How Did European Diplomacy Rein in Iran?

Frank-Walter Steinmeier, Federica Mogherini, Mohammad Javad Zarif, Iranian ambassador to IAEA  Ali Akbar Salehi and Russian Foreign Minister Sergey Lavrov (L-R) Vienna, 14 July, 2015. Reuters
Frank-Walter Steinmeier, Federica Mogherini, Mohammad Javad Zarif, Iranian ambassador to IAEA Ali Akbar Salehi and Russian Foreign Minister Sergey Lavrov (L-R) Vienna, 14 July, 2015. Reuters
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How Did European Diplomacy Rein in Iran?

Frank-Walter Steinmeier, Federica Mogherini, Mohammad Javad Zarif, Iranian ambassador to IAEA  Ali Akbar Salehi and Russian Foreign Minister Sergey Lavrov (L-R) Vienna, 14 July, 2015. Reuters
Frank-Walter Steinmeier, Federica Mogherini, Mohammad Javad Zarif, Iranian ambassador to IAEA Ali Akbar Salehi and Russian Foreign Minister Sergey Lavrov (L-R) Vienna, 14 July, 2015. Reuters

Astrid Viaud’s “EU Diplomacy and the Iran Nuclear Deal” has gained growing importance in light of the current wave of protests hitting the cleric-led country.

Most demonstrations are demanding the delivery on economic promises made by the regime after poverty and unemployment have taken toll on the public. Even more, protesting for freedom, the Iranian people have also demanded a change in authority and instating a healthy democracy.

Written by Viaud, who is a doctoral researcher at the Louvain-Europe Institute of Political Science at the Catholic University of Louvain, the work was published by Belgium’s KU Leuven publishing house.

Seeking to decipher the Iranian nuclear program, the book sheds light on the role played by the European Union in limiting the chances of Iran possessing a nuclear bomb, especially in light of massive distrust hindering the West’s relationship with the Tehran regime.

The author also highlights dimensions of professional coordination between foreign policies of EU member countries, which played an active role aided in preventing Tehran’s ambitions in seeking nuclear armament.

Viaud reveals details on German, French and Britain politics which fostered the later European consensus.

First, diplomatic efforts worked on garnering a unified position among the three countries on the Iranian nuclear file and then presented it to EU Foreign Policy offices.

Being a thorny bush to tackle, most political maneuvers took place outside the European Council. It would have been no easy task to reach European agreement on negotiations with Tehran within the tight corridors of European institutions.

Relaxing from detailed European framework, the three countries found it possible to push the negotiation process on this heated topic.

Reviewing the EU’s vision of the Iranian nuclear issue, the author also chose to highlight the EU relying on its economic weight so that it increases the political power of each country partaking in the international scene.

The EU insisting on imposing economic sanctions against the Iranian regime for over six years confirms the union's desire to lay this matter to rest.

But despite Iran's signing of the Nuclear Non-Proliferation Treaty (NPT) in 1968 and its ratification in 1970, Western society feared that Iran would not comply and still seek out nuclear weapons.

Each of Germany, France and Britain based their positions on principles set by great powers at the time of the resumption of negotiations in 2013, which demanded strong guarantees to prevent Iran from putting its hands on nuclear weapons.

The nuclear agreement signed between the international community and Iran on July 14, 2015 represents the fruits of a serious and arduous diplomacy that stretched for more than 21 months.

Standing as proof to the success of European diplomacy, the EU’s “carrot and stick" policy had won over the other robust option on the table, military intervention.

Some NATO member states, and some countries such as Israel and others had long eyed a decisive military choice.

In the midst of troubled politics and intertwined interests, Europe has always worked to create constructive dialogue with Iran, a dialogue that has seen ups and downs. Nevertheless, Europe has generally succeeded in reaching constructive and effective talks.

The EU played both good cop and bad cop—at a point the group not only directed and implemented UN Security Council sanctions but sought to impose other sanctions on Tehran in coordination with the US.

These sanctions were made more stringent from 2010 to 2012 and have had a direct impact not only on the Iranian economy but also on the power circles there.

On the other hand, Europe succeeded in strengthening its position as an honest broker between the main international partners (Russia and China) on the one hand and the Americans on the other, in an attempt to find an appropriate place in negotiations with Iran while respecting other geographical balances in the region.

Europe has sought, through this position, to preserve the social fabric of the region, which is in a state of imbalance against the backdrop of the Iraqi unsettled situation. This is in addition to the Ukrainian crisis, which has also begun to affect the international arena since 2014, which tipped the scales in its own ways in files within and outside the regional scope.

Another important reason for the success of the dialogue was the European negotiating team enjoying a largely diverse and collective flexibility, away from the particular interests of each EU member state.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.