Publishers, Writers Hail Saudi Arabia's Decision to Loosen Censorship Restrictions

Saudi Arabia has ended the complex censorship on books. (SPA)
Saudi Arabia has ended the complex censorship on books. (SPA)
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Publishers, Writers Hail Saudi Arabia's Decision to Loosen Censorship Restrictions

Saudi Arabia has ended the complex censorship on books. (SPA)
Saudi Arabia has ended the complex censorship on books. (SPA)

Saudi Arabia has ended the complex censorship on books in response to many publishers, writers, and cultural enthusiasts who have requested and awaited this decision for decades. The Kingdom has launched the direct release service for the written content including books, e-books, and publications. The requests for the release services are estimated at 61 percent abroad, and 39 percent locally.

The General Commission for Audiovisual Media (GCAM) announced on June 19, that according to the new decision, all the books, publications and written content will be accessible in the country right after their issue.

GCAM said in its statement that “Saudi Arabia is among the first countries in the region to provide the direct release service for the written content in the private sector. The beneficiaries can apply for a direct release of a foreign publication via the commission's platform dedicated to electronic permissions, provided that they abide by the required terms and conditions. The new service covers the traditional and e-books.”

The commission expected the direct releases in the first year of the service launch to hit 300,000 titles, stressing that the speed of release will allow everyone to access the publications on time, once they are issued. It also suggested that the new amendments will positively affect the e-trade and publishing sectors, in addition to facilitating the release process for writers, publishers, and distributors, and shortening the waiting period. It will also encourage investors to engage in the writing, publishing, and distribution industry, as well as boosting the e-book trade sector, and enriching the Saudi distribution outlets with unique contents right after their release. The decision will provide a direct support for the Saudi publishing houses, which have long suffered from unequal competition, as well as putting an end to content hacking, fraud and infiltration of users to global stores.

Asharq Al-Awsat explored the opinions of some publishers, and writers inside and outside Saudi Arabia about the news. They hailed the new unprecedented decision, but also called for a new mechanism that unifies the concerned authorities and publishing permissions in order to facilitate the direct release procedures without bureaucracy, and multiple permission authorities, which usually complicate and prolong the release process.

Dr. Mohammed al-Mushawah, founder and manager of Al Thuluthia publishing house in Riyadh, said publishers and writers should be given the right to publish.

“The decision taken by the Ministry of Media to approve the direct release of e-books, and facilitate its procedures is a major step that we, as publishers, have awaited for years. It is known among readers, publishers, and writers that the publishing releases are the hardest step in many countries,” he added.

“The old publishing system that gave the ministry all the provisions to give the releases for books printed inside and outside the country, the tough restrictions, and long release process, have pushed many writers away from the industry despite the changes that took place in the past two years,” he stated.

“Today, we call the ministry to adopt new publishing mechanisms that meet the great technological developments in Saudi Arabia. It is also important to consider and apply the distant censorship, as long as the writer and publisher pledge to handle the consequences of their works,” he continued.

“The direct release permissions that were given to some publishers lately, according to the ministry, will contribute to alleviating responsibilities on censorship authorities. We know that the concerned censorship bodies including the ministry of media are linked to tens of other authorities like Dar al-Iftaa, the Health Ministry, and King Abdulaziz Foundation for Research and Archives, and each gives the permissions according to its specialty,” he noted.

“I believe that this structure should be reviewed, and the direct release for writers and publishers should be enabled, as long as they can handle their responsibilities.”

“It's also important to shed lights on another experience, the literary clubs, which are not subject to censorship, their books don't need the media ministry's permission, and can benefit from the so-called distant censorship of books,” al-Mushawah said.

“We believe this step would have a great effect on the Saudi publishing market, considered the biggest in the Arab world despite the obstacles. We hope the media ministry to consider further updates for the censorship system, and to reach a happy ending for the book censorship matter, whether for local or foreign publications, and for the traditional and e-books, so we can keep up with this huge developing industry. The distant censorship should be activated, accompanied with a legal accountability,” he stressed.

“We live in a state of institutions and law, and it's urgent to ease the responsibilities on some authorities, instead of having to present each new title to tens of authorities for review.”

Mohammad al-Farih, manager of Al Abikan House for publishing and translation, hailed the ministry’s decision as “very good news.”

“It is daring and advanced, and will definitely lead to significant leap when it comes to cutting the former long procedures. However, the decision is still incomplete, and does not fulfill the aspirations of Saudi publishers and distributors, especially regarding changing the current form and methods of release procedures, which take weeks sometimes, and could interfere with the provisions of other sectors, which increases the complexity and time of getting a release,” he remarked.

“I totally believe that the update, renewal, replacement of some traditional systems, and conveying advancement is no more a luxury, but a duty that must be accomplished in line with our accelerating time. There is no more room for the same old thinking that consumed the time and efforts of publishers, observers, and the media ministry's employees,” he added.

“Some publishers, distributors, and workers in the writing and publishing industry may agree with me when I say that carrying out a pyramidal change to the publishing system is the best and most efficient solution to meet this age's needs. The responsibility of censorship in this field should be attributed to publishers and the industry workers alone, while focusing the role of government institutions and decision makers on law making, legislation, and monitoring to keep up with the digital age.”

“We must have the necessary legislations for the management, permission, and publishing of all types of digital books, in addition to the content targeting people with special needs, like those with visual impairments,” he urged.

“These types of books have become widespread in our age, but still don't have clear permission terms in the ministry's system and regulations. We hope the recent decision, which is very important, to be followed by other decisions that support and boost the publishing, translation, writing, and distribution movement, which has long suffered between the hammer of piracy and the anvil of distribution.”

Researcher and historian Dr. Badr bin Saleh al-Wahiby, who boasts many documented writings, and had to live many permission battles to publish his works, saw that cancelling pre-censorship on books is not sufficient in light of the Saudi Vision 2030.

Release permissions should be attributed to publishing houses instead of the many authorities that handle this responsibility today, because it would help writers, and publishers, and avoid the lost and wasted opportunities, he explained. Such a measure would also boost the publishing market in Saudi Arabia, and book fairs.

Rabih Kesserwan, founder and general manager of “Al Maaref Forum” in Beirut, said the decision to update censorship on books could lead to a renaissance in the publishing industry in the Kingdom.

“Making the mission easier and more accessible will encourage writers towards more productions, as they won't be waiting long to see their works in the markets. In the past, Saudi writers had to publish their works outside the Kingdom, send them to Saudi Arabia through a foreign publisher, and then a local distributor present them for censorship and review, and walk a long legal path before the book reaches the Saudi reader.”

“The increases of local works in cooperation with Saudi publishers will definitely double the number of published books inside the Kingdom, and would have a bigger effect, as it would motivate more writers to engage. The more the publishing sector prospers, the more the writers work, and so on.”



Italy Displays Paintings from an Ancient Etruscan Tomb, Its Latest Cultural Acquisition

 People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)
People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)
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Italy Displays Paintings from an Ancient Etruscan Tomb, Its Latest Cultural Acquisition

 People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)
People look at the newly acquired Tomb of Francois, a 4th-century BC masterpiece bought last month by Italy's Culture Ministry for 15 million euros, at the National Etruscan Museum of Villa Giulia in Rome, Italy, June 30, 2026. (Reuters)

Italy on Tuesday put on display one of the best-known examples of Etruscan painting, panels from a tomb that it acquired for 15 million euros ($17 million) in the Culture Ministry’s buying spree of big-ticket pieces of the country's cultural heritage.

The ministry announced in May that it had acquired the fresco panels, dating from the 4th century, from members of the Torlonia family, one of Italy’s ancient noble families whose vast collection of antiquity has long been kept out of the public domain.

The Francois Tomb was discovered in 1857 by the French archaeologist Alessandro Francois in Vulci, on land owned by the Torlonia family. The frescoes were detached from the necropolis in 1863 and became part of the Torlonia private collection, while the contents of the tomb were divided up among Francois, colleagues and the family.

The Italian government has been trying to get possession of the tomb since 1921, as part of its effort to bring back into the Italian public patrimony artifacts and antiquities that were acquired or looted during the boom of archaeological excavations in the 1800s and beyond.

The Etruscan Civilization occupied swaths of what is today central Italy for centuries was a major Mediterranean trading power. Much of it was destroyed by the subsequent Roman Empire.

The tomb is opening to the public Wednesday at Rome’s Villa Giulia National Etruscan Museum. Alongside the fresco panels are jewels, Etruscan vases and other items that were discovered inside the tomb, now belong in museum collections around the world and were loaned to Italy for the exhibition.

The tomb marks the Culture Ministry’s third major acquisition this year of expensive, culturally important artworks. It paid $14.9 million for Antonello da Messina’s “Ecce Homo” and around $35 million for a rare portrait by Caravaggio depicting Maffeo Barberini, the future Pope Urban VIII.

The funds have come from the ministry’s annual budget for acquisitions, but Culture Minister Alessandro Giuli has prioritized buying fewer, bigger-ticket items of cultural importance rather than smaller, lesser artworks and antiquities, officials said.

“In recent months, the Ministry of Culture has invested a great deal of money in acquiring masterpieces,” said Massimo Osanna, director general of Italian museums in the ministry.

Giuli has said the tomb is a “fundamental” part of Italian history that was now being returned to the Italian public to enjoy.

Luana Toniolo, director of the Villa Giulia museum, called the tomb one of the greatest masterpieces of antiquity and Etruscan painting, and one of the best preserved. Among other things, the paintings depict the sacrifice of Trojan prisoners and battles of Etruscan heroes.


Sunken Treasures Exhibition Showcases Historic Maps of the Red Sea

Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition. (SPA)
Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition. (SPA)
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Sunken Treasures Exhibition Showcases Historic Maps of the Red Sea

Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition. (SPA)
Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition. (SPA)

Historic maps of the Red Sea on display at the "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition document the strategic importance of this vital maritime corridor and reflect how geographers, travelers, and cartographers viewed the region over the centuries.

More than geographical illustrations, the maps serve as historical records of the Red Sea's role as a gateway for trade, pilgrimage, and cultural exchange linking Asia, Africa, and Europe, the Saudi Press Agency said on Tuesday.

Among the exhibits at the Red Sea Museum is a 17th-century map that provides an early depiction of the region. It highlights mapmakers' understanding of the Red Sea's importance as a major maritime route connecting the Mediterranean Sea with the Indian Ocean, while illustrating the ports and shipping routes that played a central role in global commerce.

The maps demonstrate how the Red Sea's strategic location made it a hub for economic and cultural exchange. Merchant vessels carrying spices, incense, textiles, and minerals sailed its waters alongside ships transporting pilgrims from across the Islamic world, establishing the Red Sea as one of history's busiest and most influential maritime routes.

The collection also reflects the evolution of geographical and navigational knowledge. Compiled using the expertise of sailors, captains, and travelers, the maps documented coastlines, islands, and ports, serving as essential references for maritime navigation before the advent of modern navigational technologies. They also illustrate the accumulation of scientific knowledge that deepened understanding of the Red Sea's geography and maritime environment.


Historic Jeddah Enriches Visitor Experience with Traditional Crafts and Cultural Activities

Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation. (SPA)
Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation. (SPA)
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Historic Jeddah Enriches Visitor Experience with Traditional Crafts and Cultural Activities

Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation. (SPA)
Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation. (SPA)

Historic Jeddah offers immersive cultural experiences through interactive programs that combine learning with hands-on participation, enabling visitors to explore local heritage and discover traditional crafts in an environment that blends creativity and education, further strengthening its position as a vibrant cultural destination, the Saudi Press Agency said on Tuesday.

The activities featured a variety of workshops, including handmade bookbinding, mosaic art for children, painting on canvas bags, and crafting perfumes from natural ingredients, providing participants with opportunities to explore diverse artistic materials and techniques.

These activities reflect the concept of a comprehensive cultural experience by going beyond showcasing handicrafts to allowing visitors to observe production processes, interact with artisans, and participate in workshops, educational tours, and community programs, thereby deepening their understanding of traditional crafts and their historical and cultural significance.

The experience presents a model that uses culture to discover both place and people, transforming a visit to Historic Jeddah into an educational journey that extends beyond sightseeing by bringing together heritage, creativity, and community engagement, reinforcing the Kingdom’s cultural identity.