London Film Festival Welcomes Audiences Back to the Movies

The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
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London Film Festival Welcomes Audiences Back to the Movies

The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi

Movies from 77 countries will screen at the 2021 London Film Festival, as Britain’s leading cinema showcase welcomes mass audiences back to movie theaters after a pandemic-disrupted year.

The festival program, announced Tuesday, includes 158 features, down from 225 during its last pre-pandemic edition in 2019. The 2020 festival was a curtailed collection of 58 films, most screened online.

This year, mask-wearing, full-capacity audiences will be able to attend gala screenings at London’s riverside Southbank Centre, with many of the premieres screened simultaneously at movie theaters across the UK.

About 37% of the features are directed by women — not yet parity, but up from a quarter four years ago and “heading in the right direction,” The Associated Press quoted festival director Tricia Tuttle as saying.

The festival opens Oct. 6 with the world premiere of “The Harder They Fall” — a Western from British director Jeymes Samuel with a Black-led cast — and closes Oct. 17 with the European premiere of Joel Coen’s “The Tragedy of Macbeth,” starring Denzel Washington and Frances McDormand as Shakespeare’s murderous Scottish royals.

The lineup includes 21 world premieres alongside prize-winners and headline-grabbers from the Cannes and Venice film festivals, including Jane Campion’s Montana-set Western “The Power of the Dog” and Edgar Wright’s swinging-60s horror romp “Last Night in Soho,” both of which premiered in Venice this month.

Also on the schedule are French director Julia Ducournau’s techno-sexual thriller “Titane” — winner of Cannes' top prize, the Palme d'Or — Paul Verhoeven’s lesbian nun drama “Benedetta” and Wes Anderson’s whimsical “The French Dispatch,” both of which also premiered at the French Riviera festival.

The London festival will also feature Maggie Gyllenhaal’s Elena Ferrante adaptation “The Lost Daughter”; Reinaldo Marcus Green’s “King Richard,” which stars Will Smith as the father of Venus and Serena Williams; Kenneth Branagh’s homage to his home town, “Belfast”; Jacques Audiard’s “Paris, 13th District” and Todd Haynes’ music documentary “The Velvet Underground.”

Another highlight is Chilean director Pablo Larrain’s “Spencer” — a film whose first publicity shot of Kristin Stewart as Princess Diana was enough to set off a frenzy of anticipation.

“I don’t think there’s a film fan alive who doesn’t want to see this film after that still was released,” Tuttle said.
Embracing television as well as cinema, the festival is also screening the first two episodes of the third series of media-dynasty drama “Succession.”

Festival organizers are still unsure how the coronavirus pandemic will affect plans for red-carpet premieres and parties. Four-fifths of British adults are fully vaccinated, and there are few restrictions on social life. But infections remain high, and are expected to climb further now that children are back at school.

Tuttle says a few films in the lineup deal explicitly with the pandemic, including Matthew Heineman’s documentary “The First Wave” and “7 Days,” a coronavirus romcom about a couple locked down together after a disastrous first date.

“We were wary of going too heavily into the pandemic,” Tuttle said. “We’ve just chosen films that charmed us or felt too urgent not to include in the program.”



Simone Biles to Join Snoop Dogg as Guest Mentor for an Episode on NBC's 'The Voice'

Simone Biles arrives at the 58th Annual CMA Awards on Wednesday, Nov. 20, 2024, at Bridgestone Arena in Nashville, Tenn. (Photo by Evan Agostini/Invision/AP)
Simone Biles arrives at the 58th Annual CMA Awards on Wednesday, Nov. 20, 2024, at Bridgestone Arena in Nashville, Tenn. (Photo by Evan Agostini/Invision/AP)
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Simone Biles to Join Snoop Dogg as Guest Mentor for an Episode on NBC's 'The Voice'

Simone Biles arrives at the 58th Annual CMA Awards on Wednesday, Nov. 20, 2024, at Bridgestone Arena in Nashville, Tenn. (Photo by Evan Agostini/Invision/AP)
Simone Biles arrives at the 58th Annual CMA Awards on Wednesday, Nov. 20, 2024, at Bridgestone Arena in Nashville, Tenn. (Photo by Evan Agostini/Invision/AP)

Snoop Dogg and Simone Biles turned their Olympic bond from this summer’s Paris Games into a new challenge: The superstar tandem will team up on NBC’s “The Voice.”
Biles will join Snoop for an episode on the reality competition television series, airing Monday. As a coach on the show, the rap star enlisted Biles as a mentor in the playoff round to help advise five vocalists who are vying for a spot in the live shows.
For Snoop and Biles, their pairing was a superb match for the sports and music icons — who carried their effortless chemistry from the Olympics to the TV set of “The Voice.”
“We were able to riff off each other and give the artists the best insight going into the next round,” Biles told The Associated Press in a recent interview with Snoop after both finished filming the episode in Los Angeles.
“It was pretty easy, simple,” added Biles, the most decorated gymnast of all-time who won four medals — three of them gold — at the recent Olympics. “We’re both very mellow. But if we need to bring that energy up, then we can. For us, it was about instilling confidence going into the next week.”
Biles might be famous for her athletic prowess, but she was able to relate to the music contestants — from one competitor to another.
“These are the learning steps: Learn, process, go back in and work,” she said. “They all have the vocal talent. It’s about harnessing that, knowing when to bring it out and which songs to sing and which genre you fit in. And what you want your legacy to be. This is truly a special show as well as the judging. They don’t get to see the physical appearance first. It’s all off of ears, listening and putting their craft together as well.”
Despite having different career paths, Snoop and Biles share a mutual respect for each other’s ability to shine on the biggest stages.
“We have such diverse careers. But the things that we dealt with, they’re dealing with now,” said Snoop, the ultra-smooth entertainer who took on a starring role as a special correspondent in NBC’s record-breaking coverage. He’s a coach on “The Voice” along with Michael Bublé, Reba McEntire and Gwen Stefani, with each attempting to discover and coach the next singing phenomenon.
Snoop said they felt the need to instill wisdom and confidence in each participant.
“We have the best experience and knowledge to give to these performers,” he said. “She’s a performer. I’m a performer. We’ve performed under extreme conditions. We always do our best. But sometimes things happen behind closed doors that you don’t know about. So, we’re able to speak to those things and give them real reassurance.”
During the Olympics, Biles and Snoop had a few viral moments. Both caught up with each other to cheer on Sydney McLaughlin-Levrone during her 400-meter hurdles race; he gifted Biles’ father, Ronald Biles, with a Death Row Records gold necklace for his 75th birthday; and he was spotted dancing in the crowd during the women's gymnastics qualifying round as Biles and her teammate Jordan Chiles joined in.
While on set, Biles was often all smiles while watching Snoop in his charismatic element.
“I knew Snoop would stay true and authentic to himself here on ‘The Voice.’” she said. “It’s nice that you don’t have to fit a mold. There’s a space for everyone.”
Snoop said it made sense for both to work together on the episode.
“This is family. It feels good,” Snoop said. “(Biles) can do anything she wants to do. She picks and chooses what she wants to do.