Cardi B, Queen Latifah, Lil Nas X Shine at BET Awards

Queen Latifah accepts the lifetime achievement award at the BET Awards on Sunday, June 27, 2021, at the Microsoft Theater in Los Angeles. (AP)
Queen Latifah accepts the lifetime achievement award at the BET Awards on Sunday, June 27, 2021, at the Microsoft Theater in Los Angeles. (AP)
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Cardi B, Queen Latifah, Lil Nas X Shine at BET Awards

Queen Latifah accepts the lifetime achievement award at the BET Awards on Sunday, June 27, 2021, at the Microsoft Theater in Los Angeles. (AP)
Queen Latifah accepts the lifetime achievement award at the BET Awards on Sunday, June 27, 2021, at the Microsoft Theater in Los Angeles. (AP)

Cardi B’s “WAP” had new meaning at the BET Awards: winning and pregnant.

The Grammy-winning star debuted her baby bump during a live performance Sunday alongside husband Offset as well as Quavo and Takeoff of Migos. She also won video of the year for her Megan Thee Stallion-assisted No. 1 hit “WAP.”

Cardi B didn’t stay to accept the honor at the Microsoft Theater in Los Angeles, but Megan Thee Stallion rushed to the stage to pick up the award, forgetting to thank Cardi during her speech.

But the “Savage” rapper made up for it when she won best female hip-hop artist moments later.

“I really forgot to say ‘thank you Cardi’ for even putting me on ‘WAP’ because it makes me feel so good to be acknowledged by one of my peers, who I think so highly of,” said Megan Thee Stallion, who was the big winner of the night with four trophies. “I think so highly of all the women who was nominated in this category.”

Queen Latifah was honored for her illustrious career as a Grammy-winning rapper, a Golden Globe-winning actor and an Emmy-winning TV producer. Rapsody and Monie Love kicked off the tribute with a performance of “Ladies First,” which was followed by Lil Kim and MC Lyte rapping the classic “U.N.I.T.Y.”

Lil Nas X won over the crowd with his No. 1 hit “Montero (Call Me By Your Name)”. His stage was set in Ancient Egypt, much like Michael Jackson’s “Remember the Time,” which Lil Nas X paid tribute to with a skilled dance break during the performance.

Mothers were also saluted during the three-hour-plus show: Queen Latifah, who attended with her father, held a photo on her mother onstage; Megan Thee Stallion remembered her mother, who died in 2019, during her speech: “She can’t be here with me today but I still think about her everyday and she is the reason why I keep going.” And Jazmine Sullivan — who won album of the year for her critically acclaimed EP “Heaux Tales” — attended the show with her mother, who is battling cancer.

“My mom was diagnosed with breast cancer two years ago so we didn’t see any of this happening, but God has been so faithful to us and my mom is in remission,” she said. “This is my prize. This is my gift. It means more to me than anything that she’s here with me. She supported me all my life.”

The ceremony was dedicated to “the year of the Black woman,” as actor and host Taraji P. Henson put at the top of the show. Rep. Maxine Waters said her signature phrase — “reclaiming my time” — before Sullivan hit the stage for a sultry, top-notch performance featuring fellow R&B singer Ari Lennox. The first award of the night went to Andra Day, who won best actress, while Darnella Frazier — the teenager who pulled out her cellphone and began recording when she saw George Floyd being pinned to the ground by a police officer — was given the Shine a Light Award.

Frazier didn’t attend the awards show but the honor came weeks after she was awarded a special citation by the Pulitzer Prizes for her video that helped to launch a global movement to protest racial injustice.

H.E.R., who also wowed the audience with her performance, won best female R&B/pop artist. The Grammy winner told the crowd that it is “important for us to recognize each other and celebrate each other.”

“If we don’t, who else will?” she added.

Rapper Lil Baby won best male hip-hop artist and joined forces with gospel artist Kirk Franklin to kick off the show with a performance that got Issa Rae, Queen Latifah, DJ Khaled and Zendaya bouncing in their seats.

Swizz Beatz curated the tribute to DMX, who died in April at age 50. Performers included Busta Rhymes, Method Man, The Lox, Michael K. Williams and Griselda.

Other winners Sunday included Chris Brown, who won best male R&B/pop artist; Giveon, named best new artist; and Silk Sonic — the duo of Bruno Mars and Anderson .Paak — took home the best group award. Chadwick Boseman posthumously won best actor.



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”