Gabon Fashion Designer Brings Traditional Raffia to Paris Runways

Gabonese fashion designer Chouchou Lazare sketches a design for a dress inside his tailoring workshop in Libreville on February 9, 2026. (AFP)
Gabonese fashion designer Chouchou Lazare sketches a design for a dress inside his tailoring workshop in Libreville on February 9, 2026. (AFP)
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Gabon Fashion Designer Brings Traditional Raffia to Paris Runways

Gabonese fashion designer Chouchou Lazare sketches a design for a dress inside his tailoring workshop in Libreville on February 9, 2026. (AFP)
Gabonese fashion designer Chouchou Lazare sketches a design for a dress inside his tailoring workshop in Libreville on February 9, 2026. (AFP)

Strands of raffia dry outside in the sun at the studio of Gabonese fashion designer Chouchou Lazare, who has made a name for himself using the natural fibers to craft his award-winning garments.

The natural material derived from palm leaves -- and traditionally reserved for Gabon's nobles and village chiefs -- gained international attention on the runways of the world's fashion capital last week.

"This is raffia from Gabon, it's special, it's woven very finely, it's a textile that deserves to be shown," the self-taught designer told AFP at his workshop in the capital Libreville.

Whether braided, sewn or glued to bustiers or skirts, nearly all of Lazare's dresses incorporate raffia.

Lazare was only nine years old when he began helping out his mother with her sewing to make ends meet.

He went on to organize his first fashion show in high school and has never received formal training in fashion.

Now in his 50s -- he chooses to keep his exact age under wraps -- Lazare says he learned his craft by designing dresses for the two most important women in his life: his mother and grandmother.

"She was very tall; to me, she was like a queen," he said of his mother.

And in readying his latest collection for the show in Paris on February 28, she remained his inspiration.

"When I prepare my shows, I want to see queens, women who fully own who they are," he said.

Although the signature material is used throughout his collection, the natural fibers are never dyed.

In the central African country, raffia has special significance.

"It's a traditional fabric that is part of the spirituality of our country, that speaks to the ancestors," the designer said.

- Like 'diamonds' -

Nowadays no longer just for nobility, raffia features at Gabonese traditional weddings and Indigenous bwiti spiritual ceremonies.

"Raffia represents a natural resource to be preserved, contributing to the influence of Gabonese and African cultural heritage," the ministry of sustainable tourism and crafts said on social media earlier in the year.

But that does not mean it should only be worn by Gabonese or African people, Lazare said.

"It's for everyone," he stressed, checking whether a bunch of the fibers laid out on his balcony were dry.

In 2002, Lazare won first prize for fashion at the Saint-Etienne International Design Biennial in France.

More than two decades later, he presented his creations to French President Emmanuel Macron during a state visit to Gabon in November.

A photograph of Lazare with Macron and Gabon's President Brice Oligui Nguema now proudly hangs in his workshop, a reminder of "a great moment", he said.

While raffia may seem a familiar textile to people in Gabon, Lazare said that upon seeing the presidents' reactions to his creations, "I felt like they were diamonds."

Glittering in his "diamonds" -- a raffia-decorated hat and tunic with a gold suit jacket -- Lazare picked up an achievement award in Paris at last week's Fashion Annual Show, which for more than 25 years has been honoring African designers.

As the president of the Association of Gabonese Stylists and Creators, he is also paving the way for other designers through teaching and mentorship.

Lazare said he hoped to see raffia recognized "as a treasure for Gabon".



LVMH Sales Edge Higher Despite Fashion Slide

FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo
FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo
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LVMH Sales Edge Higher Despite Fashion Slide

FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo
FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo

LVMH, the world's leading luxury group, said Monday its sales edged higher in the third quarter despite a slowdown in China hitting its fashion and leather goods segment.

The group, whose brands include Louis Vuitton, Dior, Celine and drinks maker Hennessy, took in 18.5 billion euros ($20.6 billion) in the three months to the end of September, beating the consensus of analysts polled by Factset financial data firm.

The 1.2 percent sales gain beat the marginal 0.1 percent increase registered in the second quarter. The group's sales slumped six percent in the first three months of the year.

"Backed by its diverse range of businesses, LVMH remained very solid in an uncertain geopolitical and economic environment," AFP quoted the company as saying in a statement.

But the fashion and leather goods segment saw sales drop five percent excluding currency effects and changes to the business as it was "affected in the third quarter by the slowdown in demand in China."

Louis Vuitton saw its public image take a hit in China after pursuing a local tea company for copying its logo. While it won the case, it provoked a wave of indignation on social media and a call to boycott the brand.

The drop for fashion and leather goods follows the segment posting its first sales gain in two years in the second quarter.

But LVMH's selective retailing division, which includes the Sephora perfume and cosmetics retail chain, posted an eight percent sales increase, while the watches and jewelry and wines and spirits segments both managed six percent gains.

LVMH's share price has dropped 40 percent since the start of the year, with the group losing its place as the leading company on the Paris CAC 40 index in terms of capitalization to L'Oreal.


Saint Laurent Says Designer Anthony Vaccarello to Leave

(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)
(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)
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Saint Laurent Says Designer Anthony Vaccarello to Leave

(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)
(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)

Belgian fashion designer Anthony Vaccarello will leave his post as chief designer at Saint Laurent after a decade in charge, the French house's parent company Kering announced Friday.

"Anthony Vaccarello has played a key role in Saint Laurent's development, helping to strengthen its identity and influence across the worlds of fashion and culture," Kering said in a statement, without giving any reason for Vaccarello's departure.

The designer had hinted at his potential exit at his final show for Saint Laurent on September 29.

Saint Laurent is the last major Kering brand to switch creative director as a ⁠luxury ⁠industry slowdown prompted designer changes last year at Gucci, Balenciaga and Bottega Veneta.

"The focus of the new designer will be in currently under-represented product categories, such as women's daywear and menswear, in high-end leather goods, and less penetrated regions such as China/Asia," Barclays analysts said in a note.

Industry speculation points to Chemena Kamali, currently creative director at Chloe and previously womenswear design director at Saint Laurent, as Vaccarello's likely successor.
Saint Laurent's gross revenues fell by 9% and 6% in 2024 and 2025, before largely stabilizing this year, according to Kering.


Nicole Kidman and Dua Lipa Watch Chanel’s Creative Revival at Paris Fashion Week

Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)
Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)
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Nicole Kidman and Dua Lipa Watch Chanel’s Creative Revival at Paris Fashion Week

Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)
Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)

Chanel’s artistic director Matthieu Blazy sent the fashion house's suits stretching towards sportswear and evening dresses drifting through clouds, with Nicole Kidman, Dua Lipa and Pedro Pascal in the audience as he unveiled his spring-summer 2027 collection.

The Monday night show underscored that a year into his creative revival, Blazy has made the house feel newly unpredictable.

The former Bottega Veneta designer succeeded Virginie Viard, who took over after Karl Lagerfeld ’s death in 2019. Viard’s tenure brought record sales but Blazy’s contribution has been to restore a sense that Chanel’s familiar ingredients can produce something unexpected.

That renewal is visible in his treatment of the house’s symbols: tweed can stretch; formal jackets sit against bare skin; quilted bags turn slouchy.

The appeal lies in giving established clients something recognizable, and newer ones something to reinterpret.

Beneath illuminated birds at the Grand Palais, Blazy's collection traced Gabrielle “Coco” Chanel’s passage from Edwardian constraint towards the freedom she sought in dress.

“It’s about the women within a woman,” Blazy wrote in his notes.

Across 83 looks, that meant expanding the possibilities of a Chanel wardrobe: knits that skimmed the body, masculine tailoring, airy eveningwear and sharply abbreviated skirts.

Raw-edged waistcoats and narrow skirt suits reworked men’s formal clothes. A pearl-embroidered corset top paired with black trousers brought the tension between restriction and ease into focus.

Older fashions lingered in ruffled collars, peplums and traces of corset boning.

The strongest development was Chanel’s new “smocked tweed,” designed to stretch and move with something of athleticwear’s ease. It was a useful proposition for an expensive, familiar garment: preserve its character while improving its possibilities.

Competing patterns and frothy tutus sometimes tipped towards costume. Dres

ses made from layered, printed silk were more persuasive, turning cloud formations and changing light into shifting color, The Associated Press reported.

Model Dyanira Hurbuscher opened and closed the collection — carrying Gabrielle Chanel’s own 2.55 handbag, borrowed from the famed archives.

That element neatly framed the collection’s ambition: continuity with room for change — a balance Blazy’s revitalization of Chanel rests on.

He has made Chanel's heritage feel available for play, backed by serious work in the ateliers.

Lipa wore a sleeveless skirt suit with pink heels. Kidman attended with her daughter Faith Margaret.