Jerry Seinfeld Digs into 45 Years of his Jokes for New Book

Jerry Seinfeld. (AP)
Jerry Seinfeld. (AP)
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Jerry Seinfeld Digs into 45 Years of his Jokes for New Book

Jerry Seinfeld. (AP)
Jerry Seinfeld. (AP)

Forget the high-performance sports cars, the luxury Rolls-Royces and all those other classic automobiles in which Jerry Seinfeld ushers his fellow comics to the diner on television’s “Comedians in Cars Getting Coffee."

The most valuable things Seinfeld owns are the thousands of pieces of paper — yellow, scribbled over, sometimes crumpled — that for years he's been cramming into those brown accordion folders that were once a staple of storage until something better came along called the laptop computer.

They contain the jokes Seinfeld has been writing and telling since that first day he walked into a New York nightclub as a 21-year-old wannabe comic who accepted free hamburgers in lieu of a paycheck. They continue right up to the present-day musings of a 66-year-old man wondering how the world keeps getting more crowded when he doesn't see any more cemeteries being built.

“Flights, restaurants, theater shows sell out all the time. Cemetery? Anyone croaks, send them in. We just had an opening. What happened? Somebody came back to life and walked out. You're very lucky.”

He's compiled them all in a new book, “Is This Anything?” the title taken from the question every comic asks every other comic when he or she is about to try out new material.

Assembled in chronological order, they provide not just a trove of laugh-out-loud one-liners but also a timeline, beginning with a kid commuting from his parents' home on Long Island to New York City to try to make strangers laugh. It continues through a career during which Seinfeld became arguably the greatest stand-up comic of his era and the pivotal figure of the funniest TV sitcom of its time.

Still, why did he save every joke of his career? Or at least every one that got a laugh?

“A lot of people ask me that question and I always say I don't know why I saved anything else,” he replies with a chuckle in a phone interview to The Associated Press. Then he adds more seriously, “This is the most valuable thing I have.”

Hunkered down in the family home with his wife and their three children in East Hampton, New York, he is continuing to add to those folders. He's also working on another project that for the moment he isn't discussing except to say it involves the people with whom he made the hit 2007 animated comedy film “Bee Movie.”

Even quarantined from the coronavirus, Seinfeld says he finds no shortage of new material.

“A lot of material just comes out of being constantly irritated by something else, and that seems to go on endlessly,” he says, especially when staying home with four other people.

"It's usually one good fight per day, I would say, is our basic routine. Two meals and one good fight.”

Still, unlike his bachelor days in Manhattan, being a family man puts a limit on just how much irritation he can vent.

“When I lived alone when I was single, I would fill up an entire house with complaints, but now I have to share it,” he jokes. “I'm on a complaint diet.”

When the pandemic finally ends, he's looking forward to going back out on the road, rescheduling the stand-up gigs he had to cancel. But don't look for him to fill them with coronavirus jokes, although several good ones fill the last chapter of “Is This Anything?”

"I think people are going to be so sick of it that they’re going to move on and want us to talk about other things," he says of that and politics, although he admits he's been consumed by both during the months stuck at home.

Still, he's never been much for political jokes, saying that, one, he's not good at them and two, they don't hold up over time.

“It's like politics ages and spoils very quickly," he continues. "But a great piece of stand-up can live a long life.”

One other thing he'll be doing is heading back to his second home in his beloved Manhattan and dropping by the diners and comedy clubs again.

“That’s kind of my New York lifestyle, diners and comedy clubs.

“Like on the TV series," he adds of the character he portrayed on "Seinfeld” from 1989 to 1998.

“Funny thing is,” he continues, during the TV series "I never went to diners, really, and had coffee in those days. And now I do. I'm living the life of the character on the show.”



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.