Mythical Chic: Jonathan Anderson’s Loewe Menswear Spells Magic in Paris

A model presents a creation for the Spring/Summer 2025 Menswear Collection by British designer Jonathan Anderson for Loewe fashion house during the Paris Fashion Week, in Paris, France, 22 June 2024. (EPA)
A model presents a creation for the Spring/Summer 2025 Menswear Collection by British designer Jonathan Anderson for Loewe fashion house during the Paris Fashion Week, in Paris, France, 22 June 2024. (EPA)
TT

Mythical Chic: Jonathan Anderson’s Loewe Menswear Spells Magic in Paris

A model presents a creation for the Spring/Summer 2025 Menswear Collection by British designer Jonathan Anderson for Loewe fashion house during the Paris Fashion Week, in Paris, France, 22 June 2024. (EPA)
A model presents a creation for the Spring/Summer 2025 Menswear Collection by British designer Jonathan Anderson for Loewe fashion house during the Paris Fashion Week, in Paris, France, 22 June 2024. (EPA)

Golden feathers cascaded down models' concealed faces Saturday, which opened Loewe and evoked the myths, setting the stage for Northern Irish designer Jonathan Anderson’s more refined and subdued collection this season. This was a quintessential Anderson move, blending whimsical artistry with high fashion.

Here are some highlights of spring 2025 menswear shows:

Feathers and suits at Loewe

Moments of poetry abounded, as usual. A stiff sleeveless pearl vest and another resembling armor, almost sculptural in its presence, shimmered like iridescent fish. Anderson’s talent for what he calls creating “collaged realness” was once again on display for spring, merging art content with high-end fashion.

Generous draping and ruching on pants and foulards showcased fine fashion design with curves swirling elegantly, all conceived with a light, minimalist touch. This was Anderson at his best, creating exaggerated, sculptural silhouettes that are now a hallmark of his Loewe tenure. The deceptive lightness and fluidity of the cottons, wools and leathers marked his ongoing exploration of materiality.

The tailored suit and pants — a mainstay of an office job — were touchstones, starkly contrasting the moments of whimsy.

Even here, styles were treated with Anderson’s signature off-kilter eye and in loose, generous proportions.

Elongated belts were in double vision, while patent Oxford shoes would have been ready for Wall Street, were it not for the fairytale-like surreally long toe that could have been worn by Rumpelstiltskin. Was Anderson trying to evoke a daydream of a bored city worker? This fusion of the mundane and the fantastical is an Anderson trademark. Spring was another example of his ability to use clothing as a medium to explore broader cultural themes.

Pastels, microbacteria: Kiko Kostadinov

Asian cross-over styles and sumptuous turban-like headwear mixed with the buttons and epaulet detailing of military garb created a distinctively avant-garde atmosphere for fashion-forward designer Kiko Kostadinov’s latest collection. The nuanced incorporation of pastels, often gently color-blocked into the outfits, lent the collection a vibrant yet subtle harmony, reflecting Kostadinov’s knack for blending unlikely elements.

The uncommon pastel hues made this collection sing. Kostadinov often uses vibrant tones to create eye-catching ensembles.

Other styles featured high, round collars that seemed to evoke Star Trek, adding a futuristic twist. Kostadinov has a penchant for integrating elements of science fiction and fantasy into his designs, as seen in past collections inspired by cinematic and bookish themes.

Indeed, one look — a striking industrial-style jacket and pants — sported surreal motifs of alien lifeforms or underwater creatures. This playful yet eerie detailing continued, resembling microscopic bacteria adorning a 70s-style pastel-striped shirt and pants.



Gucci Dreams of Magical Sunsets at Milan Fashion Week

 A model presents a creation from the Gucci Spring/Summer 2025 collection during Fashion Week in Milan, Italy, September 20, 2024. (Reuters)
A model presents a creation from the Gucci Spring/Summer 2025 collection during Fashion Week in Milan, Italy, September 20, 2024. (Reuters)
TT

Gucci Dreams of Magical Sunsets at Milan Fashion Week

 A model presents a creation from the Gucci Spring/Summer 2025 collection during Fashion Week in Milan, Italy, September 20, 2024. (Reuters)
A model presents a creation from the Gucci Spring/Summer 2025 collection during Fashion Week in Milan, Italy, September 20, 2024. (Reuters)

Gucci sought to recreate the magic of summer sunsets at Milan Fashion Week on Friday with a colorful line that at times nodded to the 1960s.

Creative director Sabato De Sarno began the show for his spring/summer 2025 collection, called “Casual grandeur”, with a tailored zipped jacket and floor-length trousers slit at the front bottom, opening up over sneakers.

Models wore draped or sleeveless dresses in various colors adorned with golden buckles as well as see-through lace frocks.

There were looks that mirrored 1960s styles with short A-line skirts, structured jackets and shorts. Long coats were worn over tank tops and long denim trousers. Some coats were adorned with sparkling fringes.

Models walked down a red catwalk with lighting ranging from white to warmer shades, nodding to the "moment the sun dives into the sea at the end of an August day", De Sarno said in show notes.

“It’s the moment we find ourselves. This collection is a tribute to those moments, and an invitation to stop, seek your own moment," he said, as the show drew Oscar winner Jessica Chastain and Italian tennis star and world No. 1 Jannik Sinner among celebrity guests.

Accessories included large summer hats, an array of handbags and footwear that varied from loafers and boots to platforms with transparent heels.

De Sarno's color palette included grey, brown, different shades of green, white, orange and red.

De Sarno, who presented his first Gucci show a year ago, has been resetting the Italian luxury brand with his sleek, pared-back creations since taking over from former designer Alessandro Michele, known for his eclectic styles.

“A year later, this collection shows an accomplished journey of construction,” De Sarno said.

Gucci is the largest brand at Kering where it accounts for half of the French luxury group’s sales.

In July, Kering reported a bigger-than-expected drop in second-quarter sales and forecast a weak second half, as the group works to re-energize Gucci while facing subdued demand from Chinese shoppers.