Publishers, Writers Hail Saudi Arabia's Decision to Loosen Censorship Restrictions

Saudi Arabia has ended the complex censorship on books. (SPA)
Saudi Arabia has ended the complex censorship on books. (SPA)
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Publishers, Writers Hail Saudi Arabia's Decision to Loosen Censorship Restrictions

Saudi Arabia has ended the complex censorship on books. (SPA)
Saudi Arabia has ended the complex censorship on books. (SPA)

Saudi Arabia has ended the complex censorship on books in response to many publishers, writers, and cultural enthusiasts who have requested and awaited this decision for decades. The Kingdom has launched the direct release service for the written content including books, e-books, and publications. The requests for the release services are estimated at 61 percent abroad, and 39 percent locally.

The General Commission for Audiovisual Media (GCAM) announced on June 19, that according to the new decision, all the books, publications and written content will be accessible in the country right after their issue.

GCAM said in its statement that “Saudi Arabia is among the first countries in the region to provide the direct release service for the written content in the private sector. The beneficiaries can apply for a direct release of a foreign publication via the commission's platform dedicated to electronic permissions, provided that they abide by the required terms and conditions. The new service covers the traditional and e-books.”

The commission expected the direct releases in the first year of the service launch to hit 300,000 titles, stressing that the speed of release will allow everyone to access the publications on time, once they are issued. It also suggested that the new amendments will positively affect the e-trade and publishing sectors, in addition to facilitating the release process for writers, publishers, and distributors, and shortening the waiting period. It will also encourage investors to engage in the writing, publishing, and distribution industry, as well as boosting the e-book trade sector, and enriching the Saudi distribution outlets with unique contents right after their release. The decision will provide a direct support for the Saudi publishing houses, which have long suffered from unequal competition, as well as putting an end to content hacking, fraud and infiltration of users to global stores.

Asharq Al-Awsat explored the opinions of some publishers, and writers inside and outside Saudi Arabia about the news. They hailed the new unprecedented decision, but also called for a new mechanism that unifies the concerned authorities and publishing permissions in order to facilitate the direct release procedures without bureaucracy, and multiple permission authorities, which usually complicate and prolong the release process.

Dr. Mohammed al-Mushawah, founder and manager of Al Thuluthia publishing house in Riyadh, said publishers and writers should be given the right to publish.

“The decision taken by the Ministry of Media to approve the direct release of e-books, and facilitate its procedures is a major step that we, as publishers, have awaited for years. It is known among readers, publishers, and writers that the publishing releases are the hardest step in many countries,” he added.

“The old publishing system that gave the ministry all the provisions to give the releases for books printed inside and outside the country, the tough restrictions, and long release process, have pushed many writers away from the industry despite the changes that took place in the past two years,” he stated.

“Today, we call the ministry to adopt new publishing mechanisms that meet the great technological developments in Saudi Arabia. It is also important to consider and apply the distant censorship, as long as the writer and publisher pledge to handle the consequences of their works,” he continued.

“The direct release permissions that were given to some publishers lately, according to the ministry, will contribute to alleviating responsibilities on censorship authorities. We know that the concerned censorship bodies including the ministry of media are linked to tens of other authorities like Dar al-Iftaa, the Health Ministry, and King Abdulaziz Foundation for Research and Archives, and each gives the permissions according to its specialty,” he noted.

“I believe that this structure should be reviewed, and the direct release for writers and publishers should be enabled, as long as they can handle their responsibilities.”

“It's also important to shed lights on another experience, the literary clubs, which are not subject to censorship, their books don't need the media ministry's permission, and can benefit from the so-called distant censorship of books,” al-Mushawah said.

“We believe this step would have a great effect on the Saudi publishing market, considered the biggest in the Arab world despite the obstacles. We hope the media ministry to consider further updates for the censorship system, and to reach a happy ending for the book censorship matter, whether for local or foreign publications, and for the traditional and e-books, so we can keep up with this huge developing industry. The distant censorship should be activated, accompanied with a legal accountability,” he stressed.

“We live in a state of institutions and law, and it's urgent to ease the responsibilities on some authorities, instead of having to present each new title to tens of authorities for review.”

Mohammad al-Farih, manager of Al Abikan House for publishing and translation, hailed the ministry’s decision as “very good news.”

“It is daring and advanced, and will definitely lead to significant leap when it comes to cutting the former long procedures. However, the decision is still incomplete, and does not fulfill the aspirations of Saudi publishers and distributors, especially regarding changing the current form and methods of release procedures, which take weeks sometimes, and could interfere with the provisions of other sectors, which increases the complexity and time of getting a release,” he remarked.

“I totally believe that the update, renewal, replacement of some traditional systems, and conveying advancement is no more a luxury, but a duty that must be accomplished in line with our accelerating time. There is no more room for the same old thinking that consumed the time and efforts of publishers, observers, and the media ministry's employees,” he added.

“Some publishers, distributors, and workers in the writing and publishing industry may agree with me when I say that carrying out a pyramidal change to the publishing system is the best and most efficient solution to meet this age's needs. The responsibility of censorship in this field should be attributed to publishers and the industry workers alone, while focusing the role of government institutions and decision makers on law making, legislation, and monitoring to keep up with the digital age.”

“We must have the necessary legislations for the management, permission, and publishing of all types of digital books, in addition to the content targeting people with special needs, like those with visual impairments,” he urged.

“These types of books have become widespread in our age, but still don't have clear permission terms in the ministry's system and regulations. We hope the recent decision, which is very important, to be followed by other decisions that support and boost the publishing, translation, writing, and distribution movement, which has long suffered between the hammer of piracy and the anvil of distribution.”

Researcher and historian Dr. Badr bin Saleh al-Wahiby, who boasts many documented writings, and had to live many permission battles to publish his works, saw that cancelling pre-censorship on books is not sufficient in light of the Saudi Vision 2030.

Release permissions should be attributed to publishing houses instead of the many authorities that handle this responsibility today, because it would help writers, and publishers, and avoid the lost and wasted opportunities, he explained. Such a measure would also boost the publishing market in Saudi Arabia, and book fairs.

Rabih Kesserwan, founder and general manager of “Al Maaref Forum” in Beirut, said the decision to update censorship on books could lead to a renaissance in the publishing industry in the Kingdom.

“Making the mission easier and more accessible will encourage writers towards more productions, as they won't be waiting long to see their works in the markets. In the past, Saudi writers had to publish their works outside the Kingdom, send them to Saudi Arabia through a foreign publisher, and then a local distributor present them for censorship and review, and walk a long legal path before the book reaches the Saudi reader.”

“The increases of local works in cooperation with Saudi publishers will definitely double the number of published books inside the Kingdom, and would have a bigger effect, as it would motivate more writers to engage. The more the publishing sector prospers, the more the writers work, and so on.”



Egypt Unveils a Striking Trove of Ancient Artifacts as the Country Tries to Boost Tourism Industry

 In this photo provided by Ministry of Tourism and Antiquities, recently unearthed ancient artifacts are displayed on May 31, 2026, in Ehnasiya district in Beni Suef, 130 kilometers (80 miles) south of Cairo, Egypt. (Ministry of Tourism and Antiquities via AP)
In this photo provided by Ministry of Tourism and Antiquities, recently unearthed ancient artifacts are displayed on May 31, 2026, in Ehnasiya district in Beni Suef, 130 kilometers (80 miles) south of Cairo, Egypt. (Ministry of Tourism and Antiquities via AP)
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Egypt Unveils a Striking Trove of Ancient Artifacts as the Country Tries to Boost Tourism Industry

 In this photo provided by Ministry of Tourism and Antiquities, recently unearthed ancient artifacts are displayed on May 31, 2026, in Ehnasiya district in Beni Suef, 130 kilometers (80 miles) south of Cairo, Egypt. (Ministry of Tourism and Antiquities via AP)
In this photo provided by Ministry of Tourism and Antiquities, recently unearthed ancient artifacts are displayed on May 31, 2026, in Ehnasiya district in Beni Suef, 130 kilometers (80 miles) south of Cairo, Egypt. (Ministry of Tourism and Antiquities via AP)

Archaeologists unearthed a set of ancient artifacts in Egypt including Pharaonic funerary furniture, remains of a Roman basilica and a marble head of Aphrodite, the ancient Greek goddess of love and beauty.

The discoveries, announced Sunday, are part of the Egyptian government’s efforts to boost the country’s tourism industry and bring cash to the economy. At the center of these efforts was the November inauguration of the long-delayed Grand Egyptian Museum, a megaproject located near the famed Giza Pyramids and the Sphinx.

The remains of the basilica and Aphrodite’s head were found in an ancient necropolis in the province of Beni Suef, 130 kilometers (80 miles) south of Cairo, the Tourism and Antiquities Ministry said.

The Ehnasiya necropolis, which is also known by its ancient Roman name, Heracleópolis Magna, was one of the most significant cities of ancient Egypt.

Archaeologist Mohammed Abdel-Badei, head of the antiquities department at the Supreme Council of Antiquities, said that they found large stone blocks supporting columns, weighing up to 45 tons, that had been used in building the basilica. Three of the blocks remain standing in their original positions, he said.

Aphrodite’s head, measuring about 24 centimeters by 25 centimeters (9½ inches by nearly 10 inches), includes detailed features of the goddess' face and curly hair, reflecting the classical artistic traditions of the Greek and Roman periods, he said.

In this photo provided by Ministry of Tourism and Antiquities, recently unearthed ancient artifacts are displayed on May 31, 2026, in Ehnasiya district in Beni Suef, 130 kilometers (80 miles) south of Cairo, Egypt. (Ministry of Tourism and Antiquities via AP)

Archaeologists found inscriptions linked to Senusret III, who ruled between 1837 B.C. and 1819 B.C. during the ancient 12th Dynasty. The inscriptions include his throne, birth names of the Pharaoh, who is also known as Sesostris III, and was one of the most prominent rulers of Egypt’s Middle Kingdom.

Also unearthed were fragments of wall statues and terracotta molds, believed to have been used in coin crafting during the Roman period.

The findings show that Ehnasiya had been an active economic and commercial hub when Egypt was part of the Roman Empire between 30 B.C. and A.D. 395, Abdel-Badei said.

New findings in the ancient city of Heliopolis

In Cairo, archaeologists found a nearly complete set of funerary furniture in the Matariya neighborhood of Cairo, which was once part of the ancient city of Heliopolis, the ministry said.

Abdel-Badei, the head of the antiquities department, said that they unearthed a mudbrick burial with gilded remains in a coffin, believed to be for a military figure. They also found a cache of cosmetic tools, including a copper mirror and alabaster kohl containers.

Also found was a collection of yellow-colored metal earrings, consisting of five pairs of varying sizes, believed to be made of gold, he said.

The discoveries in Beni Suef and Cairo are the latest archaeological findings, which the government hopes will boost the vital tourism sector, partially driven by antiquities sightseeing.

A record number of about 19 million tourists visited Egypt last year, a 21% increase from 2024, according to official figures. The first four months of 2026 saw 6.1 million tourists visiting the country, compared with 5.7 million during the same period in 2025, the prime minister’s office said in May.


Lucian Freud Sue Tilley Portrait Could Fetch $47 Million at Auction

Sue Tilley, a model for British painter Lucian Freud, speaks in front of Freud's painting of her, titled "Sleeping by the Lion Carpet" during an interview in Sotheby's auction house in London, Thursday, May 28, 2026. (AP)
Sue Tilley, a model for British painter Lucian Freud, speaks in front of Freud's painting of her, titled "Sleeping by the Lion Carpet" during an interview in Sotheby's auction house in London, Thursday, May 28, 2026. (AP)
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Lucian Freud Sue Tilley Portrait Could Fetch $47 Million at Auction

Sue Tilley, a model for British painter Lucian Freud, speaks in front of Freud's painting of her, titled "Sleeping by the Lion Carpet" during an interview in Sotheby's auction house in London, Thursday, May 28, 2026. (AP)
Sue Tilley, a model for British painter Lucian Freud, speaks in front of Freud's painting of her, titled "Sleeping by the Lion Carpet" during an interview in Sotheby's auction house in London, Thursday, May 28, 2026. (AP)

A painting of Sue ‌Tilley, who found fame after artist Lucien Freud depicted her in the nude, will be auctioned next month with a price estimate of up to $47 million.

"Sleeping by the Lion Carpet" (1995-1996) is the last of four portraits the late British artist painted of Tilley or "Big Sue", a benefits supervisor and considered among his greatest works.

Depicting her naked and sleeping in an armchair, the painting has been part of businessman Joe Lewis's family collection since 1996. It is being offered at auction for the ‌first time at Sotheby's ‌with a price estimate of £25 million ‌to £35 ⁠million ($33.56 million to $46.99 ⁠million)

"It's made my life exciting," Tilley told Reuters on Friday at Sotheby's in London.

"I think that people can't believe that such a fat woman would take her clothes off and let someone paint her... I'm not really a vain person... everybody in the world is all different, all different shapes ⁠and sizes, so it's nice to have a ‌nice big one up there."

The ‌four canvases of Tilley, which Freud painted between 1993 and 1996, "are widely ‌regarded not only as the artist’s greatest body of ‌work, but also among the most important, most radical and most powerful paintings of the human figure in the entire history of art," Sotheby's said.

Among the four, "Benefits Supervisor Sleeping" (1995), showing Tilley sleeping on a ‌sofa, sold at auction for $33.6 million in 2008 - at the time, a record for a ⁠work by ⁠a living artist. In 2015, "Benefits Supervisor Resting" (1994), depicting Tilley sitting in the corner of a sofa with her head back, sold for $56.2 million.

"It's very rare that at auction we handle literally one of the greatest works the artist ever produced. So this is a real opportunity for a great collector and a masterpiece collector to acquire something," Oliver Barker, chairman of Sotheby's Europe, said.

"Sleeping by the Lion Carpet" will be sold as part of the "Masterpieces from the Lewis Collection" London auction on June 24.

Freud, known for his nude, fleshy portraits of family, friends and himself, died in 2011.


Festival Honoring Lithuania’s Iconic Cold Beet Soup Brings Thousands to Vilnius

"Šaltibarščiai" beetroot soup is prepared during the Pink Soup Fest 2026, an annual event celebrating the in Vilnius, Lithuania, on May 30, 2026. (AFP)
"Šaltibarščiai" beetroot soup is prepared during the Pink Soup Fest 2026, an annual event celebrating the in Vilnius, Lithuania, on May 30, 2026. (AFP)
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Festival Honoring Lithuania’s Iconic Cold Beet Soup Brings Thousands to Vilnius

"Šaltibarščiai" beetroot soup is prepared during the Pink Soup Fest 2026, an annual event celebrating the in Vilnius, Lithuania, on May 30, 2026. (AFP)
"Šaltibarščiai" beetroot soup is prepared during the Pink Soup Fest 2026, an annual event celebrating the in Vilnius, Lithuania, on May 30, 2026. (AFP)

A festival honoring Lithuania’s iconic cold beet soup brought tens of thousands of visitors Saturday to its capital city, which was fully decked out in pink.

The colorful three-day Vilnius Pink Soup Fest featured a synchronized "Pink Break" lunch of revelers from across the globe all sharing in the beet soup, known as šaltibarščiai, sitting at long tables.

Organizers estimated that more than three metric tons (6,614 lbs) of the fermented milk drink kefir, a key ingredient, would be consumed over the three days and more than 100,000 people would attend the event.

Lithuanians devour the refreshing soup during the Baltic country's short summer. Besides beets and kefir, the ingredients include boiled potatoes, eggs, cucumbers and dill.

The festival attracted an international crowd, including tourist Connor Holmes, who came from the United Kingdom after he found the event online and thought "it was completely ridiculous in the best possible way."

"Before I knew it, I was building a suit of pink knight armor, carrying a spoon instead of a sword, and decorating my shield with eggs, dill and potatoes," he said. "At that point, coming to Vilnius and seeing all this craziness myself felt like the next logical step."

The city transformed into a giant pink playground as tourists and locals alike dressed up in pink. Others celebrated in cucumber, egg and beet costumes as the city hosted a parade on land as well as along the Neris River.

Jolanta Žukienė, a teacher from Vilnius, said this year was her fourth time attending the festival. She brought her three children and her husband along on Saturday.

"I can see how the number of attractions and visitors from abroad is growing, and Vilnius is becoming a real magnet for everyone who loves good food and unique experiences," she said.

The festival is part of the city's efforts to increase tourism to the Baltic country.

"Looking at the crowds on the banks and the decorated boats, we joked that cold beet soup already dominates both land and water," said Dovilė Aleksandravičienė, director of Go Vilnius, the city's development agency. "Perhaps the air is next."