Milan Fashion Gives Small Opening to Black Lives Matter

Models wear creations part of the Joy 2021 women's spring-summer collection at the "We are Made in Italy - Black Lives Matter in Italian fashion Collection" event during Milan fashion week, Italy, Sept. 17, 2020. (AP)
Models wear creations part of the Joy 2021 women's spring-summer collection at the "We are Made in Italy - Black Lives Matter in Italian fashion Collection" event during Milan fashion week, Italy, Sept. 17, 2020. (AP)
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Milan Fashion Gives Small Opening to Black Lives Matter

Models wear creations part of the Joy 2021 women's spring-summer collection at the "We are Made in Italy - Black Lives Matter in Italian fashion Collection" event during Milan fashion week, Italy, Sept. 17, 2020. (AP)
Models wear creations part of the Joy 2021 women's spring-summer collection at the "We are Made in Italy - Black Lives Matter in Italian fashion Collection" event during Milan fashion week, Italy, Sept. 17, 2020. (AP)

When asked why there aren’t more people of color in the Italian fashion industry, officials have cited a lack of candidates in homogeneous Italy. Five African-born designers in Italy want to put that view to rest with their inclusion on the official Milan Fashion Week calendar Sunday.

Fabiola Manirakiza came to Italy after her parents were killed in her native Burundi in 1972. For her Made-in-Italy Kiza label, she incorporates patterns from her Bantu tribe, as taught by an elder sister, into her Western tailored silhouette, the influence of the Italian family who raised her.

“It is not just Italy that needs to see, it is the whole world,” said Manikrazia, whose creations were among those featured in the video presentation titled “We are Made in Italy. Italy is Made of Us."

The official Black Lives Matter in Italian fashion event is a first step in a process that Stella Jean, the only Black designer belonging to Italy’s prestigious fashion council, hopes will bring real diversity to the creative and decision-making centers of Italian fashion to combat racism in the industry.

Another critical step was the launch of a think tank last week bringing together top fashion houses on the council with Black creatives. But Jean said there remains resistance to the campaign she has launched with US designer Edward Buchanan and Michelle Ngomo, founder of Afro Fashion Week Milano, with pressure on them to abandon it.

Italy’s relatively small African-origin population, which government statistics put at around 1.2 million, has rendered it mostly invisible in the country of some 60 million, with no well-known faces in the political class or on television — and few behind the closed doors of Italian fashion.

Jean and her colleagues began pushing the industry to make concrete moves toward diversifying Italian fashion after major houses showed social media support for the Black Lives Matter protests over racial equality and police brutality during the summer. After many racially charged gaffes in recent years, they also are asking for an accounting of the numbers of people of color working inside the system.

“No one is looking to stand back and blame you for the current situation,” Jean said in introductory remarks to the think tank, made available to The Associated Press. “Instead we are asking you to be part of the solution starting today. Racism in Italy ... is a very unique case study. It doesn’t resemble the type that exists with our European neighbors and it also differs greatly from the American kind. This however doesn’t render it less harmful or discriminative, only different.”

Jean told The Associated Press that the few companies whose representatives spoke discussed activities to support Black minorities in the United States and other causes “but completely avoiding the point of our discussion: Black minority in Italy.”

“I must say with all sincerity that the silence of the representatives of the colossal Made-in-Italy brands left a lasting bitter and embarrassing impression,” Jean said. “In total astonishment, it struck me that greatness and global commercial authority does not always correspond to an equally grand sense of responsibility to humanity.”

On a positive note, the fashion council had agreed to implement six reform points by February, she said. The council also agreed to provide scholarships and mentorships to fashion students of color. And she hopes that the time spent listening will lead to greater participation next time.

The head of Italy’s fashion council, Carlo Capasa, called the meeting “interesting and instructive,” and that the brand representatives were there to mostly listen. “There was no reason for friction,” he said.

Calling the meeting, “a beginning,” he told the AP the council will continue to work on diversity points of its nearly year-old diversity manifesto, including the commitment that diversity is an asset. He confirmed that the think tank would continue to meet periodically.

The brands participating were Armani, Zegna, Bottega Veneta, Etro, Gucci, Prada, Valentino and Ferragamo. The Kering conglomerate, which owns Gucci and Bottega Veneta, and the OTB group, which owns Marni and Diesel also participated.

A planned closing statement was never issued.

But Miuccia Prada, during the video presentation of next spring’s collection, emphasized the importance of inclusivity, along with sustainability. She acknowledged the need to “really embrace it,” adding “which is what I decided to do, not only declaring it, but trying, little by little, to be better.”

The participants in the Black Lives Matter event have worked in other trades or professions before following their fashion dreams. Most have submitted resumes to fashion companies, with no response, and some have seen professional doors fail to open after promising meetings, without explanation.

Joy Meribe, born in Nigeria and with an Italian Masters in business, studied fashion in Italy so she could alter garments she was selling through her blog on African fashion designers, and realized she had the knack herself. Her collection, Modaf Designs, uses African prints on silk and cotton instead of the traditional wax cloth, making them easier to wear and integrate into a Western wardrobe.

Claudia Gisele Ntsama, originally from Cameroon, has supported herself cleaning houses to pursue her dream of becoming a fashion designer, unveiling in Milan fantastical swirling pieces made mostly of raw hemp.

Ngomo, who discovered the five designers, said she feels a great responsibility also to young people of color in Italy who have been inspired by the initiatives.

“Many kids are writing to thank me, saying they have rediscovered their trust, and they had hope,” Ngomo said. “I know we are trendy now. I am not sure next year we will have all this light on the project. I want to be positive and believe this is a next step.”



French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
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French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)

Just days before her third runway show, French designer Pauline Dujancourt was riding a wave of excitement and nerves.

The 31-year-old admitted she had begun having strange, nightmarish dreams ahead of her big moment at London Fashion Week on Sunday.

The British capital will once again host its Autumn/Winter fashion week from Thursday to Monday, after New York's bonanza and before the catwalk carousel moves to Milan and Paris.

London, known for its raw creative energy and rising talents, is where Dujancourt launched her label in April 2022 after training at the renowned arts and design school Ecole Duperre in Paris, and fashion hub Central Saint Martins in London.

She and her team began work in November on her autumn-winter 2026/27 collection to be unveiled before some 450 guests -- journalists, buyers and VIP clients.

For designers, everything comes down to those few precious minutes on the catwalk. It's no wonder nervousness mixes with the creative buzz.

"I go through every emotion," Dujancourt told AFP with a smile. "Some days I'm super excited, full of ideas, and others I'm like: why did I pick this color, this fabric?"

The questions and worries snowball: "Will everyone be on time? Will there be last-minute hitches on the day?"

In recent weeks, she has been running her daily schedule with military precision.
Dujancourt works year-round with four assistant designers, but the team swells to around 50 people ahead of the show.

And she works with a community of knitters in Lima, Peru, with handknitting -- "something that my grandmother taught me as a child" -- being a hallmark of her garments.

"She was so skillful and so humble about it. And no one really realized how much work it takes and how much technique it takes," she said.

Known for her sensual, airy knitwear, Dujancourt was a finalist for the LVMH Prize, won Elle UK's young talent award, and is supported by the British Fashion Council.

Her clients span the globe from Japan to the United States, France and the UK, with regular requests for wedding dresses.

Her new collection pays tribute to women persecuted during historical witch hunts.

"I really want to celebrate the fact that there are so many women around the world who are working so humbly on domestic skills ... like sewing, hand knitting," she said.

Two weeks before the show, young seamstresses were crocheting floral motifs in mohair and Japanese metallic thread at a south London studio overlooking the Thames river and Big Ben.

Workers were hunched over their desks pouring over designs, with the looks still "in pieces".

Then comes the moment when everything is assembled. "It's the magical stage, when the clothes start to come alive," she said, her blue eyes lighting up her face framed by long dark hair.

Less than a week before the show, fittings begin with an in-house model, followed by the castings to find the right models.

On the eve of the show come final fittings, hair and make-up tests. And finally, on Sunday morning, the full rehearsal.

Show day always brings surprises. At Dujancourt's last catwalk in September, several models arrived extremely late, held up by another show.

"They turned up still wearing the other show's make-up. We had to dress them and redo everything ... I nearly died," she recalled.

What is her worst nightmare? A model tripping or garments ripping in front of the cameras.

"I once dreamt I'd forgotten to get dressed before coming out to greet the audience -- that would be a bit embarrassing," she joked.

Around 25 outfits will strut the catwalk on Sunday, a moment that "goes by in a flash".
Afterwards comes the crash.

"We barely see it happening ... because we are backstage in the madness and the chaos of it," she said.

But then it's finished "and there's a bit of baby blues afterwards," as she comes down off the adrenaline rush.

Dujancourt heads to Paris after London Fashion Week to meet buyers, before work begins again for her next show, in September.


Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 
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Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 

The Saudi Fashion Commission signed a memorandum of understanding (MoU) with the Saudi Retail Academy to develop national capabilities and boosting specialized skills in the fashion and retail sectors, reported the Saudi Press Agency on Monday.

The MoU aims to support local talent and the creation of sustainable employment opportunities in this vital industry. It stems from the two sides’ keenness to cooperate in the fields of training and professional development.

The agreement was signed on the sidelines of the graduation ceremony of the academy’s first cohort.

The Fashion Commission focuses on developing local talent, transferring global expertise, and advancing the fashion sector in the Kingdom, while the Saudi Retail Academy is a non-profit institute and a specialized entity in training and development in the retail field and in building professional competencies and skills related to retail and sales.

The MoU aims to establish a framework for cooperation to design and implement specialized training programs that boost the readiness of national cadres and qualify them according to the highest professional standards, with a focus on developing skills in sales, customer experience, and store management to meet labor market requirement and the needs of the growing fashion sector.

Fashion Commission chief executive Burak Cakmak said that developing human capital is a fundamental pillar for the long-term growth of the Kingdom’s fashion sector.

The partnership reflects the commitment to strengthening the capabilities that form the foundation of a competitive and sustainable industry through investment in specialized skills within retail and customer experience, enabling brands to grow and supporting the sector’s confident evolution, he added.

Saudi Retail Academy chief executive Hend Al-Dhaban stressed that the partnership embodies a shared vision to empower national talent and elevate professionalism in the retail sector.

The agreement will help channel training expertise to meet the specialized needs of the fashion sector and equip young men and women with the practical skills required to succeed in the labor market, thereby boosting service quality and supporting localization targets and economic growth, she explained.

This cooperation is part of the Fashion Commission’s ongoing efforts to develop the fashion value chain through building strategic partnerships with specialized training and education entities, expanding professional opportunities for national talent, and linking education and training outputs with labor-market needs.

Through their partnership, the commission and the academy will help in building an integrated ecosystem that connects education, vocational qualification, and employment, bolstering the competitiveness of the fashion and retail sectors and supporting the objectives of Saudi Vision 2030 in empowering national cadres, localizing jobs, and improving quality of life.


Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
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Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA

The Fashion Commission launched its Saudi 100 Brands showcase at the Saudi Cup 2026, marking a historic milestone for the world-renowned equestrian event at King Abdulaziz Racecourse in Riyadh.
The collections celebrate Saudi heritage by blending traditional and contemporary design. Jewelry and accessory brands also exhibited throughout, providing Saudi designers with a platform to reach a broader global audience. These showcases emphasize the fusion of heritage and modern design, offering a new perspective on the Kingdom's creative identity.
The Saudi 100 Brands program, a flagship initiative of the Fashion Commission, supports emerging designers by providing tools, expertise, and platforms to grow their global presence. This collaboration with the Saudi Cup underscores the importance of celebrating cultural heritage while advancing design innovation.

Each piece in the exhibition incorporates heritage motifs, textiles, and storytelling, reimagined through innovative design to appeal to modern and international audiences.

The exhibition aims to celebrate national identity, highlight local creative talent, and present the evolving direction of Saudi fashion, SPA reported.

Visitors explored the intersection of craftsmanship and cultural expression, discovering how designers honor tradition while advancing fashion design.

The experience also introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem.

This participation reflects the Fashion Commission’s vision to develop a thriving fashion sector rooted in cultural heritage and global ambition. By combining cultural narratives with innovative design, the commission enables Saudi fashion to contribute to global creative industries, nurture talent, and position Saudi brands for sustained success.