Inauguration Fashion: Purple, Pearls, American Designers

Jennifer Lopez arrives to sing during the 59th Presidential Inauguration at the US Capitol in Washington, Wednesday, Jan. 20, 2021. (AP)
Jennifer Lopez arrives to sing during the 59th Presidential Inauguration at the US Capitol in Washington, Wednesday, Jan. 20, 2021. (AP)
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Inauguration Fashion: Purple, Pearls, American Designers

Jennifer Lopez arrives to sing during the 59th Presidential Inauguration at the US Capitol in Washington, Wednesday, Jan. 20, 2021. (AP)
Jennifer Lopez arrives to sing during the 59th Presidential Inauguration at the US Capitol in Washington, Wednesday, Jan. 20, 2021. (AP)

Joe Biden and Kamala Harris showcased American designers at their inauguration Wednesday, and Harris gave a nod to women’s suffrage, Shirley Chisholm and her beloved sorority in pearls and purple.

Michelle Obama, Hillary Clinton and Laura Bush also donned hues of purple. Harris has cited Chisholm, a Democrat from New York, as an inspiration for her career. Chisholm was the first Black woman elected to Congress and the first Black major-party candidate to run for US president.

Pearls had a strong fashion showing, in line with a social media campaign that had inauguration watchers donning strands in support and celebration of Harris. Nobody in attendance did them quite like Jennifer Lopez — from earrings to bracelets — as she sang “This Land is Your Land” in head-to-toe white Chanel.

Rep. Barbara Lee, a California Democrat, wore a pearl necklace owned by Chisholm herself. It was a gift from Chisholm’s goddaughter.

“Because of Shirley Chisholm, I am,” Lee, who is Black, posted on Twitter. “Because of Shirley Chisholm, Vice President Harris is.”

The pearls Harris wore, by Wilfredo Rosado, were also a symbol of unity with her sisters in Alpha Kappa Alpha, the first African American Greek-letter sorority, said Rachel Torgerson, fashion features director for Cosmopolitan. The sorority’s founders are referred to as the “Twenty Pearls.” Every new member receives a badge adorned with 20 pearls.

Harris attended Howard University, one of the nation’s historically Black colleges and universities.

“There’s no doubt that every part of her look today celebrates who she is, where she came from and where she hopes to lead the country. Every piece was carefully considered and packed with meaning,” Torgerson said.

Like Harris, Rosado is the child of immigrants.

Vermont Sen. Bernie Sanders drew fashion praise on social media for his cozy, comfortable inauguration wear: His signature beige parka and a pair of knit patterned mittens. The look earned him his own inauguration Bobblehead to mark his viral fashion moment. It’s now on pre-sale for $25 at the National Bobblehead Hall of Fame and Museum’s online store.

Jill Biden wore an ocean blue wool tweed coat over a dress by American designer Alexandra O’Neill of the Markarian label. The new first lady’s matching coat and dress included a velvet collar and cuffs on the coat, and a chiffon bodice and scalloped skirt on the dress. The neckline of the dress is embellished with Swarovski pearls and crystals. The same crystals adorn the coat. The outfit was handcrafted in New York City.

Aides said Harris was dressed in Christopher John Rogers and Sergio Hudson. Both are Black designers, Rogers from Louisiana and Hudson from South Carolina. Harris’ husband, Doug Emhoff, wore a Ralph Lauren suit.

Michelle Obama, a fashion icon, drew praise from fans on social media for her belted pantsuit in plum, also by Hudson.

Joe Biden wore a navy blue suit and overcoat by Ralph Lauren. It was a change from Brooks Brothers, the oldest US clothier at 202. The brand has outfitted 41 of the 46 American presidents, including Barack Obama during his inauguration in 2009.

Brooks Brothers fell on hard financial times last year, when it filed for bankruptcy reorganization and announced a planned sale. Ralph Lauren has a history of nonpartisan dressing, including moments with Michelle Obama and outgoing first lady Melania Trump. Joe Biden wore Polo shirts, emblazoned with the label’s pony and polo player logo, to take both of his COVID-19 vaccinations on television.

Véronique Hyland, fashion features director for Elle magazine, noted the wins for young American designers.

“They chose a diverse group of talents — Christopher John Rogers, Pyer Moss’ Kerby Jean-Raymond, Markarian’s Alexandra O’Neill and Jonathan Cohen — to be a part of this historic moment,” she said. “It made for a meaningful statement at this particular time, when all small businesses, including fashion businesses, are in need of support and spotlighting.”

Harris’ choice to wear pieces by Black designers “felt particularly significant in light of her triply historic title as the first female, Black and Asian American vice president of our country,” Hyland added.

As for the color purple, it was a symbol of unity and bipartisanship. Republican Red and Democratic blue make purple.

“If there’s a message to be taken from today’s inauguration fashion, it’s that those who attended are signaling faith in unity and bipartisanship, as well as restoring truth and trust,” Torgerson said.

Hillary Clinton confirmed she wore “purple with a purpose,” telling The Associated Press: “I want to just send a bit of a symbolic message that we need to come together.”

Lady Gaga went for red and let her pin do the talking. She sang the national anthem in a lavish custom Schiaparelli gown designed by Daniel Roseberry with a full red skirt and a navy coat adorned with a humongous gold dove holding an olive branch. Garth Brooks went another way: country. He performed “Amazing Grace” holding his black cowboy hat and dressed in blue denim jeans paired with a black suit jacket and shirt.

Another inauguration fashion star on Twitter was Nikolas Ajagu, the husband of Harris’ niece, Meena Harris. Sharp-eyed sneakerheads noted his ultra-rare and pricey Air Dior Jordan 1 shoes. The Dior 1s, a collaboration between Dior and Jordan, debuted last year and retail for $2,000. They’re reportedly going for up to $7,000 on some sneaker resell sites.

Harris’ stepdaughter, Ella Emhoff, schooled some of the older folks in her embellished Shetland Miu Miu coat in a pied de poule pattern with a large brown button at the neck and a pointed collar.

“To put it quite plainly, over the last four years we’ve been starved for fashion choices from the White House that are thoughtful and intentional for the sake of the greater good,” said Nikki Ogunnaike, digital director for Harper’s Bazaar.



French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
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French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)

Just days before her third runway show, French designer Pauline Dujancourt was riding a wave of excitement and nerves.

The 31-year-old admitted she had begun having strange, nightmarish dreams ahead of her big moment at London Fashion Week on Sunday.

The British capital will once again host its Autumn/Winter fashion week from Thursday to Monday, after New York's bonanza and before the catwalk carousel moves to Milan and Paris.

London, known for its raw creative energy and rising talents, is where Dujancourt launched her label in April 2022 after training at the renowned arts and design school Ecole Duperre in Paris, and fashion hub Central Saint Martins in London.

She and her team began work in November on her autumn-winter 2026/27 collection to be unveiled before some 450 guests -- journalists, buyers and VIP clients.

For designers, everything comes down to those few precious minutes on the catwalk. It's no wonder nervousness mixes with the creative buzz.

"I go through every emotion," Dujancourt told AFP with a smile. "Some days I'm super excited, full of ideas, and others I'm like: why did I pick this color, this fabric?"

The questions and worries snowball: "Will everyone be on time? Will there be last-minute hitches on the day?"

In recent weeks, she has been running her daily schedule with military precision.
Dujancourt works year-round with four assistant designers, but the team swells to around 50 people ahead of the show.

And she works with a community of knitters in Lima, Peru, with handknitting -- "something that my grandmother taught me as a child" -- being a hallmark of her garments.

"She was so skillful and so humble about it. And no one really realized how much work it takes and how much technique it takes," she said.

Known for her sensual, airy knitwear, Dujancourt was a finalist for the LVMH Prize, won Elle UK's young talent award, and is supported by the British Fashion Council.

Her clients span the globe from Japan to the United States, France and the UK, with regular requests for wedding dresses.

Her new collection pays tribute to women persecuted during historical witch hunts.

"I really want to celebrate the fact that there are so many women around the world who are working so humbly on domestic skills ... like sewing, hand knitting," she said.

Two weeks before the show, young seamstresses were crocheting floral motifs in mohair and Japanese metallic thread at a south London studio overlooking the Thames river and Big Ben.

Workers were hunched over their desks pouring over designs, with the looks still "in pieces".

Then comes the moment when everything is assembled. "It's the magical stage, when the clothes start to come alive," she said, her blue eyes lighting up her face framed by long dark hair.

Less than a week before the show, fittings begin with an in-house model, followed by the castings to find the right models.

On the eve of the show come final fittings, hair and make-up tests. And finally, on Sunday morning, the full rehearsal.

Show day always brings surprises. At Dujancourt's last catwalk in September, several models arrived extremely late, held up by another show.

"They turned up still wearing the other show's make-up. We had to dress them and redo everything ... I nearly died," she recalled.

What is her worst nightmare? A model tripping or garments ripping in front of the cameras.

"I once dreamt I'd forgotten to get dressed before coming out to greet the audience -- that would be a bit embarrassing," she joked.

Around 25 outfits will strut the catwalk on Sunday, a moment that "goes by in a flash".
Afterwards comes the crash.

"We barely see it happening ... because we are backstage in the madness and the chaos of it," she said.

But then it's finished "and there's a bit of baby blues afterwards," as she comes down off the adrenaline rush.

Dujancourt heads to Paris after London Fashion Week to meet buyers, before work begins again for her next show, in September.


Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 
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Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 

The Saudi Fashion Commission signed a memorandum of understanding (MoU) with the Saudi Retail Academy to develop national capabilities and boosting specialized skills in the fashion and retail sectors, reported the Saudi Press Agency on Monday.

The MoU aims to support local talent and the creation of sustainable employment opportunities in this vital industry. It stems from the two sides’ keenness to cooperate in the fields of training and professional development.

The agreement was signed on the sidelines of the graduation ceremony of the academy’s first cohort.

The Fashion Commission focuses on developing local talent, transferring global expertise, and advancing the fashion sector in the Kingdom, while the Saudi Retail Academy is a non-profit institute and a specialized entity in training and development in the retail field and in building professional competencies and skills related to retail and sales.

The MoU aims to establish a framework for cooperation to design and implement specialized training programs that boost the readiness of national cadres and qualify them according to the highest professional standards, with a focus on developing skills in sales, customer experience, and store management to meet labor market requirement and the needs of the growing fashion sector.

Fashion Commission chief executive Burak Cakmak said that developing human capital is a fundamental pillar for the long-term growth of the Kingdom’s fashion sector.

The partnership reflects the commitment to strengthening the capabilities that form the foundation of a competitive and sustainable industry through investment in specialized skills within retail and customer experience, enabling brands to grow and supporting the sector’s confident evolution, he added.

Saudi Retail Academy chief executive Hend Al-Dhaban stressed that the partnership embodies a shared vision to empower national talent and elevate professionalism in the retail sector.

The agreement will help channel training expertise to meet the specialized needs of the fashion sector and equip young men and women with the practical skills required to succeed in the labor market, thereby boosting service quality and supporting localization targets and economic growth, she explained.

This cooperation is part of the Fashion Commission’s ongoing efforts to develop the fashion value chain through building strategic partnerships with specialized training and education entities, expanding professional opportunities for national talent, and linking education and training outputs with labor-market needs.

Through their partnership, the commission and the academy will help in building an integrated ecosystem that connects education, vocational qualification, and employment, bolstering the competitiveness of the fashion and retail sectors and supporting the objectives of Saudi Vision 2030 in empowering national cadres, localizing jobs, and improving quality of life.


Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
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Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA

The Fashion Commission launched its Saudi 100 Brands showcase at the Saudi Cup 2026, marking a historic milestone for the world-renowned equestrian event at King Abdulaziz Racecourse in Riyadh.
The collections celebrate Saudi heritage by blending traditional and contemporary design. Jewelry and accessory brands also exhibited throughout, providing Saudi designers with a platform to reach a broader global audience. These showcases emphasize the fusion of heritage and modern design, offering a new perspective on the Kingdom's creative identity.
The Saudi 100 Brands program, a flagship initiative of the Fashion Commission, supports emerging designers by providing tools, expertise, and platforms to grow their global presence. This collaboration with the Saudi Cup underscores the importance of celebrating cultural heritage while advancing design innovation.

Each piece in the exhibition incorporates heritage motifs, textiles, and storytelling, reimagined through innovative design to appeal to modern and international audiences.

The exhibition aims to celebrate national identity, highlight local creative talent, and present the evolving direction of Saudi fashion, SPA reported.

Visitors explored the intersection of craftsmanship and cultural expression, discovering how designers honor tradition while advancing fashion design.

The experience also introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem.

This participation reflects the Fashion Commission’s vision to develop a thriving fashion sector rooted in cultural heritage and global ambition. By combining cultural narratives with innovative design, the commission enables Saudi fashion to contribute to global creative industries, nurture talent, and position Saudi brands for sustained success.