Fashion Suppliers Want Brands to Help With EU Green Regulations

An employee arranges bobbins at a textile plant in Haian county, Jiangsu province, China. REUTERS
An employee arranges bobbins at a textile plant in Haian county, Jiangsu province, China. REUTERS
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Fashion Suppliers Want Brands to Help With EU Green Regulations

An employee arranges bobbins at a textile plant in Haian county, Jiangsu province, China. REUTERS
An employee arranges bobbins at a textile plant in Haian county, Jiangsu province, China. REUTERS

As the global fashion industry braces for new green supply-chain regulations, clothing makers in low-income countries like Bangladesh expect major international brands to share the burden. The European Union’s Corporate Sustainability Due Diligence Directive (CSDDD), adopted in July, requires corporations to make their global value chains more sustainable.
The new rules on workers’ rights and emissions could transform the way clothing is made and sold, most significantly in the garment factories and textile mills across Asia that account for much of the sector’s pollution. Bangladesh, the world’s second-biggest clothing exporter after China, in particular needs assistance from major brands as it undergoes a political transition following mass protests sparked by a jobs crisis that ousted the previous government.
"While in Bangladesh we have prepared our mindset and ecosystem for the change, we will need support from our global buyers, as well as our government, to reach the green transition goals," said Abdullah Hil Rakib, managing director at Team Group, a clothing supplier in Bangladesh that employs about 23,000 people. The CSDDD seeks to bring corporate practices in line with the Paris Agreement on climate goals. Major European brands must ensure their suppliers are conducting due diligence to protect workers and communities from the adverse effects of their operations or pay compensation for damages.
For the fashion industry, the onus will mostly fall on factories in places like Bangladesh, Pakistan and Cambodia to find and fill the gaps in safeguarding labor, human rights and the environment, experts said.
International brands must collaborate with these suppliers to adhere to the new rules, according to a study by clothing makers in Asia that was supported by the Transformers Foundation, which represents the denim industry, and GIZ FABRIC, a project from German development agency GIZ to support sustainable textile production in the region.
GROWING COMPLEXITY
The new regulations may provide a chance for suppliers to push for ethical commercial practices and more favorable contracts from international brands, representatives from companies behind the study told the Thomson Reuters Foundation in a joint interview.
But manufacturers are still coming to grips with what measures they must take and how they will finance their portion of the estimated $1 trillion investment required for the fashion industry to transition to net-zero emissions in the coming decades.
Rakib estimated that suppliers will have to make additional investments of 20% to 30% to turn their factories green.
Industry experts warned that the CSDDD will require a raft of legal changes in countries where the products are manufactured.
National legislatures will have to pass laws that line up with the EU directive. Brands must devise their approach to implementing such laws, and courts will need precedents in order to enforce them, said Matin Saad Abdullah, a professor of computer science and engineering at BRAC University in Dhaka who maps garment factories’ compliance on labor rights and environmental standards.
"The path forward is long and complex," he said.
Brands and suppliers have widely differing capacities and plans for meeting what the EU calls “just transition,” said Zahangir Alam, a fashion industry consultant who has worked for three decades with top global brands on labor issues and sustainability.
For example, Sweden’s H&M Group aims to cut carbon emissions by 56% by 2030, while US retailer Walmart’s Project Gigaton seeks to avoid 1 billion metric tons of emissions in its global value chain by 2030.
Smaller producers in particular will struggle to determine which actions they need to take to meet a brand’s particular benchmarks, Alam said.
‘SHARED RESPONSIBILITY’
Industry associations and government agencies can encourage a common approach by companies in the transition to cleaner and fairer practices, said Rakib.
Bangladesh's garment makers' association, called BGMEA, has set up the Responsible Business Hub to provide information to suppliers about the changing regulatory landscape. The group is also creating a platform to facilitate data collection and sharing. But suppliers said they need brands at their side too and that meeting the CSDDD’s requirements is a “shared responsibility,” as the directive mandates.
Brands are often accused of passing the buck to their suppliers when it comes to ensuring a living wage or investing in decarbonization.
To achieve net-zero emission by 2050, the fashion industry will have to invest more than $600 billion to implement solutions that already exist and about $400 billion to develop innovations, according to a report by the Apparel Impact Institute (Aii), a non-profit promoting sustainable investments.
Aii has formed the Fashion Climate Fund, which pools resources from brands and philanthropies, and is working with more than 1,000 suppliers to help them achieve energy and water efficiency, said Lewis Perkins, President of Aii.
Aii acts as a "clearing house" to identify programs and technology for decarbonization and encourage local suppliers to adopt them.
"We have identified 1,500 suppliers with high energy usage and aim to support locally grown decarbonization solutions, when they meet our criteria, prioritized by the suppliers themselves, with buy-in from multiple stakeholders, so that all actors are on the same page," Perkins said.
WORKERS’ VOICES
The EU directive is also aimed at improving labor conditions, requiring businesses to verify workplace safety and allow workers and unions to file complaints about human rights violations with authorities.
Union leaders said they are waiting to see how the changes are put in place to protect workers.
"When the laws kick in, we need clear and simple channels to seek remedy when anything goes wrong - and the Global North should have a roadmap for supporting the upskilling of workers," said Kalpona Akter, executive director of the Bangladesh Center for Workers Solidarity (BCWS).
"Moreover, for all the lawmakers' focus on transitioning to net zero, there should be a comparable commitment on helping workers deal with climate impacts like flooding and heat," said Akter.
Garment-producing countries like Bangladesh could lose $66 billion in export revenues by 2030 due to flooding and heat waves, said reports by the Global Labor Institute at Cornell University in the United States and investment manager Schroders published last year.
Team Group’s Rakib said Bangladesh’s experience making changes to improve conditions for workers and the environment make it well-positioned to tackle the new rules – and ensure it retains its position as a leading producer of the world’s clothing.
"With the strides that suppliers in Bangladesh have made in ensuring workers are safe from fire and electrical risks - and more than 200 green factories making extra savings on energy and water - we will remain a key sourcing choice," Rakib said.



Stars Shine at Met Gala, Fashion’s Biggest Night

US musician Beyonce arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
US musician Beyonce arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
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Stars Shine at Met Gala, Fashion’s Biggest Night

US musician Beyonce arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
US musician Beyonce arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)

The brightest stars in Hollywood, music, sports and style -- led by Beyonce, Madonna and Nicole Kidman -- hit the red carpet Monday for the Met Gala, the Manhattan charity ball that doubles as fashion's biggest night.

The A-listers were asked to dress for the theme "Fashion is Art," which dovetails with the exhibit "Costume Art" at the Metropolitan Museum of Art's Costume Institute.

And while not everyone followed the guidelines to the letter, the gala -- traditionally held on the first Monday in May -- certainly delivered as one of the world's top red carpets, with blinding star power.

Beyonce, one of the event's co-chairs who was making her first appearance in a decade, was one of the last to arrive, but she did not disappoint, stunning the crowd in a bejeweled skeleton gown topped with a dramatic feather coat and a headpiece.

Her rap mogul husband Jay-Z -- in a tuxedo with tails -- and daughter Blue Ivy Carter, in a white strapless gown and sparkling heels -- joined her.

Earlier, the singer's fellow co-chairs, tennis legend Venus Williams and Oscar-winning actress Nicole Kidman, kicked off the proceedings.

Kidman stunned in a shimmering red long-sleeved Chanel column dress with wide feather cuffs, while Williams glistened in a black crystal Swarovski gown with an elaborate neck plate.

From there, the stars kept on coming. Rock royalty Madonna, Cher and Stevie Nicks joined music's new generation of stars in Sabrina Carpenter, Doja Cat and Tyla.

Rihanna and A$AP Rocky were hours late, as per usual, making a grand entrance.

Bad Bunny, who is having a blockbuster 2026 with major Grammy wins and the Super Bowl halftime show under his belt, wore prosthetics and a white wig to explore how he would look as an old man, according to Vogue.

Rapper Doja Cat, one of several members of a gala "host committee," wore a draped latex Saint Laurent gown with a demure neckline -- but slit up to her waist.

Donatella Versace, Tom Ford, Stella McCartney, Anthony Vaccarello and Haider Ackermann were among the many fashion designers on hand for the evening.

Olympic gold medalists Alysa Liu and Eileen Gu -- whose dress had a built-in bubble maker -- led a strong contingent of athletes to the red carpet, along with NFL superstar Russell Wilson and several men's and women's basketball stars.

And actress Blake Lively made a surprise appearance at the gala, just hours after she settled a major court case over her film "It Ends with Us" with her co-star and director Justin Baldoni.

Of course, the entire evening is overseen by Vogue's global editorial director Anna Wintour -- the ultimate tastemaker in US fashion who has helmed the event for 30 years.

The gala is a fundraiser for the Met's Costume Institute, and this year has raised a record $42 million (after $31 million in 2025), the museum's CEO Max Hollein told reporters early Monday.

This year's exhibit juxtaposes elegant fashion looks with paintings and sculpture: think a Saint Laurent design next to Van Gogh's "Irises", or a John Galliano gown for Maison Margiela paired with an antique statue.

"When I think about the show, if there's one word to describe it, I suppose it would be equitability or equivalency, equivalency between artworks," the Costume Institute's curator Andrew Bolton told AFP.

"So there's no hierarchy between sculpture, painting, fashion, photography and no hierarchy between bodies, between the classical body or the disabled body."

The Met Gala was first organized in 1948 and for decades was reserved for New York high society -- until Wintour transformed the party into a high-profile catwalk for the rich and famous in the 1990s.

The "Costume Art" exhibit, which opens on May 10 at the venerable museum in Manhattan, will seek to explore the "dressed body" in artworks across the centuries.


Hugo Boss Tops Quarterly Profit Estimates Despite Geopolitical Uncertainty

An employee displays suits at the Hugo Boss section of the Central Universal Department Store (TsUM), in Kyiv, Ukraine January 25, 2021. (Reuters)
An employee displays suits at the Hugo Boss section of the Central Universal Department Store (TsUM), in Kyiv, Ukraine January 25, 2021. (Reuters)
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Hugo Boss Tops Quarterly Profit Estimates Despite Geopolitical Uncertainty

An employee displays suits at the Hugo Boss section of the Central Universal Department Store (TsUM), in Kyiv, Ukraine January 25, 2021. (Reuters)
An employee displays suits at the Hugo Boss section of the Central Universal Department Store (TsUM), in Kyiv, Ukraine January 25, 2021. (Reuters)

German fashion group Hugo Boss reported quarterly operating profit above expectations on Tuesday, despite a challenging market environment.

The company posted first-quarter earnings before interest and taxes (EBIT) of 35 million euros, down from 61 million euros a year earlier, but above analyst's forecast of 30 million euros in a company-provided poll.

The German firm reported ‌revenue of ‌905 million euros for the period, exceeding ‌analysts' ⁠forecast of 887 ⁠million euros.

"Following our successful finish to 2025, we entered the year with a clear roadmap. However, the market environment has become more challenging over the course of the first quarter, caused by recent developments in the Middle East," CEO Daniel Grieder ⁠said in a statement.

The war in ‌the Middle East has ‌roiled global markets, driving oil prices higher and re-igniting concerns ‌over global inflation and growth, with the vital ‌Strait of Hormuz remaining closed.

The company said the conflict in the region led to a notable decline in store traffic in the region from March onwards, while global ‌consumer sentiment stayed muted throughout the quarter, having a negative impact of around 1% ⁠on ⁠group sales in the first quarter.

However, Grieder said the firm had made progress streamlining product assortments and refining its global distribution footprint despite the geopolitical uncertainty.

"Against an increasingly challenging external backdrop, we remain firmly focused on executing our strategy, actively managing the business with flexibility and discipline," he added.

Hugo Boss has sought to boost the popularity of its brand through selected marketing investments, while increasing profits by limiting costs, despite weakening consumer demand.

The company confirmed its full-year guidance for 2026.


Met Gala Guests from Beyonce to Nicole Kidman Set to Flaunt Fashion as Art

Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)
Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)
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Met Gala Guests from Beyonce to Nicole Kidman Set to Flaunt Fashion as Art

Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)
Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)

From beyond the museum walls Monday, works of art will move and take shape as the glitterati of guests from Beyonce, Nicole Kidman to Venus Williams will fashionably ascend the Metropolitan Museum of Art’s steps and exhibit their creative interpretations of this year's dress code, “Fashion is art.”

The question of whether fashion is art has long been topic of conversation for fashion insiders, and this first Monday in May the dress code is leaving nothing up for debate.

The dress code for the starry fundraising event calls for guests to “express their relationship to fashion as an embodied art form."

Fashion has long drawn inspiration from works of art, leaving guests with no shortage of artistic references to show off.

But will guests pull from the fashion archives on Monday or wear custom artistic creations from fashion houses?

Archival fashion looks have become a red carpet phenomenon with fashion savvy stars wanting to get their hands on some of the rarer pieces of fashion history.

Designer Elsa Schiaparelli famously collaborated in 1937 with Spanish artist Salvador Dalí to design a white silk dress with a lobster printed on the front. Years later, Yves Saint Laurent would design shift dresses filled with Piet Mondrian’s blocks of color in 1965, and more recently, Marc Jacobs collaborated with artist Takashi Murakami in 2002 to add his designs to Louis Vuitton.

Monday’s carpet is also a chance for celebrities to deliver their own performance art.

The late designer Alexander McQueen was heavily regarded by fashion insiders as an artist. He closed his Spring 1999 show with a piece of performance art when machines sprayed Shalom Harlow’s white dress with black and yellow spray paint as she posed on a rotating turntable.

Past Gala dress codes have honored designers and pulled from literature. Last year, the art of tailoring was center stage with the dress code “Tailored for you.” The high-profile event raises money for the museum's Costume Institute, and each year the dress code for the gala takes cues from the Costume Institute’s spring exhibition.

On display this Spring, the “Costume Art” exhibit will “examine the centrality of the dressed body.”

The relationship between fashion and art has not always been embraced. Art historian and author Nancy Hall-Duncan writes in her book, “Art X Fashion: Fashion Inspired by Art” that in the 19th century, art was perceived as classical and fashion was frivolous.

When Yves Saint Laurent held the Met’s first fashion exhibit in 1983, the exhibit was met with heavy criticism. Since then, the museum has held countless fashion exhibits throughout the years with museums around the world following suit. The Louvre put on its first fashion exhibition “Louvre couture” last year.

The dress code set by Wintour and the Met's Costume Institute curator, Andrew Bolton, is the final seal of approval that fashion is art, Hall-Duncan told The Associated Press.

“Isn’t that a giant step?” she said. “It will indeed change perceptions.”

The red carpet spectacle is available for all to watch online with the Vogue livestream. Ashley Graham, La La Anthony and Cara Delevingne will be hosting the livestream with Emma Chamberlain interviewing guests throughout the night.

The Associated Press will have a livestream of celebrities leaving a pair of New York hotels on their way to the gala on APNews.com and YouTube. It's the first chance to see what attendees will be wearing before they hit the gala's carpet.