Pharrell Williams’ Sophomore Collection at Louis Vuitton Showcases Americana, Native American Spirit 

US singer and designer Pharrell Williams and creative director for Louis Vuitton appears on the runway after the presentation of his Fall/Winter 2024/2025 collection for Louis Vuitton during the Paris Fashion Week, in Paris, France, 16 January 2024. (EPA)
US singer and designer Pharrell Williams and creative director for Louis Vuitton appears on the runway after the presentation of his Fall/Winter 2024/2025 collection for Louis Vuitton during the Paris Fashion Week, in Paris, France, 16 January 2024. (EPA)
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Pharrell Williams’ Sophomore Collection at Louis Vuitton Showcases Americana, Native American Spirit 

US singer and designer Pharrell Williams and creative director for Louis Vuitton appears on the runway after the presentation of his Fall/Winter 2024/2025 collection for Louis Vuitton during the Paris Fashion Week, in Paris, France, 16 January 2024. (EPA)
US singer and designer Pharrell Williams and creative director for Louis Vuitton appears on the runway after the presentation of his Fall/Winter 2024/2025 collection for Louis Vuitton during the Paris Fashion Week, in Paris, France, 16 January 2024. (EPA)

It was Wild West meets melting pot America at the Louis Vuitton Fall-Winter 2024 men’s show Tuesday, where musician-turned-designer Pharrell Williams unveiled his highly-anticipated sophomore collection.

The show, set against the dramatic silhouette of the Louis Vuitton Foundation in Paris, masterfully channeled Americana, with Native American designs mixing with modern luxury and showcasing Williams’ unique vision for the powerhouse.

Celebrity guests including Bradley Cooper, Omar Sy and Carey Mulligan gathered to witness a boulder-laden landscape that evoked the rugged terrains of an idealized America. The collection itself was a vibrant celebration of the American spirit, dripping in the famed confidence of Williams — a lauded music star who is a newcomer to fashion design at this level.

The designs emphasized loose proportions, reflecting a modern take on classic American silhouettes. Models — male and female — strutted down the runway in leather cowboy hats, cowhide valises, and checkered denim jackets adorned with bull badges, their cowboy boots boasting shiny metal points. Rodeo jackets shimmered with intricate embroideries, showcasing the luxurious craftsmanship synonymous with the LVMH-owned brand.

The show highlighted the dazzling Vegas-style suiting — jackets with glimmering stripes paired with flared pants, exuding an energy reminiscent of the city’s iconic Strip. The collection also featured oversized jackets, including a statement-making gangster-style fur coat, in bold reinterpretations of traditional Western wear.

Yet, the soul of the collection is its collaboration with Dakota and Lakota nation artists, a partnership that could be seen in intricate designs on scarves, bags, and blankets with floral and geometric patterns telling stories of heritage and identity.

“Pharrell wanted to bring out the Native American spirit, (...) he wanted to showcase we’re still here, we’re still resilient,” Rebecca Brady, 54, a Native American from New Town, North Dakota, told The Associated Press.

Beyond the fashion, the event turned into a cultural spectacle. VIP guests enjoyed Louis Vuitton-branded hamburgers in a barbecue, symbolizing a quirky blend of high fashion and classic Americana. The atmosphere was further charged with performances by Mumford & Sons and artists from the Native American nations.

The evening reached its peak when Williams himself took to the stage, eliciting a wave of excitement from the crowd.

Williams’ performance demonstrated his artistic versatility and highlighted the unique energy he brings to the Louis Vuitton brand. The collection was a daring fusion of styles and cultures, exemplifying a journey beyond fashion into a realm where art, music, and cultural heritage intertwine.



Boohoo Pushes Ahead with Debenhams Rebrand despite Frasers’ Opposition

Debenhams logo is seen on smartphone in front of a displayed Boohoo logo in this illustration taken January 25, 2021. (Reuters)
Debenhams logo is seen on smartphone in front of a displayed Boohoo logo in this illustration taken January 25, 2021. (Reuters)
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Boohoo Pushes Ahead with Debenhams Rebrand despite Frasers’ Opposition

Debenhams logo is seen on smartphone in front of a displayed Boohoo logo in this illustration taken January 25, 2021. (Reuters)
Debenhams logo is seen on smartphone in front of a displayed Boohoo logo in this illustration taken January 25, 2021. (Reuters)

British online fashion retailer Boohoo said on Friday it would rebrand as Debenhams Group even though opposition from top shareholder Frasers meant the name change for its holding company did not get shareholder approval.

At a general meeting, 62.04% of votes cast supported the official name change, falling short of the required 66% of votes, the company said.

"This general meeting was only related to the technical name change of the ultimate holding company," the company told Reuters in an email.

"While this will now remain the same, the company is absolutely moving forward as Debenhams Group."

Boohoo had announced its rebranding earlier this month.

Frasers, which owns just over 29% of Boohoo shares based on LSEG data, voted against the resolution.

Frasers, majority-owned by British retail tycoon Mike Ashley, in January unsuccessfully tried to oust Boohoo's co-founder from the board, and the companies have been involved in a long-running corporate tussle.

Boohoo, boosted by an online shopping surge during the coronavirus pandemic, has been facing supply chain issues, weak demand and stiff competition from e-commerce firms such as Shein and Temu.

The company has said it sees the Debenhams brand having the potential to achieve multi-billion pound gross merchandise value in the medium term.

In March, Boohoo appointed Phil Ellis, Debenhams' finance director, as its CFO, following the appointment of Dan Finley as the group's CEO late last year.