British Official to Asharq Al-Awsat: Saudi Crown Prince’s Visit Ushers in New Era of Ties

Saudi Crown Prince Mohammed is welcomed at London airport. (SPA)
Saudi Crown Prince Mohammed is welcomed at London airport. (SPA)
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British Official to Asharq Al-Awsat: Saudi Crown Prince’s Visit Ushers in New Era of Ties

Saudi Crown Prince Mohammed is welcomed at London airport. (SPA)
Saudi Crown Prince Mohammed is welcomed at London airport. (SPA)

The visit of Saudi Crown Prince Mohammed, Deputy Prime Minister and Minister of Defense, to London has made headlines across Britain. It marks the second stop of his international tour and serves as an opportunity to bolster Saudi-British ties. His first stop saw him visit Egypt for three days.

Talks in Britain will center on trade, supporting stability in the Middle East and preserving security partnership and expanding it to many fields.

A spokeswoman for the Foreign Office told Asharq Al-Awsat that Prince Mohammed’s visit “will usher in a new era of bilateral relations, focused on a partnership that delivers wide-ranging benefits for both of us.”

This includes creating and sustaining job opportunities in Britain and encouraging more social reform in Saudi Arabia.

“We are also seeking to bolster cooperation between our countries to tackle international challenges, including the conflict and humanitarian crisis in Yemen,” she added.

Days earlier, British Foreign Secretary Boris Johnson had declared that the future of the region and Muslim world depends on Prince Mohammed’s success in his reform mission. He highlighted the importance of security cooperation with Saudi Arabia, saying that intelligence information presented by Riyadh was a decisive factor in combating terrorism.

British MP Rehman Chishti told Asharq Al-Awsat that Saudi Arabia and Britain enjoy historic ties and the Crown Prince’s visit will bolster this relationship.

He highlighted the trade relationship between Riyadh and London, noting that exchange between them has risen 40 percent since 2010.

In addition, he said that Vision 2030 that was declared by Prince Mohammed provides major trade and investment opportunities for British companies. It allows them to offer their services and skills in the Saudi economy, which will benefit both countries and achieve economic growth.

The visit will also bolster security and defense ties, he said, while noting security cooperation between Saudi Arabia and Britain and the exchange of intelligence aimed at defeating terrorist plots.

Chishti expected Prince Mohammed and British officials to tackle the situation in the Middle East, saying that it would be “great opportunity” to address challenges in the region, including the situation in Syria.

He cited British Prime Minister Theresa May’s Gulf Cooperation Council speech in Manama in 2016 in which she stressed the need for cooperation to confront Iran’s threat to the region. He said that Prince Mohammed’s visit will serve as an opportunity to assess what has been done since then to counter Iran.

In addition, he said that as Britain nears its departure from the European Union, the Saudi Prince’s visit will open a new door of advanced trade relations with the Kingdom.

Prince Mohammed’s three-day visit will include two audiences with the British Royal family, a briefing with national security officials, and a prestigious visit to the prime minister’s country residence.

He will meet May on Thursday and the two leaders will launch a “UK-Saudi Strategic Partnership Council” - an initiative to encourage Saudi Arabia’s economic reforms and foster more cooperation on issues such as education and culture, as well as defense and security.



Movie Review: Bob Dylan Biopic ‘A Complete Unknown’ Is Electric in More Ways than One

This image released by Searchlight Pictures shows Timothée Chalamet in a scene from "A Complete Unknown." (Macall Polay/Searchlight Pictures via AP)
This image released by Searchlight Pictures shows Timothée Chalamet in a scene from "A Complete Unknown." (Macall Polay/Searchlight Pictures via AP)
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Movie Review: Bob Dylan Biopic ‘A Complete Unknown’ Is Electric in More Ways than One

This image released by Searchlight Pictures shows Timothée Chalamet in a scene from "A Complete Unknown." (Macall Polay/Searchlight Pictures via AP)
This image released by Searchlight Pictures shows Timothée Chalamet in a scene from "A Complete Unknown." (Macall Polay/Searchlight Pictures via AP)

“A Complete Unknown” certainly lives up to its title. You are hardly closer to understanding the soul of Bob Dylan after watching more than two hours of this moody look at America's most enigmatic troubadour. But that's not the point of James Mangold's biopic: It's not who Dylan is but what he does to us.

Mangold — who directed and co-wrote the screenplay with Jay Cocks — doesn't do a traditional cradle-to-the-near-grave treatment. He concentrates on the few crucial years between when Dylan arrived in New York in 1961 and when he blew the doors off the Newport Folk Festival in 1965 by adding a Fender Stratocaster.

That means we never learn anything about Dylan before he arrives in Manhattan's Greenwich Village with a guitar, a wool-lined bomber jacket, a fisherman's cap and ambition. And Dylan being Dylan, we just get scraps after that.

The world spins around him, this uber-cypher of American song. Women fall in love with him, musicians seek his orbit, fans demand his autograph, record executives fight over his signature. The Cuban Missile Crisis melds into the Kennedy assassination and the March on Washington. What does Dylan make of all this? The answer is blowing in the wind.

Any sane actor would run away from this assignment. Not Timothée Chalamet, and “A Complete Unknown” is his most ambitious work to date, asking him not only to play insecure-within-a-sneer but also to play and sing 40 songs in Dylan's unmistakable growl, complete with blustery harmonica.

The last big non-documentary attempt to understand Dylan was Todd Haynes' “I’m Not There,” which split the assignment among seven actors. Chalamet does it all, moving from callow, fresh-faced songsmith to arrogant, selfish New Yorker to jaded, staggering pop star to Angry Young Man. There are moments when Chalamet tilts his head down and looks at the world slyly, like Princess Diana. There are others when the resemblance is uncanny, but also moments when it is a tad forced. You cannot deny he's got the essence of Dylan down, though.

The movie's title is pulled from Dylan’s lyrics for “Like a Rolling Stone” and it's adapted from Elijah Wald’s book “Dylan Goes Electric! Newport, Seeger, Dylan, and the Night That Split the Sixties.” Dylan isn't a producer but did consult on the script.

It's not the most glowing profile, though the sheer brilliance of the songs — so many the movie might be deemed a musical — show Dylan's undeniable genius. Chalamet's Dylan is unfaithful, jealous and puckish. The movie suggests that adding electric guitar at Newport in '65 was less a brave stand for music’s evolution than a middle finger to anyone who dared put him in a box.

In some ways, “A Complete Unknown” uses some of the DNA from “I’m Not There.” The best clues to what's going on behind Dylan's shades are the refracted light from others, like Joan Baez, Johnny Cash, Woody Guthrie, Pete Seeger and a girlfriend called Sylvie Russo, based on Dylan’s ex Suze Rotolo, who is pictured on 1963’s album cover for “The Freewheelin’ Bob Dylan.”

Edward Norton is a hangdog Seeger hoping to harness Dylan for the goodness of folk, astonished by his talent. Monica Barbaro is a revelation as Baez, Dylan's on-again-off-again paramour. Boyd Holbrook is a sharklike, disrupting Cash, with the movie's best line: “Make some noise, B.D. Track some mud on the carpet.” And Elle Fanning is captivating as Russo, the sweetheart sucked into this crazy rock drama.

It's Baez and Russo who dig the deepest into trying to find out who Dylan is. They don't buy his stories about learning from the carnival and call him on his facade-building. “I don't know you,” Russo says, calling him a “mysterious minstrel” and urging him to “Stop hiding.” Too late, sister.

Mangold — who directed the Cash biopic “Walk the Line” — is always good with music and clearly loves being in this world. There's one scene that initially puzzles — Dylan stops on the street to buy a toy whistle — and you wonder why the director has wasted our time. Then we see Dylan pull it out at the top of the recording of “Highway 61 Revisited” and suddenly it answers all those years of wondering what that crazy sound was.

There are points to quibble — Dylan never faced a shout of “Judas!” from an enraged folkie at Newport; that came a year later in Manchester — but “A Complete Unknown” is utterly fascinating, capturing a moment in time when songs had weight, when they could move the culture — even if the singer who made them was as puzzling as a rolling stone.