublemaking Gilmore spawn during the four-month shoot.

"The fast pace of stupidity that we got to and what made us family was such an amazing thing," Cutkosky, 25, said. "It's really hard to come by."

Friedman added: "In between scenes, we could like look at each other and know what we were thinking and make each other laugh without talking."

Schneider, 24, attributed the atmosphere to their on-screen dad Adam Sandler, who made the whole set feel like a family. His genius, Schneider said, "is that he gets people he wants to work with and just sees what happens. He trusts the chemistry."

For Sherry, it was helpful so early in his career to get to see how Sandler could be both a giant in the industry and so humble.

"That's the dream, right? To balance both," Sherry, 24, said.

One of the breakout films from Sundance was "Sorry, Baby," a poignant drama that's both funny and shattering about the aftermath of a traumatic event. It's the feature debut of triple threat Eva Victor who wrote, directed and stars as Agnes, a graduate student at a New England school.

"I wanted to make a film that was about feeling stuck when everyone around you keeps moving that really didn't center any violence," said Victor, 31.

Victor, who had a recurring role on "Billions," was making short comedy videos online and writing for the satirical website Reductress when Oscar-winning "Moonlight" filmmaker Barry Jenkins messaged them and asked if they had any scripts. Now, that script is going to be in theaters on June 27, through A24.

"I hope the film finds people when they need it," Victor said.

Ben Wang didn't know he was up against some 10,000 people vying to play the new Karate Kid.

The 25-year-old actor, best known for his role on the Disney+ series "American Born Chinese," learned that after the fact. But it was a stressful month of not sleeping very well while waiting to hear if he got it, he said.

"Karate Kid: Legends" (out May 30) brings together Jackie Chan's Mr. Han and Ralph Macchio's Daniel LaRusso for this new entry, about teenager at a new school, Wang's Li, who has to learn from both.

"It's a fun one to play," Wang said. "And I get to try to kick Jackie Chan which is new and exciting for me."

Nico Parker grew up with both the "How to Train Your Dragon" books and movies, so it was a dream come true when she got the chance to play Astrid in the new live-action adaptation (June 13).

"It's a difficult thing when there's already such a brilliant version of Astrid out there," Parker, 20, said. "The main thing that I really wanted to be prevalent in everything was how driven she is and how it doesn't come easy. It takes effort and skill and determination."

Parker, the daughter of actor Thandiwe Newton and director Ol Parker, has been on sets her whole life. She was only 11 when she filmed Tim Burton's "Dumbo." But this feels different, she said, because she really understands the scale and scope of being in a major franchise.

"To be older I feel as if I'm acknowledging way more what it means and doesn't mean," she said. "And I get much more stressed about it."

You can't blame filmmaker Mike Flanagan for assuming Benjamin Pajak was a skilled dancer. Pajak made his Broadway debut as Winthrop in "The Music Man" with Hugh Jackman and Sutton Foster. But ask Pakaj, now 14, and he demurs that dancing is not exactly his strong suit.

But you would never guess to see him waltzing and sambaing across the floor (thanks to Mandy Moore's choreography) in "The Life of Chuck" (out June 6).

"Film is so different from theater," Pajak said. "But there were just so many people kind of lifting me up and helping me throughout the process."

One of those was Mark Hamill, who plays his grandfather. Perhaps even more exciting than being in the movies? Sharing scenes with Luke Skywalker.

Superman's very good boy Krypto might be a computer-generated creation, but the inspiration was a very real dog: Filmmaker James Gunn's rescue Ozu. It was difficult transition to life in a home -- Ozu destroyed shoes, furniture and even his laptop. Gunn, who was at work writing "Superman," thought, "How difficult would it be if Ozu had superpowers?"

That was how Krypto came to be part of the newest "Superman" (out July 11) changing the story and the script. The white pup features prominently in the film's trailer. At the Puppy Bowl earlier this year Gunn said that Krypto is lovable and mischievous and has all of the powers of Superman - and, yes, he can fly too.



Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
TT

Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”


Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
TT

Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)

Rapper Nicki Minaj on Sunday made a surprise appearance at a gathering of conservatives in Arizona that was memorializing late activist Charlie Kirk, and used her time on stage to praise President Donald Trump and Vice President JD Vance, calling them “role models” for young men.

The rap star was interviewed at Turning Point USA’s AmericaFest convention by Erika Kirk, the widow of Charlie Kirk, about her newly found support for Trump — someone she had condemned in the past — and about her actions denouncing violence against Christians in Nigeria.

The Grammy-nominated rapper's recent alignment with the Make America Great Again movement has caught some interest because of her past criticism of Trump even when the artist's own political ideology had been difficult to pin down. But her appearance Sunday at the flagship event for the powerful conservative youth organization may shore up her status as a MAGA acolyte.

Minaj mocked California Gov. Gavin Newsom, referring to him as New-scum, a nickname Trump gave him. Newsom, a Democrat, has 2028 prospects. Minaj expressed admiration for the Republican president and Vance, who received an endorsement from Erika Kirk despite the fact he has not said whether he will run for president. Kirk took over as leader of Turning Point.

“This administration is full of people with heart and soul, and they make me proud of them. Our vice president, he makes me ... well, I love both of them,” The Associated Press quoted Minaj as saying. “Both of them have a very uncanny ability to be someone that you relate to.”

Minaj’s appearance included an awkward moment when, in an attempt to praise Vance’s political skills, she described him as an “assassin.”

She paused, seemingly regretting her word choice, and after Kirk appeared to wipe a tear from one of her eyes, the artist put her hand over her mouth while the crowd murmured.

“If the internet wants to clip it, who cares? I love this woman,” said Erika Kirk, who became a widow when Charlie Kirk was assassinated in September.

Last month, the rapper shared a message posted by Trump on his Truth Social network about potential actions to sanction Nigeria saying the government is failing to rein in the persecution of Christians in the West African country. Experts and residents say the violence that has long plagued Nigeria isn’t so simply explained.

“Reading this made me feel a deep sense of gratitude. We live in a country where we can freely worship God,” Minaj shared on X. She was then invited to speak at a panel at the US mission to the United Nations along with US Ambassador Mike Waltz and faith leaders.

Minaj said she was tired of being “pushed around,” and she said that speaking your mind with different ideas is controversial because “people are no longer using their minds.” Kirk thanked Minaj for being “courageous,” despite the backlash she is receiving from the entertainment industry for expressing support for Trump.

“I didn’t notice,” Minaj said. “We don’t even think about them.” Kirk then said “we don’t have time to. We’re too busy building, right?”

“We’re the cool kids,” Minaj said.

The Trinidadian-born rapper is best known for her hits “Super Freaky Girl,” “Anaconda” and “Starships.” She has been nominated for 12 Grammy Awards over the course of her career.

In 2018, Minaj was one of several celebrities condemning Trump’s zero-tolerance immigration policy that split more than 5,000 children from their families at the Mexico border. Back then, she shared her own story of arriving to the country at 5 years old, describing herself as an “illegal immigrant.”

“This is so scary to me. Please stop this. Can you try to imagine the terror & panic these kids feel right now?” she posted then on Instagram.

On Sunday on stage with Erika Kirk, Minaj said, “it’s OK to change your mind.”


'Avatar: Fire and Ash' Launches With $88Mn Domestically, $345Mn Worldwide

 This image released by 20th Century Studios shows Kiri, performed by Sigourney Weaver, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
This image released by 20th Century Studios shows Kiri, performed by Sigourney Weaver, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
TT

'Avatar: Fire and Ash' Launches With $88Mn Domestically, $345Mn Worldwide

 This image released by 20th Century Studios shows Kiri, performed by Sigourney Weaver, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
This image released by 20th Century Studios shows Kiri, performed by Sigourney Weaver, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)

“Avatar: Fire and Ash” opened with $345 million in worldwide sales, according to studio estimates Sunday, notching the second-best global debut of the year and potentially putting James Cameron on course to set yet more blockbuster records.

Sixteen years into the “Avatar” saga, Pandora is still abundant in box-office riches. “Fire and Ash,” the third film in Cameron’s science-fiction franchise, launched with $88 million domestically and $257 million internationally. The only film to open bigger in 2025 was “Zootopia 2” ($497.2 million over three days). In the coming weeks, “Fire and Ash” will have the significant benefit of the highly lucrative holiday moviegoing corridor.

But there was a tad less fanfare to this “Avatar” film, coming three years after “Avatar: The Way of Water.” That film launched in 2022 with a massive $435 million globally and $134 million in North America. Domestically, “Fire and Ash” fell a hefty 35% from the previous installment. Reviews for “Fire and Ash” were also more mixed, scoring a series-low 68% “fresh” score on Rotten Tomatoes.

Yet those quibbles are only a product of the lofty standards of “Avatar.” The first two films rank as two of the three biggest box-office films of all time. To reach those heights, the “Avatar” films have depended on legs more than huge openings.

“Avatar” (2009), opened with $77 million domestically but held the top spot for seven weeks. It ultimately grossed $2.92 billion worldwide. “The Way of Water” also held strong to eventually tally $2.3 billion globally.

“The openings are not what the ‘Avatar’ movies are about,” said David A. Gross, a film consultant who publishes a newsletter on box office numbers. “It’s what they do after they open that made them the #2 and #3 biggest films of all time.”

Should “Fire and Ash” follow in those footsteps, “Avatar” would become the only movie franchise with three $2 billion installments. Working in its favor so far: strong word-of-mouth. Audiences gave it an “A” CinemaScore.

In interviews, Cameron has repeatedly said “Fire and Ash” needs to perform well for there to be subsequent “Avatar” films. (Four and five are already written but not greenlit.) These are exceptionally expensive movies to make. With a production budget of at least $400 million, “Fire and Ash” is one of the costliest films ever made.

“Fire and Ash” was especially boosted by premium format showings, which accounted for 66% of its opening weekend. A narrow majority of moviegoers (56%) chose to watch it in 3D.

The “Avatar” films have always been especially popular overseas. “Fire and Ash” was strongest in China, where its $57.6 million opening weekend surpassed the two previous movies.

“Fire and Ash” didn’t have the weekend entirely to itself. A trio of other new wide releases made it into theaters in hopes of offering some counterprogramming: Lionsgate’s “The Housemaid,” Angel Studios’ “David” and Paramount Pictures’ “The SpongeBob Movie: Search for SquarePants.”

In the race for second place, “David” came out on top. The animated tale of David and Goliath collected $22 million from 3,118 theaters, notching the best opening weekend for Angel Studios.

“The Housemaid,” Paul Feig’s twisty psychological thriller starring Sydney Sweeney and Amanda Seyfried, opened with $19 million 3,015 theaters. The Lionsgate release, which cost about $35 million to make, is set up well to be one of the top R-rated options in theaters over the holidays. Based on Freida McFadden’s bestselling novel, it stars Sweeney as a woman with a troubled past who becomes a live-in maid for a wealthy family.

Trailing the pack was “The SpongeBob Movie: Search for SquarePants,” which collected $16 million from 3,557 theaters. The G-rated film, based on the Nickelodeon TV series, is the first “SpongeBob” theatrical movie since 2015’s “The SpongeBob Movie: Sponge Out of Water.”

All of this weekend’s new films will hope the ticket sales keep rolling in over the upcoming Christmas break. Starting Dec. 25, they’ll need to contend with some new wide releases, including A24’s “Marty Supreme,” with Timothée Chalamet; Focus Features’ “Song Sung Blue,” with Hugh Jackman and Kate Hudson; and Sony’s “Anaconda,” with Jack Black and Paul Rudd.

Before expanding on Christmas, “Marty Supreme” opened in six theaters over the weekend, grossing $875,000 or $145,000 per theater. That was good enough for not only the best per-theater average of the year, but the best since 2016 and a new high mark for A24. The film, directed by Josh Safdie and starring Chalamet as an aspiring table tennis player in 1950s New York, is the most expensive ever for A24.