Thrill of the Silver Screen Returns to England as Lockdown Eases

Staff members clean seats at Vue Cinema in Leicester Square during its reopening, as coronavirus disease (COVID-19) restrictions continue to ease in London, Britain, May 17, 2021. (Reuters)
Staff members clean seats at Vue Cinema in Leicester Square during its reopening, as coronavirus disease (COVID-19) restrictions continue to ease in London, Britain, May 17, 2021. (Reuters)
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Thrill of the Silver Screen Returns to England as Lockdown Eases

Staff members clean seats at Vue Cinema in Leicester Square during its reopening, as coronavirus disease (COVID-19) restrictions continue to ease in London, Britain, May 17, 2021. (Reuters)
Staff members clean seats at Vue Cinema in Leicester Square during its reopening, as coronavirus disease (COVID-19) restrictions continue to ease in London, Britain, May 17, 2021. (Reuters)

Londoner Sam Poch was anticipating the thrill of the big screen lighting up as he waited on Monday to enter a cinema on Leicester Square - a once routine experience that has not been possible for months because of COVID-19 restrictions.

The 31-year-old content producer was among the first arriving to watch a film the old-fashioned way as cinemas in England reopened their doors as part of the latest stage in the government’s phased lockdown relaxation plan.

“I missed it a lot. It’s just the whole experience of going out, sitting down in (front of) the big screen and just the feeling of being in a cinema - it’s just something I’ve missed for the past year,” Poch told Reuters before his screening.

“I can’t wait to go inside and watch a film.”

Across England, Wales and parts of Scotland, indoor entertainment venues were welcoming back audiences after several months of closure, albeit operating at 50 percent capacity, with social distancing and other safety measures in place.

Tim Richards, founder and CEO of cinema chain Vue International, said the business was seeing bookings at levels slightly above a normal pre-COVID market, which he described as very exciting.

“We have a situation now where we’re going to be having almost three years of movies in the next 12 to 18 months. So we’re looking at this extraordinary period where I believe we’re going to be looking at the second golden age of cinema.”

Vue, rival chains Odeon and Cineworld and smaller independent cinemas were first forced to shut their doors in March last year as Britons were ordered to stay at home to stop the spread of COVID-19.

When measures eased in the summer, they reopened for a while, only to be obliged to close again months later.

“In 2020, both admissions and box office were down 75% on the previous year and we think that equates roughly to around 2 billion pounds ($2.8 billion) in lost revenue,” said Phil Clapp, chief executive of the UK Cinema Association.

Now cinemas are counting on highly-anticipated films like the latest James Bond offering “No Time to Die”, and Marvel’s “Black Widow”, both pushed back from 2020, to entice audiences.

“Last year, cinemas were able to open for a few months and to be honest, the lack of availability of big films meant it was always a slightly half-hearted affair,” said Clapp.

“This time, I think absolutely there’s an expectation this is it, and that cinema audiences will want to come back and enjoy the big screen.”



'Train Dreams,' 'The Secret Agent' Nab Spirit Wins to Boost Oscars Campaigns

'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP
'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP
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'Train Dreams,' 'The Secret Agent' Nab Spirit Wins to Boost Oscars Campaigns

'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP
'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP

Period drama "Train Dreams" took home the Spirit Awards win for best feature Sunday, as both it and "The Secret Agent" gathered momentum ahead of the Academy Awards.

"The Secret Agent" notched best international film as its team hopes to win in the same category at the Oscars next month.

The annual Film Independent Spirit Awards ceremony only celebrates movies made for less than $30 million.

"Train Dreams," director Clint Bentley's adaptation of the Denis Johnson novella, follows a railroad worker and the transformation of the American northwest across the 20th century.

The film won three of its four categories, also grabbing wins for best director and best cinematography. The movie's lead, Joel Edgerton, however, did not take home best actor, which went to Rose Byrne for "If I Had Legs I'd Kick You."

"Train Dreams" producer Teddy Schwarzman told AFP the film "is a singular journey, but it hopefully helps bring people together to understand all that life entails: love, friendship, loss, grief, healing and hope."

"Train Dreams" will compete for best picture at the Oscars, among other honors.

Big win for Brazil

After "The Secret Agent" nabbed best international film, director Kleber Mendonca Filho hailed the win as one that hopefully "gives more visibility to Brazilian cinema."

The film follows a former academic pursued by hitmen amid the political turmoil of Brazil under military rule.

It prevailed Sunday over contenders including rave-themed road trip movie "Sirat," which will compete alongside "The Secret Agent" for best international feature film at the Oscars, capping Hollywood's awards season.

"The Secret Agent" will also be up for best picture, best actor and best casting.

Brazil's "I'm Still Here" won best international feature at the Oscars last year.

Other Spirit winners on Sunday included "Lurker," for best first screenplay and best first feature film.

"Sorry, Honey" nabbed best screenplay and "The Perfect Neighbor" scored best documentary.

The Academy Awards will be presented on March 15.


Hiam Abbass Says ‘Cinema Is a Political Act’ After Berlin Row

13 February 2026, Berlin: Palestinian actress and film director actress Hiam Abbass attends the photocall for the film “In a Whisper” at the 76th Berlin International Film Festival, taking place from February 12 to 22, 2026. (dpa)
13 February 2026, Berlin: Palestinian actress and film director actress Hiam Abbass attends the photocall for the film “In a Whisper” at the 76th Berlin International Film Festival, taking place from February 12 to 22, 2026. (dpa)
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Hiam Abbass Says ‘Cinema Is a Political Act’ After Berlin Row

13 February 2026, Berlin: Palestinian actress and film director actress Hiam Abbass attends the photocall for the film “In a Whisper” at the 76th Berlin International Film Festival, taking place from February 12 to 22, 2026. (dpa)
13 February 2026, Berlin: Palestinian actress and film director actress Hiam Abbass attends the photocall for the film “In a Whisper” at the 76th Berlin International Film Festival, taking place from February 12 to 22, 2026. (dpa)

The start of this year's Berlin Film Festival was marked by a row over how far film should venture into politics but for prominent French-Palestinian actor Hiam Abbass, "everything we do is a political act".

Abbass is starring in two films being presented at this year's Berlinale festival and in an AFP interview she emphasized the importance of a politically engaged approach to cinema.

At Thursday's opening press conference jury president Wim Wenders sparked controversy by saying "we cannot really enter the field of politics", in response to a question about Germany's support for Gaza.

"I don't agree," Abbass told AFP.

"There's a lack of courage among people in the film world -- among some, not all," said Abbass, who gained global attention for her role as Marcia Roy in the hit HBO series Succession.

She recognized that Wenders's remarks were "taken out of context", as he did talk about cinema's capacity to "change the world", albeit in a different way from party politics.

Nevertheless, Abbass said she was glad to see filmmakers at this year's festival "commit to amplifying stories and voices of minorities, oppressed people, people experiencing bombardment, genocides".

"Today more than ever, if we don't tackle these subjects, we're making art for art's sake, and that's something that doesn't interest me."

- 'Act of resistance' -

Abbass, who was born in Nazareth in northern Israel but has been living in France for 37 years, stars in two films at the festival with striking political messages.

In "Only Rebels Win" by Lebanese filmmaker Danielle Arbid, Abbass plays a Christian Palestinian living in Beirut who faces a backlash from those around her because of her relationship with a South Sudanese Muslim migrant 40 years her junior.

Israeli bombardments between September and November 2024 forced the production to relocate from Beirut to a studio near Paris, where the team deployed creative solutions to recreate the Lebanese capital.

Abbass said the circumstances turned the film into "an act of resistance".

When the bombardment of Beirut began, "I told Danielle: 'Whatever you do, wherever you go, I'll follow you, because this film has to get made'."

- Academy's 'open-mindedness' -

Before starting on "Only Rebels Win", Abbass had just finished working on "Palestine 36" by Annemarie Jacir, a depiction of the Palestinian uprising against the British Mandate in 1936.

That film almost did not happen because of the war in Gaza, sparked by Hamas's October 7, 2023 attack on Israel, which resulted in the deaths of 1,221 people, according to an AFP tally based on official Israeli figures.

Israel's retaliation has left at least 71,000 people dead in Gaza, according to the health ministry in the Hamas-run territory, whose figures the United Nations considers reliable.

Abbass said that the "the film waited eight months so that it could be shot," with production forced to move to Jordan instead of the Israeli-occupied West Bank.

Abbass said that the team decided that "at a certain point, we couldn't keep being subject to" the decisions of the Israeli government.

She also welcomed the Academy's decision to include three films highlighting the Palestinian experience in its shortlist for best international feature film: "Palestine 36", Kaouther Ben Hania's "The Voice of Hind Rajab" and Cherien Dabis's "All That's Left of You".

Only Kaouther Ben Hania's film ultimately made the final list of five nominees.

But Abbass praised the "open-mindedness" of the Academy to bring these films "almost to the final stages of the Oscars" after what she termed Israel's "genocide" in Gaza.


Independent Spirit Awards Celebrate Indie Movies and TV in Los Angeles

 Rose Byrne, Hasty Pudding 2026 Woman of the Year, takes questions from reporters during a news conference at Farkas Hall theater, on the campus of Harvard University, Friday, Feb. 13, 2026, in Cambridge, Mass. (AP)
Rose Byrne, Hasty Pudding 2026 Woman of the Year, takes questions from reporters during a news conference at Farkas Hall theater, on the campus of Harvard University, Friday, Feb. 13, 2026, in Cambridge, Mass. (AP)
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Independent Spirit Awards Celebrate Indie Movies and TV in Los Angeles

 Rose Byrne, Hasty Pudding 2026 Woman of the Year, takes questions from reporters during a news conference at Farkas Hall theater, on the campus of Harvard University, Friday, Feb. 13, 2026, in Cambridge, Mass. (AP)
Rose Byrne, Hasty Pudding 2026 Woman of the Year, takes questions from reporters during a news conference at Farkas Hall theater, on the campus of Harvard University, Friday, Feb. 13, 2026, in Cambridge, Mass. (AP)

Ethan Hawke, Rose Byrne and Keke Palmer are just a few of the actors up for prizes at the Film Independent Spirit Awards on Sunday in Los Angeles. Comedian and “Saturday Night Live” veteran Ego Nwodim is hosting the celebration of independent film and television, which will be livestreamed on YouTube starting at 5 p.m. ET.

Top nominees going into the 41st edition of the show include Ira Sachs’ “Peter Hujar’s Day,” which recreates an interview with the 1970s photographer, played by Ben Whishaw; Clint Bentley’s lyrical Denis Johnson adaptation “Train Dreams,” with Joel Edgerton; and Eva Victor’s “Sorry, Baby,” about life after an assault.

The show, which serves as a fundraiser for Film Independent’s year-round programs, is being held at the Hollywood Palladium for the first time, as its longtime beachside perch in Santa Monica undergoes renovations.

The awards sometimes overlap significantly with major Oscar contenders and winners, as it did with “Anora,” and “Everything Everywhere All At Once,” and sometimes not. Organizers limit eligibility to productions with budgets less than $30 million, meaning more expensive films like “One Battle After Another” are not in the running.

Byrne is one of the few actors nominated for both a Spirit Award and an Oscar, for her performance as a mother on the edge in Mary Bronstein’s “If I Had Legs I’d Kick You.” In the lead performance category, she’s up against the likes of Edgerton (“Train Dreams”), Dylan O’Brien (“Twinless”), Palmer (“One of Them Days”), Tessa Thompson (“Hedda”) and Whishaw.

Supporting performance nominees include Naomi Ackie (“Sorry, Baby”), Zoey Deutch (“Nouvelle Vague”), Kirsten Dunst (“Roofman”), Nina Hoss (“Hedda”) and Archie Madekwe (“Lurker”).

Films nominated in the international category include “Sirāt,” “The Secret Agent” and “On Becoming a Guinea Fowl.” “Come See Me in the Good Light,” “My Undesirable Friends: Part I — Last Air in Moscow” and “The Perfect Neighbor” are also up for the documentary prize.

Hawke, who is nominated for an Oscar for “Blue Moon,” is up for a Spirit Award for his leading performance in the television series “The Lowdown,” where other nominees include Seth Rogen for “The Studio,” Stephen Graham for “Adolescence” and Noah Wyle for “The Pitt.”