How Did European Diplomacy Rein in Iran?

Frank-Walter Steinmeier, Federica Mogherini, Mohammad Javad Zarif, Iranian ambassador to IAEA  Ali Akbar Salehi and Russian Foreign Minister Sergey Lavrov (L-R) Vienna, 14 July, 2015. Reuters
Frank-Walter Steinmeier, Federica Mogherini, Mohammad Javad Zarif, Iranian ambassador to IAEA Ali Akbar Salehi and Russian Foreign Minister Sergey Lavrov (L-R) Vienna, 14 July, 2015. Reuters
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How Did European Diplomacy Rein in Iran?

Frank-Walter Steinmeier, Federica Mogherini, Mohammad Javad Zarif, Iranian ambassador to IAEA  Ali Akbar Salehi and Russian Foreign Minister Sergey Lavrov (L-R) Vienna, 14 July, 2015. Reuters
Frank-Walter Steinmeier, Federica Mogherini, Mohammad Javad Zarif, Iranian ambassador to IAEA Ali Akbar Salehi and Russian Foreign Minister Sergey Lavrov (L-R) Vienna, 14 July, 2015. Reuters

Astrid Viaud’s “EU Diplomacy and the Iran Nuclear Deal” has gained growing importance in light of the current wave of protests hitting the cleric-led country.

Most demonstrations are demanding the delivery on economic promises made by the regime after poverty and unemployment have taken toll on the public. Even more, protesting for freedom, the Iranian people have also demanded a change in authority and instating a healthy democracy.

Written by Viaud, who is a doctoral researcher at the Louvain-Europe Institute of Political Science at the Catholic University of Louvain, the work was published by Belgium’s KU Leuven publishing house.

Seeking to decipher the Iranian nuclear program, the book sheds light on the role played by the European Union in limiting the chances of Iran possessing a nuclear bomb, especially in light of massive distrust hindering the West’s relationship with the Tehran regime.

The author also highlights dimensions of professional coordination between foreign policies of EU member countries, which played an active role aided in preventing Tehran’s ambitions in seeking nuclear armament.

Viaud reveals details on German, French and Britain politics which fostered the later European consensus.

First, diplomatic efforts worked on garnering a unified position among the three countries on the Iranian nuclear file and then presented it to EU Foreign Policy offices.

Being a thorny bush to tackle, most political maneuvers took place outside the European Council. It would have been no easy task to reach European agreement on negotiations with Tehran within the tight corridors of European institutions.

Relaxing from detailed European framework, the three countries found it possible to push the negotiation process on this heated topic.

Reviewing the EU’s vision of the Iranian nuclear issue, the author also chose to highlight the EU relying on its economic weight so that it increases the political power of each country partaking in the international scene.

The EU insisting on imposing economic sanctions against the Iranian regime for over six years confirms the union's desire to lay this matter to rest.

But despite Iran's signing of the Nuclear Non-Proliferation Treaty (NPT) in 1968 and its ratification in 1970, Western society feared that Iran would not comply and still seek out nuclear weapons.

Each of Germany, France and Britain based their positions on principles set by great powers at the time of the resumption of negotiations in 2013, which demanded strong guarantees to prevent Iran from putting its hands on nuclear weapons.

The nuclear agreement signed between the international community and Iran on July 14, 2015 represents the fruits of a serious and arduous diplomacy that stretched for more than 21 months.

Standing as proof to the success of European diplomacy, the EU’s “carrot and stick" policy had won over the other robust option on the table, military intervention.

Some NATO member states, and some countries such as Israel and others had long eyed a decisive military choice.

In the midst of troubled politics and intertwined interests, Europe has always worked to create constructive dialogue with Iran, a dialogue that has seen ups and downs. Nevertheless, Europe has generally succeeded in reaching constructive and effective talks.

The EU played both good cop and bad cop—at a point the group not only directed and implemented UN Security Council sanctions but sought to impose other sanctions on Tehran in coordination with the US.

These sanctions were made more stringent from 2010 to 2012 and have had a direct impact not only on the Iranian economy but also on the power circles there.

On the other hand, Europe succeeded in strengthening its position as an honest broker between the main international partners (Russia and China) on the one hand and the Americans on the other, in an attempt to find an appropriate place in negotiations with Iran while respecting other geographical balances in the region.

Europe has sought, through this position, to preserve the social fabric of the region, which is in a state of imbalance against the backdrop of the Iraqi unsettled situation. This is in addition to the Ukrainian crisis, which has also begun to affect the international arena since 2014, which tipped the scales in its own ways in files within and outside the regional scope.

Another important reason for the success of the dialogue was the European negotiating team enjoying a largely diverse and collective flexibility, away from the particular interests of each EU member state.



Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact
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Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

The Cultural Development Fund has announced its results for the first quarter of 2026, demonstrating significant growth in financial performance and developmental impact. This underscores the fund's role as a key financial enabler and center of excellence in developing a sustainable cultural sector, enhancing Saudi culture as a vital economic and social pillar, SPA reported.

Since its inception, the fund has provided over SAR770 million in financial support to 165 cultural projects across various sub-sectors and regions of the Kingdom. It has also benefited more than 1,630 creative individuals and entrepreneurs through developmental services aimed at building entrepreneurial capabilities.

The fund achieved a 30% increase in financial returns compared to the same period in 2025, contributing an estimated SAR4.1 billion to GDP and creating over 12,540 job opportunities.

Additionally, it has stimulated private sector involvement with approximately SAR1.1 billion in contributions, reflecting growing confidence in developing the cultural sector.

These figures highlight the fund's essential role in empowering the private sector and fostering innovative financial solutions that promote growth and enhance the quality of life, aligned with Saudi Vision 2030.


Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.


Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
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Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)

Against a backdrop of blooming cherry blossoms, a group of geishas elegantly shuffle onto a stage in Japan's Kyoto city to begin a centuries-old performance celebrating the arrival of spring.

Dressed in sky blue kimonos emblazoned with flowers, the dancers twist and twirl in unison in front of hundreds of spectators eager to see the annual "Miyako Odori" in the nation's spectacular ancient capital.

Geishas, known as geikos in Kyoto, and apprentices called maikos have been donning elaborate costumes and fluttering fans since the Miyako Odori -- or "capital city dance" -- first started in 1872.

"Just as cherry blossoms bloom when spring approaches, the Miyako Odori is a spring tradition in Kyoto," Kyoko Sugiura, head of the Yasaka Nyokoba Gakuen, a school for geishas in Kyoto's Gion district, told AFP.

In Japanese, the word geisha means "person of the arts", and can refer to a woman or man trained in traditional Japanese performing arts.

In the popular imagination geishas are often confused with courtesans but their work as trained masters of refined old artforms does not involve selling sex.

Their performances are usually small and private, and take place at high-class establishments which operate a no first-time customer policy.

"That's why it is often thought of as a very exclusive world," Sugiura said.

"But the Miyako Odori is a one-hour show in which geisha and maiko have the opportunity to showcase the arts they practise daily," she said.

"Anyone and everyone with a ticket can enjoy the show."

The Miyako Odori began soon after Kyoto hosted Japan's first national expo -- an effort to revitalize the western city following the relocation of the capital to Tokyo in 1869.

The format of the performance has not changed much, Sugiura explained, although the music and dance moves are sometimes switched up.

Maria Superata, a geisha expert who has worked with them as an interpreter, explained that the show "combines all of the traditional performing arts that you can see in Japan".

"For example, elements from kabuki (classical Japanese theatre), elements from traditional dance. So they have to act, they have to sing, they have to play the instruments, everything all in one," she said.

"That's why it's so special."

But the number of geishas, who once made a living through performing for Japan's wealthy elite, is in decline.

Superata said that fewer young Japanese want a life that demands huge discipline and comes with a strict practice schedule.

"Nowadays, young Japanese people... are not very interested that much in traditional art and in kimono."