Beppe Modenese, Creator of Milan Fashion System, Dies at 90

Honorary president of the Italian Fashion Chamber, Beppe Modenese, attends a news conference in Milan, Italy, Tuesday, May 31, 2016. (AP)
Honorary president of the Italian Fashion Chamber, Beppe Modenese, attends a news conference in Milan, Italy, Tuesday, May 31, 2016. (AP)
TT
20

Beppe Modenese, Creator of Milan Fashion System, Dies at 90

Honorary president of the Italian Fashion Chamber, Beppe Modenese, attends a news conference in Milan, Italy, Tuesday, May 31, 2016. (AP)
Honorary president of the Italian Fashion Chamber, Beppe Modenese, attends a news conference in Milan, Italy, Tuesday, May 31, 2016. (AP)

Beppe Modenese, the force behind the coalescence of Italian ready-to-wear fashion in the northern city of Milan, has died. He was 90.

Modenese died Saturday in the fashion capital. No cause of death was given.

Dubbed “Italy’s Prime Minister of Fashion” in 1983 by Women’s Wear Daily, Modenese remained a front-row mainstay into recent seasons, maintaining the official title of honorary president of the Italian fashion council, the Italian National Fashion Chamber. An impeccable dresser, he was known for one extravagance: red socks.

“Beppe Modenese contributed like no one else to the birth of the Italian fashion system,’’ fashion council president Carlo Capasa said in a statement. “We lose a reference figure and an icon, many of us also lose a generous friend. We will miss his intelligence and elegance, his sense of humor, and his wit, but Beppe leaves us a great legacy to honor.”

Modenese started his fashion career in the 1950s in Florence, working with Giovanni Battista Giorgini to organize the first Italian runway shows in Florence in the early 1950s, as Italian fashion began to gain an international following around such houses as Emilio Pucci and Roberto Capucci.

He was instrumental in later moving the center of fashion gravity from Florence’s Pitti Palace to Milan, persuading such founding fashion names as Missoni to make the transition, and sharing a lifelong friendship with the late founder Ottavio Missioni and his widow, Margherita.

He was among the founders of the Italian High Fashion Syndicated, which later became the Italian National Fashion Chamber, which he led for many years. During his tenure, runway shows were concentrated in the now-old Milan convention center, but now have since decentralized to locations throughout the city, with many designers constructing their own venues.

As the head of the fashion council, Modenese discovered many talents, notably Domenico Dolce and Stefano Gabbana, who made their Milan runway debut in 1985.

The Amazon Prime series, Made In Italy, includes an episode focusing on another important chapter in his career promoting Italian fashion as a system, his organization of Idea Como, which he engineered as a place for designers and textile makers to meet.

Giorgio Armani recalled their early days in Milan, both as outsiders, Armani having arrived from the Lombardy province of Piacenza and Beppe from the neighboring Piedmont region.

“This perhaps gave us more enthusiasm, a desire to invent a life and a job that we tried and tested, day in, day out,” Armani said in tribute. “Beppe dealt with public relations with the elegance and taste that everyone has always appreciated, but also with a different organizational and, I would say, political vision. A system had to be organized: the pret-a-porter system, and he did it so well that it still bears his mark today.”

Modenese was also remembered by conductor Riccardo Muti, who wrote in a tribute published in Corriere della Sera, that he got to know the fashion protagonist during the two decades that Muti was music director of La Scala, which Modenese frequented.

“After the performances we would go to their Milan home for extraordinary evenings, both for the quality of the guests and conversations, both deep and light, full of irony and humor," Muti wrote, adding that Modenese was “a great music lover, who never missed the Ravenna Festival,” founded by Muti's wife.

Modenese will be buried in his native down of Alba, in the neighboring region of Piedmont.



Ralph Lauren Stays Closer to Home This Time with Intimate Manhattan Gallery Show

A model presents a creation from the Ralph Lauren collection in New York City, US, April 17, 2025. (Reuters)
A model presents a creation from the Ralph Lauren collection in New York City, US, April 17, 2025. (Reuters)
TT
20

Ralph Lauren Stays Closer to Home This Time with Intimate Manhattan Gallery Show

A model presents a creation from the Ralph Lauren collection in New York City, US, April 17, 2025. (Reuters)
A model presents a creation from the Ralph Lauren collection in New York City, US, April 17, 2025. (Reuters)

Ralph Lauren, known for staging elaborate runway shows in sumptuous settings like the horsey Hamptons or amid his vintage car collection, took it down a notch for a more intimate show Thursday in a Manhattan gallery space.

As celebrities like Anne Hathaway, Michelle Williams, Julia Louis-Dreyfus, Ariana DeBose and many others watched from the front row, Lauren presented a fall collection dubbed “The Modern Romantics,” heavy on high ruffled necks, classics like buttery leather in everything from aviator jackets to bustiers, and soft cashmere. Evening looks were long and lacy.

Models descended a grand staircase in an airy gallery setting Lauren’s models first appeared atop a balcony, then each descended a grand staircase to walk the runway. The venue, now the Jack Shainman Gallery, was built in 1898 in the Italian Renaissance Revival style.

For the New York-based crowd, it was much less of a journey than Lauren’s last show in the Hamptons on Long Island, which took some guests four hours from Manhattan in busy traffic.

Lauren himself appeared at the end of the show to wave — from the top of the balcony.

Lauren said he was celebrating “The Modern Romantics,” an aesthetic he described as “self-assured and unbound by rules.”

Strutting the runway, the models displayed looks that began with a classic Lauren combination of black trousers, a high-necked ruffled white shirt, and an aviator jacket in brown distressed leather.

That was followed by a filmy white midi-dress paired with a thick black leather belt, and tall black leather boots.

A black leather bustier was paired with a long camel wool skirt, and white lacy ruffled shirts popped up in different ensembles — with a long camel coat, or a puffy brown cardigan. There were also white lace neckties. There were velvet jackets, including in a deep shade of purple.

Outfits segued into evening with long, silky or strappy gowns, one in a white crochet theme, another in sumptuous black lace. There was a black halter gown in tiers of ruffles spiraling around the body.

Hathaway, Williams and Watts sat together in the front row, each in a Lauren-style trench or wrap coat. Hathaway, her hair pulled back in a tight ponytail, paired her coat with a pair of tan-colored jeans, embroidered with sequins and strategically shredded.

DeBose wore a smart gray suit that would go perfectly with next month’s Met Gala dress code: “Tailored For You.” Louis-Dreyfus wore a cropped leather jacket in light brown, with white trousers.

Also attending were Sadie Sink, Sarah Catherine Hook, Eiza Gonzalez, Andra Day, Kacey Musgraves and Ella Hunt, among others.

“I thought it was very much his sensibility and what he believes,” Anna Wintour, the influential Vogue editor, said after the show, noting that Lauren’s fashion transcended trends. “He’s a designer that never looks to the left or to the right. He’s just very clear in what he wants to say and what his customer wants, and that’s one of the reasons he’s so unbelievably successful.”

Sarah Catherine Hook, who appeared in the recently concluded third season of “The White Lotus," said she liked the collection’s ephemeral feel.

“I love anything timeless and I feel like this is the most timeless you could possibly get," Hook said. “I love the masculine-feminine mix of it and this is my first time getting to wear a necktie, so I’m feeling pretty chic today.”